WEBVTT

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Hey, Pants people, we are thrilled that you're

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enjoying the podcast. We want to share it with

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all of your friends, or at least one or two of

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them. So tell somebody about Fantasy Pants. As

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a finale to this little series, we're going to

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talk about the half -elf monk, Elirova. Raised

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in a temple of architecture on the world of Umizu,

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Elirova spent her early years in quiet isolation.

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Empathy and honesty became her guiding lights,

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up until she came to realize her most terrible

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truth. You see, Elirova's true -born parents

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turned out to be a group of notorious, ruthless

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pirates, confused and torn by this horror revelation.

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Ellie Rova left her temple behind in the pursuit

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of her parents and the further truths behind

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her birth. With her treasured bag of holding

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in hand, filled with books and blueprints, she

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made her way towards rumors of vicious pirate

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attacks. Early on her quest, though, she came

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across a group of hobgoblin bandits and teamed

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up with Daryl Twilight and the Verdant Viper

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to fight them off. From there, Ellie Rova and

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the others formed the luminary adventuring party

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Desi Sadatase. And the rest, folks, is history.

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Yeah, but... Thank you, Gwen Shepard! Is she

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thick, though? It's not. Hey, let me look at

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the paper. Yeah. Yeah, I want to listen back

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to each of those episodes and see how you pronounced

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it each time. Yeah, I'm curious to know what

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the actual way to pronounce that is. Yeah, we

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need to find out. Write in. If you're from...

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No, keep going. You almost got it. Gabby, who's

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the killer? Gabby just... Sorry. While I was

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speaking right there, my wife reached over with

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her greasy little goblin fingers, pressed up

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on my keyboard to the point where she found the

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killer of this whole thing. Maybe you'll find

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it tonight. I don't know. But someone here in

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this room, apart from me, knows who the killer

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is. I mean, the real killer is Beezus Breath,

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but... The real killer is cigarettes. Thank you,

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Gwen Shepard. Write in, let us know if she's

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thick. You don't have to do that. Really, thank

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you, though. The whole crew. Yeah, thank you

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guys so much. That was really special. I love

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that you guys made it a tongue twister to torture

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me. It's very fun. I mean that earnestly and

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honestly. It was a good time. Guys, tonight could

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be the night. Tonight could be the night that

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you put all the pieces together and you find

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out who is behind this thing. Gabby knows. Maybe

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you'll know soon as well. But you're going to

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have to be clever. And you're going to have to

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make the impossible possible. I believe in you.

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We're screwed. I believe in you. I think you've

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got this. So let's start this off. We're really

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off again? What happened the last time? What

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did we end off with? We literally just did this

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10 minutes ago, David. Yeah, he's teasing us.

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I'm teasing. I know. I know, and I'm being a

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dick. Let me do this. Let me get my nuts going.

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Oh, no. Jesus. What the fuck? Hey, what do we

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leave off? What happened last? Was it cool? Was

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it exciting? Yeah, it was cool, exciting. Something

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about a baby child. Yeah, what's the child? Oh,

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yes, the child. The child. Blanche. We start

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off. Yeah. Yeah, fuck you all. Yeah! He's extending

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the cliffy. Stay in the cliff. Start off in the

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cells. As you step in the room, Jaune takes a

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hard look around. You can see the battle is flashing

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through his eyes as he just takes it all in.

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Probably looks at the bloodstains along the wall.

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So, how? How'd they do it? How? Here. What do

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you think, sir? I'm not sure yet, Tadpole. I

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know it's hard to think about, but what do you

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remember? What did you see? Walk me through the

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events that led up to the battle. Well, very

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well. I was here with that damnable ado. It's

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damnable, fella. We were having a conversation.

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We were probably arguing. And he was probably

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wrong. And, um... Yes. Of course, maybe we had

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to share some words. These stops. You weren't...

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watching, sir, right? Through Turbo, you didn't...

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You weren't aware of anything I was saying. It

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was probably a pointless, very annoying argument,

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the sort we normally get up to, so it's good

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if you didn't hear it. If it's not something

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you wish for me to know, then I shall not ask.

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Anyway, we had a moment. It was interrupted,

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though. Everything started upstairs. You know,

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the big old bombs, the rumbling, all that stuff.

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We had to dive back, almost got covered in dust.

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As we were watching the room, that's how the

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duergar just approached Xenia. She was asking

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to be let go and brought upstairs, and it seemed

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like Harlan was going to go along with it. And

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then he just struck. Wait, it was just dust falling

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from the room upstairs? You hear this, you look

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up. You do see right above where the duergo would

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be standing, there's a support beam running across

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the top of the room. And if you remember in the

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episode, the dust fell. And just after that happened,

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you think back, because you put this together

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yourself, you think back and you remember there

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was dust covering the armor of Harlan and Grumby.

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Wow. Well, that was anticlimactic. But it still

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begs more questions. How'd they do it? How'd

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they lace the, I mean, you assume now, Someone

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must have laced the pillar. I'm going to wave

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your investigation rolls on this. As you kind

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of look down, you have your glasses, you look

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down and across the floor and you see bits of

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dust are lacing it. Oh, I see. So you're not

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saying that it was just an accident that it went

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off and dust fell through the floorboards. It

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was set there so that the explosion would set.

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Yes, you would know from the map that this is

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actually not set directly below the ballroom.

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It's actually closer to where the salon is right

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beside the ballroom. So dust falling in the ballroom

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would not fall down here. What happened was someone

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had set the pillar, laced the top of it, you're

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realizing, with this dust. And when the bomb

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went off and the place shook, it fell down. It

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was planned to be simultaneous. Hmm. Okay. So...

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Is there anything that Blanche can gleam from,

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like, climbing up and looking at the... I mean,

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like, that's stupid. Maybe not. There's two options.

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Someone came into this cellar beforehand and

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left it there. In that case, they would have

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had to have known people were going to be in

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the cellar, in this exact room, in these cells,

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in that spot, before anyone came into the building?

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Right. Well, I mean, yeah, if the plan was to

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get the heirs arrested... That could be the case.

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It very well could be the case. Yeah. That would

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imply then that someone who maybe was part of

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the staff or a family already here or someone

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who made very, very swift work somehow unnoticed

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upon entering. Right. But it would have been

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pretty weird if someone came down here, you know,

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between the events of entering the building,

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that one hour period where you were in the billiards

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room. Yeah. Again, I'm having a hard time ruling

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out Amos near. Do you want to investigate the

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pillar? Yes, I would like to. Well, yeah, that's

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another thing is getting up there is going to

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tell Blanche how somebody else would have gotten

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up there. Jaune's going to assist you by sort

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of helping you, heaving you up. I'm going to

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give Paul the help action. He's just going to

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let you on his shoulder so you can kind of get

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a closer look at everything. Okay, piggyback

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ride from Jaune. Yeah. Let me double check my

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investigation here. And I have my advantage from

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my little goggly glasses. 18. You are lifted

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up. You sort of climb your way, sort of maybe

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you climb onto the pillar and you're kind of

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holding onto it, sort of standing on John's uplifted

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arms, just barely reaching the top of this room.

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And I knock Beezus' breath all into his face.

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You see the pillar probably has some remains

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of dust on it. Maybe you do see some glimmer

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of pink mixed among it. Maybe not all of it fell.

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It looks like a good amount, a good portion was

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used here. As you investigate the spot, you realize,

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one, this pillar has been disturbed. You don't

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think someone had climbed up here before you.

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As you kind of put your hand down, even where

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the dust has kind of fell off, there's still

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a distinct sort of small light layer that you

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can wipe away as you touch. It has not been cleaned

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in some time. Larissa has been lacking in this

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room. But what you do realize, maybe you reach

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up and knock on the ceiling. You get the sound

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from the boards above that it might be hollow.

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Hollow floorboard. Okay. So there might be something,

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a crawl space between the first floor and the

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ceiling above you now in the cellar. You see

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like maybe a small knot hole in the wood just

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above where things are being poured down. It's

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as if someone had been in the space above slowly

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letting the poison fall, setting the trap. Okay.

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Is there a loose board to move? I wouldn't say

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there's a loose one. Okay. Can I break your way

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through? Yeah, I was going to say, how about

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we make one? Okay. All right. Give me a strength

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check. Athletics. Oh, I thought that was a 10.

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It's a 16 plus 3, 19. Okay. You crack the board,

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slide it to the side, crack another one. You

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move a few of these. You know, as you're kind

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of peering up into this crawl space above, looking

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out into the dusty darkness between floors. First

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thing you notice, it's pretty tight quarters

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in here. You would not be able to fit with your

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shell to move around. Oh, okay. So whoever was

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up here. Does not have a shell. Does not have

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a shell. Hey, you know what? You rule out too.

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You probably didn't think it was De Pere or Ledoux,

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but like you can rule out De Pere and Ledoux

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perhaps. Right. You peek around. I think you

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do see in the dust there is someone has been

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moving through here. Gotcha. Someone has disturbed

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it. Someone had moved through this place, which

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means they either climbed up from somewhere in

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the cellar or climbed down from somewhere on

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the first floor. Right. It would be hard to go

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far, perhaps. With determination, anything's

00:11:33.519 --> 00:11:37.139
possible, but... Sure. Can Blanche get a direction

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of travel, or is it in all directions? That's

00:11:40.460 --> 00:11:42.919
a good question. I mean, if it's dusty up there...

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Yeah, it would be pretty dusty. It would be pretty

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dusty. Give me a second investigation check on

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this one. This is kind of a new scene to look

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at, and this could be pretty cool. First roll

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is a two, so the second one better really do

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something. 19. There's no direction of travel.

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What exactly does that mean? It means there's

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no direction of travel. There's just... Marks

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everywhere? There's marks right there. And that's

00:12:15.960 --> 00:12:18.360
it? And that's it. Okay, so what's directly above

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us? Right above you now would be the salon. Can

00:12:22.320 --> 00:12:26.159
Blanche see light through the ceiling above the

00:12:26.159 --> 00:12:28.179
floor of the salon? Oh, that's a good question.

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I don't... I think the floors of the main floor

00:12:32.159 --> 00:12:35.000
are going to be very well made. I don't think

00:12:35.000 --> 00:12:36.960
there would be much more seams between them.

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Jaune, pass me your spear. Oh. Slides a spear

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up to you. She uses the butt end. She starts

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poking around above her head to try to find something

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loose. Poke, poke, poke. Doom, doom, doom, doom.

00:12:55.240 --> 00:12:59.799
Board. There's something on it, but it feels

00:12:59.799 --> 00:13:06.720
loose. Okay. So the length of the spear between

00:13:06.720 --> 00:13:11.710
the... The board, the loose board and the beam

00:13:11.710 --> 00:13:15.730
that Blanche is standing on. Can she wedge it

00:13:15.730 --> 00:13:18.210
in there? I'm just trying to like, so when I

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walk up to the salon, when Blanche walks up to

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the salon, I want her to be able to see this.

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I don't want to do a whole nother role. No, I'm

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into it. And I'm also leaving John's weapon behind.

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So that's stupid. So I'm not doing that. Okay.

00:13:31.649 --> 00:13:33.669
You can, I think you can have a rough idea of

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where it might be kind of just orienting yourself.

00:13:35.870 --> 00:13:39.289
Okay. Sure. All right. You already rolled very

00:13:39.289 --> 00:13:42.210
high on looking over the map, so we'll say that

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you just kind of get an idea. Jean, we're going

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to the salon. Oh, sir. I thought you'd never

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ask. Not that salon. The salon upstairs. Oh,

00:13:52.549 --> 00:13:55.750
it's a mystery thing. Yes. Okay, and Blanche

00:13:55.750 --> 00:13:59.269
is going to make haste for the salon. Jules,

00:13:59.490 --> 00:14:06.000
we're back upstairs. There was a child. Samira

00:14:06.000 --> 00:14:10.299
continues. Her knuckles are white. You see a

00:14:10.299 --> 00:14:12.519
small trickle of blood run down her palm where

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her fingernails are digging in. This hurts her.

00:14:16.360 --> 00:14:21.740
There was a child there. In the trees. I couldn't

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say much about them. It was just a dirty, pathetic

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thing. I couldn't even tell the gender. But they...

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Hold on. They looked like... They looked like

00:14:33.940 --> 00:14:38.059
her. Like Proud Eden. I knew the others would

00:14:38.059 --> 00:14:41.399
see the child killed, so I urged them into the

00:14:41.399 --> 00:14:46.559
night to flee, to run. It's them, isn't it? They're

00:14:46.559 --> 00:14:51.440
back. They know who killed their mother. I don't

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know. She ran. She? They. He said earlier, I

00:14:59.899 --> 00:15:01.399
couldn't determine the gender. I couldn't determine

00:15:01.399 --> 00:15:03.200
the gender. Oh, okay. I meant to tell you, I

00:15:03.200 --> 00:15:06.409
was thinking of Proud Eden. Okay. They ran. What

00:15:06.409 --> 00:15:09.570
is the... Remind me of the time span between

00:15:09.570 --> 00:15:11.649
now and then. I'm trying to figure out if this

00:15:11.649 --> 00:15:13.789
child survived, how old it would be. 16 years.

00:15:14.070 --> 00:15:17.350
16 years. Okay, so... How old did the child look?

00:15:18.230 --> 00:15:24.950
Young, maybe four, five. They could have been

00:15:24.950 --> 00:15:29.830
small for their age. They were tiny. They could

00:15:29.830 --> 00:15:32.889
have been even older. Tiny? How old is Diva Luma,

00:15:33.009 --> 00:15:36.779
I wonder? Diva Luma would be in her early 20s.

00:15:37.120 --> 00:15:39.879
Oof. Did she have early access to the building?

00:15:40.019 --> 00:15:43.139
Oof. That's the thing. Oof. From what you've

00:15:43.139 --> 00:15:46.120
seen, she didn't. And she was in the room with

00:15:46.120 --> 00:15:52.139
you the entire first hour. Oh, she was. So how

00:15:52.139 --> 00:15:55.820
could she be the one? Yeah, but wasn't that...

00:15:55.820 --> 00:15:58.639
Where were we being held? The billiard room.

00:15:59.080 --> 00:16:02.480
Okay, so that... Far off on the western... No,

00:16:02.539 --> 00:16:06.840
eastern. Uh, wait. Wasn't she in the salon, though,

00:16:06.899 --> 00:16:11.279
getting ready? She was in the salon during the

00:16:11.279 --> 00:16:14.980
in -between time. Fucking thing. That was good.

00:16:16.440 --> 00:16:18.759
Take a button. I actually did something. Take

00:16:18.759 --> 00:16:22.059
a button. She was in the salon. That's where

00:16:22.059 --> 00:16:25.100
she was getting ready. That's true. And she definitely

00:16:25.100 --> 00:16:29.019
has access to her own pyrotechnics. Yep. That's

00:16:29.019 --> 00:16:32.179
also true. But... How would she get to the bottle?

00:16:34.319 --> 00:16:37.919
Invisibility. Yeah, but she's a bard? Her class

00:16:37.919 --> 00:16:39.600
is undefined. From fighting her, she has the

00:16:39.600 --> 00:16:43.299
qualities of an assassin. When you saw her, invisibility

00:16:43.299 --> 00:16:44.460
was extremely short -lived. So she's trained

00:16:44.460 --> 00:16:46.759
to get in and out of places. Sure. The bottle

00:16:46.759 --> 00:16:49.980
of wine could have been Fyodor. She could have

00:16:49.980 --> 00:16:53.460
provided it. He could have placed it. Yes. She

00:16:53.460 --> 00:16:55.279
could have made the order for it to be sent.

00:16:55.879 --> 00:16:59.940
You could always ask. I wonder if she's written

00:16:59.940 --> 00:17:04.190
it on anything. I don't know what happened. They

00:17:04.190 --> 00:17:08.349
ran and I don't know what happened. I thought

00:17:08.349 --> 00:17:12.529
they would just, I don't know, disappear. A bad

00:17:12.529 --> 00:17:17.690
memory lost. And then my son died. And it's my

00:17:17.690 --> 00:17:22.809
fault. I'm sorry. Thank you for talking to me.

00:17:23.609 --> 00:17:27.529
And Jules will get up and open the door. Chester,

00:17:27.630 --> 00:17:30.450
in this moment of tenderness, takes her by the

00:17:30.450 --> 00:17:33.910
hand. Hey, come on. It's all right. We're going

00:17:33.910 --> 00:17:36.069
to figure this out, okay? We're going to figure

00:17:36.069 --> 00:17:40.809
this out. Thank you. Leg leads her outside. Closes

00:17:40.809 --> 00:17:43.750
the door and just whistles. Oh, shit, Jules.

00:17:44.549 --> 00:17:47.309
What do you think? Well, Jules is going to open

00:17:47.309 --> 00:17:52.029
the door right back up. Fyodor. Hmm? Let's chat

00:17:52.029 --> 00:17:55.450
for a second. Thought I will. Yes, I will have

00:17:55.450 --> 00:17:59.279
chat with you. Fyodor walks in the room. Jules,

00:17:59.339 --> 00:18:02.500
how long will this take? I am cook with no kitchen.

00:18:03.079 --> 00:18:06.819
My hands miss the feeling of pan. I get it. The

00:18:06.819 --> 00:18:09.599
smell of the omelette. I get it. Do me this favor,

00:18:09.680 --> 00:18:13.519
though, okay? Was it tasty? It was fucking delicious.

00:18:13.839 --> 00:18:16.279
You're the only one who had. It was so delicious,

00:18:16.400 --> 00:18:19.539
I almost stopped and left the fight because I

00:18:19.539 --> 00:18:21.680
wanted to eat all of those omelettes. I love

00:18:21.680 --> 00:18:23.559
hearing this. This is good news for me. For real.

00:18:23.619 --> 00:18:26.200
This is good news for me. All right, let's get

00:18:26.200 --> 00:18:29.859
down to brass tacks. Yes. The tax or brass? The

00:18:29.859 --> 00:18:32.839
wine that you served. The one that was sent to

00:18:32.839 --> 00:18:34.819
Miller Horror's room? Yes. It was Larissa who

00:18:34.819 --> 00:18:37.619
brought, but yes, I am aware of this. That's

00:18:37.619 --> 00:18:40.079
the only thing you saw was Larissa bringing you

00:18:40.079 --> 00:18:44.400
the wine. Well, yes, I made the fruit platter

00:18:44.400 --> 00:18:47.039
and she brought the wine. We put it on the platter

00:18:47.039 --> 00:18:50.160
and it goes upstairs. Did you see where the wine

00:18:50.160 --> 00:18:52.859
came from? From cellar, of course, from wine

00:18:52.859 --> 00:18:55.500
cellar. The stairs are... The main stairs to

00:18:55.500 --> 00:18:58.339
Sailor for Wine is just by kitchen, so I can

00:18:58.339 --> 00:19:00.319
see everyone that goes in and out. And who did

00:19:00.319 --> 00:19:02.980
you say all went down there? You mean all day?

00:19:03.240 --> 00:19:07.380
All day. Everyone inside. It was me here and

00:19:07.380 --> 00:19:09.940
there. Larissa goes down, she cleans it, checks

00:19:09.940 --> 00:19:13.700
it. Ezra goes down, of course. Amos checks on

00:19:13.700 --> 00:19:16.480
everything. Everyone goes, it is a popular place.

00:19:17.339 --> 00:19:21.640
It is in there, after all. Ezra went down? Yes,

00:19:21.640 --> 00:19:25.670
Ezra. He went down today, yes. Just him? Him

00:19:25.670 --> 00:19:29.710
alone. Only once. Twice. Twice he went down.

00:19:30.450 --> 00:19:33.069
Just before you come in. Was he bringing anything

00:19:33.069 --> 00:19:36.690
down or carrying anything up? I was very busy.

00:19:36.789 --> 00:19:43.250
I do not remember. I, um, kind of grumbles and

00:19:43.250 --> 00:19:46.049
you start thinking, rubbing his head. I feel

00:19:46.049 --> 00:19:49.029
like he did have something. Something he brought.

00:19:50.150 --> 00:19:53.210
And he looks you in the eye. In something he

00:19:53.210 --> 00:20:00.269
brought. Beck. Blanche. Fuck you. You move into

00:20:00.269 --> 00:20:04.329
the salon. Yes. As you go here, you also turn

00:20:04.329 --> 00:20:06.630
around the corner. I will say this. As you turn

00:20:06.630 --> 00:20:08.450
the corner towards the salon, the kitchen stands

00:20:08.450 --> 00:20:11.130
open as well. You know you have a contact waiting

00:20:11.130 --> 00:20:13.970
outside you could speak to on the way or afterwards,

00:20:14.230 --> 00:20:16.289
whatever order. So you're saying I don't have

00:20:16.289 --> 00:20:19.170
to wait until 7 o 'clock? No. Fjodor hinted to

00:20:19.170 --> 00:20:21.890
you very strongly that somebody is out there

00:20:21.890 --> 00:20:25.029
right now. that because of everything that's

00:20:25.029 --> 00:20:27.109
going on outside, all the hubbub, his contact

00:20:27.109 --> 00:20:29.650
is there. Maybe just trying to get information,

00:20:29.730 --> 00:20:31.089
waiting for someone to appear in the window.

00:20:31.309 --> 00:20:36.710
Okay, so as we're walking by the kitchen, Blanche

00:20:36.710 --> 00:20:39.450
is going to stop Jean. Oh, thank goodness. Yes,

00:20:39.509 --> 00:20:42.849
I'm so hungry. Do not enter the kitchen. Fuck.

00:20:45.170 --> 00:20:50.609
Jean, I'm going to disguise myself as Fyodor

00:20:50.609 --> 00:20:54.880
and enter the kitchen. What? I need you to stay

00:20:54.880 --> 00:20:57.980
out of sight. Do you understand? Yes, sir. Of

00:20:57.980 --> 00:21:00.700
course, sir. I shall hold the line here. Blanche

00:21:00.700 --> 00:21:03.720
is going to cast Alter Self. Oh, that's really

00:21:03.720 --> 00:21:08.880
cool. To make herself look just like Amos. Not

00:21:08.880 --> 00:21:11.859
Amos Nier. That would be not what I want. Like

00:21:11.859 --> 00:21:16.839
Theodore the Cook. Hell yeah. And she's going

00:21:16.839 --> 00:21:20.019
to walk over to the window. You walk over to

00:21:20.019 --> 00:21:22.920
the window. You peek out of it. Sure enough,

00:21:23.039 --> 00:21:26.740
there is a somewhat notable figure. I mean, there's

00:21:26.740 --> 00:21:28.680
a crowd all around this place, but just kind

00:21:28.680 --> 00:21:31.960
of right sort of leaning up against the fence,

00:21:32.059 --> 00:21:34.539
almost not looking as inconspicuous as before,

00:21:34.680 --> 00:21:37.759
kind of staring out towards the building, eyes

00:21:37.759 --> 00:21:40.539
sort of wide, like they're just willing themselves

00:21:40.539 --> 00:21:43.680
to be seen. You see this, you see dark skin wrapped

00:21:43.680 --> 00:21:46.359
in a gray cloak and hood just a wiry build, youthful

00:21:46.359 --> 00:21:50.740
features. This is the contact. And they see you.

00:21:51.369 --> 00:21:56.410
And there is just this relief that floods. Now,

00:21:56.450 --> 00:21:58.910
message is basically just, there's no word limit,

00:21:58.950 --> 00:22:01.569
right? It's just back and forth, constant? Yeah,

00:22:01.710 --> 00:22:05.009
I can read it if you'd like. I think it's fine.

00:22:05.210 --> 00:22:06.509
I think it's just whispering and then you hear

00:22:06.509 --> 00:22:10.250
it. The mouth begins to move silently way over

00:22:10.250 --> 00:22:12.029
there. And in your ears, though it's right beside

00:22:12.029 --> 00:22:17.309
you, you begin to hear words. Fyodor. Oh, thank

00:22:17.309 --> 00:22:19.869
goodness, Fyodor. What is happening in there?

00:22:20.560 --> 00:22:23.819
No, never mind. You need to get out now. I'm

00:22:23.819 --> 00:22:26.519
sorry. I'm just looking through to see if I can

00:22:26.519 --> 00:22:30.720
change what I sound like. That's a good point.

00:22:31.640 --> 00:22:33.319
You're whispering, so I think it's like your

00:22:33.319 --> 00:22:35.140
voice. You just kind of disguise your voice.

00:22:35.759 --> 00:22:38.099
It'll be a deception check. It's going to be

00:22:38.099 --> 00:22:42.170
hilarious for you to try. Oh, no. Nope. You decide

00:22:42.170 --> 00:22:43.930
what you look like, including your height, weight,

00:22:44.069 --> 00:22:46.009
facial features, sound of your voice, hair length,

00:22:46.089 --> 00:22:47.589
coloration, blah, blah, blah. This is pretty

00:22:47.589 --> 00:22:50.089
like. That's really cool. Yeah. This is perfect

00:22:50.089 --> 00:22:54.349
for this situation. Okay. You are now a big Russian

00:22:54.349 --> 00:22:58.029
man. Yeah. Well, sorry. Quote, unquote, Russian.

00:22:58.250 --> 00:23:00.869
David Russian. I'm bad at everything, but. Hmm.

00:23:01.250 --> 00:23:03.730
Now I need to think of the perfect thing to say.

00:23:04.589 --> 00:23:07.730
They said you need to get out of there. Yeah.

00:23:08.949 --> 00:23:12.769
How can you help me out? Oh, that's good. I was

00:23:12.769 --> 00:23:15.690
surprised. Hell yeah. Fuck yeah. How do I get

00:23:15.690 --> 00:23:19.529
out of here? I don't know. I don't know. Maybe

00:23:19.529 --> 00:23:23.650
if you just, maybe if you just tell them, look,

00:23:23.769 --> 00:23:26.170
we don't know what's happening in there, but

00:23:26.170 --> 00:23:29.750
a number of us, a number of us, get out for emphasis,

00:23:29.829 --> 00:23:32.349
like bloodletters, have surrounded the place.

00:23:32.839 --> 00:23:34.279
We're trying to figure out what's going on, and

00:23:34.279 --> 00:23:37.039
we need information. We do. But more importantly,

00:23:37.099 --> 00:23:38.779
we've been doing our own investigating at the

00:23:38.779 --> 00:23:43.799
edges. And, Fyodor, there's a visa nearby. We

00:23:43.799 --> 00:23:45.819
brought in cantata leaves to check. They burn

00:23:45.819 --> 00:23:47.920
in the presence of rage spirits, and they burn

00:23:47.920 --> 00:23:51.059
bright. Normally, they don't venture into the

00:23:51.059 --> 00:23:54.420
city. It's got to be hiding its form somewhere

00:23:54.420 --> 00:23:56.799
inside, likely weighing on the call of its master.

00:23:57.559 --> 00:23:59.900
They can be bound to those who know the way to

00:23:59.900 --> 00:24:03.059
bind them. But it's in there. Does Blanche know

00:24:03.059 --> 00:24:05.880
what a visa is? Did we talk about this before?

00:24:06.019 --> 00:24:07.519
All you've heard is they're jungle raid spirits.

00:24:07.720 --> 00:24:10.160
You don't know a whole lot. Here's what's helpful.

00:24:10.420 --> 00:24:14.400
Fjodor is from Arnikek. Okay. It wouldn't be

00:24:14.400 --> 00:24:16.240
weird for Fjodor to ask. Well, that's exactly

00:24:16.240 --> 00:24:17.859
what I was getting at. Yeah, I just didn't want

00:24:17.859 --> 00:24:21.019
to know if it was a waste of time for Fjodor

00:24:21.019 --> 00:24:26.019
to ask. I am getting scared. Tell me, what is

00:24:26.019 --> 00:24:30.539
this visa? How do I stay away from it? I think

00:24:30.539 --> 00:24:32.009
Blanche would know a little bit, but not. A lot

00:24:32.009 --> 00:24:34.589
of specifics. Okay. Being from Noir, but yeah,

00:24:34.650 --> 00:24:39.750
just... Sorry, you're foreign. They're spirits.

00:24:40.230 --> 00:24:41.970
Spirits are those killed in the deep jungle.

00:24:42.430 --> 00:24:44.569
Especially those who carry a burning rage within

00:24:44.569 --> 00:24:47.109
their hearts. They can command and lead a number

00:24:47.109 --> 00:24:50.349
of lesser specters. They're dangerous. They can

00:24:50.349 --> 00:24:53.009
force people to move on each other, to strike

00:24:53.009 --> 00:24:55.569
each other. They can instill burning rage in

00:24:55.569 --> 00:24:59.349
others in the area. As I said, they can be bound.

00:24:59.430 --> 00:25:03.759
They're used by... Jungle witches. Some say they're

00:25:03.759 --> 00:25:05.640
used for poison. Some say they're used for other

00:25:05.640 --> 00:25:09.539
such tasks. Whatever's going on, you gotta get

00:25:09.539 --> 00:25:13.019
out. They're all fighting in here amongst themselves.

00:25:13.319 --> 00:25:19.359
How do we appease the spirit? I don't know. It

00:25:19.359 --> 00:25:22.339
explains so much, though. The revolutionary,

00:25:22.500 --> 00:25:26.299
the attack on the prince. That wasn't us. We

00:25:26.299 --> 00:25:27.960
didn't mean to do that. The bloodletters wouldn't

00:25:27.960 --> 00:25:30.940
have done that. We're peaceful. But Abiza...

00:25:31.599 --> 00:25:34.720
It could have inspired that rage. Someone is

00:25:34.720 --> 00:25:38.380
doing this to us, pinning this on us. Would Ibiza

00:25:38.380 --> 00:25:44.700
make the sign? Sign? The symbol. The blood leather

00:25:44.700 --> 00:25:47.059
symbol. A blood leather symbol appeared. Oh,

00:25:47.059 --> 00:25:50.160
wait. I fucking remember. She did it. Zenya did

00:25:50.160 --> 00:25:54.460
it. Zenya did it. Shit, I remember. Never mind.

00:25:54.559 --> 00:25:57.660
I am forgetting. I am... No, I understand. It's...

00:25:58.589 --> 00:26:00.809
It's so chaotic in here. It must be. It must

00:26:00.809 --> 00:26:04.910
be. How'd the omelets turn out? They... I mean,

00:26:05.109 --> 00:26:09.210
you should... This horrible lady spilled them

00:26:09.210 --> 00:26:13.069
everywhere. I'm so sorry. You must have cried

00:26:13.069 --> 00:26:15.109
so much. I know how sensitive you are. I'm not

00:26:15.109 --> 00:26:18.890
over it. I know. If I cannot get out of here,

00:26:19.049 --> 00:26:23.509
what is your plan? We don't have one. We can't

00:26:23.509 --> 00:26:25.650
get through the silent verse. Our numbers are

00:26:25.650 --> 00:26:29.750
not strong. We're not fighters. Fyodor, you're

00:26:29.750 --> 00:26:32.069
on your own in there. But we want to keep you

00:26:32.069 --> 00:26:34.029
safe. We want to keep everyone safe. Whatever

00:26:34.029 --> 00:26:36.609
happens, we don't want to see the kings of coin

00:26:36.609 --> 00:26:40.309
hurt or dead. For one thing, they'll blame it

00:26:40.309 --> 00:26:43.009
on us. And for the other, it's not how we want

00:26:43.009 --> 00:26:46.329
to make a change. But someone does want them

00:26:46.329 --> 00:26:51.569
dead. I'm sure of that now. I have friend inside.

00:26:52.630 --> 00:27:00.140
Here. I think we can trust. You're going to do

00:27:00.140 --> 00:27:09.160
the walk downstairs. They are investigating from

00:27:09.160 --> 00:27:15.160
the inside. And if there is grave need, may I

00:27:15.160 --> 00:27:19.319
send help to you? Yes. Yeah, of course. Yes.

00:27:19.880 --> 00:27:24.210
You will know her by her shell. The fuck does

00:27:24.210 --> 00:27:26.250
that? Oh, tortles. Gotcha. She is tortles. No,

00:27:26.329 --> 00:27:29.069
I hear you. It makes sense. You could have just

00:27:29.069 --> 00:27:35.609
said that. Excellent houseguest. I must go. I

00:27:35.609 --> 00:27:38.910
cannot stay away for long. You move away from

00:27:38.910 --> 00:27:44.470
the window? Yes. Be careful, Fjodor. You're gone.

00:27:44.869 --> 00:27:48.390
Moving from the glass. into the kitchen, moving

00:27:48.390 --> 00:27:50.890
towards Jaune, and perhaps feeling something

00:27:50.890 --> 00:27:54.289
cold run down your shell as you realize there

00:27:54.289 --> 00:27:59.130
is one other guest in this palace, unknown. Something

00:27:59.130 --> 00:28:04.390
long dead, something supernatural, waiting for

00:28:04.390 --> 00:28:12.150
the time to strike. Jules! This isn't going to

00:28:12.150 --> 00:28:14.289
be near as funny now because the moment has way

00:28:14.289 --> 00:28:16.670
passed, but it's been in my head since this happened,

00:28:16.750 --> 00:28:19.470
so I have to say it. You said, how do we appease

00:28:19.470 --> 00:28:21.309
the spirit? And all that I can think about is

00:28:21.309 --> 00:28:26.950
how do we appease the visa? We have an episode

00:28:26.950 --> 00:28:34.029
title. Take another button. Fuck it. Take a button.

00:28:34.190 --> 00:28:38.309
There you go. Take a button. That's pretty good.

00:28:39.319 --> 00:28:43.099
That's pretty good. Thanks. Damn. That's you,

00:28:43.160 --> 00:28:47.440
Jules. Fyodor. Actual Fyodor. He just had two

00:28:47.440 --> 00:28:50.859
Fyodor scenes in a row. Weird. Right. You gotta

00:28:50.859 --> 00:28:53.359
remind me, what was the last thing he said? Uh,

00:28:53.599 --> 00:28:57.000
fuck. Hang on. Oh, fuck. Yeah, okay. I remember

00:28:57.000 --> 00:29:00.319
now. Oh, good. I forgot. No, I don't. Shit. Hang

00:29:00.319 --> 00:29:03.400
on. He was saying that you were saying. Oh, Azra.

00:29:03.880 --> 00:29:05.400
Azra. Was bringing something back. Looked like

00:29:05.400 --> 00:29:07.319
he was bringing something back. He brought something

00:29:07.319 --> 00:29:09.940
out. He brought something. back, just before

00:29:09.940 --> 00:29:13.680
you came. What was he bringing? I did not see.

00:29:13.799 --> 00:29:16.799
I was not paying that close attention, but he

00:29:16.799 --> 00:29:21.460
was being strange about it, I think. I am sorry

00:29:21.460 --> 00:29:23.740
I cannot be of more help, but... And you're sure

00:29:23.740 --> 00:29:27.559
it was just him? I mean, at the time, yes. Other

00:29:27.559 --> 00:29:30.160
people have gone in and out. Loritza and Amos,

00:29:30.200 --> 00:29:32.039
of course, they are going in and out for wines,

00:29:32.099 --> 00:29:35.359
but Azra was strange. If he is bringing a wine

00:29:35.359 --> 00:29:38.450
out, why would he not drink? For this wine he

00:29:38.450 --> 00:29:42.250
brought, why bring it back? Strange. Strange.

00:29:43.490 --> 00:29:46.250
Can I go make dinner now? Yeah, go make dinner.

00:29:46.869 --> 00:29:54.789
Whoa, whoa, whoa! Flashback! No one leaves the

00:29:54.789 --> 00:29:58.990
room! But Blanche says no one leaves the room!

00:29:59.029 --> 00:30:03.769
I'm not serious. Oh, are you done with Fjodor?

00:30:05.569 --> 00:30:10.059
Yeah. He stands up, the whole couch creaks in

00:30:10.059 --> 00:30:13.460
this huge form as he moves towards the door.

00:30:14.039 --> 00:30:15.680
Well, I am hoping it was of help to you. I'm

00:30:15.680 --> 00:30:18.279
sorry I can't be of more. No, you gave me some

00:30:18.279 --> 00:30:22.359
good stuff. Oh, good, good. Well, good luck.

00:30:22.660 --> 00:30:26.299
And he just leaves. Numb in the scene, he's out.

00:30:27.680 --> 00:30:30.700
Well, what are you thinking? Asra's being weird,

00:30:30.779 --> 00:30:33.400
but Asra's dead. So, what's that matter? David,

00:30:33.480 --> 00:30:36.279
what do we know about Asra in terms of... He

00:30:36.279 --> 00:30:40.940
was a playboy. He was obnoxious, spoiled rich

00:30:40.940 --> 00:30:43.779
kid. So he had no friends. I mean, he had a lot

00:30:43.779 --> 00:30:46.819
of friends. He had his money. Quote -unquote

00:30:46.819 --> 00:30:50.059
friends. Yeah, quote -unquote friends. You know,

00:30:50.059 --> 00:30:52.740
he's a big fan of Diva Luma. Roll me an intelligence

00:30:52.740 --> 00:30:59.740
check. Doesn't need to be a high one. 13. Your

00:30:59.740 --> 00:31:02.400
mind flashes back to when you first arrived.

00:31:03.019 --> 00:31:05.279
Came in through the gates. Spoke to DiPiero,

00:31:05.440 --> 00:31:09.880
spoke to Ledoux. And you turned to see, you heard

00:31:09.880 --> 00:31:12.160
some obnoxious laughter. You saw Azra was speaking

00:31:12.160 --> 00:31:15.640
with Diva Luma. And he went immediately kind

00:31:15.640 --> 00:31:17.759
of running back inside as she kind of waved him

00:31:17.759 --> 00:31:20.099
off. She approached you and mentioned something

00:31:20.099 --> 00:31:22.799
about how sending them off on little errands

00:31:22.799 --> 00:31:25.920
keeps them busy. Azra, you know, was running

00:31:25.920 --> 00:31:30.460
things in and out for Diva Luma. And I think

00:31:30.460 --> 00:31:33.089
a thought crosses your mind. Not saying this

00:31:33.089 --> 00:31:34.990
is anything that happened, but it could make

00:31:34.990 --> 00:31:39.410
sense to put yourself in a killer's shoes. Azure,

00:31:39.470 --> 00:31:41.210
dear, what kind of wines do you have? Do you

00:31:41.210 --> 00:31:43.730
have jelly black classic noir? I'd love to smell

00:31:43.730 --> 00:31:47.250
it. At the moment of this realization, Jules

00:31:47.250 --> 00:31:51.690
opens up the door. Harlan, put those manacles

00:31:51.690 --> 00:31:57.410
back on Diva. Oh, no. Diva Luma just looks up.

00:31:57.450 --> 00:32:02.579
Her eyes are red -rimmed. She's been... Crying.

00:32:02.579 --> 00:32:07.200
What are you... What are you saying? Harlan.

00:32:08.220 --> 00:32:14.779
I'm sorry. Oh, right. I mean, fine. Let's put

00:32:14.779 --> 00:32:19.480
it on. It's just for safety. I understand. I

00:32:19.480 --> 00:32:22.839
do. You want to speak to me now? You and me both

00:32:22.839 --> 00:32:26.299
luminaries. We know it's just for safety. It's

00:32:26.299 --> 00:32:29.880
fine. It's fine. Don't forget Blanche is periodically

00:32:29.880 --> 00:32:33.319
checking in with Turbo. Blanche, you see this?

00:32:34.000 --> 00:32:35.660
This is happening just when you get back from

00:32:35.660 --> 00:32:37.480
the kitchen. You look up and you see Devaluma

00:32:37.480 --> 00:32:40.240
Manacles begins to be moving into the room. Now

00:32:40.240 --> 00:32:43.220
you know the salon is... Fuck the salon. We go

00:32:43.220 --> 00:32:47.000
now. John, run. And she starts to run back to

00:32:47.000 --> 00:32:50.779
Amos Neer's room. Okay, you're on your way, Devaluma.

00:32:50.900 --> 00:32:52.900
I love that Blanche just said, fuck the salon.

00:32:53.720 --> 00:32:59.450
John's, no! You move into... The interrogation

00:32:59.450 --> 00:33:02.829
chamber. Harlan won't look you in the eyes. Just

00:33:02.829 --> 00:33:06.930
stay. Or would you rather speak to her alone?

00:33:07.930 --> 00:33:11.369
Stay outside the door. All right. Listen. Will

00:33:11.369 --> 00:33:16.269
do. Will do. Door closes and Diva Luma just sitting

00:33:16.269 --> 00:33:19.630
there, just looking like beside herself. Oh.

00:33:20.069 --> 00:33:22.309
This is either a foolish mistake or we got her.

00:33:22.650 --> 00:33:25.670
She's like, slowly starting to cry. I think we

00:33:25.670 --> 00:33:27.549
got her, but she can also call the bees that's

00:33:27.549 --> 00:33:29.609
at her side. And you're in the room alone. I

00:33:29.609 --> 00:33:36.089
know. Jules, before you get started, whatever

00:33:36.089 --> 00:33:38.589
you want to say, I just want to thank you. I

00:33:38.589 --> 00:33:42.910
want to thank you so much. I killed Asra. I killed

00:33:42.910 --> 00:33:48.829
him. The Prince of Coin and a fan. And I would

00:33:48.829 --> 00:33:50.390
have killed others. I would have killed you if

00:33:50.390 --> 00:33:54.680
you hadn't stopped me. Please, I don't know if

00:33:54.680 --> 00:33:57.640
you've felt this before. Do you know what it's

00:33:57.640 --> 00:34:01.759
like to lose control over your body? To do horrible

00:34:01.759 --> 00:34:05.220
things? And I think, Jules, in that moment, for

00:34:05.220 --> 00:34:07.920
a brief second, your mind flashes back. I do.

00:34:08.099 --> 00:34:11.260
To Nusserul, to Moreno, to your hand covering

00:34:11.260 --> 00:34:14.239
the eyes of Jessenth Kellig, to power flowing

00:34:14.239 --> 00:34:19.039
through him, to Zebulon's corpse. You blink and

00:34:19.039 --> 00:34:21.360
you're... Looking at Diva Luma, a woman who looks

00:34:21.360 --> 00:34:24.519
for all the world like her heart has been shattered.

00:34:25.739 --> 00:34:30.460
It's terrible. Jules? Chester's looking at you.

00:34:30.500 --> 00:34:33.039
He doesn't know what to do. I think he's kind

00:34:33.039 --> 00:34:35.019
of not following your track entirely, and he's

00:34:35.019 --> 00:34:37.920
not sure what's happening now. Where do you come

00:34:37.920 --> 00:34:41.380
from? What? I'm curious. You seem to know all

00:34:41.380 --> 00:34:44.519
about me. I don't know anything about you. Chester's

00:34:44.519 --> 00:34:46.920
like a slight sort of sobbing, struggling chuckle.

00:34:47.619 --> 00:34:51.000
Jules. Funny time to shoot the shit, but yeah,

00:34:51.039 --> 00:34:54.780
okay. I was raised in the elucidarium, the Bard

00:34:54.780 --> 00:34:57.780
College here in Zinda. I grew up there. I learned

00:34:57.780 --> 00:35:01.000
everything from them. It's how I'm the person

00:35:01.000 --> 00:35:04.579
I am today. Well, who was your mentor? Anybody

00:35:04.579 --> 00:35:08.440
I know? Probably not. I'm the most famous person

00:35:08.440 --> 00:35:12.019
to come from there, but I had many mentors. Do

00:35:12.019 --> 00:35:15.960
you have a favorite one? Lady Bellana. She was

00:35:15.960 --> 00:35:20.590
kind. She taught me the, uh... Very foot -heavy

00:35:20.590 --> 00:35:23.110
dancing style that I use. No, I mean, you've

00:35:23.110 --> 00:35:25.369
got to have flair. Yeah, you've got to have flair,

00:35:25.429 --> 00:35:28.050
right? Yeah, of course. Yeah. We're luminaries.

00:35:28.250 --> 00:35:30.670
Yeah, absolutely. We even fight the style, you

00:35:30.670 --> 00:35:34.389
know? Absolutely. I get that. As you're having

00:35:34.389 --> 00:35:35.650
this conversation, I think we'll start to hear

00:35:35.650 --> 00:35:39.250
the door opens outside. Blanche, you and John

00:35:39.250 --> 00:35:40.889
step in. It'll be around this time that you'd

00:35:40.889 --> 00:35:44.389
make it up here. John, just... I think when I

00:35:44.389 --> 00:35:47.210
hear... When Jules hears that... He's going to

00:35:47.210 --> 00:35:49.409
open up the door. D 'Vilma snaps and looks around.

00:35:49.610 --> 00:35:53.949
You go to the door, stand up, open it. Blanche,

00:35:54.050 --> 00:35:58.750
Jean. When Blanche comes into the room, you can

00:35:58.750 --> 00:36:03.349
hear the sound of her blade song activate. And...

00:36:03.349 --> 00:36:07.590
What is this? Whoa, Blanche, what's going on?

00:36:08.489 --> 00:36:11.809
What's that? What are you doing? Hold on just

00:36:11.809 --> 00:36:15.289
a damn second. Are we missing one thing? No,

00:36:15.349 --> 00:36:17.809
what we're missing is that Blanche doesn't have

00:36:17.809 --> 00:36:21.010
any of the information that Jules has. Blanche

00:36:21.010 --> 00:36:23.750
doesn't know that there was a child. You each

00:36:23.750 --> 00:36:28.030
have half of this sort of puzzle, right? Yeah.

00:36:28.050 --> 00:36:30.829
But what you do know is that somebody that was

00:36:30.829 --> 00:36:36.030
in the salon had perhaps an accident. That's

00:36:36.030 --> 00:36:38.250
where you found the thing was. But you would

00:36:38.250 --> 00:36:40.869
know. I think you still have reason to be concerned,

00:36:41.050 --> 00:36:44.289
Blanche, because you... know that whoever was

00:36:44.289 --> 00:36:46.250
in the salon likely was the one that poisoned

00:36:46.250 --> 00:36:48.090
the duergar. Sure. You have a reason to suspect

00:36:48.090 --> 00:36:49.349
Diva Luma right now. Yeah, yeah, yeah. What you

00:36:49.349 --> 00:36:51.789
don't know, again, the impossible puzzle, I feel

00:36:51.789 --> 00:36:53.570
like I was acting on some of the information

00:36:53.570 --> 00:36:55.829
that Stephen had, but Blanche did not. Yeah,

00:36:55.829 --> 00:36:58.710
but you don't know. Fair. Roll me an intelligence

00:36:58.710 --> 00:37:01.070
check. Okay. But can you also tell me that if

00:37:01.070 --> 00:37:04.199
Blanche saw... Diva Luma getting manacled again

00:37:04.199 --> 00:37:05.920
that she wouldn't think what the fuck is going

00:37:05.920 --> 00:37:07.260
on. Okay, yeah, sure. Right, exactly. Because

00:37:07.260 --> 00:37:10.719
she knew that Diva Luma was in the salon. She

00:37:10.719 --> 00:37:14.300
got the information about the visa. Right. So...

00:37:14.300 --> 00:37:18.099
Roll with advantage. I'm sorry. I'm sorry. I

00:37:18.099 --> 00:37:19.659
was only like half listening. What am I rolling?

00:37:20.440 --> 00:37:23.059
We'll call it just a straight intelligence. We're

00:37:23.059 --> 00:37:25.059
kind of testing your memory here. Roll with advantage,

00:37:25.239 --> 00:37:27.980
though, as your master's words, his information,

00:37:28.119 --> 00:37:29.900
his advice in the last episode kind of flows

00:37:29.900 --> 00:37:32.789
from your mind. Make the impossible possible.

00:37:33.570 --> 00:37:37.110
First roll, all told, was only a 14, so let's

00:37:37.110 --> 00:37:44.269
see what happens. 16. With a DC 15. Oh, baby!

00:37:45.289 --> 00:37:47.090
You assume over in the story, as you're on your

00:37:47.090 --> 00:37:49.389
way up, your mind is flashing. Make the impossible

00:37:49.389 --> 00:37:52.989
possible. And the pieces come together. You don't

00:37:52.989 --> 00:37:55.449
have the exact confirmation that Jules has, but

00:37:55.449 --> 00:37:58.250
the idea hits your mind. Diva Luma could have

00:37:58.250 --> 00:38:00.829
been here before, out in the jungle before everything.

00:38:01.150 --> 00:38:03.170
She could have poisoned the caiman. She could

00:38:03.170 --> 00:38:06.349
have killed Missy Moane. Diva Luma couldn't have

00:38:06.349 --> 00:38:08.969
had access to the wine bottle. But then you remember

00:38:08.969 --> 00:38:11.849
Azra Nir going in and out. You remember Azra

00:38:11.849 --> 00:38:14.269
Nir bringing things to her, taking them away,

00:38:14.349 --> 00:38:17.429
and that same thought hits you. Did she ask for

00:38:17.429 --> 00:38:19.969
the bottle? Maybe just to open it, to smell it,

00:38:19.989 --> 00:38:24.449
taste it? In that one moment, one pinch in the

00:38:24.449 --> 00:38:28.619
bottle. There was exactly one person, one person

00:38:28.619 --> 00:38:32.699
in this house that could have done this. Someone

00:38:32.699 --> 00:38:38.340
who was both outside and had access to inside

00:38:38.340 --> 00:38:46.239
via a foolish accomplice. Okay, so I'm not going

00:38:46.239 --> 00:38:52.760
to rewind on the blade song. She pops in with

00:38:52.760 --> 00:38:57.159
the blade song, bonus action. Her action, she

00:38:57.159 --> 00:39:01.260
points her sword at Divaluma and casts True Strike.

00:39:02.019 --> 00:39:07.340
Whoa. What's this look like? So it's the sound

00:39:07.340 --> 00:39:11.980
that Bladesong makes. And then she just levels

00:39:11.980 --> 00:39:17.199
the sword, accusatory, at Divaluma. And she asks,

00:39:17.440 --> 00:39:22.699
where is the Biza? What are you talking about?

00:39:23.119 --> 00:39:26.769
What's going on? What's happening here? You were

00:39:26.769 --> 00:39:30.409
in the salon. You found a loose or made a loose

00:39:30.409 --> 00:39:35.829
floorboard to poison the duergar. You put Beezer's

00:39:35.829 --> 00:39:40.789
breath in your own pyrotechnics and somewhere

00:39:40.789 --> 00:39:47.070
there's a Beezer. She's mad. Jules, what? Who

00:39:47.070 --> 00:39:53.570
is proud Eden to you? How should I resolve this?

00:39:55.179 --> 00:40:00.340
I'd like intimidation check from Blanche with

00:40:00.340 --> 00:40:03.400
advantage from Jules. You're leveling the sword.

00:40:03.519 --> 00:40:08.460
I think you should make the check. First one's

00:40:08.460 --> 00:40:13.659
a 19 on the die. Second's a natural one, so that's

00:40:13.659 --> 00:40:18.579
22. We'll go with a one. That's not how advantage

00:40:18.579 --> 00:40:22.199
works, actually. I can just edit the episode

00:40:22.199 --> 00:40:26.980
so that you say disadvantage. Yeah. Disadvantage.

00:40:27.260 --> 00:40:31.820
I put it there. Sword is leveled. Who has browed

00:40:31.820 --> 00:40:38.340
Eden to you? Tears falling down. A smooth face.

00:40:39.199 --> 00:40:44.179
And then those eyes. Every bit of sorrow fades

00:40:44.179 --> 00:40:48.159
from them in an instant. Brows curling down.

00:40:49.099 --> 00:40:53.960
Mouth. Curving up into a wicked sneer. Completely

00:40:53.960 --> 00:40:57.500
different features. Completely different person.

00:40:58.659 --> 00:41:02.039
Well, I'll be damned. Proud Edon is my mother.

00:41:02.639 --> 00:41:07.400
And I'm proud to be her daughter. Every step

00:41:07.400 --> 00:41:12.139
of the way, you two. I swear, you two. I would

00:41:12.139 --> 00:41:15.639
have had the turtle twice. Jaune just steps back,

00:41:15.679 --> 00:41:18.460
like, kind of horrified. I would have had Xenia.

00:41:19.309 --> 00:41:23.190
All seven. The complete collection. You fucking

00:41:23.190 --> 00:41:27.650
too. So what happens now? I can call in the Beezer.

00:41:27.949 --> 00:41:30.730
You know what's here now. I can kill everyone

00:41:30.730 --> 00:41:34.869
outside. Or you can let me walk. You think you

00:41:34.869 --> 00:41:36.309
have the power here, but I think you need to

00:41:36.309 --> 00:41:38.449
understand that... And you watch as she just

00:41:38.449 --> 00:41:43.050
kind of smoothly... It's actually in the stat

00:41:43.050 --> 00:41:44.949
block. Let me double check this. In her stat

00:41:44.949 --> 00:41:47.409
block, I think she cannot be... She can like...

00:41:47.670 --> 00:41:51.389
legendary action escape from uh let me go check

00:41:51.389 --> 00:41:53.150
this you know yeah while you're checking that

00:41:53.150 --> 00:41:55.989
quick side note i said it right from the beginning

00:41:55.989 --> 00:41:59.050
i don't trust you when we were meeting when we

00:41:59.050 --> 00:42:01.050
were meeting people in my notes here diva luma

00:42:01.050 --> 00:42:06.070
has double asterisk here oh take a button i'm

00:42:06.070 --> 00:42:13.380
just saying you can't do this um escapes non

00:42:13.380 --> 00:42:15.380
-magical restraints and ends the grapple condition

00:42:15.380 --> 00:42:18.900
on itself as a legendary action. This is something

00:42:18.900 --> 00:42:21.079
that, yeah, another one of those sleight of hand

00:42:21.079 --> 00:42:23.780
parlor tricks that have served her so well. You

00:42:23.780 --> 00:42:25.500
just see the restraints kind of, usually they're

00:42:25.500 --> 00:42:26.760
just twirling a finger and they're kind of just

00:42:26.760 --> 00:42:30.719
spinning in the air. Like I said, I have more

00:42:30.719 --> 00:42:33.280
power than you think. Power to kill everyone

00:42:33.280 --> 00:42:35.280
outside this room right now. You're the only

00:42:35.280 --> 00:42:38.239
ones who know. I think she's bluffing. This lady

00:42:38.239 --> 00:42:41.340
just went down. We knocked her unconscious. She's

00:42:41.340 --> 00:42:46.820
had a short rest. What Blanche wants to know,

00:42:46.900 --> 00:42:49.539
David, and I don't know, maybe, I'm hoping that

00:42:49.539 --> 00:42:52.780
there's a role about this. Blanche wants to know,

00:42:52.980 --> 00:42:56.400
wants to try to recall more about Beezas. Like,

00:42:56.400 --> 00:43:02.500
if we kill Diva Luma, like, does the Beeza, like,

00:43:02.519 --> 00:43:05.260
go free? Is it, like, some being that's being

00:43:05.260 --> 00:43:08.219
controlled? You're onto, like, the Beeza's the

00:43:08.219 --> 00:43:10.460
bigger threat here. Oh, a thousand percent. Yeah.

00:43:10.940 --> 00:43:13.639
Yeah. Not worried about fighting her. Right.

00:43:13.719 --> 00:43:16.719
It's figuring out. Give me a roll. Yeah. Are

00:43:16.719 --> 00:43:19.619
you thinking like arcana? Arcana or religion.

00:43:20.139 --> 00:43:22.219
Okay. For an undead, it'll be a little easier

00:43:22.219 --> 00:43:24.460
on religion, but arcana actually, I think in

00:43:24.460 --> 00:43:25.760
this case, I'll actually make the same because

00:43:25.760 --> 00:43:29.300
these are very much tied to more occult witchcraft.

00:43:30.099 --> 00:43:32.099
I'm close to using a button, but I'm just going

00:43:32.099 --> 00:43:33.659
to roll it because I've got a pretty good arcana.

00:43:34.559 --> 00:43:37.199
Actually, that's kind of where religion is. 23.

00:43:37.800 --> 00:43:41.340
20. Wait. Steven, again, I couldn't tell whether

00:43:41.340 --> 00:43:44.219
that was good or bad. Yeah, sorry. His grumpiest

00:43:44.219 --> 00:43:50.280
roller. Yeah, 23. 23. In the case of something

00:43:50.280 --> 00:43:54.280
like this, this is a rage spirit fueled from

00:43:54.280 --> 00:43:59.199
what you've heard by just like pure malice. If

00:43:59.199 --> 00:44:03.039
you kill its anchor, it's very likely to just

00:44:03.039 --> 00:44:06.840
go on a full rampage. Diva Luma is like the only

00:44:06.840 --> 00:44:10.739
thing keeping the visa. From slaughter. I thought

00:44:10.739 --> 00:44:13.039
it was going to be the opposite. We kill the

00:44:13.039 --> 00:44:15.480
anchor, that's the only rage in the room. I'm

00:44:15.480 --> 00:44:17.619
glad I asked the question. I was just about to

00:44:17.619 --> 00:44:23.559
go in. So what do you say, fellas? Are you going

00:44:23.559 --> 00:44:26.500
to let me go? Or do you want to meet my mother?

00:44:27.820 --> 00:44:31.500
We will not let you go. Haven't you had enough?

00:44:32.639 --> 00:44:36.800
No. There's still two more. You can't have them.

00:44:37.440 --> 00:44:41.429
I will. You've already seen how far I'll go.

00:44:41.690 --> 00:44:45.250
My determination, I would have died in that fight.

00:44:45.969 --> 00:44:48.710
I meant to. Would you die? Because I knew I would

00:44:48.710 --> 00:44:50.650
have killed every single one of them with it.

00:44:51.349 --> 00:44:54.389
I don't care if you kill me now. You'll just

00:44:54.389 --> 00:44:56.010
be the murderers who killed one of the world's

00:44:56.010 --> 00:45:00.190
most beloved luminaries. If you survive my mother.

00:45:01.190 --> 00:45:06.809
You would die for that? These people took everything

00:45:06.809 --> 00:45:12.190
from me. Stole the flower. Murdered my mother

00:45:12.190 --> 00:45:15.610
in cold blood. Sent me off to die in the woods.

00:45:16.010 --> 00:45:19.369
If I hadn't crawled my way into the city, found

00:45:19.369 --> 00:45:23.849
my way into the elucidarium, been accepted, I'd

00:45:23.849 --> 00:45:27.050
be a corpse too. But they're precious children.

00:45:28.130 --> 00:45:32.969
No. Fuck them. Why did your mother want the children

00:45:32.969 --> 00:45:37.900
in the first place? She wanted blood. This was

00:45:37.900 --> 00:45:42.159
a response. They killed to defend, and I will

00:45:42.159 --> 00:45:46.079
die to defend today. My mother was a predator.

00:45:46.659 --> 00:45:50.059
Like I'm a predator. Like that caiman you fought.

00:45:50.300 --> 00:45:53.619
Like the sharks out in the ocean. Blood's what

00:45:53.619 --> 00:45:57.559
we know. It's natural to us. And it's not wrong

00:45:57.559 --> 00:46:01.760
to pursue what your instincts drive you to pursue.

00:46:02.340 --> 00:46:06.000
But they lied. They turned around on their deal.

00:46:06.639 --> 00:46:09.239
They didn't know the price. Yet they reaped the

00:46:09.239 --> 00:46:13.599
rewards. Here they are, richer than ever. Richer

00:46:13.599 --> 00:46:17.019
off my mother's corpse. The houses sold in her

00:46:17.019 --> 00:46:21.320
blood. The blood was her responsibility. She

00:46:21.320 --> 00:46:24.340
called for it. And their blood's yours. Because

00:46:24.340 --> 00:46:27.159
if you don't let me go, it will spill. You're

00:46:27.159 --> 00:46:40.119
not leaving. So co -I master defense. I don't

00:46:40.119 --> 00:46:43.019
see any fucking way around this, dude. It's like,

00:46:43.079 --> 00:46:45.820
yeah, everyone in this room, it's just Chester,

00:46:45.920 --> 00:46:48.820
Jaune, back into the wall, horrified. Jules,

00:46:49.019 --> 00:46:51.119
like, what's Jules' expression right now? I want

00:46:51.119 --> 00:46:52.980
to get a freeze -frame picture of this moment,

00:46:53.079 --> 00:46:54.679
as Diva Luma's just sitting on the couch, still

00:46:54.679 --> 00:46:56.840
twirling the manacle, still looking for all the

00:46:56.840 --> 00:47:00.099
world, like she has all this control. Her face

00:47:00.099 --> 00:47:02.699
contours somewhere between, like, this divine

00:47:02.699 --> 00:47:07.019
sort of sadistic pleasure and this... Deep -seated

00:47:07.019 --> 00:47:09.500
malice. What's Jules doing? Do you know who I

00:47:09.500 --> 00:47:16.480
am? Really? Do you know where I come from? Oh,

00:47:16.480 --> 00:47:20.780
man. You sure you want to fuck with that? She

00:47:20.780 --> 00:47:25.920
turns to you. I know exactly who you are, my

00:47:25.920 --> 00:47:31.480
lord. Oh! And we'll call it there.
