WEBVTT

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Welcome to Students Incorporated. I'm your host,

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Mr. Jason. Join me weekly as my team and I produce

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content that's informative, positive, fun and

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uplifting. This podcast is created and produced

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with the help of students from the International

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Community School of Bangkok. Hello and welcome

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back to the show. We have an exciting and informative

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episode for you again. In the first segment,

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I'm joined by Mia, Frank, Premi, and Joseph,

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and they'll be diving into a topic that can completely

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change the way you think about work. So, what's

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your work style? Are you an I -shaped, T -shaped,

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V -shaped, or an M -shaped style of worker? We'll

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break down these four work style types and hopefully

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help you discover where you fit and how you can

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maximize your strengths. Then don't go anywhere

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because part four of Legends of the Yucatan is

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here. The stakes are higher than ever as our

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heroes uncover shocking secrets and face unexpected

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dangers. Will they crack the mystery in time?

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Stick around to find out. But first, let's hear

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our quote of the day and get some headline news.

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Our quote of the day comes from Stephen R. Covey,

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an American author and an educator. He famously

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stated, Strength lies in differences, not similarities.

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The quote itself is as self -explanatory as diversity

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is the base of all nations, and as diverse perspectives

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come together, they make communities stronger

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and more dynamic. Different cultures, experiences,

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and ways of thinking bring fresh ideas and help

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us grow. Without diversity, things can get stuck

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in the same old patterns. This quote is a great

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reminder that real strength comes from embracing

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what makes us unique, whether it's in school,

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work, or everyday life. Learning from different

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people helps us see new perspectives and find

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better solutions. At the end of the day, it's

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our differences that pushes us forward and makes

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the world a more interesting and connected place.

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And that's our quote of the day. Now on to some

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headline news with Mia. Thank you for our quote

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of the day, Frank. Now, as for the news today,

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let's talk about three new ways a person can

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work instead of a traditional take on employment.

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Our first method would be job crafting. Now,

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this self -initiated process allows employees

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to reshape their job roles to better align with

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personal strengths and interests. Now, by proactively

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adjusting tasks, relationships, and perceptions

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of their work, individuals can enhance job satisfaction

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and performance. take on additional responsibilities

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that match their skills or collaborate with different

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teams to diversify their experience. Our next

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one is entrepreneurship. Encouraging employees

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to act as entrepreneurs within the organization

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fosters innovation and creativity. Entrepreneurs

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take the initiative to develop new products,

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services, or processes, driving the company forward

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while operating within its framework. Companies

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like 3M have successfully implemented this approach,

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leading to groundbreaking products like the post

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-it note. Finally, we have activity -based working,

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or ABW. ABW is a strategic framework that provides

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employees with a variety of work settings tailored

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to different tasks and activities. Instead of

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assigning fixed desks, organizations offer spaces

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designed for collaboration, focused work, or

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meetings, allowing employees to choose environments

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that best suit their current activities. This

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approach enhances productivity and engagement

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by catering to diverse work styles and promoting

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flexibility. And that ends our headline news

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for this episode. Thank you for the quote and

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headline news. Now let's jump into the topic

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of work styles and shapes. Each of these represents

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a different approach to skills, expertise and

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collaboration in the workplace. There are actually

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multiple shapes. But we are only going to focus

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on the four main types, which are I, T, V, and

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M. However, if you do your own research, you

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may discover pie shape and E shape as well. To

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help break it all down, I've got Mia, Frank,

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Premi, and Joseph in the studio. Mia, go ahead

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and get us started. really excited about today's

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topic because i feel like we hear a lot about

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what kind of worker companies want we don't always

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think about hey how do we work best and what

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our individual work styles are and it's never

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too early to really start figuring this out especially

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with some of us going to university in five months

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yeah i totally agree like we all have strengths

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but understanding these different styles can

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help us figure out what we're good at and how

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we can improve I love that. And also, I feel

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like knowing our work style can also help us

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work better with others as well. And if we understand

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our own strengths and how our teammates operate,

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we can build stronger and more effective teams.

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And let's be honest, some of these shapes fit

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us better than others. I don't have a work style,

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but I wonder if I might be a mix of couple. That's

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a great point, Joseph. People aren't just one

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single shape for the rest of their life. They

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can evolve or even have traits from multiple

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styles. So let's get into it and explore what

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these styles mean, their strengths and weaknesses,

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and how to make the most of them. First up, let's

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talk about the eye -shaped working style. Premi,

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can you take this one? Yes, I can. So eye -shaped

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employees are those who are highly specialized

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in one. area think of the letter i like the shape

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and the structure of the letter i it is just

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this one vertical straight line and so just like

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their expertise um this area of expertise that

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they have is very in -depth but there is very

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little breadth yeah so i shaved people they spend

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you know a lot of years mastering one specific

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skill like for example an engineer who only works

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on aerospace technology or say a lawyer who only

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deals with intellectual property law That level

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of expertise is so valuable. I mean, when you

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need a brain surgeon, you want someone who has

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focused only on brain surgery, not someone who's

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done a little bit of everything, right? Totally.

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But I think the downside is that I -shaped people

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or employees can sometimes struggle with flexibility.

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Like if there are few changes or their job requires

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new skill, they might find it difficult to adapt.

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That's a key challenge. So what's some advice

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for I -shaped people who want to stay relevant

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and adaptable? Premi, what do you think? that's

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a really good point i would say that keep your

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expertise strong keep developing it keep honing

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it but make sure not to overlook or not to ignore

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other skills even if you're specialized learning

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basic soft skills like teamwork communication

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where leadership can also help you stand out

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and i think soft skills in general too i feel

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like should be given emphasis and focus on because

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within whether Whatever area of work you are

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in, I think it is absolutely important. And one

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aspect of those soft skills is definitely networking.

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If you're an I -shaped employee, surround yourself

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with people from different fields can also give

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you exposure to new ideas. And again, not to

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be afraid to reach out. Okay, next up we have

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a T -shaped employee. Mia, why don't you take

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this one? Yeah, sure. So a T -shaped employee

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is someone who has deep expertise in one area,

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just like the I -shaped employee, but also has

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a broad knowledge in other areas as well. So

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like the top of the T represents the broad knowledge,

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while the vertical line is their specialization.

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This sounds like the kind of person who's great

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at collaboration. Like they can be an expert

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in marketing, but also know enough about finance

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and design to work well with those teams or individuals

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as well. Exactly. And T -shaped employees are

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super valuable because they can communicate between

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different teams instead of just staying in the

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bubble. They understand other fields well enough

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to connect ideas and bring people together. And

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that's why a lot of companies love hiring T -shaped

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employees. But what's a potential weakness? What

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do you guys think? I think one risk is that they

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might not be as deeply specialized as an R -shaped

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employee or not have that much debt because if

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they like the different times dedicated to certain

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areas, so they might not have that kind of debt

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in terms of specialization. Like if they're strong

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in one area, but they aren't. maybe not the best

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at that one thing. True. So I think the best

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advice for T -shaped employees is to keep deepening

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their expertise while also maintaining their

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broad knowledge. Stay curious, keep learning,

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and really keep building those connections. Okay,

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now moving on to V -shaped employees. Frank,

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what's your take on this one? A V -shaped employee

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is like a T -shaped employee, but instead of

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having just one area of deep expertise, they

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have two. So picture this letter V. It has two

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strong vertical lines instead of one. So instead

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of just knowing marketing and a little bit of

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other things, they might be experts in both marketing

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and data analytics, as an example. Right, and

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that makes them super valuable because they can

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connect ideas across two different disciplines

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and bring unique insights and contributions to

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the team. However, the challenge for V -shaped

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employees is that developing two areas of deep...

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Expertise takes time and effort, and they have

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to make sure they don't get overwhelmed or burnt

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out. Yeah, exactly. So our advice would be to

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prioritize and don't rush. Master one area first,

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then build expertise in a second. I guess you

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could say a slow and steady wins the race. Okay,

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and finally, we have M -shaped employees. Joseph,

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what's this shape all about? An M -shaped employee

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is like a V -shaped employee, but with multiple

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deep specializations. They're highly adaptable

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and can make on different roles. Think of an

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entrepreneur who's an expert in finance, business,

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business strategy, and product development as

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an example. Yeah, it's impressive and also very

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exhausting all at the same time. Yeah, I would

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agree. And it probably is both at the same time,

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honestly. I think the biggest challenge for M

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-shaped employees would be that they feel...

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too stretched or they feel stretched maybe too

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thin or struggle with where to focus your energy

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especially if they are really good at more than

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two areas of expertise. So the best advice for

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this shaped employee would probably be to learn

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to prioritize and delegate. You can't do everything

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alone even if you have multiple expertise areas.

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Okay great discussion everybody. As we end this

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first segment let's do a quick summary. I -shaped

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employees are deep specialists. T -shaped employees

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have a specialty plus Brock knowledge. V -shaped

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employees have two areas of deep expertise. M

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-shaped employees are multi -skilled powerhouses.

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Understanding these work styles can help you

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grow in your current situation and your future

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career, even if you're still just a student.

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Also, understanding this about yourself can help

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you work better with others. Now, as we end this

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first segment, I'll leave you all with this ending

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question you can ponder and think about. So which

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shape do you think you are now and which do you

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desire to be in the future? And don't go away.

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Next up, we continue Legends of the Yucatan Part

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4. Stay tuned after this short PSA. For this

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PSA, we want to give a shout out to the ICS Human

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Resources or HR Department. This department plays

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a crucial role in ensuring that educators, staff,

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and students have the support that they need

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to succeed. More than just hiring teachers, HR

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helps shape school culture, manage faculty and

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staff relations, and provide essential training

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and development programs. They help ensure schools

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maintain a positive and professional environment

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where all stakeholders feel valued and motivated

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with the overall goal. Now finally, a strong

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HR team is essential for building a thriving

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school community, helping to attract and retain

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talented teachers and other essential staff while

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reducing high turnover and burnout. And we are

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back with our second segment, and we'll continue

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with part four of our story, Legends of the Yucatan.

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Part four is titled The Incident. If you missed

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parts one through three, you can get caught up

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by listening to episodes 87, 88, and 89. Legends

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of the Yucatan is a sequel to our season two

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story, The Secrets of El Dorado. We released

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last year during episodes 55 through 64 in audio

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narration. It's also available in book form as

00:12:58.710 --> 00:13:02.070
a downloadable PDF from our website, or in paperback

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version on Amazon .com. Just visit studentsincorporated

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.com to find out more. Now, moving on, Camden

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will give us a quick recap of Part 3 before we

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jump into Part 4. Recapping Part 3, The Museum.

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The students excitedly get ready for the big

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gala event at the museum, of which the planned

00:13:25.669 --> 00:13:28.429
unveiling of two special artifacts would be happening.

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The event was going great until chaos suddenly

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erupted, leaving everyone in shock. In the midst

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of the confusion, the story takes an unexpected

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turn with the introduction of the bad guys. And

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without further ado, let's jump back into our

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story, where we join our eclectic group of characters

00:13:44.450 --> 00:13:52.519
in their continuing adventure. Hawthorne, still

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somewhat stunned and confused, keeps his eyes

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on the row of students who are now laying down

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on the ground by the chairs they were just sitting

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in. The students are all intently looking right

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back at the professor as if to say, what should

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we do? Run? Stay? It's only been a few moments

00:14:08.259 --> 00:14:10.539
since the loud bangs and flashes of light went

00:14:10.539 --> 00:14:13.120
off in the hall, and at this point the majority

00:14:13.120 --> 00:14:15.200
of the guests had already funneled out of the

00:14:15.200 --> 00:14:17.679
main hall through one of the two main entrances

00:14:17.679 --> 00:14:20.289
towards the back. The professor got up on his

00:14:20.289 --> 00:14:22.710
knees and peeked up over the chairs and noticed

00:14:22.710 --> 00:14:25.149
that much of the smoke that was created by the

00:14:25.149 --> 00:14:28.590
dry ice machines had almost all dissipated. The

00:14:28.590 --> 00:14:30.549
room was somewhat clear and empty of just about

00:14:30.549 --> 00:14:33.230
everyone. Chairs were scattered all over the

00:14:33.230 --> 00:14:35.850
place and some had been turned over as the guests

00:14:35.850 --> 00:14:38.269
had left in a panic. There was an eerie silence

00:14:38.269 --> 00:14:41.289
to the place. Papers and the occasional high

00:14:41.289 --> 00:14:44.490
heel shoe were scattered around the floor. The

00:14:44.490 --> 00:14:46.649
students started to get up off the floor as well,

00:14:46.669 --> 00:14:48.649
talking to each other and trying to comprehend

00:14:48.649 --> 00:14:51.389
what had just happened. As the professor was

00:14:51.389 --> 00:14:53.309
now standing up and looking around the room,

00:14:53.429 --> 00:14:56.909
he noticed Ava walking toward them. She was visibly

00:14:56.909 --> 00:14:59.309
shook up as she was standing closer to the stage

00:14:59.309 --> 00:15:02.610
area. She was also yawning in an attempt to get

00:15:02.610 --> 00:15:05.210
her ears adjusted to the silence after the shock

00:15:05.210 --> 00:15:08.389
of the loud bangs. Professor, professor, Liddy

00:15:08.389 --> 00:15:11.850
yelled out. What should we do? As Lily was finishing

00:15:11.850 --> 00:15:14.629
asking Professor Harthorn that question, there

00:15:14.629 --> 00:15:17.149
were several dozen security personnel with guns

00:15:17.149 --> 00:15:20.009
thrown entering the room and moving tactically

00:15:20.009 --> 00:15:23.070
around the room, followed by several museum staff

00:15:23.070 --> 00:15:25.830
who still had very panicked looks on their faces.

00:15:26.429 --> 00:15:28.870
By this time, Ava had reached her professor and

00:15:28.870 --> 00:15:31.649
the others who were now all standing and watching

00:15:31.649 --> 00:15:34.230
the security team move around the room with slow

00:15:34.230 --> 00:15:36.950
and deliberate movements. Her hair was somewhat

00:15:36.950 --> 00:15:39.669
messed up and the lanyard with her press credentials,

00:15:39.889 --> 00:15:42.409
which had been hanging on her front, was now

00:15:42.409 --> 00:15:45.570
hanging on her back. The concussion of the bang

00:15:45.570 --> 00:15:48.289
and flash had visibly affected her. As the group

00:15:48.289 --> 00:15:50.669
started to move out from the row they were standing

00:15:50.669 --> 00:15:53.950
in, Lily embraced Ava and said, Are you okay?

00:15:54.509 --> 00:15:57.169
Yeah, I'm okay. My ears are still ringing and

00:15:57.169 --> 00:15:59.509
I have a headache, but I'm not hurt. I'm not

00:15:59.509 --> 00:16:01.590
sure what happened, though. Ava responded with

00:16:01.590 --> 00:16:04.169
an expression of relief on her face. Tommy and

00:16:04.169 --> 00:16:06.909
one of the museum staff members walk up to Hawthorne

00:16:06.909 --> 00:16:09.509
and his group right as Ava reaches them. Their

00:16:09.509 --> 00:16:13.570
faces also showed disbelief and shock, yet concern

00:16:13.570 --> 00:16:16.470
for the professor and his students. Before Tommy

00:16:16.470 --> 00:16:18.789
could say anything, Hawthorne asked in a worried

00:16:18.789 --> 00:16:21.750
tone, Anthony was on the stage. Did you see what

00:16:21.750 --> 00:16:24.830
happened to him? Shaking his head. Tommy responds,

00:16:25.470 --> 00:16:27.769
he's still down on the stage and the museum's

00:16:27.769 --> 00:16:30.490
medical team is up there looking after him. We

00:16:30.490 --> 00:16:32.470
think someone ran up to the stage and hit him

00:16:32.470 --> 00:16:34.970
on the back of the head right after the flashbang

00:16:34.970 --> 00:16:38.809
grenades detonated. Tommy continues, he's awake

00:16:38.809 --> 00:16:40.950
and talking but the medical team doesn't want

00:16:40.950 --> 00:16:44.250
him to move until they finish assessing his conditions.

00:16:44.889 --> 00:16:47.190
They'll be taking him to the hospital soon. Wow,

00:16:47.370 --> 00:16:50.730
flashbang grenades. That explains everyone's

00:16:50.730 --> 00:16:54.220
panic. I'm still feeling the effects, and I really

00:16:54.220 --> 00:16:57.159
hope Anthony's okay. Ava says this as she rubs

00:16:57.159 --> 00:16:59.700
her ears in the temples on her forehead. By this

00:16:59.700 --> 00:17:01.940
time, all the students had gathered around Prof.

00:17:02.100 --> 00:17:04.420
Tommy and Hawthorne, and were all trying to figure

00:17:04.420 --> 00:17:07.339
out what had just happened. All of a sudden,

00:17:07.539 --> 00:17:10.059
Isabel, one of the shy students who doesn't talk

00:17:10.059 --> 00:17:13.220
a lot, bursts out. Are we still in danger? Max

00:17:13.220 --> 00:17:15.660
turns to her and says quietly, I think we're

00:17:15.660 --> 00:17:18.819
okay now. The security guys are here. and they've

00:17:18.819 --> 00:17:22.940
got a lot of firepower with them. I mean, look

00:17:22.940 --> 00:17:25.980
at those guns. Joe, somewhat excited by all the

00:17:25.980 --> 00:17:29.240
activities and action, then says, Looks like

00:17:29.240 --> 00:17:31.940
Mexico's version of an American SWAT team. I

00:17:31.940 --> 00:17:33.539
think we're safe now with these guys around.

00:17:33.859 --> 00:17:36.039
While the students were talking amongst themselves,

00:17:36.319 --> 00:17:38.799
Hawthorne and Ava started asking Tommy questions

00:17:38.799 --> 00:17:42.319
about what had happened. So was this a heist?

00:17:42.420 --> 00:17:44.680
Hawthorne asked point blank. Did they steal the

00:17:44.680 --> 00:17:47.359
artifacts? From what we can tell, it looks that

00:17:47.359 --> 00:17:50.880
way. I mean, both artifacts, the gold mask and

00:17:50.880 --> 00:17:54.099
the J -Jar were temporarily being held by two

00:17:54.099 --> 00:17:56.740
museum security team members behind the stage.

00:17:57.259 --> 00:18:00.119
Tommy continues, the security guys were about

00:18:00.119 --> 00:18:02.519
to bring out the two artifacts onto the stage

00:18:02.519 --> 00:18:05.460
as Anthony was making his announcement. That's

00:18:05.460 --> 00:18:08.180
when the flashbang went off. I heard the medical

00:18:08.180 --> 00:18:10.839
team talking about the museum security team members.

00:18:11.000 --> 00:18:13.859
They're also injured and being attended to behind

00:18:13.859 --> 00:18:16.539
the stage right now. I think their injuries are

00:18:16.539 --> 00:18:19.720
more severe. At that moment, Ava gets a thought

00:18:19.720 --> 00:18:23.059
and then says out loud, hey, I may have captured

00:18:23.059 --> 00:18:25.019
something on my camera at that moment, actually.

00:18:25.299 --> 00:18:27.859
Ava continues as she looks at the small screen

00:18:27.859 --> 00:18:30.299
on the back of her camera and starts cycling

00:18:30.299 --> 00:18:32.519
through all the photos right up to and during

00:18:32.519 --> 00:18:35.140
the incident. I had my camera pointed at the

00:18:35.140 --> 00:18:37.680
stage and was using my rapid capture function.

00:18:38.380 --> 00:18:40.779
My camera was taking a photo every half second

00:18:40.779 --> 00:18:44.960
automatically. Anyway, ah, oh, look at this.

00:18:45.680 --> 00:18:47.940
Ava turns her camera around so Hawthorne and

00:18:47.940 --> 00:18:50.319
Tommy can see the viewing screen. There was a

00:18:50.319 --> 00:18:53.220
sequence of shots that captured the very moment.

00:18:53.480 --> 00:18:56.740
The photos had captured the flashbangs were almost

00:18:56.740 --> 00:19:00.019
all washed out and white. But there was a sequence

00:19:00.019 --> 00:19:02.019
of three photos right after the bright white

00:19:02.019 --> 00:19:05.339
flashes. These photos seem to have captured two

00:19:05.339 --> 00:19:09.359
figures in all black holding something. The two

00:19:09.359 --> 00:19:12.109
figures somewhat blurring. We're exiting out

00:19:12.109 --> 00:19:15.049
the side door next to the stage, the same door

00:19:15.049 --> 00:19:17.289
the dancers left from earlier in the program.

00:19:17.529 --> 00:19:19.849
We should probably get one of the police officers

00:19:19.849 --> 00:19:22.390
over here and show him the images, Hawthorne

00:19:22.390 --> 00:19:25.410
says. No, Thomas says abruptly. We don't want

00:19:25.410 --> 00:19:27.730
to do that. Let's get you all out of here and

00:19:27.730 --> 00:19:30.269
back to the dorms. I'm sure the lead investigators

00:19:30.269 --> 00:19:33.029
will be here soon, now that the site is secure.

00:19:33.670 --> 00:19:36.150
I don't really want to be here all night, as

00:19:36.150 --> 00:19:38.410
there are already enough witnesses they can talk

00:19:38.410 --> 00:19:40.950
to. Tommy then motioned for the group to follow

00:19:40.950 --> 00:19:43.890
him out of the large room and then exit out of

00:19:43.890 --> 00:19:46.410
the museum the same way they came in, the front

00:19:46.410 --> 00:19:49.769
door. After they get back outside, Tommy walks

00:19:49.769 --> 00:19:51.970
the group down the block a few meters so they're

00:19:51.970 --> 00:19:54.250
not blocking the front entrance of the museum.

00:19:54.609 --> 00:19:56.789
There are several police cars and trucks parked

00:19:56.789 --> 00:19:59.630
along the street now. Most of the guests who

00:19:59.630 --> 00:20:02.589
were inside then ran outside had mostly dispersed

00:20:02.589 --> 00:20:05.279
and were in the process of leaving. Some were

00:20:05.279 --> 00:20:07.920
getting picked up by the drivers and others were

00:20:07.920 --> 00:20:11.640
finding their parked cars and driving off. Tommy

00:20:11.640 --> 00:20:14.539
says to Hawthorne, Ava and the group, the van

00:20:14.539 --> 00:20:16.619
is on the way to pick you up and take you guys

00:20:16.619 --> 00:20:19.200
to the dorm. He then leads over to Hawthorne

00:20:19.200 --> 00:20:22.019
and Ava and says quietly, don't show those images

00:20:22.019 --> 00:20:25.000
to anyone else just yet. Trust is a rare commodity

00:20:25.000 --> 00:20:29.559
in Mexico, especially among the police. He continues,

00:20:29.839 --> 00:20:33.200
I'm going back inside to check on Anthony. I'll

00:20:33.200 --> 00:20:35.039
contact you tomorrow morning. and give you an

00:20:35.039 --> 00:20:37.839
update. So, hold tight this evening, and we'll

00:20:37.839 --> 00:20:40.359
connect in the morning. And with that, tell me

00:20:40.359 --> 00:20:48.799
to walk back towards the museum. The van ride

00:20:48.799 --> 00:20:51.279
back to the university dorms has been eerily

00:20:51.279 --> 00:20:53.940
silent. The students had barely said a word.

00:20:54.279 --> 00:20:56.700
They were probably still in shock at what had

00:20:56.700 --> 00:20:59.609
just occurred. Now back at the dorms and after

00:20:59.609 --> 00:21:02.170
room checks were complete for both the boys and

00:21:02.170 --> 00:21:04.369
girls, Hawthorne thought to himself about the

00:21:04.369 --> 00:21:06.930
remainder of the trip schedule and the other

00:21:06.930 --> 00:21:09.289
activities that had been meticulously planned.

00:21:10.049 --> 00:21:12.269
He had spent about a half hour with the guys

00:21:12.269 --> 00:21:15.009
debriefing the evening's events and he had asked

00:21:15.009 --> 00:21:17.710
Ava and Lily to do the same with the girls. The

00:21:17.710 --> 00:21:19.950
guys had a lot to say, mostly questions that

00:21:19.950 --> 00:21:22.819
Hawthorne didn't have the answers to. Eventually,

00:21:22.819 --> 00:21:25.420
the professor made it back to his own room. As

00:21:25.420 --> 00:21:28.099
he entered the dark and quiet dorm room, he started

00:21:28.099 --> 00:21:30.460
contemplating what they should do as a group.

00:21:30.940 --> 00:21:33.460
Should they just return home and count the trip

00:21:33.460 --> 00:21:36.160
as a loss, only having been there a couple days?

00:21:36.680 --> 00:21:39.240
Or should they just wait a day or two to see

00:21:39.240 --> 00:21:42.019
how things shake out? These were questions he

00:21:42.019 --> 00:21:44.019
couldn't answer as he dropped down on the dorm's

00:21:44.019 --> 00:21:46.359
flimsily mattress still dressed in his evening

00:21:46.359 --> 00:21:49.980
suit, his eyes closed slowly. What a day it had

00:21:49.980 --> 00:21:58.059
been. Maria was pacing back and forth in the

00:21:58.059 --> 00:22:00.680
dimly lit interior room. The old broom factory

00:22:00.680 --> 00:22:03.000
had many different interior small rooms that

00:22:03.000 --> 00:22:05.579
used to be used for storage. This particular

00:22:05.579 --> 00:22:08.019
one was temporarily being used as a rendezvous

00:22:08.019 --> 00:22:10.599
point. By this time, it was getting late in the

00:22:10.599 --> 00:22:13.099
evening. She had listened carefully for too long,

00:22:13.279 --> 00:22:15.279
waiting and wondering when Renata and Carlos

00:22:15.279 --> 00:22:17.880
would suddenly appear. She knew that eventually

00:22:17.880 --> 00:22:19.980
the police would be making their way over to

00:22:19.980 --> 00:22:22.200
the factory to do a security sweep, especially

00:22:22.200 --> 00:22:24.579
after what had just happened at the museum next

00:22:24.579 --> 00:22:28.019
door. Fearing the worst had happened, Maria was

00:22:28.019 --> 00:22:30.079
about to make a phone call that could seal her

00:22:30.079 --> 00:22:32.519
fate. One way or another, when all of a sudden,

00:22:32.700 --> 00:22:35.380
she heard some noise from outside the room. The

00:22:35.380 --> 00:22:37.480
door swung open quickly, and there stood Renata

00:22:37.480 --> 00:22:41.720
and Carlos sporting very large smiles. We got

00:22:41.720 --> 00:22:45.599
them! We got them both! Renata yelled out. Shut

00:22:45.599 --> 00:22:48.099
up, Ren, Carlos whispers. They may hear us. The

00:22:48.099 --> 00:22:50.000
police are all over the place out there, and

00:22:50.000 --> 00:22:51.619
I'm sure they'll be searching this place soon.

00:22:52.700 --> 00:22:54.819
Maria looked them both in the eyes and said,

00:22:55.420 --> 00:22:59.160
Where are the pieces? By the side door in black

00:22:59.160 --> 00:23:03.039
bags. Renata responds with a softer voice. Good.

00:23:03.160 --> 00:23:05.779
Let's go. Wipe the doorknob and anything else

00:23:05.779 --> 00:23:07.839
you touch with your fingers on our way out. No

00:23:07.839 --> 00:23:10.640
one can know we were here. Maria says this as

00:23:10.640 --> 00:23:12.839
she exits the small room and starts walking toward

00:23:12.839 --> 00:23:15.119
the side door where the two black bags are resting

00:23:15.119 --> 00:23:18.460
on the floor. The gold mask is super heavy and

00:23:18.460 --> 00:23:20.960
larger than what we expected. It doesn't really

00:23:20.960 --> 00:23:23.619
fit in the bag either. It's quite awkward to

00:23:23.619 --> 00:23:26.569
carry. Carlos says as he picks up the heavy,

00:23:26.609 --> 00:23:30.069
larger bag. Renata responds with a snarky comment.

00:23:30.450 --> 00:23:33.049
And that's why you're carrying that one and not

00:23:33.049 --> 00:23:36.029
me. At least you're good at something. She continues

00:23:36.029 --> 00:23:39.210
with another snide remark. You weren't supposed

00:23:39.210 --> 00:23:42.690
to leave any witnesses behind the stage. Now

00:23:42.690 --> 00:23:45.210
we may have two security guards to deal with.

00:23:45.410 --> 00:23:48.170
They're nobodies. Why didn't you just follow

00:23:48.170 --> 00:23:51.269
the plan? The three sneak out the side door,

00:23:51.470 --> 00:23:53.930
walk down the alley and get into a waiting black

00:23:53.930 --> 00:23:56.430
car. Police sirens and patrol car lights can

00:23:56.430 --> 00:24:01.589
be seen and heard off in the distance. Maria

00:24:01.589 --> 00:24:03.930
gets in the front passenger seat, looks over

00:24:03.930 --> 00:24:05.990
at the driver and nods her head as Carlos and

00:24:05.990 --> 00:24:08.789
Renata get into the backseat with the black bags.

00:24:09.150 --> 00:24:12.089
As the car pulls out into the main road and then

00:24:12.089 --> 00:24:14.289
drives toward the highway, Maria turns around

00:24:14.289 --> 00:24:16.589
and looks back at Renata and Carlos and asks,

00:24:16.730 --> 00:24:19.450
Do we have any witnesses to worry about? Tell

00:24:19.450 --> 00:24:21.869
me all about the incident. Don't leave out any

00:24:21.869 --> 00:24:24.430
details. We've got a long drive ahead of us.

00:24:30.230 --> 00:24:32.730
Hawthorne's phone goes off. It's loud and annoying,

00:24:32.930 --> 00:24:35.329
especially when it's unexpected. He looks over

00:24:35.329 --> 00:24:37.470
at the small digital clock that sits on the small

00:24:37.470 --> 00:24:42.069
desk in the corner of the room. 7 .34 a .m. The

00:24:42.069 --> 00:24:44.569
professor is surprised he was able to sleep this

00:24:44.569 --> 00:24:47.289
long. He's usually wide awake by 6 a .m. every

00:24:47.289 --> 00:24:50.240
morning. Oh man, the professor says to himself

00:24:50.240 --> 00:24:52.819
as he rolls out of bed, looking for his phone.

00:24:53.319 --> 00:24:55.720
That annoying ringtone, I've got to get that

00:24:55.720 --> 00:24:58.599
changed. He finds his phone and sees that it's

00:24:58.599 --> 00:25:00.859
Amanda calling. He takes a deep breath and then

00:25:00.859 --> 00:25:03.779
hits the accept button. As soon as the phone

00:25:03.779 --> 00:25:06.319
connects, Amanda blurts out, Are you all okay?

00:25:06.460 --> 00:25:10.519
I just saw the news up here. There was some incident

00:25:10.519 --> 00:25:13.500
at the museum. Hey Amanda, Hawthorne responds

00:25:13.500 --> 00:25:16.509
with a low and tired voice. Yeah, set your mind

00:25:16.509 --> 00:25:18.829
at ease. We're all okay, Hawthorne continues.

00:25:19.269 --> 00:25:21.490
The students are fine, probably still sleeping.

00:25:21.990 --> 00:25:24.089
We're going to take this day and regroup a bit.

00:25:24.390 --> 00:25:26.950
We'll wait to connect with Professor Tommy again

00:25:26.950 --> 00:25:30.250
to discuss our agenda and what's next. Things

00:25:30.250 --> 00:25:32.569
may shift on our end depending on what he recommends.

00:25:33.390 --> 00:25:35.769
The professor hangs up with Amanda, hoping that

00:25:35.769 --> 00:25:37.890
she sets her mind at ease and doesn't worry too

00:25:37.890 --> 00:25:40.670
much. He's been in sticky situations before.

00:25:41.109 --> 00:25:43.430
However, the responsibility of having this many

00:25:43.430 --> 00:25:45.940
students in his group does add another element

00:25:45.940 --> 00:25:48.960
of complexity. While he's thinking about it,

00:25:49.019 --> 00:25:51.220
he sends off a quick message to both Ava and

00:25:51.220 --> 00:25:54.559
Lily, and it reads, Let's hang tight this morning

00:25:54.559 --> 00:25:57.460
around here. I'll try to connect with Tommy about

00:25:57.460 --> 00:25:59.960
our next options. Once I hear from him, we can

00:25:59.960 --> 00:26:02.619
make a plan. Maybe I'll see you over at breakfast.

00:26:08.269 --> 00:26:10.390
It's almost noon and the group has just been

00:26:10.390 --> 00:26:12.789
hanging out around the dorm rooms and the Student

00:26:12.789 --> 00:26:15.869
Union Center most of the morning. Professor Hawthorne

00:26:15.869 --> 00:26:18.269
is currently sitting at a small table in the

00:26:18.269 --> 00:26:20.470
Student Union with Ava and talking about last

00:26:20.470 --> 00:26:23.470
evening's events. In the middle of their conversation,

00:26:23.730 --> 00:26:26.250
Hawthorne gets a message on his phone. It's from

00:26:26.250 --> 00:26:29.730
Prof. Tommy. Professor Hawthorne says, It's Tommy.

00:26:29.849 --> 00:26:32.869
Let's see what he has to say. He reads the message

00:26:32.869 --> 00:26:36.829
out loud so Ava can hear. It reads, Hope you

00:26:36.829 --> 00:26:39.029
are all doing okay this morning. I'm heading

00:26:39.029 --> 00:26:42.029
to the hospital to check on Anthony. He's awake

00:26:42.029 --> 00:26:45.130
and seems to be doing better. Wondering if you'd

00:26:45.130 --> 00:26:48.170
like to come. Ava doesn't hesitate, then says

00:26:48.170 --> 00:26:51.890
yes. I mean, I know he sent that text to you

00:26:51.890 --> 00:26:54.170
and I want to go as well, if he's okay with that.

00:26:54.589 --> 00:26:57.190
Ava holds up her laptop and points to the story

00:26:57.190 --> 00:26:59.809
she was working on all morning. Hawthorne replies,

00:27:00.150 --> 00:27:02.769
I'm sure he'll be fine if you go. You'll just

00:27:02.769 --> 00:27:04.950
need to ask permission from Anthony if he wants

00:27:04.950 --> 00:27:07.930
to be included in your report. Professor Hawthorne

00:27:07.930 --> 00:27:10.509
types back. I'm here with Ava and she's wondering

00:27:10.509 --> 00:27:13.970
if she could accompany us as well. Might be good

00:27:13.970 --> 00:27:16.890
PR for the museum. You know, spread word of what

00:27:16.890 --> 00:27:19.750
happened. A few seconds later, Tommy's reply

00:27:19.750 --> 00:27:22.789
text come through. It reads, sure, I'll pick

00:27:22.789 --> 00:27:25.230
you up in front of the dorm in 30 minutes. See

00:27:25.230 --> 00:27:32.890
you then. Tommy Cars pulls up outside the dorm

00:27:32.890 --> 00:27:35.049
where Professor Hawthorne and Eva are standing

00:27:35.049 --> 00:27:37.529
and waiting. He rolls down the window and says,

00:27:37.970 --> 00:27:40.529
Alright, let's go. Sorry I'm a few minutes late.

00:27:41.349 --> 00:27:43.170
I had to answer a flurry of emails and calls

00:27:43.170 --> 00:27:45.970
this morning about last night. As Hawthorne and

00:27:45.970 --> 00:27:49.430
Eva get into Tommy's very small car, Tommy continues,

00:27:49.950 --> 00:27:52.150
Hey, this is way off -topic and kind of random,

00:27:52.289 --> 00:27:54.910
but do you mind if we stop by one of my favorite

00:27:54.910 --> 00:27:57.430
food vendors on the way? They make the best carne

00:27:57.430 --> 00:28:00.640
asada torta in Mexico City. Hands down and believe

00:28:00.640 --> 00:28:04.059
me, I've tried them all. He continues, I haven't

00:28:04.059 --> 00:28:06.019
had lunch yet and I really wanted you to try

00:28:06.019 --> 00:28:09.160
this place before you all leave to go back. And

00:28:09.160 --> 00:28:11.039
I think this is probably the only time we can

00:28:11.039 --> 00:28:13.279
do this. Hawthorne cracks a smile and looks back

00:28:13.279 --> 00:28:15.359
at Ava and then says, one thing you've got to

00:28:15.359 --> 00:28:18.119
understand about my friend Tommy here is he never

00:28:18.119 --> 00:28:21.400
passes up an opportunity for a carne asada torta.

00:28:21.859 --> 00:28:23.880
Professor Hawthorne then looks over at Tommy

00:28:23.880 --> 00:28:25.799
and continues, well, if you ever make your way

00:28:25.799 --> 00:28:28.099
up to Coloma, I'll take you to my favorite spot

00:28:28.099 --> 00:28:31.400
now. Ethan's Cafe. I'll introduce you to their

00:28:31.400 --> 00:28:33.980
famous pastrami sandwich. It'll change your life.

00:28:34.279 --> 00:28:36.680
Ava is sitting in the current backseat, shaking

00:28:36.680 --> 00:28:38.839
her head and rolling her eyes as she listens

00:28:38.839 --> 00:28:41.660
to these old friends compare their favorite local

00:28:41.660 --> 00:28:44.980
sandwich joints. She also misses Ethan's Cafe.

00:28:45.339 --> 00:28:48.039
He jumps in the conversation and says, Prof.

00:28:48.180 --> 00:28:50.220
Tommy, you've got me intrigued about this high

00:28:50.220 --> 00:28:51.880
-protein sandwich you're talking about. I've

00:28:51.880 --> 00:28:54.019
never had one, but there's a first time for everything,

00:28:54.160 --> 00:28:56.880
right? I mean, maybe I should include this detail

00:28:56.880 --> 00:28:59.509
in my story as well. You've got it, Ava. That's

00:28:59.509 --> 00:29:01.950
the spirit. I just hope Anthony is up for it

00:29:01.950 --> 00:29:04.089
because we'll bring him a torta as well. It will

00:29:04.089 --> 00:29:06.210
show him up after what happened last night, Tommy

00:29:06.210 --> 00:29:09.089
replies. Good idea. You know, talking about food

00:29:09.089 --> 00:29:12.009
can really lighten up a dreadful situation. I'm

00:29:12.009 --> 00:29:14.470
in a much better mood now. Thanks, Tommy. And

00:29:14.470 --> 00:29:16.730
I'm hungry, Hawthorne says as he looks out the

00:29:16.730 --> 00:29:25.130
car window. Meanwhile, Miranda sits quietly in

00:29:25.130 --> 00:29:27.130
the waiting area on the third floor of the hospital.

00:29:27.410 --> 00:29:29.130
She's brought a few small things to hopefully

00:29:29.130 --> 00:29:31.730
brighten up Anthony's day. A nurse walks up to

00:29:31.730 --> 00:29:33.630
her and tells her she can go in and see Anthony

00:29:33.630 --> 00:29:35.670
now that the doctor is done with that morning's

00:29:35.670 --> 00:29:37.910
assessment. Miranda walks into the room and says,

00:29:38.289 --> 00:29:40.390
Hello, Mr. Garcia. It's so good to see you are

00:29:40.390 --> 00:29:42.509
doing well. You sure gave us a scare last night.

00:29:42.730 --> 00:29:45.069
Just at that moment, David walks in the door,

00:29:45.269 --> 00:29:47.710
looks at Miranda with a surprised look on his

00:29:47.710 --> 00:29:50.289
face, and then over at Anthony, who is sitting

00:29:50.289 --> 00:29:53.549
in a chair next to his hospital bed. He says,

00:29:53.730 --> 00:29:56.630
oh hey, I didn't know you had company, Mr. Garcia,

00:29:56.930 --> 00:30:00.309
but this is a nice surprise. David said this

00:30:00.309 --> 00:30:03.190
with a smile as he looked at Miranda. He continues,

00:30:03.569 --> 00:30:05.829
it looks like Miranda and I had the same idea.

00:30:06.289 --> 00:30:08.190
Anthony sits up straighter in the chair and responds,

00:30:08.369 --> 00:30:10.589
wow, thanks for thinking about me, and I appreciate

00:30:10.589 --> 00:30:12.910
the flowers and gifts you brought. Anthony continues,

00:30:13.190 --> 00:30:15.549
the doctor was just here and - Just at that moment,

00:30:15.670 --> 00:30:18.390
Prof Tummy, Harpon, and Ava walk into the room,

00:30:18.490 --> 00:30:20.910
which is now quite crowded. Tommy enters the

00:30:20.910 --> 00:30:22.829
room first while holding a large wrapped carne

00:30:22.829 --> 00:30:25.710
asada torta and saying, here you go big guy,

00:30:25.849 --> 00:30:27.970
we thought this would show you up. Tommy then

00:30:27.970 --> 00:30:31.069
says, oh so sorry, didn't you had visitors already?

00:30:31.509 --> 00:30:34.190
He continues as he gestures towards Miranda and

00:30:34.190 --> 00:30:36.809
David who are standing inside the room. Well

00:30:36.809 --> 00:30:39.329
hello Miranda and David, looks like you had the

00:30:39.329 --> 00:30:42.450
same idea we had. Looks like our good buddy Tony

00:30:42.450 --> 00:30:45.869
has lots of fans. Tommy often called Anthony

00:30:45.869 --> 00:30:48.549
by his shorter name sometimes. Tommy then looks

00:30:48.549 --> 00:30:51.500
over at Anthony to Tony, who is now looking a

00:30:51.500 --> 00:30:53.980
little uncomfortable and shy with all these visits

00:30:53.980 --> 00:30:57.380
packed inside his very small hospital room. Tommy

00:30:57.380 --> 00:30:59.680
then says, it's good to see you up and alert.

00:31:00.000 --> 00:31:02.880
So, what's the doctor's order? Well, they want

00:31:02.880 --> 00:31:04.720
to keep me for at least two more nights, maybe

00:31:04.720 --> 00:31:06.859
three. There's a small hairline fracture on the

00:31:06.859 --> 00:31:09.059
back of my head, and with my concussion, they

00:31:09.059 --> 00:31:10.900
don't want to take any chances the next few days.

00:31:11.359 --> 00:31:13.579
He continues as he eyes the sandwich Tommy put

00:31:13.579 --> 00:31:16.220
down on the table next to his bed. Well, you

00:31:16.220 --> 00:31:19.210
know how to cheer a guy up. After about 15 minutes

00:31:19.210 --> 00:31:21.690
of small talk and after watching Anthony devour

00:31:21.690 --> 00:31:24.630
his sandwich, the five visitors, Prof Tommy,

00:31:24.809 --> 00:31:28.470
Professor Hawthorne, Ava, Miranda and David leaves

00:31:28.470 --> 00:31:31.069
Anthony's hospital room, walk back out to the

00:31:31.069 --> 00:31:33.750
waiting area. As they were all awkwardly standing

00:31:33.750 --> 00:31:36.230
there, wondering what was next and what should

00:31:36.230 --> 00:31:39.509
be said, Tommy speaks up first. Hey, you know,

00:31:39.650 --> 00:31:41.849
we still have this schedule for Professor Hawthorne's

00:31:41.849 --> 00:31:44.390
group and I'd like to propose a few changes and

00:31:44.390 --> 00:31:47.769
see what you all think. Go on, Professor Hawthorne

00:31:47.769 --> 00:31:50.990
says. Tommy continues as the other four listens

00:31:50.990 --> 00:31:53.509
to his idea. The schedule had your group going

00:31:53.509 --> 00:31:56.049
all the way down to Calakmul, starting tomorrow

00:31:56.049 --> 00:31:58.710
and then staying there for two days. Miranda

00:31:58.710 --> 00:32:01.250
was going to accompany us down there. Miranda

00:32:01.250 --> 00:32:04.170
jumps in. Right, but I assume that trip is cancelled

00:32:04.170 --> 00:32:06.390
after what happened last night. Hawthorne then

00:32:06.390 --> 00:32:09.289
adds, my colleague Amanda back in Coloma did

00:32:09.289 --> 00:32:11.369
receive a notification from the U .S. Embassy

00:32:11.369 --> 00:32:13.950
about the travel alert being raised. What if

00:32:13.950 --> 00:32:16.670
instead we go to Chichen Itza? it's a close that

00:32:16.670 --> 00:32:19.289
not as remote maybe we should go and enjoy our

00:32:19.289 --> 00:32:21.509
cultural trip to one of yucatan's most famous

00:32:21.509 --> 00:32:25.349
archaeological destinations he continues we all

00:32:25.349 --> 00:32:28.150
know david can't reveal the location of the cenote

00:32:28.150 --> 00:32:31.049
where the mass was found but maybe he could accompany

00:32:31.049 --> 00:32:34.390
us as our resident treasure hunter or treasure

00:32:34.390 --> 00:32:37.009
finder and miranda would love for you to go as

00:32:37.009 --> 00:32:39.230
well david looks around the others who are looking

00:32:39.230 --> 00:32:42.809
at him he then responds Well, I'm technically

00:32:42.809 --> 00:32:45.670
on the clock with the university and the museum

00:32:45.670 --> 00:32:47.990
for a few more days. I know it's a change of

00:32:47.990 --> 00:32:51.049
plans for you all, but I'm okay with it. Miranda

00:32:51.049 --> 00:32:53.809
then responds, I think it's a good idea. I wouldn't

00:32:53.809 --> 00:32:56.559
- feel comfortable going to Kalakmal now anyway,

00:32:56.660 --> 00:32:59.000
not after what happened last night, that location

00:32:59.000 --> 00:33:01.240
can be a little risky even in the best of times.

00:33:01.460 --> 00:33:03.779
And I'd be up for going with you and David to

00:33:03.779 --> 00:33:06.579
Chichen Itza. There's plenty to see and do there

00:33:06.579 --> 00:33:09.099
from an academic point of view as well. Well,

00:33:09.099 --> 00:33:11.400
Tommy, you know me. I'm along for the ride, and

00:33:11.400 --> 00:33:13.599
if we can salvage the remainder of this trip

00:33:13.599 --> 00:33:16.660
this way, then I'm all for it. Hawthorne says

00:33:16.660 --> 00:33:19.180
as he glances over at Ava. He then continues,

00:33:19.380 --> 00:33:21.779
what about you? Would you be up for that, changing

00:33:21.779 --> 00:33:23.630
the destination of our field expedition? tradition.

00:33:23.829 --> 00:33:26.329
Ava fires back without hesitation. Of course

00:33:26.329 --> 00:33:28.970
I'm in. I go where the story leads and right

00:33:28.970 --> 00:33:31.150
now that sounds like the place Professor Tommy

00:33:31.150 --> 00:33:34.650
is suggesting. So what next then? Alright, don't

00:33:34.650 --> 00:33:37.049
worry about the travel changes. The university

00:33:37.049 --> 00:33:39.529
will rearrange the travel plans for all of us

00:33:39.529 --> 00:33:41.549
and get that sorted out by tomorrow's morning.

00:33:41.950 --> 00:33:44.309
They can make it happen pretty quickly. You'll

00:33:44.309 --> 00:33:46.170
all just be ready to fly out tomorrow morning,

00:33:46.289 --> 00:33:50.029
sometimes before 9am. Once I get an exact time,

00:33:50.109 --> 00:33:52.250
I'll let you know. Tommy looks at Miranda and

00:33:52.250 --> 00:33:54.690
David. And then it says, you can just meet us

00:33:54.690 --> 00:33:57.170
at the airport after you hear back from me about

00:33:57.170 --> 00:34:00.029
our time of the departure. I'll send that information

00:34:00.029 --> 00:34:07.859
later this evening to you. Renata could hear

00:34:07.859 --> 00:34:10.599
her aunt arguing with two guys in the next room.

00:34:10.760 --> 00:34:14.019
The four of them, Aunt Maria, her brother Carlos,

00:34:14.260 --> 00:34:17.039
the driver, and her have been hiding out in a

00:34:17.039 --> 00:34:19.820
dirty old run -down safe house outside the city

00:34:19.820 --> 00:34:22.699
of Merida for the better part of the morning.

00:34:23.559 --> 00:34:26.420
They were all tired from the long drive through

00:34:26.420 --> 00:34:29.260
the night and were a little cranky as to why

00:34:29.260 --> 00:34:32.079
the cartel members showed up late and were now

00:34:32.079 --> 00:34:35.360
changing some of the details about their previously

00:34:35.360 --> 00:34:38.820
agreed upon deal. She could hear it in her aunt's

00:34:38.820 --> 00:34:41.900
voice from the next room that things were not

00:34:41.900 --> 00:34:45.440
going very well. Renata looks at Carlos and mumbles,

00:34:45.639 --> 00:34:49.559
Man, I knew Aunt Maria shouldn't have trusted

00:34:49.559 --> 00:34:52.820
these guys. They're a bunch of losers. They never

00:34:52.820 --> 00:34:55.760
do their own dirty work. Carlos, who hadn't really

00:34:55.760 --> 00:34:58.239
been paying attention to the loud arguing from

00:34:58.239 --> 00:35:00.920
the next room, looks over at Renata and responds,

00:35:01.380 --> 00:35:04.539
I hate doing this type of work anyway. Why can't

00:35:04.539 --> 00:35:06.360
we just find something different to do? Something

00:35:06.360 --> 00:35:09.840
honest. Renata snaps back. Something honest?

00:35:09.960 --> 00:35:12.980
She laughs and continues. Are you kidding me?

00:35:13.579 --> 00:35:15.940
That train has left the station, little brother,

00:35:16.039 --> 00:35:18.699
and ain't coming back. This is our family's line

00:35:18.699 --> 00:35:21.619
of work and nothing we do can change that. So

00:35:21.619 --> 00:35:24.780
don't be naive and stupid. Just do what we say

00:35:24.780 --> 00:35:27.699
and maybe someday you can be rich and then just

00:35:27.699 --> 00:35:30.300
disappear. At least that's what I'm hoping for.

00:35:30.599 --> 00:35:33.900
Carlos mumbles back a response. Well, it didn't

00:35:33.900 --> 00:35:37.119
work out for mom, did it? Renata responds. You

00:35:37.119 --> 00:35:39.559
didn't even really know her anyway. You were

00:35:39.559 --> 00:35:43.309
too young. Renata continues. I watched Mom struggle

00:35:43.309 --> 00:35:46.289
to make ends meet, and she was just trying to

00:35:46.289 --> 00:35:49.610
take care of us the best she knew how to. I suppose,

00:35:49.969 --> 00:35:52.650
but she'd probably still be with us today if

00:35:52.650 --> 00:35:55.389
she had found a different type of work, honest

00:35:55.389 --> 00:35:58.949
work. Carlos continues, I'm just saying, if Aunt

00:35:58.949 --> 00:36:01.250
Maria keeps making deals with the cartel and

00:36:01.250 --> 00:36:04.090
then things go bad, like they did for Mom, they'll

00:36:04.090 --> 00:36:07.250
just erase us like they did her. At that moment,

00:36:07.429 --> 00:36:09.710
Maria bursts through the door and into the room

00:36:09.710 --> 00:36:11.650
where Renata and Carlos were sitting and says,

00:36:11.769 --> 00:36:14.690
I hate working with a cartel, she continues.

00:36:15.010 --> 00:36:17.070
They're only going to pay us half of what they

00:36:17.070 --> 00:36:19.130
said earlier unless we give them something more.

00:36:19.510 --> 00:36:21.650
Renata then says, what do you mean something

00:36:21.650 --> 00:36:25.289
more? We got them both artifacts. Keep your voice

00:36:25.289 --> 00:36:27.309
down. They're on the phone with the big boss

00:36:27.309 --> 00:36:30.050
in the other room. Maria says to Renata. She

00:36:30.050 --> 00:36:32.510
continues. They want to know the location where

00:36:32.510 --> 00:36:34.389
the golden mask was found because they believe

00:36:34.389 --> 00:36:37.329
there's more there. Maybe gold or whatever. Then

00:36:37.329 --> 00:36:39.389
once they know the location and it's confirmed,

00:36:39.610 --> 00:36:41.710
we get paid the remainder of what they owe us.

00:36:41.869 --> 00:36:44.630
That's not fair, and Carlos says. Well, they're

00:36:44.630 --> 00:36:47.170
the ones holding the guns and our payout. If

00:36:47.170 --> 00:36:48.750
you want to be done with this lifestyle, then

00:36:48.750 --> 00:36:51.250
we need to do this. Otherwise, we're stuck, Maria

00:36:51.250 --> 00:36:55.000
says. She continues, we've got to give up the

00:36:55.000 --> 00:36:57.320
only leverage we have left now to make this happen.

00:36:57.559 --> 00:37:00.079
Maria says this as she looks out the small half

00:37:00.079 --> 00:37:02.079
-broken window that's behind where Renata and

00:37:02.079 --> 00:37:04.579
Carlos are sitting. She lifts up her hand and

00:37:04.579 --> 00:37:06.780
points her finger at the man who is calmly sitting

00:37:06.780 --> 00:37:09.099
in the driver's side seat of the car they came

00:37:09.099 --> 00:37:12.300
here last night in. She then says, that guy there,

00:37:12.440 --> 00:37:15.119
our driver, well, there's more to him than you

00:37:15.119 --> 00:37:22.570
know. Meanwhile, the plane that Professor Hawthorne

00:37:22.570 --> 00:37:25.090
and the others are on has landed at Merida's

00:37:25.090 --> 00:37:27.530
regional airport. It was a short flight from

00:37:27.530 --> 00:37:30.230
Mexico City and it was already mid -morning.

00:37:30.909 --> 00:37:33.610
Merida is a larger city as compared to others

00:37:33.610 --> 00:37:36.710
in this part of the Yucatan. The famous Chichen

00:37:36.710 --> 00:37:39.929
Itza ruins are only an hour and a half car ride

00:37:39.929 --> 00:37:43.170
from the city center. The incident at the gala

00:37:43.170 --> 00:37:45.429
event two nights ago feels like it happened a

00:37:45.429 --> 00:37:48.360
week ago. Having the extra day yesterday to rest,

00:37:48.579 --> 00:37:51.019
debrief, and then go see Anthony at the hospital

00:37:51.019 --> 00:37:53.920
helped ease the professor's mind in regards to

00:37:53.920 --> 00:37:56.159
changing the schedule and bringing along the

00:37:56.159 --> 00:37:58.880
students. They were now all here, all the students,

00:37:59.059 --> 00:38:02.659
Ava, Lily, Prof. Tommy, and their very own special

00:38:02.659 --> 00:38:05.760
field guides, Miranda and David. It felt good

00:38:05.760 --> 00:38:09.199
to be out of Mexico City, and the group was quite

00:38:09.199 --> 00:38:11.960
excited to have celebrity guests Miranda and

00:38:11.960 --> 00:38:14.079
David with them. Hawthorne thought to himself

00:38:14.079 --> 00:38:16.699
as they were all exiting the small Merida airport

00:38:16.699 --> 00:38:20.039
together, and in good spirits, All right, this

00:38:20.039 --> 00:38:22.860
is like a big, fun field trip. What could go

00:38:22.860 --> 00:38:40.179
wrong? The worst is behind us. And that ends

00:38:40.179 --> 00:38:42.940
part four. Stay tuned for next week as we bring

00:38:42.940 --> 00:38:45.280
part five in our continuing story called The

00:38:45.280 --> 00:38:58.599
Legends of the Yucatan. As we end this episode,

00:38:58.659 --> 00:39:00.880
let's not forget to answer the question, what

00:39:00.880 --> 00:39:06.599
shape is your working style? I, T, V, or M? And

00:39:06.599 --> 00:39:09.119
stay tuned for our next episode as we look at

00:39:09.119 --> 00:39:11.659
the power of good design with a local artist

00:39:11.659 --> 00:39:14.639
who knows a thing or two about good design. We'll

00:39:14.639 --> 00:39:18.179
also be continuing our adventure story. And as

00:39:18.179 --> 00:39:20.739
always, this podcast would not be possible without

00:39:20.739 --> 00:39:23.159
the hard work and support of our international

00:39:23.159 --> 00:39:25.639
student production team. All music and sound

00:39:25.639 --> 00:39:28.239
effects are courtesy of Pixabay .com. a vibrant

00:39:28.239 --> 00:39:30.460
community of creatives sharing copyright -free

00:39:30.460 --> 00:39:33.380
images, videos, and music. And we are signing

00:39:33.380 --> 00:39:36.340
off until next time. We are Students Incorporated,

00:39:36.380 --> 00:39:37.980
because your voice matters.
