WEBVTT

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For more information and to reserve a table,

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head over to RecklessBrewing .com. That's R -E

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-K -L -I -S. brewing .com and head over to the

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events page. Hope to see you there. Among our

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zenders, kings of coin, only one is known for

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their jolly demeanor and approachability by the

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common folk. I speak, of course, of Mix Margus

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Ruber. The king of the tavern -keeping trade

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is known to frequent their taverns quite regularly,

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dealing with all sorts of the city's residents

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and visitors. They love a glass of hard whiskey

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just as much as delicious jelly wine, and they

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are never afraid to get foolish. Just don't go

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insulting their family. Mix Margus has been known

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to bar brawl and to show the full ferocity of

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their orcish heritage. Speaking of their family,

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Mixmog's married to a human, uh, Madame Zoloruba.

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In the couple, they have two children, Zerus

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the Younger and, of course, Xenia, Margus' heir.

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Now, Xenia Ruba is well -known for moving against

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the grain of society. Instead, she dresses in

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dark and drab to stand out amongst the colorful

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clothing of Zinda. She also has been known to,

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uh, admire luminaries of a more, heh heh, rebellious

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nature. Why not? I know who you're talking about.

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Now I want some whiskey. Oh, dude. See, the problem

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with that is... Got to finish your beer first.

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I already got a can of beer, yeah. Wow. I don't

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know what drinks and cans. I have a little...

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Life update. I don't know if I told you guys

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this yet, actually. I don't know if you know

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this. Excuse me? Oh, I think I know what this

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is. I'm down to one rock star a day. Oh, actually.

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I've been told. Wow. I only got one rock star

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a day now. Wow, okay. We'll talk, me and my wife.

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I'm cutting back. It's very painful. But I'm

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replacing the second rock star with some boo

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-cha. This, I've heard. Some kombucha. I heard

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this was happening. I've tried kombucha one time,

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and I hated it. I actually quite like it. It's

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sour. It's vinegary sour. It's good. There are

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so many. I mean, like I've only had, I'm going

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to say a handful of kombuchas, but they vary

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so wildly from like the really like natural tasting

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ones that are like super vinegary and super kind

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of yucky to the like more sweet ones. It's just,

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to me, it seems like there's such a range. I'm

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glad you found something you like. Yeah, it works.

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Working out for you. Maybe I can wean off rock

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stars fully at some point. It's a horrifying

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future to consider, but the old ticker's got

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to keep ticking. Proud of you. Well, I mean,

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speaking as a man who has his own vices, I don't

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know. We all got to have something, I suppose.

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A man's got to pick his poison. I say this all

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the time. A man's got to pick his poison, except

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for me. I don't get one. That's not... How come,

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do you think? Because the old ticker's got to

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keep ticking. Too many cats to worry about. Can't

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go clocking out early, leaving the missus with

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10 little furry mouths to feed. Well, yeah, no,

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of course not. Nobody wants that. Nobody wants

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that. You know, it's what it is. It's what it

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is. But hey, I got a second poison now. The booch?

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The booch! I'm oddly okay with the booch. The

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booch. Oh, shit. Well, it's been a while, guys.

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I mean, don't get me wrong. I miss our friends

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at Mountain Mania so much. And it was so exciting

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and such a great time. But it is really nice

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and comfy cozy to be back in the studio. It's

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been like, what, three weeks, four weeks? It's

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been two weeks since we recorded. Has it been?

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It's only been two weeks. We took a week off.

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It doesn't feel like it. Wow. That's crazy. When

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we take a week off like this, we are now current

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with the listeners. No, we actually, we didn't

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record before Mountain Mania. Yeah, we did. I

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think it's been, was it before we did? I think

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it was three weeks. Oh, no, we didn't. Did we?

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I don't remember. I don't know. Who cares? But

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we're back now. We're back. Yeah. Yeah. We are

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current with all the pants people. Yes. Until

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we finish this recording. That's right. We'll

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be about four days ahead. You're all on the same

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page. So wonder right now. Hey, actually, you

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know what? Let's ask. Let's play this out to

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you guys real quick before we get into this.

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Before we get into this, whodunit, what's going

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on, huh? Man, dude, I listened to the latest

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episode today to re -listen, and I'm more confused

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than ever. I mean, you got some hot new leads

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last time. You got a lot of big information.

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Should we recap it? You guys want to recap it?

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Well, maybe I can sort of talk about what's on

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the front of my mind, and then you can fill in

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the gaps if you want. Boom, I love it. So from

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the last episode, DePiero told Blanche that Jean

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told the speaker for Noiri, who was Amos Neer's

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aunt, right? So this is actually a mistake, essentially

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a mistake on my part, which I had to bring up

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way, way back in, gosh. Let's talk about your

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future. That's the episode title. I can't remember

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which episode number it is because I can't know

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what episode number this is. But let's talk about

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your future was when you guys went to a rural

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town and you broke up to go and speak with, well,

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honestly, Zebulon's grandmother and Jules' cousin

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slash mother. So you had your whole thing there.

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John Franklin also was going to meet with, he

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also was able to get his sort of like information.

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He was able to meet with the speaker from Nowari.

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And he wanted to tell that speaker everything.

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What I forgot, so Jean Franklin's an idiot because

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I'm an idiot, is I had in my notes that that

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was a Nicanier, obviously related to King of

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Coin, Amosnir. So it was kind of like, yeah,

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Jean Franklin made a little goof. He probably

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figured it was extended enough that he could

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go out there and be like, hey, your nephew's

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up to some shit. And they're just like, they

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told Jean. What they said to Jean, this is an

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important number, is you of all people should

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be grateful for what they did. Because he had

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a lot to gain, yeah. Yeah. Yeah. And John was

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furious. Furious. How dare they say that to him?

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But yeah, that is kind of where that ties in.

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Yeah. Yeah. So that's like, I mean, motive. You

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know what I mean? To get rid of John and Jules.

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Then, gosh, what else was I thinking about? The

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Grand Master Amos near when Jules asked for a

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tour, he was like, yeah, hey, daughter maid,

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go clean up the other dressing room. Cause it's

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a little messy. And then Jules could hear her

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in the next room, moving clothes hangers and

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stuff around. And like, we've already had two

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costumes be significant in this. So it's like,

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what was he hiding? I just, I don't know. I can't

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put it all together. Cause then the detect thoughts

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leads me to believe that they weren't the murderer.

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I just, I don't know. I will say this. At least

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not this murder. Everything you see about Amos

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Meir will lead you to believe he probably put

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on 17 outfits before he chose the right one for

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today. Okay, so maybe I'm overthinking it. So

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it's very possible it was literally just messy

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because this guy would throw on a million outfits.

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You wouldn't think that's not a character. It

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might have just been messy from that goofballing.

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Okay, fair. Yeah. Everybody shut up. I'm doing

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something. Utter chaos. Before we move on and

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get this rolling, I have a button here from two

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weeks ago. Yeah. You seem to have forgotten conveniently.

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No, I forgot. What's that about? Yeah, at the

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end of the episode when we finished recording,

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you said, oh, I meant to give you a button. Did

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I say that? Yes, you did. Oh, man, I forgot.

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Moving on. Yeah, I knew that wasn't going to

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happen. I knew that wasn't going to happen. For

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the scene with... He's awarding himself a button.

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Okay, fine. Whoops. It's now in my jar. It's

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now in my jar. Pants people, riot. Speak out.

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Nope. I might actually be on David's side with

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this one. No, we all agreed. You said, oh, I

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meant to give you a button. And I said, I'm going

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to grab this button here and put it here so we

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remember. And you're like, okay. Steven and I

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both have goldfish memories, so this probably

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never happened. I mean, so do I, but... I'm not

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going to forget that. That's too important. Oh

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my gosh, it's so funny. That's life or death.

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Take a damn button. Take it to the bank, you

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robber. Speaking of Amos Nier. Speaking of Amos

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Nier. Sorry, I think you wanted to recap. Yeah,

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let's do a quick recap of what you learned. There

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was a ton of information last time. We'll start

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with Jules. Jules, you came in the room, you

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made some new enemies. And you got to keep wary

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because the last, but you went in this room,

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you, you used to take thoughts. Things went wrong.

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I like to think that, uh, what you didn't realize

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was that Larissa Rin was actually kind of on

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edge, sort of watching the second you kind of

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tried to make that spell. She made her move that

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triggered off, you know, Amos near, they all

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kind of turned on you realizing you were going

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to cast something in that moment, that moment

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of fear, Amos near look to you and thought, so

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he's the killer. He thought about how. Yes, of

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course it would be Jules LaRoche, because proud

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Eden had shown some relics in her home of worship

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towards Zomante Shab. This person that Jean -Francois

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reports was murdered 16 years ago, this Eden

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was connected to Zomante Shab, maybe connected

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to your family. And Amos Neer thought, you know,

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connected those dots in his mind for you, thinking

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that, yeah, that's probably why you're here.

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Perhaps for revenge? I don't know. But he was

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thinking that because of that connection, you're

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here to kill him. Larissa Wrynn was thinking

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about how the second her father, Amos Nier, as

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she is the secret heir of the family, basically

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speaks out, she will come forward and kill you.

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Dagger in hand. You press deeper into her mind

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and you realize a few things. She's terrified.

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She's terrified because she's realizing, the

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fuck was that? What the fuck was that? I'm terrified

00:11:15.610 --> 00:11:21.240
now. Is this an alien invasion? No one touched

00:11:21.240 --> 00:11:23.799
anything, Sirenscape. Did that get picked up,

00:11:23.820 --> 00:11:29.240
you think? Oh, yeah. What the? All right. Oh,

00:11:29.980 --> 00:11:32.360
is that? No, that's just an update. Where was

00:11:32.360 --> 00:11:36.960
I? She's terrified because she's realizing that

00:11:36.960 --> 00:11:39.960
these accidents that have been occurring, the

00:11:39.960 --> 00:11:45.879
horse trampling, the riot, the bloodletter riot

00:11:45.879 --> 00:11:49.980
gone bad. These, they've been killing off the

00:11:49.980 --> 00:11:52.940
heirs. Perhaps it seems like it's accidental,

00:11:53.000 --> 00:11:55.019
but she thinks there's some, for some reason,

00:11:55.100 --> 00:11:56.840
and maybe you don't understand why she feels

00:11:56.840 --> 00:11:58.659
like it's this case. Maybe there's more to her

00:11:58.659 --> 00:12:01.639
reasoning that you don't know. But she thinks

00:12:01.639 --> 00:12:04.980
the heirs of each family are in danger. And she's

00:12:04.980 --> 00:12:07.879
afraid that whoever's doing this knows that she's

00:12:07.879 --> 00:12:13.279
really Amos Nier's heir. Asra Nier is not. So

00:12:13.279 --> 00:12:17.110
she's terrified. Moving on from there, you know

00:12:17.110 --> 00:12:20.090
that there's a glimmer of hope in her heart because

00:12:20.090 --> 00:12:23.190
her brother is coming. Her younger twin brother

00:12:23.190 --> 00:12:28.070
is on his way. Sturgeman is coming. This being

00:12:28.070 --> 00:12:30.730
a wild secret, no one knows that the King of

00:12:30.730 --> 00:12:33.090
Coins' son is the mysterious Sturgeman. No one

00:12:33.090 --> 00:12:35.970
knows Sturgeman's identity. Maybe Rune does.

00:12:36.539 --> 00:12:39.019
Maybe that's how Rune has some control over him.

00:12:39.120 --> 00:12:42.240
And now you do too, which is in itself very,

00:12:42.320 --> 00:12:44.360
very dangerous. The last thing you heard as you

00:12:44.360 --> 00:12:45.899
were going out, you heard from Amos Nier's mind

00:12:45.899 --> 00:12:50.240
that if he realized they can't trust you, well,

00:12:50.379 --> 00:12:54.100
his son will deal with you on the morrow. Tick

00:12:54.100 --> 00:12:57.399
tock. The party begins again at four. Everyone

00:12:57.399 --> 00:12:59.399
will be released in their rooms if Amos Nier

00:12:59.399 --> 00:13:01.639
has any say over it. At this point, sorry to

00:13:01.639 --> 00:13:03.419
say it, you're going to have a hard time convincing

00:13:03.419 --> 00:13:05.980
him otherwise because he is now... An enemy of

00:13:05.980 --> 00:13:11.139
yours, more or less. Blanche, what you know is

00:13:11.139 --> 00:13:16.080
this. I don't. This is the worst track. I don't

00:13:16.080 --> 00:13:20.240
understand. I like it. Yeah, the timing has been

00:13:20.240 --> 00:13:24.059
really good so far. Get out of here, track. All

00:13:24.059 --> 00:13:31.000
right. Let's watch something else. I don't like

00:13:31.000 --> 00:13:39.929
that either. Let me switch. That's so stupid.

00:13:42.190 --> 00:13:48.029
Ah, so dumb. Blanche, what you learned was this.

00:13:48.629 --> 00:13:51.570
Le Doulemois was in the room, as the ripped banner

00:13:51.570 --> 00:13:54.649
would report, but he was there on orders from

00:13:54.649 --> 00:13:57.570
Lord DePiero. DePiero had asked him to look into

00:13:57.570 --> 00:14:00.129
matters of the most near, perhaps trying to find,

00:14:00.210 --> 00:14:02.929
as DePiero implied, the exact same information

00:14:02.929 --> 00:14:05.330
John Franklin was looking for. It seems they

00:14:05.330 --> 00:14:08.990
all have a similar goal, although DiPiero will

00:14:08.990 --> 00:14:10.669
not work with Jean, as Jean's already proven

00:14:10.669 --> 00:14:14.950
himself to be too blunt for this. The boy has

00:14:14.950 --> 00:14:17.129
no subtlety in him. You know this, Blanche. No

00:14:17.129 --> 00:14:20.549
subtlety at all. He's an honest soul. He came

00:14:20.549 --> 00:14:23.629
forward to the very aunt, we already spoke of

00:14:23.629 --> 00:14:26.289
this, of Amos Nier, trying to, like, you know,

00:14:26.289 --> 00:14:29.009
reveal it all. So DiPiero has pretty much dropped

00:14:29.009 --> 00:14:32.929
him from his own trust. It seems Ledoux didn't

00:14:32.929 --> 00:14:35.730
do much better. And so, after promising to tell

00:14:35.730 --> 00:14:37.350
you everything once there's time, to tell you

00:14:37.350 --> 00:14:39.789
the truth about what maybe happened 16 years

00:14:39.789 --> 00:14:44.029
ago, you move out to Le Doulois' room to interview

00:14:44.029 --> 00:14:47.809
him. What you learn was everything that Jean

00:14:47.809 --> 00:14:49.250
Franklin said, everything you've heard to this

00:14:49.250 --> 00:14:51.970
point, all kind of checked out. The only addition

00:14:51.970 --> 00:14:54.990
being that Le Doulois saw a figure moving down

00:14:54.990 --> 00:14:57.169
the hall towards Meloara's room before everything

00:14:57.169 --> 00:14:59.409
went down. Before Jean Franklin approached, before

00:14:59.409 --> 00:15:01.450
Lisa Wren came to the door with the wine and

00:15:01.450 --> 00:15:05.080
the fruit, a figure wearing... You assume from

00:15:05.080 --> 00:15:08.120
his description of a horrifying, ghostly creature,

00:15:08.279 --> 00:15:11.019
Ibiza, with a skeletal face, a creature that

00:15:11.019 --> 00:15:13.460
was actually just a person wearing the Dance

00:15:13.460 --> 00:15:16.500
Macabre costume. They came to the room early.

00:15:16.559 --> 00:15:19.360
They were in there for a long time then. Well,

00:15:19.360 --> 00:15:20.519
everything else was going on. Well, the wine

00:15:20.519 --> 00:15:22.360
was delivered, everything. This figure was in

00:15:22.360 --> 00:15:26.240
that room. And you know this. Meloara was alive

00:15:26.240 --> 00:15:29.860
when the doors were opened by Larissa Ring. Sean

00:15:29.860 --> 00:15:32.879
Franklin even heard them. Yeah, because he received

00:15:32.879 --> 00:15:37.659
the... Yeah. The plate. So, very strange. Very,

00:15:37.700 --> 00:15:41.000
very strange. Let's cut into that scene. You've

00:15:41.000 --> 00:15:42.820
just, because you've just realized one more thing.

00:15:43.340 --> 00:15:46.679
One potential possibility. It was one thing that

00:15:46.679 --> 00:15:49.080
Le Doulomois was able to sort of recollect. Because

00:15:49.080 --> 00:15:51.220
in his moment, in that moment of fear, he kind

00:15:51.220 --> 00:15:54.480
of absorbed so much of this scene that maybe

00:15:54.480 --> 00:15:57.379
Jean hadn't. And he remembered there being loud

00:15:57.379 --> 00:16:00.500
footsteps. Too loud as this figure is moving

00:16:00.500 --> 00:16:02.779
down the hall. And in that moment afterwards,

00:16:02.840 --> 00:16:06.120
you connected this to potentially being the large

00:16:06.120 --> 00:16:11.740
combat heavy boots of Xenia Aruba, a princess

00:16:11.740 --> 00:16:15.000
of coin, the daughter of Mix Margus Aruba. So

00:16:15.000 --> 00:16:17.220
how is she mixed up in all this? Is she even

00:16:17.220 --> 00:16:19.539
mixed up in all this? You don't know. But as

00:16:19.539 --> 00:16:21.440
you sit there in this room sort of thinking this

00:16:21.440 --> 00:16:25.080
over, Ledoux is still thinking about how this

00:16:25.080 --> 00:16:27.460
is definitely Ibiza. Some ghostly creature did

00:16:27.460 --> 00:16:31.679
this. He just looks terrified. That's all. That's

00:16:31.679 --> 00:16:34.379
everything I could tell you, sir. I'm sorry.

00:16:34.580 --> 00:16:36.840
I know I should have spoken up sooner about the

00:16:36.840 --> 00:16:42.019
bees. I was afraid, you see. I thought they'd

00:16:42.019 --> 00:16:43.960
think I was crazy, and if they told anybody that

00:16:43.960 --> 00:16:46.539
I was on the floor, I mean, they would know I

00:16:46.539 --> 00:16:49.299
was... It's no good. They would know I was investigating

00:16:49.299 --> 00:16:54.100
a most near... I failed you, sir. I failed our...

00:16:54.100 --> 00:16:59.000
I failed our lord. I am sorry. Are there any

00:16:59.000 --> 00:17:02.519
other secrets that you can tell me? This is all

00:17:02.519 --> 00:17:05.700
I know. I know simply that there was a murder

00:17:05.700 --> 00:17:09.980
of some sort 16 years ago. The Piero was aware

00:17:09.980 --> 00:17:12.960
of it, but has not been able to find any evidence

00:17:12.960 --> 00:17:17.680
of it. He's tried to get testimony, get written

00:17:17.680 --> 00:17:21.059
evidence from the other kings of coin, but they've

00:17:21.059 --> 00:17:23.839
been clever. They haven't given it to him. So

00:17:23.839 --> 00:17:27.579
he sent me into Amos Nier's lodgings to... See

00:17:27.579 --> 00:17:30.579
if I can find something, anything. It's a long

00:17:30.579 --> 00:17:34.859
shot, but that's it. I promise, that's it. Wait

00:17:34.859 --> 00:17:39.599
here. And Blanche is going to get up and exit

00:17:39.599 --> 00:17:44.759
the room. It's time. It's not him, Harlan. It

00:17:44.759 --> 00:17:47.460
doesn't matter. You told us he was snooping around

00:17:47.460 --> 00:17:51.599
and he was near his room. I'm sorry. Master Defense,

00:17:51.779 --> 00:17:53.980
I'm sorry, but we've got to take him. We've got

00:17:53.980 --> 00:17:56.710
to bring him to the cells. Well... While you

00:17:56.710 --> 00:17:59.950
waste time here, I'm going to go find the killer.

00:18:00.650 --> 00:18:05.190
You can join me in help, or you can lose your

00:18:05.190 --> 00:18:10.569
glory here. For a snoop. He just looks over at

00:18:10.569 --> 00:18:13.289
the other guy at the door like, you want to take

00:18:13.289 --> 00:18:16.809
him and I'll just go with her? Sorry, I just

00:18:16.809 --> 00:18:19.490
defeated your plan very quickly. Blanche looks

00:18:19.490 --> 00:18:24.230
at the other duergar. You have no honor. He looks

00:18:24.230 --> 00:18:29.539
sad. Xenia is in her room, I presume? Yes, you

00:18:29.539 --> 00:18:32.900
presume. Which is actually on the same floor

00:18:32.900 --> 00:18:37.599
as Mello's room. It is indeed on the same floor.

00:18:38.319 --> 00:18:41.000
Funnily enough, you know from the map that was

00:18:41.000 --> 00:18:42.420
given to you, she was actually supposed to be

00:18:42.420 --> 00:18:45.019
in the room right next door to Mello. But that

00:18:45.019 --> 00:18:48.859
was changed, actually, by Mello's mother, Samira.

00:18:49.660 --> 00:18:52.259
Let me open up the map, actually. I forgot about

00:18:52.259 --> 00:18:55.950
that. Yeah, and it's on the way to... Amos' room,

00:18:56.130 --> 00:18:59.609
so hopefully Jules will be able to, or hopefully

00:18:59.609 --> 00:19:01.329
Blanche will be able to run into Jules on her

00:19:01.329 --> 00:19:04.329
way down to Xenia's room. You start to move away,

00:19:04.430 --> 00:19:06.730
Harlan, and in tow, and you can hear, like, the

00:19:06.730 --> 00:19:09.430
door creak open again. Zeduega just steps in

00:19:09.430 --> 00:19:12.690
like, All right, come with me. Let's go. You're

00:19:12.690 --> 00:19:14.490
going to meet your buddy in the south. What?

00:19:14.630 --> 00:19:20.869
No, no. Master defense. No, no, it's John. Blanche

00:19:20.869 --> 00:19:24.160
calls out behind her. It's okay, Ledoux. You'll

00:19:24.160 --> 00:19:27.980
be safe there. He's kind of like, you're moving

00:19:27.980 --> 00:19:29.559
away. He's being pulled down the stairs in a

00:19:29.559 --> 00:19:32.259
different spot. And I think you know that with

00:19:32.259 --> 00:19:33.839
the two of them locked up together, it's going

00:19:33.839 --> 00:19:38.180
to get very, very, very loud in the cellar. For

00:19:38.180 --> 00:19:44.579
one reason or another. Hey. I dare you, sir.

00:19:45.799 --> 00:19:48.759
Let's go to floor number two. On floor number

00:19:48.759 --> 00:19:51.640
two, we see Jules and Chester. Now, around the

00:19:51.640 --> 00:19:53.240
time you guys move down the stairs, the two of

00:19:53.240 --> 00:19:55.799
you are moving away from Amos and Nier's room.

00:19:56.799 --> 00:19:58.500
And you've just told Chester that, you know,

00:19:58.519 --> 00:20:00.200
you almost died. He didn't ask questions. He

00:20:00.200 --> 00:20:04.519
shrugged. Yeah, I figured. That's normal. It's

00:20:04.519 --> 00:20:06.299
normal. Honestly, it's normal these days for

00:20:06.299 --> 00:20:09.400
sure. As you're kind of pushing down the hallway,

00:20:09.619 --> 00:20:12.039
perhaps moving over to, like, go up the stairs

00:20:12.039 --> 00:20:14.119
to where, you know, Blanche went or maybe just

00:20:14.119 --> 00:20:16.220
wait in a common place, Chester's going to look

00:20:16.220 --> 00:20:18.920
over to you. So, yeah, I'll be doing more Chester.

00:20:20.079 --> 00:20:22.099
Yeah, what'd you find? Not a lot, to be honest.

00:20:22.200 --> 00:20:23.359
I've been speaking to the, you know, it's hard

00:20:23.359 --> 00:20:24.940
to speak to the other guests, so we're just talking

00:20:24.940 --> 00:20:27.279
to the duergar, you know, the silent verse, and

00:20:27.279 --> 00:20:30.359
they don't know a lot. But there's one kind of

00:20:30.359 --> 00:20:33.599
fun thing. What's that? Well, a lot of them have

00:20:33.599 --> 00:20:35.319
noted that Mela Aro's kind of been weird before

00:20:35.319 --> 00:20:38.640
all this. Not bad weird, but good weird. Like,

00:20:38.680 --> 00:20:41.519
he always hated these things, you know? He didn't

00:20:41.519 --> 00:20:43.240
like being involved in all the politics, all

00:20:43.240 --> 00:20:45.279
this stuff. He didn't like coming to the Grand

00:20:45.279 --> 00:20:47.559
Master's place, but this year? Man, this year

00:20:47.559 --> 00:20:50.079
he was excited. Like... Real visibly excited

00:20:50.079 --> 00:20:54.220
to be here. Happy. That's it, though. Huh. Yeah.

00:20:54.880 --> 00:20:57.420
Kind of odd. They asked, you wouldn't say why.

00:20:58.400 --> 00:21:01.200
I wish we would have gotten more. I know, I know,

00:21:01.259 --> 00:21:04.960
but hey. That's what you get for a pass of Chesterin.

00:21:07.019 --> 00:21:09.140
Maybe you hadn't stolen a button, you know. But

00:21:09.140 --> 00:21:16.619
hey, these things happen. You hear footsteps.

00:21:17.609 --> 00:21:23.549
Good try, buddy. You hear footsteps moving down

00:21:23.549 --> 00:21:27.650
the nearby stairs as Blanche and Harlan move

00:21:27.650 --> 00:21:30.049
down. Let's say you are down on the, maybe you

00:21:30.049 --> 00:21:31.589
guys are heading down towards the main sort of

00:21:31.589 --> 00:21:33.890
entrance, staircase towards the entrance hall

00:21:33.890 --> 00:21:35.529
on the first floor. As you go there, you see

00:21:35.529 --> 00:21:39.990
coming down on the eastern wing by the third

00:21:39.990 --> 00:21:44.029
four rooms of Ledoux and DePio and that gang

00:21:44.029 --> 00:21:47.480
are, you see Blanche and Harlan. And as you all

00:21:47.480 --> 00:21:49.240
see each other, you realize you are just outside

00:21:49.240 --> 00:21:53.619
of Xenia and Margus' rooms. A couple more duergar

00:21:53.619 --> 00:21:58.440
in the hall, standing at the ready. Blanche pulls

00:21:58.440 --> 00:22:01.819
Jules aside, or, you know, puts an arm over him

00:22:01.819 --> 00:22:04.559
or something so they can whisper. Ledoux heard

00:22:04.559 --> 00:22:08.200
and saw... Hey, what are you whispering over

00:22:08.200 --> 00:22:10.759
there? Excuse me, Harlan, just a minute, please.

00:22:10.920 --> 00:22:13.339
Hey, Harlan, look over here. There's a weird

00:22:13.339 --> 00:22:16.660
-looking bug. What? Yeah, look at this thing.

00:22:16.680 --> 00:22:18.740
Yeah, check it out. All right, let's talk. I

00:22:18.740 --> 00:22:20.460
heard some weird things. Weird, crazy things.

00:22:20.980 --> 00:22:23.819
Can I interview me? You say crazy? Crazy things.

00:22:23.960 --> 00:22:25.599
I speak weird. I'm Chester. All right, you guys

00:22:25.599 --> 00:22:28.539
talk. Holland loves bugs. Chester's taking a

00:22:28.539 --> 00:22:32.420
hold on this side. Ledoux saw through the keyhole

00:22:32.420 --> 00:22:37.000
while he was in Amos' room snooping around someone

00:22:37.000 --> 00:22:40.779
dressed in what he describes in my interpret

00:22:40.779 --> 00:22:46.599
as the dance macabre mask. And one thing he said

00:22:46.599 --> 00:22:50.200
about the costume stood out to me was the loud,

00:22:50.220 --> 00:22:54.619
clunking boots. I believe it may have been Xenia

00:22:54.619 --> 00:22:58.359
who was in the costume, who was in the room.

00:22:58.839 --> 00:23:03.700
You think she's doing this? It's our next best

00:23:03.700 --> 00:23:06.819
option. And somebody couldn't have put on her

00:23:06.819 --> 00:23:12.180
boots? I suppose that's possible as well. But

00:23:12.180 --> 00:23:14.369
I think we should talk to her. I think you should

00:23:14.369 --> 00:23:19.910
talk to her. She idolizes you. Why did you just

00:23:19.910 --> 00:23:21.930
look me up and down when you said that? I mean,

00:23:21.950 --> 00:23:26.410
come on. Look at what I'm working with here in

00:23:26.410 --> 00:23:32.890
front of me. I can see what Xenia likes. Well,

00:23:32.890 --> 00:23:36.490
Amos seems to think that I'm here to kill him.

00:23:37.309 --> 00:23:41.750
What did you do to make him think that? Flashback

00:23:41.750 --> 00:23:45.089
to last episode where Blanche is like, hey, don't

00:23:45.089 --> 00:23:49.589
fucking. Well, we can talk about that part later.

00:23:50.230 --> 00:23:54.170
I should have known. I should have known. Well,

00:23:54.329 --> 00:23:58.609
you're safe, so. But there's more. Larissa's

00:23:58.609 --> 00:24:05.700
his daughter. Larissa, the head maid. Yeah. They're

00:24:05.700 --> 00:24:12.140
keeping it under wraps. But wait. Don't do it.

00:24:12.839 --> 00:24:25.200
There's more. Oh, my God. Okay. Sturge Man's

00:24:25.200 --> 00:24:30.319
her brother. Wow. Sturge Man is... This is tight

00:24:30.319 --> 00:24:34.200
-lipped. Nobody knows or is supposed to know

00:24:34.200 --> 00:24:39.210
his identity. No. Nice work, Jules LaRoche. They're

00:24:39.210 --> 00:24:44.690
twins. Huh. Well, I do wish we had more time

00:24:44.690 --> 00:24:48.190
to talk on this, to dwell on this, but... Yeah,

00:24:48.190 --> 00:24:53.269
but the show's only an hour. And four o 'clock

00:24:53.269 --> 00:24:57.049
approaches rapidly. It is, I should say, 2 .30

00:24:57.049 --> 00:24:59.430
right now. The last little bit was about half

00:24:59.430 --> 00:25:01.009
an hour, so at this point, you have an hour and

00:25:01.009 --> 00:25:04.089
a half until, yeah, things happen. Might've mentioned

00:25:04.089 --> 00:25:06.509
that. I can't remember. Okay. I've got some good

00:25:06.509 --> 00:25:10.250
stuff too. De Piero knows about the murder that

00:25:10.250 --> 00:25:12.230
Jean is trying to solve and he wants to help

00:25:12.230 --> 00:25:14.450
Jean solve it, but he doesn't want Jean's help

00:25:14.450 --> 00:25:25.529
because Jean is, well, he's Jean. So now that

00:25:25.529 --> 00:25:27.130
we've caught each other up. There's one more

00:25:27.130 --> 00:25:29.109
thing you might, I think might be mentioned here

00:25:29.109 --> 00:25:31.410
that you might mention Jules, which is the fact

00:25:31.410 --> 00:25:34.009
that, and it's not proven. But Larissa Reen thinks

00:25:34.009 --> 00:25:39.710
the heirs are the targets. Jean Franklin is one

00:25:39.710 --> 00:25:44.910
of the heirs. Blanche, what David said. Well,

00:25:45.130 --> 00:25:48.069
gosh, what should we do about that? Should we

00:25:48.069 --> 00:25:51.630
split up again? We've got to keep Jean Franklin

00:25:51.630 --> 00:25:55.430
safe. Yes. One way or another. He is with Ledoux

00:25:55.430 --> 00:25:58.450
now, but I don't know if Ledoux has, well, any

00:25:58.450 --> 00:26:01.559
combat capabilities. No, no, no, no. Financial

00:26:01.559 --> 00:26:05.119
advisor, fully, not combat ready or able at all.

00:26:05.420 --> 00:26:07.000
Does not believe that the muscle needs to be

00:26:07.000 --> 00:26:09.380
strengthened, only the mind. Do you want to make

00:26:09.380 --> 00:26:12.319
sure Jean's taken care of? Yes, you've... I'll

00:26:12.319 --> 00:26:15.460
go talk to Xenia. You have proven yourself capable

00:26:15.460 --> 00:26:18.420
of this investigation, and I will... I mean,

00:26:18.420 --> 00:26:20.960
I almost died, but... There's neither here nor

00:26:20.960 --> 00:26:23.880
there. We move forward. I wish you had left that

00:26:23.880 --> 00:26:28.140
part out. Very well. I shall accompany Ledoux

00:26:28.140 --> 00:26:34.569
to the cells, and... God Jean, I suppose. Oh,

00:26:34.609 --> 00:26:37.329
boy. Okay. Come find me when you're done with

00:26:37.329 --> 00:26:41.950
Xenia. Yes. All right. Blanche is going to make

00:26:41.950 --> 00:26:44.630
haste to the basement. David's got a shitty grin

00:26:44.630 --> 00:26:47.509
on his face. We're splitting up again. This is

00:26:47.509 --> 00:26:50.549
craziness. I hate this. This is fun. I hate this.

00:26:51.509 --> 00:26:53.549
This is a lot of fun. Whose idea was it to come

00:26:53.549 --> 00:26:56.829
in here without any sort of communication? Oh,

00:26:56.970 --> 00:27:00.279
good stuff. Wait, we don't have the sending stones.

00:27:00.319 --> 00:27:04.579
No. Who are we starting with here? Jules. Start

00:27:04.579 --> 00:27:10.079
with you. As Blanche trods down the steps, down

00:27:10.079 --> 00:27:13.640
to the first floor, lower, you turn your attention

00:27:13.640 --> 00:27:18.000
to the rooms on the second floor, east wing.

00:27:18.940 --> 00:27:22.160
Xenia and Margus, right beside each other in

00:27:22.160 --> 00:27:25.119
separate suites. You want to move to Xenia Ruba's

00:27:25.119 --> 00:27:29.309
room? Yeah. Jules moves up. Before he knocks,

00:27:29.309 --> 00:27:32.710
though, he puts his ear up to the door. Can I

00:27:32.710 --> 00:27:39.150
roll? Roll perception. 15. You go to press your

00:27:39.150 --> 00:27:40.470
ear to the door, and I think as you're doing

00:27:40.470 --> 00:27:42.950
that, you hear the duergar beside you just say,

00:27:43.529 --> 00:27:45.809
and I'll say, Harlan's staying with you, actually,

00:27:45.849 --> 00:27:48.130
so he'll be close by, but the other duergar here

00:27:48.130 --> 00:27:53.009
will say, Inspector LaRoche, something you should

00:27:53.009 --> 00:27:55.269
know about this room. And as you hear, you press

00:27:55.269 --> 00:27:58.480
your ear, you can hear inside. Now, now, no worries.

00:27:58.759 --> 00:28:02.160
Your Tata will take care of everything. Margus

00:28:02.160 --> 00:28:05.519
is inside as well. Shit. Careful. They're known

00:28:05.519 --> 00:28:10.940
to brawl. Shit. I mean, he's not not going in.

00:28:11.539 --> 00:28:14.519
He's going to knock first, though. You knock.

00:28:15.400 --> 00:28:18.720
There's just kind of a silence inside. Perhaps

00:28:18.720 --> 00:28:21.460
you hear, like, rolling with that 15, some footsteps

00:28:21.460 --> 00:28:24.519
as someone seems to move perhaps farther around.

00:28:25.400 --> 00:28:27.779
And a moment later, as footsteps approach you,

00:28:27.859 --> 00:28:34.619
the door opens up. You're facing this very jolly

00:28:34.619 --> 00:28:39.039
figure, this gray -skinned full orc in just like

00:28:39.039 --> 00:28:42.519
kind of this very colorful, very Zinda demeanor.

00:28:42.960 --> 00:28:46.559
Kind of almost like a blend of like the aristocratic

00:28:46.559 --> 00:28:50.339
garb and something more workman's. Something

00:28:50.339 --> 00:28:52.619
that would let them fit in even in the streets

00:28:52.619 --> 00:28:58.630
of Zinda. And Margus Ruber just looks you over

00:28:58.630 --> 00:29:03.970
and they say, Ah, Jules Laroche. We spoke earlier

00:29:03.970 --> 00:29:07.650
in the courtyard. What can I do for you? I thought

00:29:07.650 --> 00:29:10.109
we were all supposed to be under room arrest.

00:29:10.289 --> 00:29:13.390
Of course, I moved over here to be with my darling

00:29:13.390 --> 00:29:16.450
daughter, but I'm surprised you're out and about.

00:29:17.309 --> 00:29:20.869
Well, I've been kind of tasked with figuring

00:29:20.869 --> 00:29:25.789
all this out. Luminaries, they get around, huh?

00:29:26.289 --> 00:29:30.730
Yeah, I guess. Yeah. Drink? No, thanks. No, I'm

00:29:30.730 --> 00:29:32.750
good. All right. I got to stay level -headed

00:29:32.750 --> 00:29:37.910
for this. Here's a little flask. In my experience,

00:29:38.049 --> 00:29:43.130
a level head is never the best place to be, especially

00:29:43.130 --> 00:29:46.250
in times of trouble. What you got there? Oh,

00:29:46.269 --> 00:29:51.609
pure whiskey. I love that it's specifically pure

00:29:51.609 --> 00:29:57.390
whiskey. I don't know drinks, says David. No,

00:29:57.490 --> 00:29:59.890
we're just making our rounds, doing our due diligence.

00:30:00.569 --> 00:30:03.230
In a situation like this, we've got to talk to

00:30:03.230 --> 00:30:08.029
everybody. Sure. Talk. As you look in the room,

00:30:08.109 --> 00:30:09.970
you can see, if you look even on the map in Xenia's

00:30:09.970 --> 00:30:12.430
room, the door faces a sort of partition, like

00:30:12.430 --> 00:30:15.549
a divider wall. loops around. There's probably

00:30:15.549 --> 00:30:18.109
just a big sort of frame portrait there of Amos

00:30:18.109 --> 00:30:20.369
near because he's an asshole. And then somewhere

00:30:20.369 --> 00:30:23.230
around that corner, you would assume is Xenia.

00:30:23.490 --> 00:30:27.009
Oh, you can goad her. But Margus doesn't look

00:30:27.009 --> 00:30:29.670
like they're going to move. They're being jolly,

00:30:29.730 --> 00:30:31.789
but there's something very firm about their position.

00:30:32.029 --> 00:30:34.009
Oh, look at all these autographs that are falling

00:30:34.009 --> 00:30:38.789
out of my pocket. Let me go there first. I'm

00:30:38.789 --> 00:30:42.710
sorry. I'm sorry. I couldn't help it. Jewel's

00:30:42.710 --> 00:30:45.700
going to awkwardly shift his body. Yeah, well,

00:30:45.759 --> 00:30:49.640
uh, thing is, on our list of people we gotta

00:30:49.640 --> 00:30:55.160
talk to, uh, she's next. Well, you'll understand

00:30:55.160 --> 00:31:00.200
that the death of a fellow prince is a very traumatizing

00:31:00.200 --> 00:31:02.619
thing for a young lady. Yeah, absolutely. Yeah,

00:31:02.619 --> 00:31:05.700
she's not gonna speak with you. But you can talk

00:31:05.700 --> 00:31:09.119
to me. Look at these autographs just falling

00:31:09.119 --> 00:31:16.200
all over the place. All right, well, hear me

00:31:16.200 --> 00:31:27.799
out. He just pulls out his lute. Are you actually

00:31:27.799 --> 00:31:33.839
doing this? Get out. Fucking hell. Roll performance.

00:31:34.420 --> 00:31:37.339
Oh, dude, yeah. Roll performance with advantage.

00:31:38.400 --> 00:31:42.799
Fuck. That's so good. Shit. And he just kind

00:31:42.799 --> 00:31:46.019
of starts a little performance. I don't know.

00:31:46.640 --> 00:31:49.619
And that's a 19. You get advantage, though. I

00:31:49.619 --> 00:31:54.160
mean, try. Oh, yeah. That's a 22. Oh, my God.

00:31:55.039 --> 00:32:04.420
Okay. Margus looks impressed, but unmoving. They

00:32:04.420 --> 00:32:10.019
stare you down, just unfazed, kind of about to

00:32:10.019 --> 00:32:11.220
raise their hands up as if they're going to say,

00:32:11.279 --> 00:32:14.529
like, Please go over to the door to close it.

00:32:14.589 --> 00:32:16.609
And then you hear in the background, Ta -ta,

00:32:16.710 --> 00:32:23.529
wait. Let him in. And Morris turns around, looks

00:32:23.529 --> 00:32:26.089
sort of like surprised, and then just kind of

00:32:26.089 --> 00:32:29.029
bites their lip, unsure, and then steps aside.

00:32:31.650 --> 00:32:34.029
That's... That was a great move. Phenomenally

00:32:34.029 --> 00:32:36.549
good. You're into that button you stole earlier.

00:32:39.630 --> 00:32:45.140
That's... Phenomenally good. Let's go downstairs.

00:32:46.000 --> 00:32:53.839
Oh, God. Okay. Oh, God. Blanche, you are... You

00:32:53.839 --> 00:32:55.640
guys had a little conversation, so I think in

00:32:55.640 --> 00:32:57.460
that time, Wadoo has already kind of moved ahead

00:32:57.460 --> 00:32:59.819
of you down to the cellar, already kind of put

00:32:59.819 --> 00:33:03.960
in a cell. Let's drop down into the cellar floor.

00:33:05.180 --> 00:33:07.240
Now, if you look at the storage from there, there's

00:33:07.240 --> 00:33:10.890
really only just one actual cell. So it's not

00:33:10.890 --> 00:33:15.710
the most comfortable sort of situation. It's

00:33:15.710 --> 00:33:19.230
pretty small as Ledoux is sort of brought in,

00:33:19.309 --> 00:33:21.849
pushed into the cell. So you probably hear the

00:33:21.849 --> 00:33:24.029
door closing as you're moving down the stairs

00:33:24.029 --> 00:33:27.930
and just like, what? No, not with him. You can't

00:33:27.930 --> 00:33:31.130
possibly expect me to. Oh, dear. Oh, and he smells

00:33:31.130 --> 00:33:37.710
like bog. Oh, goodness me. Oh, damn it, Ledoux.

00:33:37.849 --> 00:33:45.279
Just like. pure... That's... Toyka's just, hey,

00:33:45.400 --> 00:33:47.160
hey, settle down in there. Settle down. Hey,

00:33:47.200 --> 00:33:51.299
come on. Hey, this is... What is this? It's about

00:33:51.299 --> 00:33:53.660
what you expected as you move around in the room.

00:33:53.779 --> 00:33:56.059
You can see, like, two turtles staring at each

00:33:56.059 --> 00:33:57.980
other, their foreheads almost touching as their

00:33:57.980 --> 00:33:59.880
glares, their eyes are trying to bulge out at

00:33:59.880 --> 00:34:02.519
each other, like... Like hands sort of curled

00:34:02.519 --> 00:34:05.720
in the fists. You can see like in this one, Jean

00:34:05.720 --> 00:34:08.159
Franklin towers over Ledoux a bit. He's not like

00:34:08.159 --> 00:34:11.579
a small, he's well built. He's been trained by

00:34:11.579 --> 00:34:14.840
you. He's got like a very athletic, strong body

00:34:14.840 --> 00:34:17.599
where Ledoux is very flimsy, very frail for a

00:34:17.599 --> 00:34:21.059
turtle. Barely able to wield that giant shell,

00:34:21.199 --> 00:34:26.219
but still in wit. Jean Franklin's nemesis. The

00:34:26.219 --> 00:34:32.199
perfect matchup. Wink. A match made in the basement.

00:34:33.840 --> 00:34:36.440
Is that what? I'm sorry. I thought I said that

00:34:36.440 --> 00:34:42.559
to myself. Are the duergar still around? Yeah,

00:34:42.579 --> 00:34:43.900
they're hanging out. There's two of them down

00:34:43.900 --> 00:34:45.199
here. It seems like there's always two of them

00:34:45.199 --> 00:34:48.840
down here. So Blanche is going to sit down outside

00:34:48.840 --> 00:34:54.980
of the cell and explain to Jean. I told Hanlon

00:34:54.980 --> 00:34:59.719
that I don't think Ledoux was the murderer. Wait,

00:34:59.760 --> 00:35:01.489
what? He's definitely the murderer. He did it.

00:35:01.489 --> 00:35:04.610
He framed me. You think I would frame you? Really?

00:35:04.750 --> 00:35:07.630
You think I'm so foolish just to send you down?

00:35:07.849 --> 00:35:10.389
You are the born lord, after all. Where would

00:35:10.389 --> 00:35:12.550
our people be without the great John Franklin?

00:35:12.769 --> 00:35:16.170
Hey, hey, shut up. Oh, but I forgot. John Franklin

00:35:16.170 --> 00:35:19.070
ran away from home. Ran off to frolic amongst

00:35:19.070 --> 00:35:21.929
the citadel with other luminaries. You know what?

00:35:22.070 --> 00:35:26.170
I had my reasons. Oh, we know your reasons. They're

00:35:26.170 --> 00:35:28.170
just going back and forth. Blanche is going to

00:35:28.170 --> 00:35:31.590
sit patiently and wait for them to stop. About

00:35:31.590 --> 00:35:35.449
like a full two minutes later, just panting from

00:35:35.449 --> 00:35:39.550
all the yelling. Oh, sore throats. Two minutes

00:35:39.550 --> 00:35:46.670
later. Yes, sir. However, I could not stop him

00:35:46.670 --> 00:35:50.170
from being apprehended for the infraction of

00:35:50.170 --> 00:35:53.809
snooping in the Grand Messer's rooms. Which was

00:35:53.809 --> 00:35:56.610
of my own accord, and nobody put me up to it.

00:35:56.769 --> 00:35:58.409
Kind of looks over at the duergar, just sure

00:35:58.409 --> 00:36:03.489
shrug. A matter for another time. Wait, why were

00:36:03.489 --> 00:36:06.250
you snooping in the Grand Master's rooms? Wait,

00:36:06.269 --> 00:36:08.590
that was you I heard. Wait, wait, wait, wait.

00:36:08.670 --> 00:36:11.070
Sir, what's happening? I've been in this cell.

00:36:11.110 --> 00:36:14.489
I don't know what's going on. Yes, we've pieced

00:36:14.489 --> 00:36:19.110
together that you heard Ledoux. Ledoux heard

00:36:19.110 --> 00:36:22.030
and saw somebody else. That's where Jules is

00:36:22.030 --> 00:36:27.289
now. A beezer. It was a beezer. It was a beezer.

00:36:27.369 --> 00:36:29.769
You think one of the... Dang the spirits of the

00:36:29.769 --> 00:36:32.949
forest. Do you believe him? And we'll call it

00:36:32.949 --> 00:36:37.309
there. You gotta, like, do something about these

00:36:37.309 --> 00:36:39.949
two. Right. Jean, I believe you're in danger.

00:36:40.510 --> 00:36:44.409
What? It's become obvious that the airs are the

00:36:44.409 --> 00:36:48.090
target of these murders. But there's only been

00:36:48.090 --> 00:36:51.230
one murder. The accidents are just piling up

00:36:51.230 --> 00:36:56.070
too fast. We can't risk it. We have to see that

00:36:56.070 --> 00:36:59.639
you're safe. But how would someone make accidents?

00:37:00.420 --> 00:37:04.199
I don't understand. They probably rolled a natural

00:37:04.199 --> 00:37:08.820
one. I don't know. That's not for us to figure

00:37:08.820 --> 00:37:12.019
out here and now. Now we just need to ensure

00:37:12.019 --> 00:37:15.559
your safety. And, like, there's some actual gravity

00:37:15.559 --> 00:37:18.760
here. I think even Ledoux looks, like, stark

00:37:18.760 --> 00:37:21.840
and terrified. You think the bees are after Jean?

00:37:22.519 --> 00:37:25.480
We must ward this place against spirits. Do we

00:37:25.480 --> 00:37:28.800
have anyone with any sort of clerical abilities?

00:37:28.920 --> 00:37:33.199
Anyone around? I believe a cleric is arriving

00:37:33.199 --> 00:37:36.880
soon to ward against spirits, Ledoux. Yes, thank

00:37:36.880 --> 00:37:40.300
you. Very well, very well, yes, yes. Do you have

00:37:40.300 --> 00:37:46.579
any more physical ideas? Anything in your luggage?

00:37:46.659 --> 00:37:49.460
Anything you brought with you? You or De Piero

00:37:49.460 --> 00:37:53.900
for any sort of added protection? No, no, there's

00:37:53.900 --> 00:37:56.099
never... supposed to be danger here. I mean,

00:37:56.099 --> 00:37:58.699
we have the silent verse. The fact that this

00:37:58.699 --> 00:38:02.400
happened at all is quite incredible. And that

00:38:02.400 --> 00:38:04.980
after me, Jean's kind of muttering to himself,

00:38:05.239 --> 00:38:09.880
but why? Why the heirs? It is incredible, isn't

00:38:09.880 --> 00:38:11.920
it? Who would target the heirs of the kings?

00:38:12.039 --> 00:38:13.599
If they have a problem with the kings, why not

00:38:13.599 --> 00:38:15.840
target the kings? What possible motive is there

00:38:15.840 --> 00:38:19.920
to kill the heirs, officer? Well, we haven't

00:38:19.920 --> 00:38:22.820
quite figured it out yet. Let's cut back upstairs.

00:38:24.039 --> 00:38:27.519
Jules, you're stepping into this lavish suite.

00:38:28.219 --> 00:38:30.539
You look around at a space that's just decorated

00:38:30.539 --> 00:38:33.920
with accents of purple and blue. It's opulent,

00:38:33.940 --> 00:38:36.179
but not nearly as opulent, of course, as the

00:38:36.179 --> 00:38:38.199
Grand Messer's chambers, which are just much,

00:38:38.219 --> 00:38:42.059
much larger. But it is definitely a very cute

00:38:42.059 --> 00:38:44.679
little suite. As you turn around this corner

00:38:44.679 --> 00:38:47.980
looking into it, you can see that Xenia Ruba

00:38:47.980 --> 00:38:51.280
sits upon the edge of the sort of queen bed.

00:38:51.960 --> 00:38:56.960
that stands against the back wall. She is dressed,

00:38:57.039 --> 00:38:59.980
as before, all in black and very sort of gothic

00:38:59.980 --> 00:39:03.300
outfit, sort of black lipstick, eyeliner. She's

00:39:03.300 --> 00:39:06.079
a half -orc. Her skin is a light gray versus

00:39:06.079 --> 00:39:10.320
her tata's very dark gray. And as you look at

00:39:10.320 --> 00:39:12.760
her, you see there's streaks of black running

00:39:12.760 --> 00:39:16.280
down her face from her eyes where her mascara

00:39:16.280 --> 00:39:19.960
seems to have run. She kind of wipes it as you...

00:39:20.159 --> 00:39:21.860
begin to approach and almost kind of like lurches

00:39:21.860 --> 00:39:26.119
back a little bit, kind of surprised and maybe

00:39:26.119 --> 00:39:28.860
intimidated that Jules LaRose is currently in

00:39:28.860 --> 00:39:32.900
her suite. She's sitting? She's sitting. On the

00:39:32.900 --> 00:39:35.840
floor? On the edge of the bed. As you move in,

00:39:35.900 --> 00:39:39.760
I think you hear, you hear Harlan begins to kind

00:39:39.760 --> 00:39:41.300
of push in somewhere behind you. There's a little

00:39:41.300 --> 00:39:44.679
scuffle, just, oh, actually, Harlan, you, it's

00:39:44.679 --> 00:39:48.889
our mix, but where he goes, I'll go, so. All

00:39:48.889 --> 00:39:52.869
right. And Marcus turns around the corner, looks

00:39:52.869 --> 00:39:55.829
towards Xenia and just says, Are you absolutely

00:39:55.829 --> 00:40:00.030
sure about this? And she looks them in the eye

00:40:00.030 --> 00:40:03.329
and there's this long, unbroken sort of stare

00:40:03.329 --> 00:40:07.690
between them. And she says, It's Jules. I want

00:40:07.690 --> 00:40:13.190
to trust him. I heard your song. And she looks

00:40:13.190 --> 00:40:17.070
very nervously towards Harlan. But... Her gaze

00:40:17.070 --> 00:40:20.070
steadies and focuses on you. Marcus Ruba very

00:40:20.070 --> 00:40:23.889
nervously steps back, watching everything going

00:40:23.889 --> 00:40:26.150
on, but you don't miss that their knuckles kind

00:40:26.150 --> 00:40:29.170
of crack, and they stand in kind of this almost

00:40:29.170 --> 00:40:33.769
intimidating kind of ready stance, kind of not

00:40:33.769 --> 00:40:37.190
far behind where you and Harlan stand. And the

00:40:37.190 --> 00:40:45.190
floor is yours, Jules. May I sit? Yes. Yeah,

00:40:45.289 --> 00:40:48.679
yeah. Please sit. Jules goes and sits next to

00:40:48.679 --> 00:40:51.719
her. Oh, my God. It's Jules Roach. Reaches over.

00:40:51.900 --> 00:40:55.960
Whoa. Reaches his hand over. I'm Jules. Xenia.

00:40:56.280 --> 00:41:00.440
Nice to meet you, Xenia. You too. I've heard

00:41:00.440 --> 00:41:02.679
a lot of stories. All this cool stuff you've

00:41:02.679 --> 00:41:06.500
been doing. Everything on Sansatian. Yeah, what's

00:41:06.500 --> 00:41:10.719
your favorite one? Oh. Well, I love the backstories.

00:41:10.719 --> 00:41:13.840
Running away from home. You know, sticking it

00:41:13.840 --> 00:41:18.219
to your... Stupid parents. It's cool. It's really

00:41:18.219 --> 00:41:23.519
cool. Kind of playing with a pigtail. And rumors

00:41:23.519 --> 00:41:28.079
about... And she stops what she was going to

00:41:28.079 --> 00:41:31.480
say and kind of doesn't say anything else. Her

00:41:31.480 --> 00:41:34.460
face kind of just sort of neutral. It's stupid.

00:41:34.579 --> 00:41:38.579
It's nothing. It's nothing at all. No, no. It's

00:41:38.579 --> 00:41:40.780
not stupid. I want to know what you're thinking.

00:41:41.760 --> 00:41:49.179
Real persuasion. 17. She bites her lip. And you

00:41:49.179 --> 00:41:52.099
feel this, like, tension in the room. This sort

00:41:52.099 --> 00:41:53.280
of electricity. You don't even know where it's

00:41:53.280 --> 00:41:57.900
coming from. Well, I just think that there's

00:41:57.900 --> 00:42:01.199
rumors about you and, um... Gabriela Cortez,

00:42:01.239 --> 00:42:03.320
Dance Macabre. It's so cute. It's so cute. I

00:42:03.320 --> 00:42:08.780
love it. Um... Sorry. No, no, no. We just love

00:42:08.780 --> 00:42:16.989
Jance. Well... Right now, Xenia. And he nudges

00:42:16.989 --> 00:42:18.889
her with his elbow. You're my number one girl.

00:42:19.690 --> 00:42:23.909
Holy shit. David's blushing. David's blushing.

00:42:26.889 --> 00:42:29.090
This is high -pitched from almost like squeak.

00:42:31.849 --> 00:42:35.769
I'd love if I could talk to you alone. Like I

00:42:35.769 --> 00:42:38.750
said, you're my number one girl right now. Wow.

00:42:38.989 --> 00:42:43.090
Let's go chat. All right, yeah. Margus Rubis

00:42:43.090 --> 00:42:46.650
steps forward. No, I don't think that's the best

00:42:46.650 --> 00:42:52.070
idea. As you can see, Xenia is cleared of any

00:42:52.070 --> 00:42:55.170
wrongdoing, suspicions you might have. You had

00:42:55.170 --> 00:42:57.610
your little chat. You asked your questions. She's

00:42:57.610 --> 00:43:02.889
still traumatized, aren't you, Xenia? Hey, if

00:43:02.889 --> 00:43:05.789
I can give my fans just a little bit of happiness,

00:43:06.150 --> 00:43:10.719
it makes it all worth it. Nice reframing. Suck

00:43:10.719 --> 00:43:12.480
on that mix. It's so tough. There's this weird

00:43:12.480 --> 00:43:17.900
energy in this room. There's this whole unspoken

00:43:17.900 --> 00:43:21.440
conversation happening between Xenia and Margus.

00:43:21.480 --> 00:43:23.739
Give me your insight check. Let's see how much

00:43:23.739 --> 00:43:30.340
of this you catch. Only an 11. Okay. You don't

00:43:30.340 --> 00:43:32.380
catch a lot. All you know is Margus does not

00:43:32.380 --> 00:43:35.800
want Xenia to speak with you. Margus doesn't

00:43:35.800 --> 00:43:38.360
want Xenia to speak with anybody. And Xenia is

00:43:38.360 --> 00:43:42.840
in this weird place of, This is such an amazing

00:43:42.840 --> 00:43:44.920
moment, and maybe she's looking for something

00:43:44.920 --> 00:43:50.300
from you. Not only is it just, like, fangirling,

00:43:50.300 --> 00:43:53.179
but maybe there's a trust built in, I guess,

00:43:53.219 --> 00:43:55.340
the sort of parasocial relationship that a fan

00:43:55.340 --> 00:43:59.420
builds towards someone they idolize. And perhaps

00:43:59.420 --> 00:44:02.260
in that, she's looking to you as, like, someone

00:44:02.260 --> 00:44:05.539
she can trust as much as her very tata. All right,

00:44:05.559 --> 00:44:09.539
so Jules will look over. Is that a balcony? There

00:44:09.539 --> 00:44:12.000
is a balcony. Oh, shit. Jules is going to look

00:44:12.000 --> 00:44:16.719
over. I'm going to get some air. Xenia, if you'd

00:44:16.719 --> 00:44:20.260
like to join, I'd be happy to talk to you. Aye.

00:44:20.739 --> 00:44:24.280
And Jules slowly gets up and slowly starts making

00:44:24.280 --> 00:44:26.800
his way over. There's just like another sort

00:44:26.800 --> 00:44:29.440
of full conversation of glances, eye movements,

00:44:29.579 --> 00:44:33.880
brow raising between Xenia and Margus. And finally,

00:44:34.019 --> 00:44:38.119
she kind of almost pouting, just gets up. Turns

00:44:38.119 --> 00:44:41.400
and moves over to the door. Harlan starts up

00:44:41.400 --> 00:44:44.340
and we're like, yeah, well, let's step out. I

00:44:44.340 --> 00:44:45.980
don't think you're going to want to do that.

00:44:46.440 --> 00:44:49.219
Big gray hand kind of touches down on Harlan's

00:44:49.219 --> 00:44:55.099
shoulder. You should speak with me for now. You

00:44:55.099 --> 00:44:58.519
have a moment alone. Interesting. Seems like

00:44:58.519 --> 00:45:02.300
as much as Marcus Rubio does not want Xenia to

00:45:02.300 --> 00:45:05.300
speak with you, they definitely don't want Xenia

00:45:05.300 --> 00:45:09.630
to speak with Harlan. You hear loud, clomping

00:45:09.630 --> 00:45:12.929
footsteps, boots come up behind you on the balcony,

00:45:13.030 --> 00:45:16.050
stepping against the sort of tile. Nice touch.

00:45:16.329 --> 00:45:21.409
What? As Xenia kind of leans out next to you.

00:45:22.230 --> 00:45:24.989
What do you want to do? Your Tata seems pretty

00:45:24.989 --> 00:45:29.730
nice. Yeah, they're great. They seem pretty protective.

00:45:30.730 --> 00:45:36.139
Oh, um, yeah, they can be. She's like... Very

00:45:36.139 --> 00:45:38.219
tight lips. She's kind of turning and looking

00:45:38.219 --> 00:45:40.780
back, almost like her eyes are in the view. You

00:45:40.780 --> 00:45:43.619
can see her eyes are still watery. You can't

00:45:43.619 --> 00:45:47.099
hear us. Whatever you want to say stays between

00:45:47.099 --> 00:45:53.800
me and you. Oh, this is tough. I was just wondering.

00:45:54.420 --> 00:45:58.619
I heard you speaking out in the hallway. You

00:45:58.619 --> 00:46:01.780
were saying that you're looking into things?

00:46:02.780 --> 00:46:06.869
Mello's death? Yeah. Do you have any suspects?

00:46:07.170 --> 00:46:08.869
I'm trying to figure out what's going on. Anyone

00:46:08.869 --> 00:46:12.250
that you think did it? Not really yet. We're

00:46:12.250 --> 00:46:15.309
just asking questions. That's why I'm here. Oh,

00:46:15.409 --> 00:46:21.170
okay. It's, um... It's hard. Um... Is he a friend

00:46:21.170 --> 00:46:25.050
of yours? You could say that. Insight check.

00:46:27.789 --> 00:46:35.320
Eight. Yeah. You don't know. She just... Are

00:46:35.320 --> 00:46:37.880
you just telling the truth? They were kind of

00:46:37.880 --> 00:46:42.139
close. So I want to make sure you know that you're

00:46:42.139 --> 00:46:45.219
not in trouble or anything. Why would I be in

00:46:45.219 --> 00:46:48.400
trouble? Why would there be trouble? Where were

00:46:48.400 --> 00:46:51.159
you when this was all happening? The murder.

00:46:51.659 --> 00:46:55.940
I was in my room, you know, just getting ready

00:46:55.940 --> 00:47:00.380
for the dinner and your show afterwards. You

00:47:00.380 --> 00:47:05.280
had a good outfit picked out? Yeah, I did. Yep.

00:47:05.280 --> 00:47:10.679
Well, mostly something black. Huh. You know,

00:47:10.739 --> 00:47:13.199
someone close to me used to wear something pretty

00:47:13.199 --> 00:47:16.400
similar. He just said the color. He didn't describe

00:47:16.400 --> 00:47:22.619
it at all. Yeah, I know somebody that used to

00:47:22.619 --> 00:47:35.849
wear black. Wow. But again, she's my number two

00:47:35.849 --> 00:47:40.969
right now. It's just like this awkwardness. Like

00:47:40.969 --> 00:47:42.349
you're just standing out here and there's just

00:47:42.349 --> 00:47:45.349
something unspoken, something that maybe she

00:47:45.349 --> 00:47:48.630
wants to say, but she also knows better than

00:47:48.630 --> 00:47:52.630
to say it. And there's just this energy of awkwardness

00:47:52.630 --> 00:47:57.150
that you can't quite pierce. This strategy doesn't

00:47:57.150 --> 00:47:59.289
seem to be working. The question is, what can

00:47:59.289 --> 00:48:04.239
you do, Jules? He'll look over. And put his hand

00:48:04.239 --> 00:48:08.820
on her cheek. Oh. I... We're the good people.

00:48:09.480 --> 00:48:12.739
You can tell me anything. I've known a lot of

00:48:12.739 --> 00:48:15.320
people and I've been through a lot. I can tell.

00:48:16.139 --> 00:48:22.679
You want to say something? Roll persuasion. Nineteen.

00:48:25.239 --> 00:48:30.019
Jules? What is a sky prison like? Everyone says

00:48:30.019 --> 00:48:33.860
it's horrible. And... I don't know much about

00:48:33.860 --> 00:48:36.559
it. I know it's where people who deserved...

00:48:36.559 --> 00:48:40.420
I know it's bad. Why are you concerning yourself

00:48:40.420 --> 00:48:43.380
with the Sky Prison? I've never been there, so

00:48:43.380 --> 00:48:48.300
I can't really say. Of course not. You're a good

00:48:48.300 --> 00:48:51.739
person. And her tears, her eyes are welling up.

00:48:52.539 --> 00:48:56.980
Like she's going to start crying anew. It's okay.

00:48:57.780 --> 00:49:01.280
You can tell me. Here's what I'm going to do.

00:49:02.639 --> 00:49:06.239
DC -19 wasn't quite what I was looking for. I

00:49:06.239 --> 00:49:07.980
knew it. But the way I'm going to resolve that

00:49:07.980 --> 00:49:16.079
is this. She turns to look at you and her eyes

00:49:16.079 --> 00:49:20.679
catch yours and they're just so full of pain.

00:49:21.539 --> 00:49:27.000
Just so much pain. You know, part of being a

00:49:27.000 --> 00:49:31.119
good person and being the luminaries that you

00:49:31.119 --> 00:49:35.619
look up to, Is honesty. Even if it's painful.

00:49:36.159 --> 00:49:40.280
It's not luminaries I look up to. It's rebels.

00:49:42.139 --> 00:49:45.260
People like you. People who... She kind of looks

00:49:45.260 --> 00:49:50.760
down and shakes her head. Who are honest. Jules,

00:49:50.840 --> 00:49:54.179
I need to tell you that I... The door slams open.

00:49:54.239 --> 00:49:59.260
This is the 19. No, no, no. We're done. We're

00:49:59.260 --> 00:50:03.199
done. Mix, Marcus Aruba stands up for you and

00:50:03.199 --> 00:50:06.579
you see that they have taken on full orcish sort

00:50:06.579 --> 00:50:10.760
of strength, muscles sort of bulging, veins sort

00:50:10.760 --> 00:50:13.500
of sticking out on their neck. Tata, please.

00:50:14.139 --> 00:50:16.940
No, no, no, no. We're done. We're done. Harlan.

00:50:17.019 --> 00:50:19.159
Wait, wait, wait, wait, wait. What are you doing?

00:50:19.260 --> 00:50:22.519
Hold on. You are grabbed. Wait. They're grabbing

00:50:22.519 --> 00:50:24.239
you while you're talking, just kind of muscling

00:50:24.239 --> 00:50:26.960
you. No, no, no. We're done. I'm not fighting

00:50:26.960 --> 00:50:29.920
him. I'm not trying to pull back from him. Yeah,

00:50:29.980 --> 00:50:32.420
that's fine. That's fine. You're just being pulled

00:50:32.420 --> 00:50:34.340
away. It's dramatic. It's a dramatic moment.

00:50:34.480 --> 00:50:36.639
Okay. Hands outstretched. I don't care. It's

00:50:36.639 --> 00:50:40.840
cool. Yeah. Jules looks at Xenia and says, trust

00:50:40.840 --> 00:50:44.400
me. Then turns to Margus. And in the biggest,

00:50:44.559 --> 00:50:47.980
silliest fashion. What? Totally non -threatening.

00:50:48.519 --> 00:50:50.780
Goes. What are you doing? His loot lights up.

00:50:50.840 --> 00:50:54.500
He goes, Abracadabra! What the fuck is that?

00:50:54.760 --> 00:50:57.420
And as he's doing that, he's casting detect thoughts

00:50:57.420 --> 00:51:02.099
onto. Xenia. Okay. I mean, once again, it's going

00:51:02.099 --> 00:51:03.300
to be a stealth check to do this. That's fine.

00:51:03.840 --> 00:51:07.340
Really? Okay, fine. There's an ability called

00:51:07.340 --> 00:51:09.059
Subtle Spell that lets you do this. I can't get

00:51:09.059 --> 00:51:11.800
to you in front. I think it was more like, because

00:51:11.800 --> 00:51:14.079
we talked about this off mic for a second, I

00:51:14.079 --> 00:51:16.800
think it was more like he made it so obvious

00:51:16.800 --> 00:51:19.940
that he was casting a spell that it was meant

00:51:19.940 --> 00:51:22.719
to be like... I'm doing this and I'm not trying

00:51:22.719 --> 00:51:24.519
to hide it from you. It's not a threat. This

00:51:24.519 --> 00:51:27.760
is me saying, I'm not doing anything threatening.

00:51:27.860 --> 00:51:31.579
I'm just doing magic tricks out here. It's obvious

00:51:31.579 --> 00:51:33.599
you're doing the spell. Yes. Deception, then.

00:51:34.019 --> 00:51:35.280
Which is going to be a lot better for you than

00:51:35.280 --> 00:51:42.559
stealth. Yeah, it's a 23. See, this is all we're

00:51:42.559 --> 00:51:46.659
doing. Boom. Immediately, your mind is filled

00:51:46.659 --> 00:51:50.230
with thoughts. Margus just... They have to go.

00:51:50.269 --> 00:51:52.630
They have to go. She doesn't understand. She

00:51:52.630 --> 00:51:54.230
doesn't understand what she's going to give away.

00:51:54.570 --> 00:51:57.010
I must protect her. I have to protect her. She

00:51:57.010 --> 00:52:00.309
didn't mean to do it. And behind you, it was

00:52:00.309 --> 00:52:04.849
me. I killed him. And we'll call it there.
