WEBVTT

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Hello, friends. If you're enjoying the show and

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nerdy shit all day long. You can find the link

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in the show notes, in our link tree, and all

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of our socials at FantasyPantsPod. luminary spotlight.

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Today I want to talk about the pride of my homeworld

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at God's breath, the Haringan druid known as

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Crispin Dubois. Now Crispin's origins are shrouded

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in mystery. We know that he was born and raised

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in a small Haringan enclave, tucked into the

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swamps at the edge of Nightwater Cove. We know

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that this enclave was a target of a vicious,

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macabre assault. Rumors speak of a horde of giant

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undead crocodiles appearing out of the mists,

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endlessly hungry and incredibly strong. Crispin,

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they say, in an act of courage, lured these predators

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away from his people and deeper into the swamp.

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Then... Well, folks, then we don't really know

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what happened. The crocodiles were destroyed,

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one and all. Buried, they say, deep in the earth

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and muck. As for Crispin, he returned with a

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new druidic power. A connection had been established

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between him and the land, and it's only grown

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stronger over time. He was invited to join the

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ranks of the Luminary Adventurers. And he agreed.

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Now, Christmas is keeping a low profile since

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its initial debut. He has served our worlds on

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many, many occasions. Keep an eye out for this

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one, folks. He's a special one. So, did you guys

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have fun last week? Oh, tons. It was a blast.

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Hold on, let me put this thing away. All right.

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Yeah, put it away. Gross. Ew. Ew. Zip that up.

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Okay. All right. I can see I'm going to need

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this. Hey, hey, hey. Yeah, last week was a challenging

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week for me. A challenging week for all of us.

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Yeah. It was fun. I had fun. To say the least.

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Yes. It was fun. I was pretty hard on myself

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for messing up that John Franklin move. But I

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talked to a friend of the show, Rochelle. Our

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IRL level one cleric and self -described D &D

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chaplain. And I was like super bumming about

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it. And she said she was like, you know, mistakes

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happen in D &D. And like, yes, it sucks. And

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we had to acknowledge that and accept it. But

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the thing or one of the things that we've always

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prided ourselves on here is our authenticity.

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It would have been so easy. To just re -record

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it, take it out, fix the mistake, and move on.

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Yeah. But the fact that we didn't, and the fact

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that you, David, were so quick on your feet to

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give us a fair chance, even though I messed up

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with that extra check, I think that says a lot

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about what we do here. Yeah, I mean... I'm into

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it. I think it was great. And honestly, the thing

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with failure is sometimes it just makes for a

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better narrative. And the fight following that

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attack that kept me in the battle. It was a really

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cool fight. Yeah. We saw Give the Metallic Dragon

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happen twice, both the features of it, the healing

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and the wings. Holy shit. Yeah. We saw Jules

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drop down at the end of the fight. I was this

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close, this close. I hold my fingers very close

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together. Pants people, you can't see that, but

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it's very, very close. They're basically touching

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this close to taking out our Jules LaRoche. Oh,

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I mean, even in the shot that you took me down,

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like you had a very real chance of just killing

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me outright. It's scary shit. Scary shit. Big

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old scary Boyd. I think I might have felt a little

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bit different. I think I might have felt a little

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bit different if that mistake led to a character

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death. You know what I mean? I mean, we'd have

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to go to like group therapy for a little bit.

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Yeah, I just would have like hung up my headphones

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for a little while. Do a couple episodes of that

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Steven for punishment. But shit happens and I'm

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ready to move on. As far as moving on goes, a

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couple quick things. Let's talk wedgies. I don't

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think we had a lot that we didn't catch. Obviously,

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we talked about the few we had. I also was mistaken

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in my – because I actually, before we realized

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that I should have stayed, I was sticking around

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in the fight when I should have just bolted.

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I'm glad I didn't because we caught this instead.

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It all worked out perfectly. The only tiniest

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wedge I could think of is I think we missed a

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nat one at one point that Zebulon rolled. I didn't

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do anything with, but I was just in the – stress

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place and uh you know what it worked out just

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fine that stuff's flavor anyways i think it's

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really just flavor you know i don't want to be

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like i'm not too stringent on getting every nat

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one i'm not here to like punish punish it's just

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narratively interesting sometimes and when it's

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not narratively interesting i don't really care

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that much it keeps things fun yeah yeah that's

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how i see it um my biggest nat one um we'll blame

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my npc for this one uh maria the alvedado uh

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entirely got her directions wrong I was explaining.

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I think I said west, like, oh, northwest, northwest.

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Every time you hear the word west, just assume

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I said east. Oh, jeez. Oh, my goodness. I listened

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to the episode, and I was like, that's not at

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all how the map works. But she was really bad

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directions. It's not me, guys. It's her. She's

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very sorry. Yeah, we'll go with that. Yeah, you

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will. But yeah, I think that's all for wedgies.

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And I do have one more little announcement. I

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know this is going to seem a little out of the

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blue and a little crazy. This is wild. Here's

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the thing. He's reaching for the jar. Here's

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the thing. We're not getting into all the nitty

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gritty details of this right now. But these two

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gentlemen here are currently putting up with

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a lot of bullshit from me. Because I had plans

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upon plans upon plans for this arc. And I've

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been changing them last minute, throwing them

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for the loop. You'll find out what I'm talking

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about in a little while here. You guys have been

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serious troopers. Seriously. Take these buttons.

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Each button. You earned them. All right. Thank

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you. I will take this button. With that buildup,

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I was kind of expecting like two or three. Oh,

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my God. Who do you think I am? A bunny for the

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best players in the world. Aw, thanks. Thank

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you for putting up with my constant baloney.

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I also want to say, real quick, for anyone that

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is familiar with the book, you probably noticed

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I took a lot of liberties with the creature we

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dealt with last week. Mostly I cut down on its

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ability to do, like, insane burst damage. I cut

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down on that. Just, yeah. Yeah. Think about that.

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He took it easy on us. In favor of legendary

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actions it did not have and more consistent damage

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and a few more magical tricks, some of which

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I have yet to reveal. But it's a good thing we

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probably won't see that boy again, huh? Fucking

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Boyd's. He's probably gone. Never again. Yeah,

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I'm sure he's gone. We scared him off. Yeah.

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Almost. He was terrified. So where do we go from

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here? Right? Where do we go from here? Well,

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I know where. We're going to go to the Radiant

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Citadel. Still shining the cool blue of night.

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Now, when we left our heroes off, it was about...

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11 o 'clock p .m. We're going to shift forward

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a little bit. Maybe 2, 2 .30. The dead of the

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night. And we see the diamond there. Amongst

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the swirling chaos. The keen and gloom down below.

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Thunder roaring, threatening. We're not focused

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on that. No, no, no, no, no, no, no. We're going

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to pan up to the smooth, fasted walls of the

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auroral diamond. And we're going to pass through

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them. It is night. Inside as well. The faux sky

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above the preserve of the ancestors. Shimmers

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with thousands of stars against the blackness.

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Shining down on an open expanse. A hodgepodge

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of habitats and environments that you guys are

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somewhat familiar with. And the center of all

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of this. Still glowing like a beacon. In the

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midst of this cool peace. We see a rural town.

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We're going to pan down to the crystalline streets.

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The area still abuzz with a constant stream of

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information and drama passed between structures

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by cables and playing out on diamond screens

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on the sides of buildings. Except few folk wander

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the streets at this hour. While there is light,

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while there's activity, there's very little life

00:09:34.610 --> 00:09:38.909
here right now. Very, very little. And as we

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pass by maybe a few dark figures, our eyes moving

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swiftly. down the streets, towards the city's

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center, towards the amphitheater, in the surrounding

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manors of all the speakers, of all the worlds,

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we're going to hone in on one particular figure,

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moving towards a square -shaped manor. We see

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a sign before the door reveals us to be the home

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of Fortino Infante, speaker for Saint -Étienne.

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And as this figure closes in on the structure,

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moving right up towards the door, a grim -faced

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shield -bearer guard nods expectantly towards

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them. And I've just got to ask you, Stephen,

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does Crispin Dubois nod back? Yeah, of course

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he does. The guard sees this, whispers a word,

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steps to the side as the door slides open, and

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he gestures you inside. Um... Yeah, Crispin's

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gonna step inside. He whispers Zuko, head to

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the back. They're in the office, waiting. The

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door closes. You step inside to this darkened

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manor. There are no servants about. There's no

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light emanating from the crystalline walls, but

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you do see the light from the far back, down

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a hallway. All the doors to the sides are closed,

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just one singular door open at the very end,

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where you can see a desk, and you can see a figure

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behind the desk. Do you approach? Yes, Crispin

00:11:17.629 --> 00:11:22.330
approaches. As you move closer, as you step into

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the room, you see there are actually two figures

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within. One is a dwarven man with brown skin

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and no beard. He has small spectacles resting

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at the tip of his tiny nose in a loose white

00:11:36.580 --> 00:11:40.320
silken nightgown. His dark -rimmed eyes are wide

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and frantic. They glance your way as you step

00:11:43.620 --> 00:11:47.100
into the room, but turn immediately back to their

00:11:47.100 --> 00:11:52.919
true focus. A woman. Old and copper -skinned.

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Her black... Gray street hair is pulled into

00:11:56.009 --> 00:11:59.250
a tight braid. Her confident, easy form is covered

00:11:59.250 --> 00:12:02.309
by a red and yellow gown. Her shrewd eyes hang

00:12:02.309 --> 00:12:05.830
over a wolfish grin as she, too, glances in your

00:12:05.830 --> 00:12:10.210
direction. And you know, you know that this is

00:12:10.210 --> 00:12:14.950
Sholay, the Brass Dragon, in her human form.

00:12:16.009 --> 00:12:22.669
Ah, you're here. Early, too. Good. I have a few

00:12:22.669 --> 00:12:27.750
questions for you. Luminary Crispin Dubois, but

00:12:27.750 --> 00:12:32.450
first. And she turns away from you, reaching

00:12:32.450 --> 00:12:34.809
into her sleeve, pulling out something small

00:12:34.809 --> 00:12:39.289
and round. A recording diamond, which she casually

00:12:39.289 --> 00:12:42.450
tosses onto the desk in front of the dwarven

00:12:42.450 --> 00:12:47.370
man. And you know that this man, I imagine you

00:12:47.370 --> 00:12:49.909
were invited here. You could guess at least that

00:12:49.909 --> 00:12:53.559
this is Fortino Infante. The speaker for Sansation.

00:12:54.399 --> 00:12:59.100
The one who offered you this invite. But I think

00:12:59.100 --> 00:13:02.100
now you are starting to second guess who exactly

00:13:02.100 --> 00:13:06.980
brought you into the fold. As you wait, Sholay

00:13:06.980 --> 00:13:12.379
glances towards Fortino. Take a look for yourself

00:13:12.379 --> 00:13:17.840
while I speak with my associate. Take your time.

00:13:18.460 --> 00:13:22.559
Watch every second. You should understand the

00:13:22.559 --> 00:13:26.340
fragility of your position in its entirety. And,

00:13:26.440 --> 00:13:30.659
yes, it is already packed up into the ethereal

00:13:30.659 --> 00:13:35.159
diamond proper. Ready for release upon my word.

00:13:36.740 --> 00:13:40.340
The dwarf's jaw locks, eyes holding back frustrated

00:13:40.340 --> 00:13:42.840
tears as he turns his back from you both and

00:13:42.840 --> 00:13:45.759
turns his focus onto these swiftly moving images

00:13:45.759 --> 00:13:49.179
on the face of the diamond. And Shirley turns

00:13:49.179 --> 00:13:52.720
back to you. All right. I haven't done this on

00:13:52.720 --> 00:13:54.179
the mic yet, so I might need like two or three

00:13:54.179 --> 00:13:57.620
tries. I'm so excited. I'm so excited. Don't

00:13:57.620 --> 00:14:00.940
overblow it. All right. All right. So excited.

00:14:01.960 --> 00:14:07.299
How may I be of service? Sholay pauses for a

00:14:07.299 --> 00:14:13.360
moment, eyes thinking, and just, First, I'm going

00:14:13.360 --> 00:14:16.559
to ask you some questions. You would do well

00:14:16.559 --> 00:14:19.419
to understand that I already know most of the

00:14:19.419 --> 00:14:22.519
answers. I would just like to hear them from

00:14:22.519 --> 00:14:27.279
you before we proceed. Is this understood? All

00:14:27.279 --> 00:14:32.700
right. I love it. I fucking love it. Why did

00:14:32.700 --> 00:14:37.919
you become a luminary? Why? To protect my community.

00:14:38.960 --> 00:14:46.720
To protect? With money? With influence? Money

00:14:46.720 --> 00:14:52.690
buys resources. This is true. there's more to

00:14:52.690 --> 00:14:56.509
becoming a luminary than money. There is great

00:14:56.509 --> 00:15:01.070
political power in your current position. What

00:15:01.070 --> 00:15:03.710
do you intend to achieve with this granted power?

00:15:04.350 --> 00:15:08.250
I'm not interested in power, Miss Cholet. She

00:15:08.250 --> 00:15:12.009
smiles slightly at this remark. One last question.

00:15:12.730 --> 00:15:15.950
You were one of the first witnesses to the recent

00:15:15.950 --> 00:15:20.029
tragedy on God's Breath. The farmhouse slaughter.

00:15:20.970 --> 00:15:24.809
What were your thoughts on the scene? Well, it

00:15:24.809 --> 00:15:29.230
was certainly a gruesome tragedy. It was. And

00:15:29.230 --> 00:15:32.289
I think you are aware that it is not the end

00:15:32.289 --> 00:15:37.029
of such tragedies. Especially for God's Breath.

00:15:38.049 --> 00:15:41.649
It's just the beginning, isn't it? You have no

00:15:41.649 --> 00:15:45.090
interest in power. But perhaps you would have

00:15:45.090 --> 00:15:50.549
an interest in powerful allies. People who may

00:15:50.549 --> 00:15:53.850
be able to change and shape the face of these

00:15:53.850 --> 00:15:58.070
things. To avoid such tragedies in the future.

00:15:59.210 --> 00:16:02.409
That is why I have called you here, Mr. Dubois.

00:16:03.309 --> 00:16:06.710
You see, I have come to realize very recently

00:16:06.710 --> 00:16:09.830
that you luminaries hold certain powers and freedoms

00:16:09.830 --> 00:16:14.110
that myself and my agents cannot attain. As such,

00:16:14.110 --> 00:16:17.190
I have decided it could be worth my time to ally

00:16:17.190 --> 00:16:21.000
with one of you. Now, I've done my research.

00:16:21.519 --> 00:16:23.919
You have a certain reputation for subtlety and

00:16:23.919 --> 00:16:28.899
discretion that your associates lack. You, as

00:16:28.899 --> 00:16:32.120
far as luminaries go, seem to hold, well, good

00:16:32.120 --> 00:16:35.480
reasons for seeking this position. You do not

00:16:35.480 --> 00:16:38.960
seek fame and glory like most of the lot. You

00:16:38.960 --> 00:16:43.639
are a practical man. And as a practical woman,

00:16:43.840 --> 00:16:47.500
I believe we can help each other. I'm honored.

00:16:48.840 --> 00:16:51.279
So you would be interested in such a relationship,

00:16:51.460 --> 00:16:55.980
then? I am. Are you currently partaking in the

00:16:55.980 --> 00:17:00.919
assignments? I am currently available. Very good.

00:17:01.879 --> 00:17:05.400
Then you will go to San Sitian. What will I do

00:17:05.400 --> 00:17:10.299
at San Sitian? Once you arrive, the exact trajectory

00:17:10.299 --> 00:17:14.359
of your investigation will be up to you. But

00:17:14.359 --> 00:17:17.640
I have... tidbits of information, pieces of a

00:17:17.640 --> 00:17:21.859
larger puzzle. And I need to know more. Now,

00:17:21.880 --> 00:17:25.200
we know that Samuel LaRoche is on Sansatian.

00:17:25.799 --> 00:17:28.980
You may not be aware of the LaRoche family and

00:17:28.980 --> 00:17:32.579
their role in our political environment, but

00:17:32.579 --> 00:17:37.160
they are as devious as rumored. I want to know

00:17:37.160 --> 00:17:42.299
why he's there. On top of this, we know that...

00:17:42.920 --> 00:17:46.559
A mysterious bounty has been posted. To the payment

00:17:46.559 --> 00:17:52.380
of 600 gold. It is my belief Samuel LaRoche posted

00:17:52.380 --> 00:17:55.240
this bounty. Now we are still waiting on information

00:17:55.240 --> 00:18:00.059
about the figure hunted. Only know little. But

00:18:00.059 --> 00:18:04.819
600 gold is a lot. Already hunters are swarming

00:18:04.819 --> 00:18:09.900
to the world to take up this job. We also believe

00:18:09.900 --> 00:18:13.700
there is a connection. Between the Tressina of

00:18:13.700 --> 00:18:18.099
Sansatyan, the leaders of Sansatyan City, and

00:18:18.099 --> 00:18:23.599
the Illness Serenno. Now this is to be kept very

00:18:23.599 --> 00:18:27.839
quiet. It's pure speculation, and to let this

00:18:27.839 --> 00:18:32.180
leak could be disastrous for my own career and

00:18:32.180 --> 00:18:36.359
position, but it is thought that this is why

00:18:36.359 --> 00:18:39.440
Atash... And my own efforts to send proper aid

00:18:39.440 --> 00:18:42.119
have been met with cruel indifference from the

00:18:42.119 --> 00:18:46.039
city's leaders. We don't know what purpose the

00:18:46.039 --> 00:18:48.859
illness would have for the Tresina. We do know

00:18:48.859 --> 00:18:50.640
that it has been disproportionately affecting

00:18:50.640 --> 00:18:57.819
the lower class. And we know that they were priorly

00:18:57.819 --> 00:19:03.299
on the verge of a revolution. So you're not asking

00:19:03.299 --> 00:19:07.690
me to participate in this bounty? But to learn

00:19:07.690 --> 00:19:14.470
more about Serenno? I simply want more feet on

00:19:14.470 --> 00:19:17.430
the ground. If you choose to investigate the

00:19:17.430 --> 00:19:19.430
bounty, that's up to you. If you choose to investigate

00:19:19.430 --> 00:19:23.309
Serenno, that's up to you. It is my belief that

00:19:23.309 --> 00:19:28.450
all roads lead to the same resolution. The fall

00:19:28.450 --> 00:19:32.029
of the Roche family. Because it's the sandbox.

00:19:32.769 --> 00:19:44.269
Arc. Now I remember. There is one more matter.

00:19:45.190 --> 00:19:49.450
My grandsons are currently on Sansation in the

00:19:49.450 --> 00:19:53.269
midst of all this uncertainty. If possible, I

00:19:53.269 --> 00:19:56.369
would like you to keep an eye on them. Stay away.

00:19:56.410 --> 00:19:59.509
Do not reveal yourself as my agent. They are

00:19:59.509 --> 00:20:03.609
arrogant and foolish both. I do not trust them.

00:20:04.609 --> 00:20:07.730
Do you intend to have children yourself, Mr.

00:20:07.789 --> 00:20:12.089
Dubois? Well, that's a personal question. It

00:20:12.089 --> 00:20:14.970
is. She actually cracks up after a full smile.

00:20:16.309 --> 00:20:20.589
Whatever your answer, I suggest that you... Well,

00:20:20.670 --> 00:20:24.630
you think about it deeply. You will never sleep

00:20:24.630 --> 00:20:27.970
another full night in your life if you do. I'll

00:20:27.970 --> 00:20:33.750
do what I can to protect your boys. Good. Now,

00:20:33.769 --> 00:20:37.910
Enchi turns away from you to the hunch -over

00:20:37.910 --> 00:20:40.910
figure of the dwarven man who's just like, as

00:20:40.910 --> 00:20:43.069
he kind of turns his eyes, sort of sensing that

00:20:43.069 --> 00:20:46.130
he's been called back to you, there are tears

00:20:46.130 --> 00:20:50.410
running down his face. Back to you, Speaker.

00:20:51.309 --> 00:20:53.430
You can see I already have as much information

00:20:53.430 --> 00:20:57.420
as you likely can offer me. I do not need you.

00:20:58.619 --> 00:21:02.140
But you will turn a blind eye to my workings.

00:21:02.440 --> 00:21:05.480
You will not warn the Trezina or the LaRoche

00:21:05.480 --> 00:21:08.960
family of my interest. You will pardon anything

00:21:08.960 --> 00:21:12.819
my agent does within reason. And this is towards

00:21:12.819 --> 00:21:16.000
you, Crispin. Nods his head understandingly.

00:21:16.319 --> 00:21:19.240
Whilst he investigates matters on Sansatian for

00:21:19.240 --> 00:21:26.640
me. Is that understood? And just... Nods. Good.

00:21:27.779 --> 00:21:30.039
Now, Mr. Dubois, I have a few more words for

00:21:30.039 --> 00:21:35.220
my fellow speaker. You may go. He soundly turns

00:21:35.220 --> 00:21:39.480
and leaves. Do not think this will be without

00:21:39.480 --> 00:21:44.380
copious reward. You'll be paid handsomely, and

00:21:44.380 --> 00:21:48.119
when you come back, once I know you can be trusted,

00:21:48.380 --> 00:21:51.319
I'll bring you into the fold on information that

00:21:51.319 --> 00:21:55.759
you... You could never have dreamed of. When

00:21:55.759 --> 00:21:58.680
Sholay starts to speak, he stops in his tracks

00:21:58.680 --> 00:22:01.740
to listen. And without even turning around when

00:22:01.740 --> 00:22:04.779
she's done speaking, he just walks out the door.

00:22:06.240 --> 00:22:09.359
We see this Harn gone walking down the halls,

00:22:09.420 --> 00:22:12.519
approaching the gate where you see that the guard

00:22:12.519 --> 00:22:16.640
is now inside, opens a gate for you. You step

00:22:16.640 --> 00:22:20.200
back out into the city and... As you step out,

00:22:20.220 --> 00:22:23.279
as the lights outside sort of fall on you, once

00:22:23.279 --> 00:22:26.680
again, for the folks at home, give me a description

00:22:26.680 --> 00:22:31.579
of Crispin Dubois. Crispin Dubois is a small

00:22:31.579 --> 00:22:35.019
-sized Haringan. I have to be completely honest.

00:22:35.220 --> 00:22:38.839
In our Unzipped, I talked about his coloring.

00:22:40.059 --> 00:22:42.660
I remember him being mousy. I think he had something,

00:22:42.880 --> 00:22:45.619
some sort of coloring on his face. I can't remember.

00:22:45.779 --> 00:22:48.849
I meant to go back and listen. I feel bad. This

00:22:48.849 --> 00:22:51.069
is a different Crispin Dubois now. Oh, yes. That

00:22:51.069 --> 00:22:55.430
was Crispin Dubois. Yeah, exactly. Crispin wears

00:22:55.430 --> 00:23:03.009
a red bandana around his face, covering his nose

00:23:03.009 --> 00:23:06.190
and mouth. I love this. And when it ties back

00:23:06.190 --> 00:23:09.130
behind his head, his ears are tied underneath

00:23:09.130 --> 00:23:12.470
it. That is awesome. It's so cool. Honestly,

00:23:13.210 --> 00:23:16.539
no reason for it. I just like it. I think it's

00:23:16.539 --> 00:23:18.980
like his superhero mask. I love it, too, because,

00:23:19.039 --> 00:23:21.920
like, Steven is a bandana wearer. Oh, yeah, for

00:23:21.920 --> 00:23:24.500
sure. If I'm not hiking. Oh, yeah. I got a bandana

00:23:24.500 --> 00:23:27.559
on. Known bandana wearer Steven Rodriguez. Art

00:23:27.559 --> 00:23:32.819
imitates life, I suppose. Hell, yeah. Oh, fun

00:23:32.819 --> 00:23:37.579
thing. Crispin wields a two -handed great club.

00:23:39.480 --> 00:23:43.119
Small -sized harrington. Two -handed great club.

00:23:45.099 --> 00:23:48.359
Again, just because I thought it was fun. Crispin

00:23:48.359 --> 00:23:52.200
also has, spoiler alert, unbelievable stats.

00:23:52.240 --> 00:23:56.779
Yeah, wait till that bonus ep comes out. We rolled

00:23:56.779 --> 00:24:01.299
stats and it's just not fair. And we see this

00:24:01.299 --> 00:24:05.180
figure step out into the light and we pan away.

00:24:06.440 --> 00:24:10.920
Around the same time that this scene began, we

00:24:10.920 --> 00:24:16.640
pan over to another area around this. A familiar

00:24:16.640 --> 00:24:20.259
manor. A large spire jutting up taller than all

00:24:20.259 --> 00:24:24.700
the others. We pan up to this spire. We pan through

00:24:24.700 --> 00:24:28.759
crystalline walls to an upper floor. Now, the

00:24:28.759 --> 00:24:31.000
last time we were here, we saw an office in the

00:24:31.000 --> 00:24:33.019
back. We saw some Romans jutting out from the

00:24:33.019 --> 00:24:36.700
central location. We saw a sort of spiral staircase

00:24:36.700 --> 00:24:40.000
moving up to a higher floor. We're on that floor

00:24:40.000 --> 00:24:43.700
now. where a number of quarters seem to be tucked

00:24:43.700 --> 00:24:47.599
off to the edge of the main room with one sort

00:24:47.599 --> 00:24:50.160
of larger primary door, the sleeping quarters

00:24:50.160 --> 00:24:53.619
for Cirilla herself. Currently actually occupied

00:24:53.619 --> 00:24:56.420
by Cerise, as she would only have the finest

00:24:56.420 --> 00:24:59.920
room, Cirilla has been sent to one of the servants'

00:25:00.000 --> 00:25:04.240
rooms, but still locked tight inside. We're not

00:25:04.240 --> 00:25:05.819
looking for that room, though. No, no, no, no,

00:25:05.859 --> 00:25:08.119
no. We are turning our attention to one particular

00:25:08.119 --> 00:25:12.549
door. The door beside it, the door belonging

00:25:12.549 --> 00:25:17.309
to Cirilla's personal guard, Dresden Kellig.

00:25:17.849 --> 00:25:20.450
We pan through this door and come to you, to

00:25:20.450 --> 00:25:23.809
your quarters. Before we touch on you yourself,

00:25:24.009 --> 00:25:26.609
let me ask, what do your quarters look like,

00:25:26.630 --> 00:25:31.490
Dresden? I think his quarters are very cluttered,

00:25:31.490 --> 00:25:34.750
but it's very neat and tidy clutter. Like he

00:25:34.750 --> 00:25:39.779
likes to collect things. Ooh, hell yeah. I think

00:25:39.779 --> 00:25:41.779
at this late hour, we might expect to see a man

00:25:41.779 --> 00:25:48.279
sleeping, but we don't. We see a man maybe standing,

00:25:48.359 --> 00:25:51.279
maybe sitting. We see a man in quiet contemplation.

00:25:51.579 --> 00:25:53.940
He's sitting over the side of his bed. There

00:25:53.940 --> 00:25:57.779
you are. We see a, I imagine, very concerned

00:25:57.779 --> 00:26:02.059
look in his eyes as we pan towards him. And real

00:26:02.059 --> 00:26:05.420
quick, once again, folks at home, give me a Dresden

00:26:05.420 --> 00:26:08.859
description. Dresden is mostly always wearing

00:26:08.859 --> 00:26:12.359
his chainmail armor. He's got long brown hair,

00:26:12.519 --> 00:26:16.400
slicked from sweat and oil, and he doesn't shower

00:26:16.400 --> 00:26:20.200
all that much. His face is dirtied up. He's got

00:26:20.200 --> 00:26:22.799
an eye patch over his left eye, which covers

00:26:22.799 --> 00:26:26.420
up part of a scar that runs from the top side

00:26:26.420 --> 00:26:30.599
of his left forehead down to his chin. Hell yeah.

00:26:31.160 --> 00:26:33.940
We see Dresden, we zoom in towards that eye,

00:26:34.059 --> 00:26:38.000
and... Sorry for the continuous chronological

00:26:38.000 --> 00:26:41.160
shifts, folks. We're going to pan to a memory

00:26:41.160 --> 00:26:45.680
from just a few hours prior. Maybe right around

00:26:45.680 --> 00:26:49.319
midnight, as Cirilla is resting in her office.

00:26:50.099 --> 00:26:52.900
She should have been asleep some time ago, but

00:26:52.900 --> 00:26:57.420
no, she sits at her desk, staring down a small,

00:26:57.480 --> 00:27:01.339
round object. An object that Jules LaRoche recently

00:27:01.339 --> 00:27:03.680
almost saw, but didn't quite hit that perception

00:27:03.680 --> 00:27:08.460
check. It is a stone of sending. Similar to the

00:27:08.460 --> 00:27:11.259
stone you saw Arhalon use way back when to speak

00:27:11.259 --> 00:27:14.099
with Sholay. Able to send short messages out

00:27:14.099 --> 00:27:18.480
and retrieve them back once a day. Messages need

00:27:18.480 --> 00:27:22.740
to be 25 words or fewer. It midnight has struck.

00:27:23.519 --> 00:27:27.259
Cirilla waiting. Waiting for a message to come

00:27:27.259 --> 00:27:30.420
through. She's tapping at the desk, fidgeting

00:27:30.420 --> 00:27:33.559
nervously. Eyes flickering around as though looking

00:27:33.559 --> 00:27:38.539
for her mother. For Cerise would not like this.

00:27:39.420 --> 00:27:43.480
By her side we see two figures. Dresden Kellig

00:27:43.480 --> 00:27:48.000
and his brother. Of course, Jessenth Kellig.

00:27:48.279 --> 00:27:51.339
The ratty man keeps glancing over to the stone,

00:27:51.420 --> 00:27:54.599
glancing over to Dresden. His constant sneering

00:27:54.599 --> 00:27:59.039
smile on his face never quite falls off. And

00:27:59.039 --> 00:28:03.930
then... Small mouths along the stone begin to

00:28:03.930 --> 00:28:07.890
open, whispering nothingness. Trela snaps the

00:28:07.890 --> 00:28:11.549
stone up in an instant, holds it up, and at her

00:28:11.549 --> 00:28:14.549
touch, at her command, the mouths begin to speak

00:28:14.549 --> 00:28:17.950
true words, a message coming through, a message

00:28:17.950 --> 00:28:20.890
in shorthand, but saying absolutely everything

00:28:20.890 --> 00:28:25.569
she'd hoped to hear and everything Dresden feared.

00:28:26.710 --> 00:28:31.220
Tlacatacolo, assault successful. Jules gravely

00:28:31.220 --> 00:28:36.319
injured. Possibly dead. Creature fled. Ordered

00:28:36.319 --> 00:28:39.779
to preserve self. Maintaining Serino highest

00:28:39.779 --> 00:28:45.680
priority. Jules infected. Death likely within

00:28:45.680 --> 00:28:55.079
the week. Oh, that's lovely. That is lovely.

00:28:55.480 --> 00:28:58.279
Do you hear that? She looks over at you, Dresden.

00:28:59.379 --> 00:29:06.859
Isn't that just lovely? Finally. Finally. I want

00:29:06.859 --> 00:29:09.059
you to roll an insight check real quick. Oh,

00:29:09.279 --> 00:29:15.920
first roll. We get dice tonight. Ooh, baby. And

00:29:15.920 --> 00:29:21.779
first roll is only a nine. Okay. Um, with a nine,

00:29:21.940 --> 00:29:25.299
you... I want to tell you what you don't see.

00:29:26.079 --> 00:29:29.769
I think that's fun. Okay. Dresden, your eyes

00:29:29.769 --> 00:29:33.049
are focused on Cirilla. She's just these happy

00:29:33.049 --> 00:29:36.130
musings of hers. Her sort of like stretch and

00:29:36.130 --> 00:29:39.529
sigh of relief knowing that that intolerable

00:29:39.529 --> 00:29:41.750
Jules LaRoche is finally, finally getting his

00:29:41.750 --> 00:29:45.789
due. You're focused on her. So you don't see

00:29:45.789 --> 00:29:49.470
the glance in your direction from Jessenth, from

00:29:49.470 --> 00:29:53.269
your brother. The narrowed eyes watching you

00:29:53.269 --> 00:29:59.019
with some suspicion. You don't see that. Of course

00:29:59.019 --> 00:30:02.980
I don't. And we cut to later in the night. We

00:30:02.980 --> 00:30:06.460
cut to Dresden on his bed, sitting and thinking.

00:30:07.160 --> 00:30:09.880
You have spent years maintaining your position

00:30:09.880 --> 00:30:13.180
in this family, long after realizing their wickedness.

00:30:14.039 --> 00:30:18.519
What has been your role here? Not your role to

00:30:18.519 --> 00:30:20.380
the higher -ups that you pretend to serve. What

00:30:20.380 --> 00:30:23.500
has been your role to the people? I've been feeding

00:30:23.500 --> 00:30:26.799
them information. Acting as a bit of a double

00:30:26.799 --> 00:30:30.960
agent with Jules. All these years, these close

00:30:30.960 --> 00:30:35.920
calls. Micken's pub in the first episode. Perhaps

00:30:35.920 --> 00:30:41.200
some of it was luck and wits on Jules' end. I

00:30:41.200 --> 00:30:45.460
don't know about that. But definitely a lot of

00:30:45.460 --> 00:30:48.319
it has been his secret weapon on the inside.

00:30:48.900 --> 00:30:54.900
Absolutely. Hell yeah. But now... Now there's

00:30:54.900 --> 00:30:57.940
trouble. Now you know that the LaRoche family

00:30:57.940 --> 00:31:04.200
has finally struck true. Jules may be dead. It

00:31:04.200 --> 00:31:07.500
wasn't confirmed either way, and if not, he is

00:31:07.500 --> 00:31:12.359
most certainly dying. And your position here

00:31:12.359 --> 00:31:16.960
has not been fruitful as of late. Tythos gone,

00:31:17.240 --> 00:31:20.000
Jules no longer being apprehended in the same

00:31:20.000 --> 00:31:24.069
way, and... Cerise, while she's so close, the

00:31:24.069 --> 00:31:27.289
head of this family, the head of the snake, she's

00:31:27.289 --> 00:31:31.390
kept her distance, always so careful. Years of

00:31:31.390 --> 00:31:35.369
service, and she's still so careful. Your influence

00:31:35.369 --> 00:31:38.369
here is limited, and so I'm going to ask you,

00:31:38.490 --> 00:31:44.289
Dresden, what do you intend to do? Dresden intends

00:31:44.289 --> 00:31:49.269
to leave and go to San Sitian. When? Tonight.

00:31:50.829 --> 00:31:54.789
The guards are, for the most part, at rest. Your

00:31:54.789 --> 00:31:59.769
masters. Foe masters at rest. This is the opportune

00:31:59.769 --> 00:32:03.690
time. And so, we do see Dresden wearing his chainmail.

00:32:04.410 --> 00:32:07.509
Packed and ready to go with all of his belongings.

00:32:08.529 --> 00:32:11.750
How do you want to proceed? How blocked is my

00:32:11.750 --> 00:32:15.150
way out? There will be a single guard at the

00:32:15.150 --> 00:32:17.609
main door. You know the words to get in and out

00:32:17.609 --> 00:32:19.910
the main door, though. You can open it from your

00:32:19.910 --> 00:32:24.490
side. And as it stands, you know the man. He

00:32:24.490 --> 00:32:27.029
knows you. You may be able to make an excuse.

00:32:28.170 --> 00:32:32.529
Do I know of any secret ways out? The one door

00:32:32.529 --> 00:32:35.390
is the only way. Just the one? These crystalline

00:32:35.390 --> 00:32:39.269
manners are very well fortified. Okay. We see

00:32:39.269 --> 00:32:43.690
you open the door to your quarters, step through,

00:32:43.809 --> 00:32:48.569
move quietly down the stairs. Well, we'll see

00:32:48.569 --> 00:32:50.170
if it's quiet. Give me a stealth roll. Why not?

00:32:50.599 --> 00:32:53.900
Ooh. Got a chainmail on. Disadvantage. Fuck off.

00:32:54.019 --> 00:32:57.779
Oh, shit. Already? Eh, why not? It's fun. I mean,

00:32:57.779 --> 00:32:59.500
I'm not necessarily trying. I'm not trying to

00:32:59.500 --> 00:33:01.440
sneak out. That's true. I mean, if you're heard,

00:33:01.680 --> 00:33:03.119
I mean, like, honestly, I think we touched on

00:33:03.119 --> 00:33:05.460
this before. These rooms, just like in the hotel,

00:33:05.740 --> 00:33:12.200
the crystal stallion. Change it. It should be

00:33:12.200 --> 00:33:14.559
the crystallion. Change it. It's the crystallion

00:33:14.559 --> 00:33:16.480
now. Yeah, there you go. It's like the tilted.

00:33:16.500 --> 00:33:18.900
It's fancier. Everybody say it. Anyway. I don't

00:33:18.900 --> 00:33:22.630
accept it. How do I accept you? The walls are

00:33:22.630 --> 00:33:24.150
actually pretty much soundproof, so realistically,

00:33:24.369 --> 00:33:25.809
unless someone's out and about on the main floors,

00:33:26.029 --> 00:33:30.650
you're actually fine. Yeah. There's one way out.

00:33:30.730 --> 00:33:33.309
I know there's people there. I'm not going to

00:33:33.309 --> 00:33:35.869
try and... I just like roles with disadvantage.

00:33:35.950 --> 00:33:39.769
They're funny. You're like the trusted guard

00:33:39.769 --> 00:33:43.910
of the lady. Halt! What are you doing here? No,

00:33:45.589 --> 00:33:47.670
I'm the one that tells you to halt. Explain yourself

00:33:47.670 --> 00:33:52.680
to me. All right, then you move? Yeah. Okay,

00:33:52.779 --> 00:33:54.980
you move down the stairs towards the one door

00:33:54.980 --> 00:33:59.180
out. You open the door? I open the door. Oh,

00:33:59.180 --> 00:34:01.640
whoa, whoa. Gardner decides, sort of startled

00:34:01.640 --> 00:34:02.980
at the door behind him, just when they opened,

00:34:03.119 --> 00:34:08.199
turns and looks at you. Oh, Sir Kelly. Uh, can

00:34:08.199 --> 00:34:10.639
I help you? I'm terribly sorry. I didn't mean

00:34:10.639 --> 00:34:15.360
to scare you. It's all right. Are you, uh, out

00:34:15.360 --> 00:34:18.960
on a request from Lady Cirilla? No, no, I'm,

00:34:18.960 --> 00:34:21.730
uh... I'm just gonna go for a little bit of a

00:34:21.730 --> 00:34:28.150
walk. Oh. Well, take care. He nods, and you pass

00:34:28.150 --> 00:34:32.289
by. You take care now. You know this man. His

00:34:32.289 --> 00:34:39.909
name is, uh, Craig. You know, garden of blue

00:34:39.909 --> 00:34:41.730
and white, normal LaRoche colors, but he's actually

00:34:41.730 --> 00:34:43.210
one of the good ones. Have a good night, Craig.

00:34:45.590 --> 00:34:50.989
Well, when you say it, it's not cool. I love

00:34:50.989 --> 00:34:52.769
the grid. It's so different from Jules. I love

00:34:52.769 --> 00:34:55.130
it. It's going to take me a little bit to get

00:34:55.130 --> 00:34:57.809
used to it. Oh, it's so good. Both these characters

00:34:57.809 --> 00:34:59.469
are so good. Yeah, we got a lot to fall into.

00:34:59.949 --> 00:35:02.190
Let me ask you this. Do you, I mean, you know

00:35:02.190 --> 00:35:04.110
that like you could move through the preserve

00:35:04.110 --> 00:35:06.170
itself, go up the long stairs, all that stuff,

00:35:06.289 --> 00:35:07.670
or you can just go to the gates. There should

00:35:07.670 --> 00:35:09.230
be someone there that's willing to teleport you

00:35:09.230 --> 00:35:11.389
to the main, you know, entrance to the preserve

00:35:11.389 --> 00:35:13.170
and you could just get out the sort of normal

00:35:13.170 --> 00:35:15.610
way. One of those will take hours. One of those

00:35:15.610 --> 00:35:19.510
will take minutes. Yeah. Can I roll something

00:35:19.510 --> 00:35:23.150
to see if I would know how safe it is to take

00:35:23.150 --> 00:35:28.630
the normal channel? Ooh, I like that. Ooh, yeah,

00:35:28.710 --> 00:35:31.050
yeah, yeah. Okay, give me either history or insight.

00:35:33.650 --> 00:35:38.760
That's a 21. Okay. You know that these sort of

00:35:38.760 --> 00:35:41.280
normal, you know, these gates of teleportation,

00:35:41.380 --> 00:35:43.639
much like a lot of the other features, like the

00:35:43.639 --> 00:35:45.820
Concord Jewel landing sites out on the outside

00:35:45.820 --> 00:35:48.260
of the Radiant Citadel, the sort of main gate

00:35:48.260 --> 00:35:50.260
going into the preserve, these are all sort of

00:35:50.260 --> 00:35:54.340
maintained by, I'm trying to think of a cool

00:35:54.340 --> 00:35:57.280
name for them. I've mentioned before, there's

00:35:57.280 --> 00:35:59.719
these white -robed sort of workers that sort

00:35:59.719 --> 00:36:02.039
of take care of everything for the, you know,

00:36:02.059 --> 00:36:05.380
all the sort of deeper magical mechanics of the

00:36:05.380 --> 00:36:08.000
Oral Diamond. They are called the retainers.

00:36:09.900 --> 00:36:12.440
Right? Is that okay? Is that good? Yeah. Yeah,

00:36:12.480 --> 00:36:14.400
of course. Unless you want to go with toll booth

00:36:14.400 --> 00:36:18.159
operators. No, I don't. I don't. Less whimsical.

00:36:20.360 --> 00:36:25.000
So the retainers, basically, they serve the speakers,

00:36:25.179 --> 00:36:27.360
but they don't necessarily serve any individual

00:36:27.360 --> 00:36:29.679
speaker. And from what you've seen, they are

00:36:29.679 --> 00:36:31.820
generally people chosen for this world because

00:36:31.820 --> 00:36:36.179
they are uncompromisable. Do not act without

00:36:36.179 --> 00:36:39.519
writs. They don't report information to anyone

00:36:39.519 --> 00:36:41.659
in particular. I think with the 21, you feel

00:36:41.659 --> 00:36:44.619
like, as far as at least the people who maintain

00:36:44.619 --> 00:36:46.659
the gate, you're safe. And they're the only ones

00:36:46.659 --> 00:36:48.179
who would be around at this time of night, really.

00:36:48.380 --> 00:36:49.920
There might be a couple of shapes moving around

00:36:49.920 --> 00:36:52.760
throughout the city, but it's 2 in the morning.

00:36:52.900 --> 00:36:56.420
No one's out and about. Okay. Okay. Then I'll

00:36:56.420 --> 00:37:00.039
take the quick way. Okay. Yeah, that makes sense

00:37:00.039 --> 00:37:02.960
to me. Yeah. They won't be able to chase you

00:37:02.960 --> 00:37:07.239
as fast. You begin to move, striding around the

00:37:07.239 --> 00:37:10.300
amphitheater. We'll say the gates are on sort

00:37:10.300 --> 00:37:13.079
of the western side. And that is correct, west.

00:37:13.179 --> 00:37:15.340
I got it right this time. The western side of

00:37:15.340 --> 00:37:17.119
the amphitheater, moving down sort of the main

00:37:17.119 --> 00:37:19.079
thoroughfare. You're saying I gotta go west?

00:37:20.860 --> 00:37:23.320
The wind is saying you have to go west. I heard

00:37:23.320 --> 00:37:29.380
east. She was wrong! You begin to move down streets.

00:37:30.539 --> 00:37:34.409
Empty, but vibrant. with life, your eyes still

00:37:34.409 --> 00:37:36.630
falling on bits of text and hearing that jingle

00:37:36.630 --> 00:37:39.789
of music constantly thrumming, thrumming, just

00:37:39.789 --> 00:37:43.170
this never -ending stream of narrative and energy

00:37:43.170 --> 00:37:48.929
pulsing through this city, or tiny city. As you

00:37:48.929 --> 00:37:52.230
begin to close in, you do notice a couple of

00:37:52.230 --> 00:37:55.429
figures, kind of strange, moving down the road,

00:37:55.590 --> 00:38:00.090
somewhat in your direction. Large, imposing figures.

00:38:00.760 --> 00:38:02.320
The kind you wouldn't expect to be out here.

00:38:03.119 --> 00:38:05.880
Now, you have a couple of options. There's an

00:38:05.880 --> 00:38:08.940
alley to your almost immediate right. You could

00:38:08.940 --> 00:38:11.099
try ducking into, you know, sort of holding still

00:38:11.099 --> 00:38:14.239
there. Or you could push forward. You know that

00:38:14.239 --> 00:38:17.860
the gates are just beyond these figures. What

00:38:17.860 --> 00:38:23.199
do you do? I duck into the alley. You duck into

00:38:23.199 --> 00:38:25.760
the alley. And imagine just hold and wait for

00:38:25.760 --> 00:38:31.750
a moment. Correct. Good. Yep. Because the map

00:38:31.750 --> 00:38:35.989
I made was for the alley. Perfect. Oh my goodness.

00:38:37.409 --> 00:38:41.030
I knew this was coming. Wait, you knew this was

00:38:41.030 --> 00:38:44.309
going to happen? No. I mean, I knew. You had

00:38:44.309 --> 00:38:47.630
a premonition? Yes. Gotcha. This is not something

00:38:47.630 --> 00:38:51.530
we talked about, but I knew. You hold, waiting

00:38:51.530 --> 00:38:54.250
for the guard to pass. You hear them approach.

00:38:55.070 --> 00:38:57.010
You hear them as they're just about to move by.

00:38:57.769 --> 00:39:03.139
And then you hear... Something else. Well, brother.

00:39:04.079 --> 00:39:11.239
I knew it. I knew it. The voice behind you from

00:39:11.239 --> 00:39:14.099
the other side of the alley. Do you turn to face

00:39:14.099 --> 00:39:21.539
it? Yes. And there he is. Jessenth Kellig. The

00:39:21.539 --> 00:39:28.320
ratty man. Head balding. Teeth large. nose pressed

00:39:28.320 --> 00:39:31.900
in, definitely did not get the looks in the family.

00:39:32.039 --> 00:39:35.760
And yet his watery eyes glare towards you. His

00:39:35.760 --> 00:39:41.440
smile is wide, beaming. There are two figures

00:39:41.440 --> 00:39:46.920
beside him, each cloaked, faces shrouded. And

00:39:46.920 --> 00:39:49.420
you can feel the figures moving down the road,

00:39:49.539 --> 00:39:52.960
as well as others having joined them from somewhere

00:39:52.960 --> 00:39:56.420
you don't know. Four figures in total pressing

00:39:56.420 --> 00:39:59.599
in behind you, and you realize you are trapped.

00:40:00.860 --> 00:40:05.280
How many times, brother, how many times do we

00:40:05.280 --> 00:40:07.460
get information from one of the street rats on

00:40:07.460 --> 00:40:12.179
Tythos? One of the rats in Cerule? How many times

00:40:12.179 --> 00:40:14.420
did I almost have jewels in the palm of my hand

00:40:14.420 --> 00:40:18.440
only for him to miraculously vanish? I'd known

00:40:18.440 --> 00:40:20.699
for some time, but I was waiting, waiting for

00:40:20.699 --> 00:40:24.710
you to out yourself. And now you have. Where

00:40:24.710 --> 00:40:27.750
are you going, brother? That's nothing you need

00:40:27.750 --> 00:40:33.550
to know. Oh, I'm afraid I do need to know. Because

00:40:33.550 --> 00:40:36.630
I have suspicions that you're going to San Sitian

00:40:36.630 --> 00:40:42.550
to help the boy. Help the prince. Your suspicions

00:40:42.550 --> 00:40:46.349
are bullshit. Unfortunately, my friends here

00:40:46.349 --> 00:40:51.329
don't seem to think so. So we've reached a bit

00:40:51.329 --> 00:40:54.889
of an impasse. Because... Well, so long as I

00:40:54.889 --> 00:40:56.730
have these suspicions, I can't simply let you

00:40:56.730 --> 00:41:01.329
go. And, well, wouldn't it be convenient if that

00:41:01.329 --> 00:41:04.570
nice, cushy position as Cirilla's primary guard

00:41:04.570 --> 00:41:08.690
was erased? If someone more deserving could step

00:41:08.690 --> 00:41:12.909
in? Someone who has not been appreciated as they

00:41:12.909 --> 00:41:15.429
should be by the family? You think that's not

00:41:15.429 --> 00:41:18.849
for a reason? I think I'm going to earn their

00:41:18.849 --> 00:41:22.219
appreciation now. I'll be honest with you, I

00:41:22.219 --> 00:41:24.880
will. You're a better fighter than me, brother.

00:41:25.480 --> 00:41:28.139
That wasn't always the case. But you've grown

00:41:28.139 --> 00:41:32.079
since I gave you those scars. Training relentlessly,

00:41:32.219 --> 00:41:35.340
learning to adapt to our master's dark magics.

00:41:35.960 --> 00:41:40.500
Oh yes, yes, you are stronger than me now. But

00:41:40.500 --> 00:41:46.300
I'm not without my own gifts. See, I've always

00:41:46.300 --> 00:41:48.300
been much better at making the right friends.

00:41:49.320 --> 00:41:52.260
You feel those bodies getting closer. Oh, so

00:41:52.260 --> 00:41:54.400
you need your friends to fight your battles for

00:41:54.400 --> 00:41:59.059
you? His face drops into a snarl. That is why.

00:41:59.539 --> 00:42:06.280
Because you are weak. Seething. Take him! The

00:42:06.280 --> 00:42:09.960
guards begin to move in. What they don't see

00:42:09.960 --> 00:42:14.119
is the figure moving down the road behind them.

00:42:14.559 --> 00:42:16.639
Just turning around the alley, coming towards

00:42:16.639 --> 00:42:19.460
his commotion, completely unexpected in the dead

00:42:19.460 --> 00:42:23.719
of the night. A Haringan having just left his

00:42:23.719 --> 00:42:27.199
meeting. Completely unexpected. And we're going

00:42:27.199 --> 00:42:31.760
to pan away from that. Now, I'm guessing our

00:42:31.760 --> 00:42:34.320
listeners are on the edge of their seats wondering

00:42:34.320 --> 00:42:37.480
what's been happening to our friends in the past.

00:42:38.099 --> 00:42:42.000
Yeah, me too. To Jules and Zebulon. So just for

00:42:42.000 --> 00:42:43.300
a moment, just for a moment, let's get a glimpse.

00:42:43.500 --> 00:42:46.760
Let's get a quick glimpse of them. The clock

00:42:46.760 --> 00:42:49.360
winds back. I'll be doing a lot of maintaining

00:42:49.360 --> 00:42:51.039
time in this next arc. It's going to be a big

00:42:51.039 --> 00:42:53.500
deal. If you say we pan over a coffin, I'm going

00:42:53.500 --> 00:42:57.539
to punch you in the face. Graves in the sand.

00:42:58.420 --> 00:43:02.280
We're going to pan back to Sansatyan. Once again,

00:43:02.280 --> 00:43:04.239
it is 11 o 'clock and we are in the middle of

00:43:04.239 --> 00:43:09.260
the desert. Serenno. You have Serenno. You're

00:43:09.260 --> 00:43:11.300
all going to die, and there's nothing I can do

00:43:11.300 --> 00:43:14.280
about it. Sean Franklin's standing over you,

00:43:14.340 --> 00:43:17.579
frantic. Jules on the ground, having just been

00:43:17.579 --> 00:43:21.199
healed from this brutal strike. Zebulon standing

00:43:21.199 --> 00:43:26.960
by his side. There's a way out of this. I know

00:43:26.960 --> 00:43:32.559
there is. There's gotta be. Zebulon's just staring

00:43:32.559 --> 00:43:36.340
down at the ground. He was still on his knees

00:43:36.340 --> 00:43:56.769
after healing Jules. And Zebulon pulls out what

00:43:56.769 --> 00:44:04.969
Stephen thought was an antidote, which still

00:44:04.969 --> 00:44:09.710
probably wouldn't have helped. but is in all

00:44:09.710 --> 00:44:13.670
actuality, what was it, an antitoxin? Yeah, it's

00:44:13.670 --> 00:44:16.150
an antitoxin. It helps before the save. Right.

00:44:16.550 --> 00:44:22.210
Whoops. And he's looking at this, what he thinks

00:44:22.210 --> 00:44:25.690
is going to cure him. Jules, here, take this.

00:44:25.829 --> 00:44:29.610
Wait, wait, wait, that's not, give me that. He

00:44:29.610 --> 00:44:33.650
snatches it from you. That's an antitoxin. Well,

00:44:33.650 --> 00:44:35.309
that's going to make us feel better, right? No,

00:44:35.389 --> 00:44:39.590
it might help later. Hold on to this. Did you

00:44:39.590 --> 00:44:41.730
think it was an antidote? Well, yeah, it's for

00:44:41.730 --> 00:44:44.230
poison, right? I'm doing your shopping now. All

00:44:44.230 --> 00:44:50.050
right. Look, not much is known about serino yet,

00:44:50.150 --> 00:44:53.409
but you have all the symptoms. And there's these

00:44:53.409 --> 00:44:56.170
rumors that it comes across on a cold wind in

00:44:56.170 --> 00:44:59.570
the night. That thing, it must have... Infected

00:44:59.570 --> 00:45:00.610
you. That must be what's infecting everyone.

00:45:00.829 --> 00:45:03.150
It takes the form of an owl, and no one knows

00:45:03.150 --> 00:45:06.730
that it's that, a demon. That thing came for

00:45:06.730 --> 00:45:12.230
me. We know where it came from. Who's sending

00:45:12.230 --> 00:45:16.230
that out there? What do we do? Hey, grab that

00:45:16.230 --> 00:45:19.510
scroll. The scroll? Oh. The scroll, the scroll.

00:45:19.710 --> 00:45:21.949
Right, right. Yeah, the only one you guys are,

00:45:21.989 --> 00:45:24.389
like, feeling so heavy and exhausted, Jean just

00:45:24.389 --> 00:45:27.880
scrambles to pick it up, and he just... lifts

00:45:27.880 --> 00:45:31.239
the scroll up and opens it, and he just freezes.

00:45:32.360 --> 00:45:35.280
He lowers it down, and he looks at you, Jules,

00:45:35.400 --> 00:45:38.719
and there's a look in his eyes that shakes you

00:45:38.719 --> 00:45:45.840
to your core. We have another problem. I... I

00:45:45.840 --> 00:45:47.880
haven't been around much, but I recognize...

00:45:47.880 --> 00:45:55.920
Here. Take it. Jules takes it and starts to open

00:45:55.920 --> 00:45:58.940
it up in front of... in front of him and Zeb.

00:45:59.619 --> 00:46:03.900
As you begin to open it, Jean's still in the

00:46:03.900 --> 00:46:06.679
background talking in the stream. It's marked

00:46:06.679 --> 00:46:10.539
for four days prior. 600 gold bounty. There must

00:46:10.539 --> 00:46:12.480
be more here already. They must have been latecomers.

00:46:13.079 --> 00:46:14.639
We're already late to the chase. I don't know

00:46:14.639 --> 00:46:17.599
what we're going to do. You hear this, and the

00:46:17.599 --> 00:46:21.880
words kind of fade away, I think, as your eyes

00:46:21.880 --> 00:46:25.659
fall on the scroll itself. Bold, huge letters.

00:46:26.789 --> 00:46:32.469
Wanted. Dead. In a picture of a half -orc child.

00:46:33.449 --> 00:46:38.309
It is a picture of Miskin. What? And we'll call

00:46:38.309 --> 00:47:02.260
it there. Hey, Jules. Hey, Jules, what's going

00:47:02.260 --> 00:47:04.699
on, man? Yeah, mousey -a, you know? Who the fuck's

00:47:04.699 --> 00:47:07.280
Jules? Ah, shit, sorry, Jules. Wait, you know

00:47:07.280 --> 00:47:08.699
what, Jules? You're also a big fella, though.

00:47:09.980 --> 00:47:11.360
Hey, a big guy and a little guy. I know these

00:47:11.360 --> 00:47:17.280
two. Ah, shit. Ah, no, it's recording. Get Chester

00:47:17.280 --> 00:47:18.539
out of there. He's off the podcast.
