WEBVTT

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Welcome to Students Incorporated. I'm your host,

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Mr. Jason. Join me weekly as my students and

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I bring you content that's informative, positive,

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fun, and uplifting. This podcast is created and

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produced with the help of students from the International

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Community School of Bangkok. Hey everybody, Mr.

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Jason here. Today we are exploring a theme that

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I think every student and aspiring entrepreneur

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needs to hear. The power of legacy. Typically,

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when we discuss big business, we think of spreadsheets

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and sales. But today we're looking at the human

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side of leadership. We are joined by a guest

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who manages one of Thailand's most iconic exhibition

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empires, yet spends her heart and time giving

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smiles back to children who need them most. Joining

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me to lead this conversation are my co -host

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Esther and Pan. But before we jump into our first

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segment interview, let's hear our quote of the

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day and get some headline news. Our quote of

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the day comes from none other than Winston Churchill.

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I think this quote perfectly matches our guest's

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life story. Winston Churchill once said, we make

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a living by what we get, but we make a life by

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what we give. This quote really highlights the

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difference between material success and personal

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fulfillment. While we all work hard to build

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our careers and make a living. Churchill reminds

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us that the true meaning of our lives is found

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in how we contribute to others. It's a great

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reminder to look for our ways to use our own

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talents and platforms to make a positive impact,

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no matter how busy we get. I think this sets

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a perfect tone for the conversation we're about

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to have. And that's our quote of the day. Now

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on to some headline news for Bengal. Now. Here's

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some headline news about upcoming expos coming

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to Bangkok. Our first event will be Money Expo

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Bangkok 2026. It will take place from May 7 to

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10 at Impact Exhibition Convention Center. This

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expo brings together banks, insurance providers,

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and financial technology companies. This event

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will showcase new financial services. investment

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opportunities, and digital banking innovations,

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highlighting how technology continues to reshape

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the financial industry. Then, at the end of May,

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from May 26 to 30, is a trade show put on by

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Tyfex Anuka Asia, which has positioned itself

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as Asia's F &amp;B powerhouse. This expo that will

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be held at Impact Arena in Bangkok is recognized

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as one of Asia's largest food and beverage trade

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exhibitions. The event will welcome thousands

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of exhibitors from around the world. The showcase

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will feature new food products, industry technologies,

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and culinary trends, reinforcing Thailand's role

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as a major hub for international food trade.

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And finally, our last headline takes us to the

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Bangkok International Trade and Exhibition Center,

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or better known as BITEC for short. BITEC will

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be hosting both the Thailand Franchise and Business

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Opportunities 2026 and the Asian Retail 2026

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shows from June 4 to 7. These events bring together

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franchise brands, retail innovators, and investors

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from across the region. This joint event helps

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create new partnerships and highlights the rapid

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growth of Southeast Asia's retail and franchise

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sectors. And that is our headline event news

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for Bangkok for this episode. Thank you for the

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quote in the headline news. For our first segment,

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we're honored to welcome Ms. Ching to our studio

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today. She helps lead Union Pan Exhibitions,

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one of Thailand's premier consumer fair organizations,

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and she also serves as a Smile Ambassador for

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Operation Smile Thailand. I'll hand over the

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mic to Pun to get us started. Welcome to the

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show, Kun Ching. We are so happy to have you.

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Get us started. Please introduce yourself to

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our listeners and tell us a little bit about

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the scope of your work. Yes. Hi, I'm Jing. I'm

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a Board of Directors at Unipan Exhibitions and

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also as my ambassador for Operation Smile Thailand

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Foundation. And my company is a family -owned.

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I'm a third generation. It's a well -known consumer

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fair exhibitions organizer in Thailand. I helped

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Operation Smile for the past 10 years already.

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I think you guys will be familiar with this foundation.

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It provides the free surgery to repair cleft

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lip and cleft palate as well as post -operative

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care including speech pathologies and orthodontics.

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Now I have two children. First one is seven years

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old now and the second one is three years old.

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That is such a massive responsibility you have

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to take care of. You are carrying on a huge legacy.

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What is it like really to be one of the leaders

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in your family's company, Union Pen Exhibition?

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Being part of a family business is both an honor

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and a responsibility. Union Pen Exhibition has

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been part of Thailand exhibition industry for

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like over four decades. So there is a strong

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legacy to carry forward. For me, It's about respecting

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the foundations that previous generation built,

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while also bringing new ideas to help the company

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grow in changing world. I focus on strengthening

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in organization internally, especially in areas

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like human resource development, strategic planning,

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and modern marketing, so that the company can

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continue to grow sustainably with our clients

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and partners. Wow, that's very insightful. Let's

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move on to our next question. Thinking about

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that legacy, can you share a project or a specific

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moment you're most proud of in your career so

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far? One of the moments I feel most proud of

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is helping refreshing the brand and organization

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structures. The company I approached this year

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is 46 years already. nearly like half a century.

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So we have to learn to adapt with the new things.

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We also work on modernizing our internal system

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and repositioning the brand so that it remains

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relevant in today's digital era. Seeing the company

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evolve while maintaining the trust of long -term

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clients has been very meaningful to me. It's

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inspiring to hear how those big moments shaped

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your career, and it's clear you stayed very grounded

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through it all. Thinking about your foundation,

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what values from your education or personal life

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guide the way you approach your work each day?

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My study in local economic development and London

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School of Economic and Political Science taught

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me to think about how business can contribute

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to broader economies. community growth. So in

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my work, I always try to think beyond just the

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company itself. Exhibitions and fair are not

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only business platform. They also create opportunity

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for entrepreneurs, small business and local industry

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to go. On a personal level, I value intricacies,

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responsibility and empathy. This value guides

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how I work with colleagues, partner and the community.

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Wow, those values clearly act as a compass for

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your leadership. Well, since we're talking about,

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you know, the way you work, let's now look at

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the industry itself. So looking toward the horizon

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or the future, how do you see the role of exhibitions

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and fairs evolving in Thailand in the next few

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years? I believe exhibition will continue to

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play an important role in Thailand's economies,

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but they will evolve to become more experience

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-driven and digitally integrated. Today, people

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are not just looking for product. They want meaningful

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interactions, like networking opportunities and

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inspirations. Organizers therefore need to combine

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physical events with digital platforms to create

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more engagement experience for both exhibitions

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and visitors. That sounds like a very exciting

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and busy future for the industry. With so much

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on your plate between innovation and tradition,

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I have to ask about the human side. How do you

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balance your professional responsibilities with

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your personal life and family? Balancing work

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and family is always a learning process. For

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me, as a mother of two daughters, family is extremely

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important to me. I try to prioritize my time

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carefully and stay present in whatever role I

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am in. Whether at work or with my family, having

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a supportive family also helps a lot. They remind

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me that success is not only about professional

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achievement, but also about building a meaningful

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life. Wow, that sounds very meaningful. Well,

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since we already talked a bit about your experience

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leading UnionPan, let's shift gears now. We'd

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like to hear more about your experience with

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Operation Smile. So what does your involvement

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with Operation Smile look like? I have been involved

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with Operation Smile Thailand Foundation for

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more than 10 years as an ambassador. cleft lip

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and cleft palate as well as post -operative care

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such as speech therapy. My role mainly focusing

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on fundraising, also like raising awareness and

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helping with fundraising effort so that more

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children can receive life -changing treatment.

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That is such a life -changing work and it's incredible

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to see that level of dedication. It makes me

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wonder about your daily or weekly routine. Can

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you describe what it is like balancing your time

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between leading Union Pan and working with Operation

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Smile at the same time? For me, both roles are

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connected by a shared purpose, creating positive

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impact. My work in the exhibition industry helps

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supporting businesses and economic growth. why

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my involvement with operations might allow me

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to contribute to society. Balancing two reminds

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me that success should also include giving back

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to the community. Wow, thank you so much for

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this. Let's move on to our final question. We

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like to end by asking our guests for advice.

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So what advice would you give to young people

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who want to start or grow their own business?

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My advice would be, to stay curious and never

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stop learning. The business world is constantly

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changing, so adaptability is very important for

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me and I think it's for you also. It's also important

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to build strong values and surround yourself

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with good people, mentor, partner and a positive

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team. And most importantly, be patient. Building

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something meaningful takes time. But with dedication

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and resilience, it is definitely possible. Wow,

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thank you so much for that good advice. It's

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for everybody, no matter their age or where they're

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at in life. It's good to stay curious, never

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stop learning, be adaptable, be patient, and

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building something meaningful takes time. It's

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been a privilege having you in the studio today,

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so thank you for showing us that high -level

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business and a big heart for humanity can and

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should go hand in hand. Your work with both Union

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Pan and Operation Smile is a true inspiration.

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We're going to take a quick break for our PSA

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announcement, and then when we return, we'll

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bring you part four of our serial story, The

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Mystery of St. Augustine. The plot is thickening,

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so don't go away. We'll be right back. Did you

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know that every three minutes a child is born

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with a cleft lip or a cleft palate? In Thailand

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alone, around 2 ,000 babies are born with this

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condition every single year. For many of these

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children, breathing, eating, and even speaking

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can be a daily struggle. But there is hope. Operation

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Smile Thailand provides safe, life -changing

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surgeries and comprehensive care to underprivileged

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children across the country, completely free

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of charge. In as little as 45 minutes, one surgery

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can transform a child's future and give them

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a smile that can carry for a lifetime. You can

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be part of this mission, whether it's through

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a donation, volunteering, or simply spreading

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the word. Your support helps bridge the gap to

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essential health care. To learn more or to make

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a contribution, visit operationsmile .or .th

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or follow them on social media at Operations

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Smile Thailand. Give a smile, change a life.

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Now let's get back to the show. And we are back.

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For this segment, we will bring you part four

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of our 10 -part adventure story titled The Mystery

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of St. Augustine. Before we jump into part four,

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here's a brief recap of part three. Following

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the shocking theft at the Historical Society,

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the El Dorado team decide to pursue a secret

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lead of their own. Professor Amanda Chase revealed

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her two -shipwreck theory, the possibility that

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Sir Francis Drake lost a second, undocumented

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ship carrying other materials and contents of

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great value. To test this theory, James Hawthorne

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arranged a private charter with local captain

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Bobby Mitchell, intending to scout the coastline

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under the guise of a simple historical tour.

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After finding an old buried box containing 24

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16th century gold coins, the criminal network

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known as The Table shifts its focus. Chairs 3,

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4, and 5 were dispatched to Jacksonville on a

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dual mission to shadow their surrogate employer,

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Eleanor Bennett, and to infiltrate a university

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research lab. Using forged credentials, they

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aim to authenticate the stolen documents to ensure

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the red list treasure is truly within their reach.

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As both groups move towards their targets, The

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El Dorado team prepares to uncover a secret that's

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been guarded for centuries at the Cathedral Basilica.

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And now, without further ado, here's part four,

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titled The Clues. The sun was bright, and the

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midday heat was starting to rise. Even though

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summer had not yet arrived and the humidity was

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low. Midday in St. Augustine could get warm,

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especially when there was no clouds in the sky,

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and this was one of those days. Tom Reynolds,

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feeling a little warm under his collar, walked

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into the small St. Augustine police headquarters

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and was happy to be in the air conditioning.

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He approached the check -in counter and mentioned

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that he had an appointment to see Lieutenant

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Daniel Walsh. After filling out a visitor's log

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and signing his name, He sat down in one of the

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orange bucket seats in the small waiting area.

00:16:52.789 --> 00:16:54.929
These are the kind of seats that come in pairs

00:16:54.929 --> 00:16:58.090
and are connected to each other. Tom was thankful

00:16:58.090 --> 00:17:02.009
he was the only one there. Lieutenant Walsh opened

00:17:02.009 --> 00:17:04.990
a side door just next to the check -in counter,

00:17:05.190 --> 00:17:08.890
smiled at Tom, and then said, Thanks for coming

00:17:08.890 --> 00:17:12.660
on such a short notice. Follow me. Lieutenant

00:17:12.660 --> 00:17:15.779
Walsh then motioned for Tom to follow him through

00:17:15.779 --> 00:17:19.619
the door and down a hallway. As the two made

00:17:19.619 --> 00:17:21.920
their way down a short hallway, Tom replied,

00:17:22.240 --> 00:17:24.880
I'm excited to hear what you have found. That

00:17:24.880 --> 00:17:27.720
was pretty quick. Lieutenant Walsh opened one

00:17:27.720 --> 00:17:30.599
of the last doors in the hallway and motioned

00:17:30.599 --> 00:17:33.140
for Tom to have a seat at one of the chairs at

00:17:33.140 --> 00:17:36.539
the table. Lieutenant Walsh with a straight face

00:17:36.539 --> 00:17:40.670
then said, Yeah, we have a few young, tech -savvy

00:17:40.670 --> 00:17:43.910
officers here that helped us with this lead we

00:17:43.910 --> 00:17:47.490
are about to show you. At the moment, Chief Sullivan

00:17:47.490 --> 00:17:50.150
stepped into the doorway from the hall and said,

00:17:50.289 --> 00:17:52.490
Hey Tom, I hope the lieutenant is helping you

00:17:52.490 --> 00:17:54.569
out. If you need anything else, please don't

00:17:54.569 --> 00:17:56.769
hesitate to ask. I heard about the break -in.

00:17:56.890 --> 00:17:59.650
Well, the so -called break -in. Sounds like a

00:17:59.650 --> 00:18:02.069
professional job. Our usual suspects don't fit

00:18:02.069 --> 00:18:04.490
the profile. Anyways, I think the lieutenant

00:18:04.490 --> 00:18:07.609
is onto something. He continues, Anyways, I'm

00:18:07.609 --> 00:18:10.089
off to the courthouse for the afternoon. Walsh

00:18:10.089 --> 00:18:12.329
will fill me in later. Okay, take care. End of

00:18:12.329 --> 00:18:15.410
that. Chief Sullivan left. Tom nodded his head,

00:18:15.509 --> 00:18:18.109
as if to say thank you to the chief, and then

00:18:18.109 --> 00:18:20.569
looked up at Lieutenant Walsh and asked, Okay,

00:18:20.690 --> 00:18:25.029
what do you have? Well, we have an old city ordinance

00:18:25.029 --> 00:18:28.450
in place that requires all commercial businesses

00:18:28.450 --> 00:18:33.089
to register the placement of CCTV cameras with

00:18:33.089 --> 00:18:36.170
the police department. Meaning, if a business

00:18:36.170 --> 00:18:39.269
is granted a business license within the city

00:18:39.269 --> 00:18:42.750
limits, and that business installs CCTV cameras

00:18:42.750 --> 00:18:45.569
on the exterior of their business or building,

00:18:45.730 --> 00:18:49.349
and if those cameras are pointing toward a public

00:18:49.349 --> 00:18:52.470
road or area, that business is required to inform

00:18:52.470 --> 00:18:56.069
the police department of that camera. Lt. Walsh

00:18:56.069 --> 00:18:59.309
paused for a moment and then asked, Are you following

00:18:59.309 --> 00:19:02.869
this, Tom? Yeah, okay, that makes sense, Tom

00:19:02.869 --> 00:19:05.069
replied. I think I know where you're going with

00:19:05.069 --> 00:19:09.109
this, so please go on. I had one of my deputies

00:19:09.109 --> 00:19:14.049
look into our CCTV registration records, and

00:19:14.049 --> 00:19:16.509
she found a registered camera belonging to the

00:19:16.509 --> 00:19:18.869
business that sits across the street from your

00:19:18.869 --> 00:19:23.089
building. It's an old thrift shop business, but

00:19:23.089 --> 00:19:26.549
they do have an old camera that points in the

00:19:26.549 --> 00:19:30.269
direction of the historical society. I know which

00:19:30.269 --> 00:19:32.519
place you're talking about. but I've never seen

00:19:32.519 --> 00:19:35.880
any cameras on their storefront. In fact, I wasn't

00:19:35.880 --> 00:19:37.900
even sure they were still in business, Song replied.

00:19:38.539 --> 00:19:42.440
Well, thank you to our young deputy. She was

00:19:42.440 --> 00:19:46.079
able to find the owner, who, by the way, is as

00:19:46.079 --> 00:19:49.099
old as our town, and the owner was able to provide

00:19:49.099 --> 00:19:52.039
her access to the camera's recordings from the

00:19:52.039 --> 00:19:54.180
timeline you believe the documents were taken.

00:19:54.819 --> 00:19:58.410
Lieutenant Walsh continued, Anyway, I wanted

00:19:58.410 --> 00:20:00.890
to play you the video we found and see if you

00:20:00.890 --> 00:20:04.410
recognize the individual who was recorded. It's

00:20:04.410 --> 00:20:07.990
not great quality, but it's at least something.

00:20:08.309 --> 00:20:11.569
With his eyebrows raised in surprise, Tom replied,

00:20:11.930 --> 00:20:16.049
Wow, that was fast. Sure, let's have a look and

00:20:16.049 --> 00:20:19.390
make sure to thank your deputy for me. Tom watched

00:20:19.390 --> 00:20:22.369
as Lieutenant Walsh plugged a USB stick into

00:20:22.369 --> 00:20:24.829
a laptop that was already open and sitting on

00:20:24.829 --> 00:20:27.539
the table in front of them both. It took Lieutenant

00:20:27.539 --> 00:20:31.839
Walsh several clicks to find the file. Tom, along

00:20:31.839 --> 00:20:35.039
with Lieutenant Walsh, watched the slightly blurry

00:20:35.039 --> 00:20:39.039
video footage. The CCTV camera had recorded one

00:20:39.039 --> 00:20:42.200
person coming into frame, then turning and entering

00:20:42.200 --> 00:20:44.660
the alley behind the Historical Society's building.

00:20:45.160 --> 00:20:48.160
The camera then captured that same person leaving

00:20:48.160 --> 00:20:50.539
the alley and walking out of frame around 10

00:20:50.539 --> 00:20:53.710
minutes later. The images were not very clear

00:20:53.710 --> 00:20:56.329
since the camera was old and the lens was dirty.

00:20:56.950 --> 00:21:00.289
And this happened at night. Tom looked up at

00:21:00.289 --> 00:21:03.809
Lt. Walsh and then said, Well, that's something.

00:21:04.349 --> 00:21:07.450
That's more than what we had yesterday. I guess

00:21:07.450 --> 00:21:09.849
this video does confirm that we did have a break

00:21:09.849 --> 00:21:13.349
-in. I also don't recognize this person. It's

00:21:13.349 --> 00:21:15.670
too hard to see any type of detail besides the

00:21:15.670 --> 00:21:17.529
fact that they are wearing dark clothes and a

00:21:17.529 --> 00:21:20.309
hat to cover their hair and face. I thought you'd

00:21:20.309 --> 00:21:23.430
appreciate the video lead. We couldn't make out

00:21:23.430 --> 00:21:27.430
the identity of the person, but we thought we'd

00:21:27.430 --> 00:21:29.569
show it to you in case something stood out to

00:21:29.569 --> 00:21:33.829
you. Lieutenant Walsh responded. Can I see the

00:21:33.829 --> 00:21:37.609
video again in slow motion? Tom asked. Yeah,

00:21:37.630 --> 00:21:41.250
no problem, Lieutenant Walsh said, and then played

00:21:41.250 --> 00:21:45.569
the video a few more times in slow motion. Tom

00:21:45.569 --> 00:21:48.009
stood up halfway from his chair, pointing at

00:21:48.009 --> 00:21:51.099
the laptop screen. and then said, Pause it right

00:21:51.099 --> 00:21:54.579
there. Can you see that? Lieutenant Walsh squinted

00:21:54.579 --> 00:21:57.539
his eyes and then responded, Let me zoom in a

00:21:57.539 --> 00:22:00.880
bit. My eyes are getting bad with my age. If

00:22:00.880 --> 00:22:03.400
you know what I mean. Keaton continued, Okay,

00:22:03.500 --> 00:22:07.539
I think I see what you are pointing at. It was

00:22:07.539 --> 00:22:10.859
a marking on the backside of the hat the individual

00:22:10.859 --> 00:22:14.440
was wearing. It was blurry, but the shape resembled

00:22:14.440 --> 00:22:17.519
what looks like the letter J. I can't tell for

00:22:17.519 --> 00:22:19.839
sure, but... Doesn't that look like the letter

00:22:19.839 --> 00:22:23.880
J? Tom asked. It does, Lieutenant Walsh replied,

00:22:24.180 --> 00:22:28.500
and the hat looks to be a baseball cap, and it

00:22:28.500 --> 00:22:31.799
looks more like a dark blue than black. I'm not

00:22:31.799 --> 00:22:35.099
a baseball fan, but what do you think, Tom? Do

00:22:35.099 --> 00:22:38.519
you recognize that? No, but I know someone who

00:22:38.519 --> 00:22:40.960
will, he replied as he pulled out his phone and

00:22:40.960 --> 00:22:44.309
video called Cece. Just as Cece was leaving her

00:22:44.309 --> 00:22:47.029
mother's house, her phone started vibrating in

00:22:47.029 --> 00:22:49.569
her back pocket. She stopped by her driver's

00:22:49.569 --> 00:22:52.089
side door, grabbed her phone and saw it was Tom,

00:22:52.150 --> 00:22:55.269
and clicked the green accept button. Hey boss,

00:22:55.490 --> 00:22:58.029
she answered. I was just about to head over to

00:22:58.029 --> 00:23:00.930
the old church to meet up with Mr. Hawthorne

00:23:00.930 --> 00:23:04.029
and his team. What's up? Hey there. Thanks for

00:23:04.029 --> 00:23:06.730
picking up so quickly. I'm still at the police

00:23:06.730 --> 00:23:08.930
station with Lieutenant Walsh, who may have a

00:23:08.930 --> 00:23:11.549
lead on our stolen archives. Tom then continued.

00:23:12.529 --> 00:23:14.809
I'm going to text you an image of what looks

00:23:14.809 --> 00:23:18.230
to be a baseball cap. There's a symbol or emblem

00:23:18.230 --> 00:23:21.069
on the back of the hat. It's quite small and

00:23:21.069 --> 00:23:23.789
a bit blurry. We think it looks like the letter

00:23:23.789 --> 00:23:28.009
J, but not sure. Anyways, I thought since you've

00:23:28.009 --> 00:23:29.569
been around baseball so much because of your

00:23:29.569 --> 00:23:31.750
brothers and somewhat professionally around here,

00:23:31.869 --> 00:23:34.650
you might recognize it. If you could take a quick

00:23:34.650 --> 00:23:36.609
look and then text me back, that'd be great.

00:23:37.069 --> 00:23:41.140
Thanks. And with that, Tom ended the call. Cece,

00:23:41.200 --> 00:23:43.799
knowing that Tom was focused on this one thing,

00:23:43.920 --> 00:23:46.799
didn't mind at all that he cut the call short

00:23:46.799 --> 00:23:49.799
without asking her anything else. She knew Tom

00:23:49.799 --> 00:23:52.339
could be like this, especially when he was stressed

00:23:52.339 --> 00:23:56.579
or focused. He was short and to the point. She

00:23:56.579 --> 00:23:59.180
opened the car door and then got in and sat there

00:23:59.180 --> 00:24:02.819
for a moment, waiting for Tom's text. Bing, there

00:24:02.819 --> 00:24:05.559
it was. She looked at the image Tom had sent,

00:24:05.740 --> 00:24:08.339
ran the image through one of her favorite camera

00:24:08.339 --> 00:24:11.039
filter apps, and enhanced the back of the hat

00:24:11.039 --> 00:24:14.839
to clear it up. She knew right away. This was

00:24:14.839 --> 00:24:17.519
the logo of the Jacksonville Jumbo Shrimp Minor

00:24:17.519 --> 00:24:20.799
League Baseball team. Tom was right. The emblem

00:24:20.799 --> 00:24:24.619
did resemble the letter J. The image was blurry,

00:24:24.819 --> 00:24:27.640
but she was sure of it. She found a clean version

00:24:27.640 --> 00:24:30.480
of the logo online, took a screenshot of it,

00:24:30.779 --> 00:24:33.640
and sent a text right back to Tom with her reply.

00:24:34.119 --> 00:24:37.839
It read, I'm pretty sure the emblem on the back

00:24:37.839 --> 00:24:40.779
of the baseball cap is of the Jacksonville Jumbo

00:24:40.779 --> 00:24:44.119
Shrimp Minor League Baseball team. Here's a screenshot

00:24:44.119 --> 00:24:47.539
of the real logo I found online. If you put the

00:24:47.539 --> 00:24:50.799
two side by side, it's almost a perfect match.

00:24:51.859 --> 00:24:54.519
Tom's phone dinged as Cece's incoming message

00:24:54.519 --> 00:24:58.319
appeared. Bingo. Tom said out loud as he held

00:24:58.319 --> 00:25:01.769
his phone up toward Lieutenant Walsh. Well, Lieutenant,

00:25:02.049 --> 00:25:05.230
I think that emblem on the back of the hat our

00:25:05.230 --> 00:25:07.130
thief is wearing belongs to the minor league

00:25:07.130 --> 00:25:09.789
baseball team, the Jacksonville Jumbo Shrimp.

00:25:10.750 --> 00:25:13.190
Lieutenant Walsh removed his glasses from his

00:25:13.190 --> 00:25:15.490
front shirt pocket and then put them on as he

00:25:15.490 --> 00:25:18.190
leaned over the table and squinted to see the

00:25:18.190 --> 00:25:20.950
small images on Tom's phone. He then stepped

00:25:20.950 --> 00:25:24.190
back and replied, I think you're right. That's

00:25:24.190 --> 00:25:26.769
good detective work, Tom. He then continued.

00:25:27.450 --> 00:25:30.970
We have a good lead on at least one article of

00:25:30.970 --> 00:25:33.930
clothing the thief was wearing, and it's very

00:25:33.930 --> 00:25:36.849
specific. I'll do some more digging with this

00:25:36.849 --> 00:25:39.049
new information, and if we find out anything

00:25:39.049 --> 00:25:42.069
else, I'll be in touch. Tom stood up from the

00:25:42.069 --> 00:25:44.490
table, had a small smile on his face, and then

00:25:44.490 --> 00:25:47.990
replied, This detective work is exciting. I understand

00:25:47.990 --> 00:25:51.150
why you like it, Lieutenant. However, I've got

00:25:51.150 --> 00:25:52.990
to get back to the office and start coordinating

00:25:52.990 --> 00:25:55.049
schedules with the team here from California.

00:25:55.799 --> 00:25:57.859
They're out this afternoon doing some research

00:25:57.859 --> 00:26:01.140
with Cece. Thanks again, Lieutenant. And with

00:26:01.140 --> 00:26:03.420
that, Tom left the police station and headed

00:26:03.420 --> 00:26:05.460
back to his office at the Historical Society.

00:26:11.500 --> 00:26:14.220
Hawthorne parked on the street opposite the Basilica.

00:26:14.259 --> 00:26:16.740
He knew that Cece would be meeting them there

00:26:16.740 --> 00:26:20.200
shortly. As the Eldorado team got out of the...

00:26:20.490 --> 00:26:23.630
Rental walked across the street and stood next

00:26:23.630 --> 00:26:26.650
to the large front entrance doors. Hawthorne

00:26:26.650 --> 00:26:29.869
turned to Professor Amanda and asked, While we

00:26:29.869 --> 00:26:32.190
wait for Cece, what should we know about this

00:26:32.190 --> 00:26:35.569
place before we go inside? Amanda looked over

00:26:35.569 --> 00:26:37.730
at Professor Hawthorne and then replied with

00:26:37.730 --> 00:26:40.509
a smile, Well, I'm glad you asked. I'll give

00:26:40.509 --> 00:26:43.549
you the quick version before we go inside. Amanda

00:26:43.549 --> 00:26:46.490
paused a moment to make sure Anne and Olivia

00:26:46.490 --> 00:26:49.690
were listening and then continued. Well, what

00:26:49.690 --> 00:26:52.369
we are standing in front of is not the actual

00:26:52.369 --> 00:26:55.470
first church building. The original church was

00:26:55.470 --> 00:26:57.970
much smaller and didn't survive the attack by

00:26:57.970 --> 00:27:00.950
Drake's men. Since the old Drake days, there

00:27:00.950 --> 00:27:03.130
have been different church buildings constructed

00:27:03.130 --> 00:27:06.650
and torn down on this location. The basilica

00:27:06.650 --> 00:27:09.609
here, the one we are looking at, was built in

00:27:09.609 --> 00:27:13.829
the 1790s. Since then, it's been officially recognized

00:27:13.829 --> 00:27:16.720
for a lot of things. Cece would be able to give

00:27:16.720 --> 00:27:19.720
those details. She continued, anyway, maybe it

00:27:19.720 --> 00:27:22.740
holds some secrets we don't know about. At that

00:27:22.740 --> 00:27:25.640
moment, they all saw Cece on the sidewalk walking

00:27:25.640 --> 00:27:29.059
toward them. Hawthorne grinned, then said, hello,

00:27:29.240 --> 00:27:32.519
and then said, all right, we're glad we get a

00:27:32.519 --> 00:27:35.000
tour guide and are excited to see the inside

00:27:35.000 --> 00:27:38.400
of this place. Cece grinned and said hello as

00:27:38.400 --> 00:27:40.880
she walked past them all and knocked heavily

00:27:40.880 --> 00:27:44.329
on the front large wooden doors. She then turned

00:27:44.329 --> 00:27:47.289
around and said, Actually, John Tanner, a friend

00:27:47.289 --> 00:27:50.369
of the historical society and caretaker of this

00:27:50.369 --> 00:27:53.589
old relic, is going to be our tour guide. He

00:27:53.589 --> 00:27:56.190
knows this place like the back of his hand, and

00:27:56.190 --> 00:27:59.369
he knows all the history, even more so than I

00:27:59.369 --> 00:28:02.569
do. It's closed right now to the tourists, but

00:28:02.569 --> 00:28:05.750
he'll let us in to see the place. One of the

00:28:05.750 --> 00:28:08.950
front large wooden doors slowly opened with several

00:28:08.950 --> 00:28:12.289
skiffing noises. And John poked his head out

00:28:12.289 --> 00:28:15.190
to see who was banging on the front of the church's

00:28:15.190 --> 00:28:19.890
door so loudly. After recognizing Cece, he opened

00:28:19.890 --> 00:28:23.650
the door wider and then said, Oh, it's you, as

00:28:23.650 --> 00:28:26.970
he nodded his head towards Cece. He then asked,

00:28:27.230 --> 00:28:31.589
Who's with you? Cece introduced the El Dorado

00:28:31.589 --> 00:28:34.970
College team, Professor Hawthorne and Professor

00:28:34.970 --> 00:28:38.509
Amanda and Olivia. After the brief introductions,

00:28:39.029 --> 00:28:42.009
Sisi then asked John, I know it's short notice

00:28:42.009 --> 00:28:44.490
and visiting hours for this time of year are

00:28:44.490 --> 00:28:47.289
different, but would you mind giving us a quick

00:28:47.289 --> 00:28:50.430
tour of the church? I'd love for my colleagues

00:28:50.430 --> 00:28:52.829
to see the church and maybe get some of their

00:28:52.829 --> 00:28:56.630
questions answered. John's face lit up, and then

00:28:56.630 --> 00:29:00.349
he replied, Yeah, no problem, Sisi. Any friend

00:29:00.349 --> 00:29:02.609
of the historical society is a friend of mine.

00:29:03.150 --> 00:29:06.539
And I haven't seen you here in a while. Anyway,

00:29:06.660 --> 00:29:10.819
come on in. John pushed on the large wooden doors

00:29:10.819 --> 00:29:14.660
open further and motioned for them all to enter

00:29:14.660 --> 00:29:17.599
the church. As the team was funneling through

00:29:17.599 --> 00:29:21.480
the half -open front door, John continued, Not

00:29:21.480 --> 00:29:23.880
sure how much you know about this place, but

00:29:23.880 --> 00:29:27.559
here's a quick history lesson. Amanda, now standing

00:29:27.559 --> 00:29:29.440
inside the back of the church with the others

00:29:29.440 --> 00:29:32.559
visibly excited, stared down the central aisle

00:29:32.559 --> 00:29:35.319
of the main seating area. interrupted John and

00:29:35.319 --> 00:29:38.079
said, Okay, great. We'd love to hear the history

00:29:38.079 --> 00:29:40.380
of this place, especially the parts that haven't

00:29:40.380 --> 00:29:43.460
been published for the public. John, surprised

00:29:43.460 --> 00:29:47.420
by Amanda's excitement, then said, Okay, then

00:29:47.420 --> 00:29:50.500
this will be fun. John stood in front of the

00:29:50.500 --> 00:29:53.240
group with his back toward the front and started

00:29:53.240 --> 00:29:57.240
walking backward. He motioned the group to follow

00:29:57.240 --> 00:30:00.059
him up the main central aisle inside the nave.

00:30:00.599 --> 00:30:03.240
as he would give some history about the famous

00:30:03.240 --> 00:30:06.539
church. John continued with his history lesson.

00:30:07.400 --> 00:30:10.460
The official name of this National Historic Landmark

00:30:10.460 --> 00:30:14.859
is the Cathedral Basilica of St. Augustine, and

00:30:14.859 --> 00:30:17.240
it is the oldest Catholic church in the city

00:30:17.240 --> 00:30:21.819
and the oldest parish in the United States. It's

00:30:21.819 --> 00:30:24.539
still active today with regular services and

00:30:24.539 --> 00:30:28.000
other activities, and it's free to the public,

00:30:28.160 --> 00:30:31.740
I might add. John went on for about 10 more minutes

00:30:31.740 --> 00:30:35.160
about many of the features inside the main nave

00:30:35.160 --> 00:30:38.579
area. The stained glass, the different statues,

00:30:38.859 --> 00:30:42.460
and other symbolic relics and objects during

00:30:42.460 --> 00:30:46.279
the services. As he stopped at the front by the

00:30:46.279 --> 00:30:49.740
main altar and statues, John continued with a

00:30:49.740 --> 00:30:52.660
few more facts. Although the original parish

00:30:52.660 --> 00:30:56.950
here in St. Augustine began in the 1500s, The

00:30:56.950 --> 00:31:01.150
permanent cathedral wasn't built until 1790s.

00:31:01.690 --> 00:31:04.589
Several walls in the current structure we are

00:31:04.589 --> 00:31:07.609
standing in right now are from the original built

00:31:07.609 --> 00:31:11.789
back in the 1790s. Unfortunately, there was a

00:31:11.789 --> 00:31:15.470
fire in 1887 that destroyed many of the interior

00:31:15.470 --> 00:31:19.569
items at that time. However, a fellow by the

00:31:19.569 --> 00:31:23.549
name of Henry Flagler helped fund the restoration.

00:31:24.230 --> 00:31:27.900
So, The current cathedral building we are standing

00:31:27.900 --> 00:31:32.079
in is a combination of the original 1797 structure

00:31:32.079 --> 00:31:36.240
and the restored interior after the 1887 fire.

00:31:36.700 --> 00:31:39.380
As John continued to talk about the basilica,

00:31:39.420 --> 00:31:42.319
pointing out other small details, Anne nudged

00:31:42.319 --> 00:31:45.220
James' arm and then whispered, Look at the base

00:31:45.220 --> 00:31:47.339
of the middle wooden carving of Jesus behind

00:31:47.339 --> 00:31:49.960
the altar. It's a little hard to see because

00:31:49.960 --> 00:31:52.759
of the greenery they placed on the ledge. But

00:31:52.759 --> 00:31:55.940
what do you see? Hawthorne squinted his eyes

00:31:55.940 --> 00:31:58.700
and trained them on the base of the middle carved

00:31:58.700 --> 00:32:01.960
wooden statue of Jesus, which was elevated above

00:32:01.960 --> 00:32:05.240
and behind the main altar. Hawthorne could tell

00:32:05.240 --> 00:32:07.599
that there was a marking at the base of the carving,

00:32:07.759 --> 00:32:10.720
right below the feet of Jesus. As he studied

00:32:10.720 --> 00:32:13.140
it for a few seconds, it finally dawned on him

00:32:13.140 --> 00:32:16.160
what Anne had noticed. There was a marking in

00:32:16.160 --> 00:32:18.759
the wood that resembled a thin arrow that pointed

00:32:18.759 --> 00:32:22.549
down. Anne, getting a little impatient, nudged

00:32:22.549 --> 00:32:26.049
James' arm again and asked, Do you see it? Yeah,

00:32:26.069 --> 00:32:28.390
I think so, he then replied with a louder whisper,

00:32:28.549 --> 00:32:30.789
as he talked about the marking that looks like

00:32:30.789 --> 00:32:34.750
an arrow pointing down. Yep, she then asked,

00:32:34.910 --> 00:32:39.009
What do you think that means? Well, let's ask

00:32:39.009 --> 00:32:42.329
John. I'm sure he'd be glad to tell us. At this

00:32:42.329 --> 00:32:44.769
time, John had stopped talking about the history

00:32:44.769 --> 00:32:47.730
and had suggested the group could just roam around

00:32:47.730 --> 00:32:50.740
the main nave area. take photos, or simply rest

00:32:50.740 --> 00:32:53.859
and pray if they felt like it. Hawthorne had

00:32:53.859 --> 00:32:57.539
to admit the place was peaceful and quiet. James

00:32:57.539 --> 00:33:00.119
noticed that Amanda was walking around with Olivia

00:33:00.119 --> 00:33:03.220
and Cece, talking softly and looking at the different

00:33:03.220 --> 00:33:06.539
elements sitting around the interior. James walked

00:33:06.539 --> 00:33:09.000
over to John and then said, Excuse me, do you

00:33:09.000 --> 00:33:11.299
mind if I ask you a question about one of the

00:33:11.299 --> 00:33:14.200
wooden carvings behind the altar? No, not at

00:33:14.200 --> 00:33:18.809
all, John replied. Hawthorne then said, Ann noticed

00:33:18.809 --> 00:33:21.369
and then pointed out to me that there's a small

00:33:21.369 --> 00:33:24.710
carving of a directional arrow on the base of

00:33:24.710 --> 00:33:27.329
the middle statue, right below the feet of Jesus.

00:33:27.670 --> 00:33:30.769
The arrow is pointing down. What does that symbolize?

00:33:31.069 --> 00:33:33.829
I've done a lot of field work in Central and

00:33:33.829 --> 00:33:36.369
South America, and I've never seen a symbol like

00:33:36.369 --> 00:33:39.809
this before in an old Catholic church. By this

00:33:39.809 --> 00:33:42.009
time, Amanda, Olivia, and Cece had made their

00:33:42.009 --> 00:33:44.630
way back to where John and Ann, the professor,

00:33:44.809 --> 00:33:47.000
were standing. right in front of the altar and

00:33:47.000 --> 00:33:50.440
staring at the base of the statue. Okay, I'll

00:33:50.440 --> 00:33:53.599
tell you. This isn't public knowledge. Well,

00:33:53.819 --> 00:33:57.640
as at least part of it isn't. And since you are

00:33:57.640 --> 00:34:01.000
all here with Sissy and represents the St. Augustine

00:34:01.000 --> 00:34:04.559
Historical Society, I can let you in on a few

00:34:04.559 --> 00:34:07.839
inside secrets the caretakers, like me and others

00:34:07.839 --> 00:34:10.460
before me, have committed to preserve and protect.

00:34:11.519 --> 00:34:16.219
John then continues. Yes. The etching is of an

00:34:16.219 --> 00:34:19.199
arrow pointing down. The arrow is pointing down

00:34:19.199 --> 00:34:23.420
at two things. The altar and the Coquina vault

00:34:23.420 --> 00:34:27.159
beneath the floor. John hesitates for a minute

00:34:27.159 --> 00:34:30.460
and then says, Tom at the Historical Society

00:34:30.460 --> 00:34:33.420
already knows a little about this. But there

00:34:33.420 --> 00:34:36.059
are a few other fun and interesting things he

00:34:36.059 --> 00:34:38.880
doesn't know about. And I'd be happy to show

00:34:38.880 --> 00:34:41.760
you if you're still interested. Maybe this will

00:34:41.760 --> 00:34:44.000
motivate Tom to get back over here and visit

00:34:44.000 --> 00:34:47.840
again. Amanda, visually excited, then jumps in

00:34:47.840 --> 00:34:50.280
and says, Yes, please. We'd love to see more.

00:34:50.460 --> 00:34:54.119
This is why we're here. Please go on. Okay, John

00:34:54.119 --> 00:34:57.739
replies, and then continues. After the fire of

00:34:57.739 --> 00:35:01.659
1887 and the renovations were complete, Henry

00:35:01.659 --> 00:35:04.800
Flagler, who funded the restoration and renovation

00:35:04.800 --> 00:35:07.159
of the church, didn't want the caretakers to

00:35:07.159 --> 00:35:09.900
forget about these two things. First, the altar

00:35:09.900 --> 00:35:12.980
contains several sacred relics that were saved

00:35:12.980 --> 00:35:16.480
from the fire. Supposedly, the relics in the

00:35:16.480 --> 00:35:20.699
altar are linked to three saints and a Franciscan

00:35:20.699 --> 00:35:24.280
friar. I'm not sure what the relics are exactly

00:35:24.280 --> 00:35:27.679
because the altar is permanently sealed. And

00:35:27.679 --> 00:35:32.119
the second thing, Amanda pressed. Yes, John hesitates

00:35:32.119 --> 00:35:35.059
for a moment and then says, And the second thing

00:35:35.059 --> 00:35:38.309
is something I can show you. Follow me. John

00:35:38.309 --> 00:35:40.610
motioned for them to follow him as he stepped

00:35:40.610 --> 00:35:44.309
up on the elevated platform and walked behind

00:35:44.309 --> 00:35:47.769
the central altar. There was a small gap about

00:35:47.769 --> 00:35:50.210
four feet between the back of the large altar

00:35:50.210 --> 00:35:53.590
and the back of the church wall. The statue carving

00:35:53.590 --> 00:35:57.510
of Jesus was positioned and fastened to the wall,

00:35:57.690 --> 00:36:00.789
elevated about five feet off the floor level

00:36:00.789 --> 00:36:04.190
of the platform. Okay, this is interesting, Professor

00:36:04.190 --> 00:36:06.489
Hawthorne said out loud as the group followed

00:36:06.489 --> 00:36:09.050
John Tanner onto the platform and then walked

00:36:09.050 --> 00:36:11.889
around the large altar. The group was fixated

00:36:11.889 --> 00:36:14.889
on what John was now pointing down at. The group

00:36:14.889 --> 00:36:17.250
watched as John rolled up a rug which revealed

00:36:17.250 --> 00:36:20.269
a small door in the hardwood floor with a small

00:36:20.269 --> 00:36:24.389
lock and latch. As John retrieved an old key

00:36:24.389 --> 00:36:26.929
from his inside chest pocket and unlocked the

00:36:26.929 --> 00:36:30.829
small lock, he said, We don't show this to tourists.

00:36:31.320 --> 00:36:34.360
Obviously, but this small space in the ground

00:36:34.360 --> 00:36:37.519
is from the original church building. It wasn't

00:36:37.519 --> 00:36:40.059
destroyed in the fire because it is partially

00:36:40.059 --> 00:36:43.539
located under the floor of the church. Anyway,

00:36:43.760 --> 00:36:46.780
this room is empty, as it sometimes fills up

00:36:46.780 --> 00:36:49.099
with several inches of water during a heavy storm.

00:36:49.360 --> 00:36:52.460
But there are several carvings in the coquina

00:36:52.460 --> 00:36:56.920
walls that you might enjoy looking at. They date

00:36:56.920 --> 00:37:00.760
back to the 16th century. John finished saying

00:37:00.760 --> 00:37:03.659
that as he lifted the heavy wooden door, rested

00:37:03.659 --> 00:37:07.500
it on the back wall, pulled a small flashlight

00:37:07.500 --> 00:37:10.019
out of his pocket, and then looked at the ground

00:37:10.019 --> 00:37:13.440
with a smile and added, I hope you're not claustrophobic.

00:37:13.659 --> 00:37:17.019
Follow me. He then proceeded to descend into

00:37:17.019 --> 00:37:20.659
the dimly lit Coquina vault. Amanda watched as

00:37:20.659 --> 00:37:23.099
John ducked his head and then climbed down the

00:37:23.099 --> 00:37:26.000
old wooden steep staircase into the space below.

00:37:26.559 --> 00:37:29.480
Amanda followed John, careful not to misstep.

00:37:29.760 --> 00:37:32.739
Once down on the damp stone floor, she was happy

00:37:32.739 --> 00:37:35.860
she could stand completely upright, unlike John,

00:37:36.000 --> 00:37:38.199
who was taller and had to bend his head down

00:37:38.199 --> 00:37:41.940
a bit. Amanda guessed there was only about 6

00:37:41.940 --> 00:37:45.159
foot head clearance, and the space looked to

00:37:45.159 --> 00:37:48.440
be a square room, maybe around 12 feet by 12

00:37:48.440 --> 00:37:52.829
feet. Hawthorne waited as all the others descended,

00:37:52.909 --> 00:37:55.610
then he was the last to go down into the vault.

00:37:55.690 --> 00:37:58.309
As he reached the bottom of the last step and

00:37:58.309 --> 00:38:00.789
then the floor, he felt the top of his head touching

00:38:00.789 --> 00:38:03.349
the ceiling of the short room. All right, he

00:38:03.349 --> 00:38:06.070
thought to himself, this is pretty cool. The

00:38:06.070 --> 00:38:08.989
room was small, smelled very damp, and with all

00:38:08.989 --> 00:38:12.050
six of them crammed inside, it did feel quite

00:38:12.050 --> 00:38:15.440
small and cramped. He noticed that John, who

00:38:15.440 --> 00:38:17.659
was closest to the backside wall, was pointing

00:38:17.659 --> 00:38:21.159
his flashlight at several what looked like carvings

00:38:21.159 --> 00:38:23.980
in the old Kachina wall. The others had gathered

00:38:23.980 --> 00:38:26.820
around him, staring at the wall. Olivia pulled

00:38:26.820 --> 00:38:29.480
out her camera and then warned everyone that

00:38:29.480 --> 00:38:31.719
her flash was going to go off before taking several

00:38:31.719 --> 00:38:35.019
photos of the wall. Hawthorne then asked, What

00:38:35.019 --> 00:38:37.340
are we looking at, John? He could tell Amanda

00:38:37.340 --> 00:38:40.599
could barely hold her excitement in as she turned

00:38:40.599 --> 00:38:42.719
to look at Hawthorne as he asked that question.

00:38:43.690 --> 00:38:46.510
John replied to Professor Hawthorne's question

00:38:46.510 --> 00:38:49.349
and said, What we're looking at are carvings

00:38:49.349 --> 00:38:52.090
from the original 16th century church buildings.

00:38:52.630 --> 00:38:55.409
Back then, it was thought that this room was

00:38:55.409 --> 00:38:58.489
above ground and a sacred chamber that held Catholic

00:38:58.489 --> 00:39:01.809
relics. Obviously, it can't be used all that

00:39:01.809 --> 00:39:04.849
today. But the carvings here in the Kokina Wall

00:39:04.849 --> 00:39:08.230
have survived many hundreds of years. So John,

00:39:08.349 --> 00:39:10.789
Amanda then asked, are these carvings thought

00:39:10.789 --> 00:39:14.440
to tell some sort of story? Yes, John replied.

00:39:14.860 --> 00:39:17.320
That's pretty much how they documented some of

00:39:17.320 --> 00:39:20.840
the more important events back then. If the priests

00:39:20.840 --> 00:39:23.659
wanted something to be remembered, they would

00:39:23.659 --> 00:39:26.800
inscribe it on the walls. It's a simple way to

00:39:26.800 --> 00:39:30.019
pass down a story to the next generation. He

00:39:30.019 --> 00:39:33.039
then continued. Feel free to take photos of the

00:39:33.039 --> 00:39:36.440
etchings, but out of respect for the Catholic

00:39:36.440 --> 00:39:39.900
parish, please don't publish them. Hawthorne,

00:39:39.960 --> 00:39:42.039
looking at the half dozen or so carvings and

00:39:42.039 --> 00:39:44.579
etchings in the wall, knew that Amanda had noticed

00:39:44.579 --> 00:39:47.760
the same thing he had. One in particular etching

00:39:47.760 --> 00:39:50.079
stood out to him, and Professor Hawthorne knew

00:39:50.079 --> 00:39:53.380
exactly what it meant, or so he thought. However,

00:39:53.519 --> 00:39:56.820
he knew John did not, and he assumed Cece didn't

00:39:56.820 --> 00:39:59.579
either. Only he and Amanda had been privy to

00:39:59.579 --> 00:40:02.739
the exact wording in the records Amanda had found

00:40:02.739 --> 00:40:05.239
in the old journal logbook back in the library

00:40:05.239 --> 00:40:07.820
at the college, and this etching is connected

00:40:07.820 --> 00:40:11.309
to it. He looked over at Amanda, raised his eyebrows,

00:40:11.469 --> 00:40:14.550
and then said out loud, This is really something,

00:40:14.710 --> 00:40:19.329
John. Do you know what these mean? Not really,

00:40:19.469 --> 00:40:21.869
except that some of the etchings seem to highlight

00:40:21.869 --> 00:40:25.969
significant events back in the early days. Maybe

00:40:25.969 --> 00:40:29.210
something the priests were a part of or the town

00:40:29.210 --> 00:40:32.409
was a part of back then. I mean, there are no

00:40:32.409 --> 00:40:35.110
other records really that connect to the church

00:40:35.110 --> 00:40:37.670
other than this small original space and the

00:40:37.670 --> 00:40:41.349
etchings. Amanda, not wanting to seem too excited,

00:40:41.590 --> 00:40:43.710
then said, I'm just going to grab a few extra

00:40:43.710 --> 00:40:46.110
photos with my phone camera. Don't worry, we

00:40:46.110 --> 00:40:49.349
won't publish these anywhere. After that, John

00:40:49.349 --> 00:40:51.750
then led the group back up into the church, closed

00:40:51.750 --> 00:40:54.010
the heavy wooden door, locked it, and rolled

00:40:54.010 --> 00:40:57.030
the rug back over the door. As the group walked

00:40:57.030 --> 00:41:00.269
down the main nave aisle again towards the main

00:41:00.269 --> 00:41:03.349
doors, John then asked, Is there anything else

00:41:03.349 --> 00:41:06.480
you want to see while you're here? Amanda replied,

00:41:06.860 --> 00:41:09.260
I think we are good. Thank you for hosting us.

00:41:09.420 --> 00:41:11.980
We really appreciate it. I'm not sure I've met

00:41:11.980 --> 00:41:14.619
a more knowledgeable parish caretaker. This place

00:41:14.619 --> 00:41:18.039
is in good hands with you here. As the group

00:41:18.039 --> 00:41:20.159
made their way outside, they were all met with

00:41:20.159 --> 00:41:23.380
the bright late afternoon Florida sun. Squinting

00:41:23.380 --> 00:41:25.739
his eyes, Hawthorne looked over at Cece and asked,

00:41:26.179 --> 00:41:28.940
Hey Cece, we booked a boat ride tomorrow morning

00:41:28.940 --> 00:41:31.739
with First Coast Charters. Maybe you and Tom

00:41:31.739 --> 00:41:34.579
could join us. What do you think? Actually, that

00:41:34.579 --> 00:41:36.940
sounds like a good idea. I can check in with

00:41:36.940 --> 00:41:39.159
Tom back at the office and then let you know,

00:41:39.380 --> 00:41:43.460
Cece replied. Okay, great. I'll send the details

00:41:43.460 --> 00:41:45.739
and we can just meet down at the harbor in the

00:41:45.739 --> 00:41:48.400
morning. We wanted to get out on the water for

00:41:48.400 --> 00:41:51.219
a few hours to get a sense of the landscape and

00:41:51.219 --> 00:41:53.920
what it might have been like for Drake and his

00:41:53.920 --> 00:41:57.900
ships to see the land from the water. Makes sense,

00:41:58.079 --> 00:42:01.239
Cece replied. I know Tom was at the police station

00:42:01.239 --> 00:42:04.300
most of this afternoon, and I'm sure he'll enjoy

00:42:04.300 --> 00:42:07.559
a field trip tomorrow with you all. Bobby at

00:42:07.559 --> 00:42:10.539
First Coast Charters is great and super knowledgeable.

00:42:11.719 --> 00:42:13.880
That's good to know. We're going to head back

00:42:13.880 --> 00:42:16.719
to our hotel and call it a day. We'll agree to

00:42:16.719 --> 00:42:19.119
meet up tomorrow morning at First Coast's office

00:42:19.119 --> 00:42:22.639
down at the harbor. Oh, by the way, do you need

00:42:22.639 --> 00:42:24.940
a ride back to the office from here? Hawthorne

00:42:24.940 --> 00:42:27.309
asked. No thanks, I parked around the corner,

00:42:27.610 --> 00:42:36.329
Cece answered. See you tomorrow then. Midnight

00:42:36.329 --> 00:42:38.309
looked at the small clock hanging on the living

00:42:38.309 --> 00:42:40.309
room wall of the condo and noticed it was just

00:42:40.309 --> 00:42:43.210
past 4pm. Hey, which one of you is going to go

00:42:43.210 --> 00:42:45.429
to the post office to pick up the package? I

00:42:45.429 --> 00:42:48.889
can go, Chair 3 answered. What PO box am I accessing

00:42:48.889 --> 00:42:51.469
again? 32, Midnight said with an annoyed look

00:42:51.469 --> 00:42:54.090
on her face. Just get in, get the package, and

00:42:54.090 --> 00:42:56.250
get out. Don't talk to anyone and mind your own

00:42:56.250 --> 00:42:59.250
business. Yeah, I know the routine. Chair 3 snatched

00:42:59.250 --> 00:43:01.210
back as he got up and walked toward the door

00:43:01.210 --> 00:43:03.610
to leave the condo. Chair 6 then blurted out,

00:43:03.829 --> 00:43:06.150
Wait, you need to conceal your face without looking

00:43:06.150 --> 00:43:09.230
too obvious. I'm sure there are cameras in the

00:43:09.230 --> 00:43:12.090
post office. Here. Chair 6 grabbed the dark blue

00:43:12.090 --> 00:43:14.590
baseball hat that was sitting on the table and

00:43:14.590 --> 00:43:17.449
tossed it at Chair 3 and then said, Make sure

00:43:17.449 --> 00:43:19.989
you wear this. Chair 3 caught the hat, looked

00:43:19.989 --> 00:43:22.530
at it, and then asked, Interesting hat of choice.

00:43:22.969 --> 00:43:25.590
The jumbo shrimp? Really? Chair 6 responded,

00:43:25.969 --> 00:43:28.250
Never mind the logo. Just make sure you come

00:43:28.250 --> 00:43:30.150
back with the package or you guys won't be able

00:43:30.150 --> 00:43:32.730
to get into the university's lab tomorrow. She

00:43:32.730 --> 00:43:35.289
continued, And for the record, that's the only

00:43:35.289 --> 00:43:38.190
dark colored hat I could find on such short notice

00:43:38.190 --> 00:43:40.550
before I hit up the historical society the other

00:43:40.550 --> 00:43:42.909
night. Chair 3 tucked the hat under his left

00:43:42.909 --> 00:43:45.469
arm, opened the door, glanced back at the others,

00:43:45.610 --> 00:43:49.079
and then said, Hey 4 and 5, you owe me. and with

00:43:49.079 --> 00:43:51.739
that he shut the condo door behind him and walked

00:43:51.739 --> 00:44:21.010
down the hallway toward the elevator And that's

00:44:21.010 --> 00:44:23.329
a wrap for this episode. A big thanks to our

00:44:23.329 --> 00:44:26.989
guests, Ms. Jing of Union Pan and Operation Smile

00:44:26.989 --> 00:44:30.130
Thailand on segment one for showing us how to

00:44:30.130 --> 00:44:33.070
lead with both business smarts and a big heart.

00:44:33.489 --> 00:44:35.989
We've covered everything from international exhibitions

00:44:35.989 --> 00:44:39.329
to the latest twist in the mystery of St. Augustine.

00:44:39.429 --> 00:44:41.809
If you enjoyed the show, please subscribe and

00:44:41.809 --> 00:44:44.650
leave us a review. And as always, this podcast

00:44:44.650 --> 00:44:47.050
would not be possible without the hard work and

00:44:47.050 --> 00:44:49.289
support of our international student production

00:44:49.289 --> 00:44:52.119
team. All music and sound effects are courtesy

00:44:52.119 --> 00:44:56.000
of Pixabay .com, a vibrant community of creatives

00:44:56.000 --> 00:44:59.340
sharing copyright -free images, videos, and music.

00:44:59.760 --> 00:45:02.880
And we are signing off until next time. We are

00:45:02.880 --> 00:45:06.000
Students Incorporated, because your voice matters.
