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Welcome to Students Incorporated, a podcast exploring the topics of business, education,

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technology and design.

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I'm your host, Mr. Jason.

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Join me weekly as my team and I produce content that's informative, positive, fun and uplifting.

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Episodes include student conversations, interviews with thought leaders and inspirational stories

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with an international flavor.

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This podcast is created and produced with the help of students from the International

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Community School of Bangkok.

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In today's episode, we'll be talking to an alumni who's currently enrolled in the Cinematic

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Arts Master's program at the University of Southern California.

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He's pretty special to me as he happens to be my eldest son.

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He's quite the busy guy though right now, but we thought we would bring you some news

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about ICS alumni from time to time, what they're doing and where they've landed.

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Before we jump into our conversation with Mr. Coleman, let's hear our quote of the

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day and get some headline movie news.

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Our quote of the day comes from Malcolm X.

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His quote is to have said, education is the passport to the future, for tomorrow belongs

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to those who've prepared for it today.

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This quote implies that education provides individuals the opportunity to move on to

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a successful future.

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It also suggests that individuals who invest time and effort in their education today are

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the ones who will be well prepared to navigate the challenges and opportunities of tomorrow.

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Education plays an important part in shaping a brighter and more promising future for individuals

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and society as a whole.

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Here's some top movie news out of Hollywood.

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We go back to the 80s for our first news piece adapted from the 1981 TV series Fall Guy.

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The new 2024 movie The Fall Guy features the main protagonist Colt, who is an aging stuntman

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working on a film set.

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When the main actor for the film disappears, Colt decides to investigate the disappearance.

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The film will feature actors such as Ryan Gosling and Emily Blunt, both prominent and

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award-winning actors.

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It's set to release in March 2024.

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Now, what happens when you mix a panda and kung fu four times?

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You get Kung Fu Panda 4.

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Pol, the dragon warrior, is set to become the leader of the Valley of Peace.

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However, he must find a successor as his title for the dragon warrior, and he finds a fox

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called Zhen.

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Additionally, Pol will have to face off against Camillan, a villian who was able to summon

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past villians.

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Now, moving on to our last piece of movie news, another new animated feature film coming

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to a screen near you is connected to the iconic Lord of the Rings story.

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This new fantasy film will be titled The Lord of the Rings, The War of Rulmherum.

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It is set 183 years before the 2002 film The Two Towers and revolves around Helm Hammerhead,

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a legendary king of Rohan, and his defense against the Duneling army, which is out for

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vengeance due to the death of their former leader.

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And that ends our Hollywood news segments.

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Thank you for the quote and headline news.

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Now let's get into our first segment.

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I'm joined by co-hosts Premi and Rebecca, and we welcome Coleman, our guest alumni,

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for this episode.

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Premi will get us started with our first question.

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Thank you for joining our show today.

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Could you please introduce yourself and tell us a little bit about where you are now and

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what you are doing?

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My name is Coleman Weimer.

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I'm a filmmaker.

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I'm currently at USC in the MFA program studying film and television production.

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And what I'm doing right now is I'm sitting on the balcony at school after a day of classes.

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And it's like 930 p.m.

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I should be at home probably sleeping.

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But the grind never stops, as they say in L.A.

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The grind never stops.

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So yeah, so I'm but I'm really excited to be talking with you guys today.

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It really is so fun to be able to talk to students at ICS.

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Now having been out of ICS for a long time, so I'm excited to be here.

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Our next question is a little bit lighthearted.

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What actor would you want to play in a movie if there was a movie made about your life?

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This is a great, great question to ask oneself.

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I really I love a lot of actors.

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So the question is, you know, it's difficult.

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You know, do you want an actor to play you who would make you, I don't know, more glamorous

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than you actually are?

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Because that's kind of my head went to like, oh, my gosh, I could have anyone, you know,

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if I could choose anyone.

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But honestly, there I always come back to there's a few actors who actors who I really

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love to watch.

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I love Christian Bale and I love Adrienne Brody.

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I think both of those actors are phenomenal.

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And if either of them ever played me, I would be like I would be I would be so confused.

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I might even be embarrassed because I'd be like, how could they?

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They you know, why would they ever want to play me?

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That's crazy.

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I don't know how they would do that.

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But that would be cool.

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Maybe a more realistic actor who could pull pull off my vibe would be a lesser known actor,

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but really, really, really good.

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His name's John McGarrow.

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I think he's a phenomenal guy.

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I would love to work with him one day.

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He he was in a movie recently called Past Lives.

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That's probably my favorite romance film from the past 10 years easily.

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I mean, it's an incredible film about this Korean woman who falls in love with this guy

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when she's like a kid and then she has to move out of Korea to the States and she loses

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touch with him and gets married to this white guy in New York.

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And then randomly, this Korean guy hits her up and is like, hey, how are you?

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And they kind of rekindle a friendship.

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And then he comes to visit her and it becomes this kind of awkward potential love triangle

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with her and her white husband.

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And then this Korean long lost Korean boy that she used to know.

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So John McGarrow in that film plays the white husband from New York.

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And he does such a good job of being kind of shy and like kind of embarrassed and maybe

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a little insecure about, you know, what does my wife think about this this this old flame

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of hers?

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Yeah, John McGarrow is great.

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And he would probably do a good job of playing me.

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So that's a long answer to a pretty simple question.

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That sounds like a very fun film.

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And those are great choices.

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And now here's another fun question.

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Who is the most famous person you've ever interacted with or have been in the same room

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with?

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Oh, that's tricky.

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OK, I might I might give two answers, because I've definitely found, you know, being here

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at school at USC, they do bring in a lot of really great filmmakers and there's a lot

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of really cool screenings that happen.

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Film screenings when they premiere in L.A. oftentimes have kind of a general it's open

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sometimes to the public to buy tickets.

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So for example, I was in the same room as James Cameron, who directed Titanic.

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And I was there for that because it was a it was a big screening for the Pinocchio movie

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he helped produce.

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So that was a cool thing where you're able to hear the filmmaker kind of talk about producing

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the film after the fact and kind of be in the same room as them with all of the hype

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in the room with everyone watching at the premiere.

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So that was cool.

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But those moments often feel a little less genuine.

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You know, there's a distance between you and the person.

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And not only that, for some of these people their reputation precedes them.

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You know, like you can go online and read countless stories of certain directors who've

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had kind of thrown temper tantrums on set.

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And so you kind of get a certain vibe about them even without meeting them.

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And you're in the same room as them and there's a big event and it's kind of it doesn't always

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feel real.

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But some other more real experiences I've had have been really, really good.

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Like there was a screening I went to at Sundance, the film festival, one year and it was the

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film Minari.

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And I saw one of the premiere screenings of that at Sundance and it just overwhelming.

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It was so overwhelming.

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The experience was lovely.

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I was crying during the movie.

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It was just a beautiful, it was a beautiful film.

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And I walked out of the theater still like kind of tears in my eyes still and kind of

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the post screening days.

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And I look over to my left and Josh Brolin, the actor, producer extraordinaire who played

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Thanos in the Avengers is standing next to me also tears in his eyes, also having just

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thoroughly loved the movie.

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And there was just this unsaid kind of acknowledgement between us of like, wow, wasn't that a powerful

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movie?

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We both loved each other and both of us still were in the days of having walked out of that

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film.

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And so that was kind of a special moment too of just unspoken kind of hello.

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Wasn't that a great movie?

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But I guess a more, I had a very typical, I don't want to say typical, but it is a very

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typical LA story.

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When I first moved here, within the first two weeks of being here, I went to this, this

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bookstore that was doing a reading.

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They were doing like a reading, a poetry reading and a book release.

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And it was a very small event.

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I just expected I would meet some potential, you know, other friends who were interested

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in literature or interested in the arts.

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And when I got there, I was talking to some folks who were artists and I thought, oh,

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this is cool.

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This person paints, this person sculpts, does like sculpture.

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And they said, oh, our friend is going to come over and you should meet them.

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And I was like, oh, great.

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So their friend arrives and I realize, oh my goodness, their friend is a Grammy award

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winning artist that I've listened to in high school.

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His name is Beck.

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You can look them up.

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He goes by Beck, B-E-C-K.

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And I'd listened to him for years and I recognized him immediately.

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And I was like, oh, you're the friend.

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And he looks at me and goes, oh, yes, I'm the friend.

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And we just kind of started having a conversation.

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And I was already, you know, having talked to the folks he was there to hang out with,

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I was able to really organically just spend some time with him and talk with him a bit.

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And afterwards, we all went after the after this reading, this event, we all went and

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hung out afterwards.

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And it's just really cool.

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A very organic way to meet someone who in a lot of ways would have been you would have

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had to go through security guards to get to them, you know.

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But here you was on a Friday night just going art hopping from art show to art show and,

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you know, just happened to be in the right place at the right time.

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So things like that happen and it's very fun.

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And what I've just been learning in LA is it's when you least expect.

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And so it's better to just be always just be yourself and lean on that.

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So I've been I've been trying to practice that as much as possible.

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Going back in time a bit, what are some things that stand out to you about your time here

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at ICS as a student?

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The most important thing I learned at ICS was that being a part of a community that

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cares for one another is absolutely essential.

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And it's probably the biggest thing I miss about being at ICS.

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There's a lot of experiences I've had in other places, like my undergrad experience

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also had pockets of deep community that I was able to find.

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But at ICS, it's a little more immediate.

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And because the school is smaller, it really does have a sense that everyone knows everyone.

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And even though there's pockets and kind of clicks within each class, for the most part,

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you know everyone in your class and you do care about everyone and you hope for the best

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for everyone that's at school.

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And that's a really special, really, really special experience that I think as you at

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least for me, when I got out into the world, I started to realize how much bigger the world

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really was and how I was very much known at ICS.

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My classmates knew me.

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My teachers knew me.

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And outside of ICS, nobody knew me.

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And each step into the world, you become more and more aware of how your belonging to a

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community really does in many ways shape who you are.

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And so at ICS, I was able to really build an identity for myself and become kind of

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who I am today.

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But it was also planting the seeds of how my identity would continue to grow and develop

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over time.

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So as I entered, you could say, bigger ponds after ICS, when I entered undergrad, and now

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that I'm in LA, which is one of the mega cities, and I'm trying to live in an industry and

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kind of make my way in an industry that is huge, that sense of having roots in a place,

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in a community that I was raised in that really cared for me means all the world.

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There's so many lessons I learned because of that community.

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Teachers who would pull me aside and say, hey, Coleman, have you ever thought about

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da-da-da?

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Or friends who were checking on me when I was stressed.

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Those small things in high school really helped me learn how to be someone who cares in every

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other community I've entered.

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Even though they're bigger ponds and bigger places, wow, I mean, the lessons of when you

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see someone who looks like they might need help just asking how they're doing, those

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things are lifelong lessons that ICS definitely helped me with.

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The school name, International Community School, I feel like sometimes it gets overlooked a

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lot, but I think community is such an important aspect to ICS.

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The community we have here is truly, really heartwarming, and it really is special.

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Now fast-forwarding a little bit, what was your undergraduate experience like?

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What classes did you take, and did they prepare you for your master's program?

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Yeah, so I got my undergrad degree at George Fox University.

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It's 45 minutes outside of Portland, Oregon.

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It's in a beautiful part of the state.

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Oregon's in the northwest of the United States, so it's a really beautiful, beautiful area.

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Evergreen trees left and right.

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It's green all year round, even in the winter.

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Sometimes it snows, but mostly it's just kind of temperate, ideal kind of weather.

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In the summer, it gets maybe upwards of 95 degrees Fahrenheit, but nothing too crazy.

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So, yeah, undergrad I studied film, so I actually got my degree in cinematic arts, and I studied

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all of the basics of the industry and also the art.

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So I took film theory classes, learned about kind of the history of cinema in the states

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and also internationally, and then I also took production classes where I learned how

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to make films, where it'd be directing actors a little bit, also learning how to use a camera,

242
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how to use lights, how to record sound, all of that stuff.

243
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But it was more of it at an undergrad level, right?

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So it wasn't the most advanced, and it was usually just kind of intro to sound or intro

245
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to cinematography.

246
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And so I was kind of getting my feet wet in all of the different disciplines.

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And yeah, my undergrad experience, because I went to a liberal arts school, I was also

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taking classes in the humanities.

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So I was also taking literature classes.

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I also had to take...

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I also decided to get a minor in art while I was in undergrad, so I studied art history

252
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and I did ceramics.

253
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I studied ceramics also in undergrad.

254
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And so I was able to learn a lot from different disciplines, not just in film.

255
00:17:14,560 --> 00:17:16,920
And actually, this goes back to a previous question.

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I had an art teacher at ICS who, when I told him I wanted to be a filmmaker, he said, well,

257
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if you want to be a filmmaker, then while you're at ICS, you need to study 3D art.

258
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And that was kind of weird to me.

259
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I was like, oh, that doesn't make much sense.

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Because you explain, and he was just like, well, you make films in the real world, right?

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And I was like, yes.

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He's like, so you need to understand spatial awareness and how a space is used and how

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you can frame and move actors through a space, move a camera through a space.

264
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So I started to realize, oh, OK, 3D art might be kind of important.

265
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So I ended up doing ceramics in ICS.

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And then when I got to undergrad, I loved it so much, I continued to study 3D art.

267
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So some of those lessons carried right over into my undergrad.

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And I guess the classes I took in many ways prepared me for where I'm at now in the grad

269
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program.

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I did find my first year at USC in the MFA program, a lot of my technical abilities were

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very much so advanced in comparison to a lot of my classmates who hadn't studied film in

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undergrad just because I had had so much more experience and spent many more hours behind

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a camera and lighting actors and that kind of thing.

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So my undergrad definitely prepared me for where I'm at here at USC.

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But I also took fun classes.

276
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If you go to a liberal arts school, you can take fun classes.

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So I did take a poetry class.

278
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I took a photography class.

279
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I tried taking an entrepreneurship class for a few days and I dropped out because it was

280
00:19:07,800 --> 00:19:08,800
kind of crazy.

281
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But you know, it's fun to try.

282
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Trying classes in undergrad is a great experience.

283
00:19:17,320 --> 00:19:21,480
What was one of your favorite classes and why?

284
00:19:21,480 --> 00:19:28,520
This is a really hard question because I really did love, I loved my professors and I loved

285
00:19:28,520 --> 00:19:30,240
my classes in undergrad.

286
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I really did.

287
00:19:33,200 --> 00:19:39,840
I would say there was a professor on campus that I had heard about that had kind of a

288
00:19:39,840 --> 00:19:42,600
myth about him.

289
00:19:42,600 --> 00:19:52,600
And the first time I ever saw him, he was on the stage playing his banjo in our auditorium.

290
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And I was like, oh my gosh, who's this guy?

291
00:19:54,520 --> 00:19:55,700
This is cool.

292
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He's playing the banjo like the Kentucky, you know, Appalachian style banjo.

293
00:20:02,600 --> 00:20:06,360
And I wanted to know who he was.

294
00:20:06,360 --> 00:20:13,600
And so our school newspaper that I was a part of wanted to do this piece about this professor.

295
00:20:13,600 --> 00:20:17,200
And I was like, can I please be the photographer for that for that article?

296
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And they're like, sure.

297
00:20:18,600 --> 00:20:25,920
So me and one of my future best friends, who we weren't friends at the time, who was writing

298
00:20:25,920 --> 00:20:32,280
the article, went up into this professor's office and met with him for the article.

299
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And as soon as I walked in his office, there was just a vibe.

300
00:20:35,080 --> 00:20:36,440
There was a vibe in the space.

301
00:20:36,440 --> 00:20:40,840
It was just books all over the wall, bookshelves all over.

302
00:20:40,840 --> 00:20:45,120
And he was just sitting behind his desk and the way he greeted us, everything, it just

303
00:20:45,120 --> 00:20:49,040
had this, I had this kind of feeling like, man, I'm going to really like this professor

304
00:20:49,040 --> 00:20:52,760
and I'm going to have to take one of his classes.

305
00:20:52,760 --> 00:20:55,980
He was a literature professor, so hence all the books.

306
00:20:55,980 --> 00:21:02,200
And he taught his favorite class to teach was poetry, contemporary free verse poetry.

307
00:21:02,200 --> 00:21:07,080
And so I had an interest in poetry since I was pretty young.

308
00:21:07,080 --> 00:21:13,480
And so while after we had finished the interview and after I had taken his picture a few times,

309
00:21:13,480 --> 00:21:15,400
I asked him about the poetry class.

310
00:21:15,400 --> 00:21:18,040
I asked him about poetry in general.

311
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I asked him if he had any recommendations for poets to read.

312
00:21:22,240 --> 00:21:23,240
And he did.

313
00:21:23,240 --> 00:21:24,240
He gave me some names.

314
00:21:24,240 --> 00:21:28,520
And then he also reached up on the top of his bookshelf and handed me a copy of the

315
00:21:28,520 --> 00:21:33,880
book that he had just published of his most recent poems.

316
00:21:33,880 --> 00:21:40,680
And I was just like, totally, you know, I was in awe of this person immediately.

317
00:21:40,680 --> 00:21:43,160
I was like, wow, this guy's published his poems.

318
00:21:43,160 --> 00:21:44,160
This is so cool.

319
00:21:44,160 --> 00:21:47,080
And he plays banjo.

320
00:21:47,080 --> 00:21:51,240
But at the same time, you know, I knew that I was, you know, not the average student.

321
00:21:51,240 --> 00:21:55,920
A lot of people just see a banjo and they're kind of like, cool, I guess.

322
00:21:55,920 --> 00:21:57,200
But for me, I was just riveted.

323
00:21:57,200 --> 00:21:59,080
I was totally riveted by this person.

324
00:21:59,080 --> 00:22:00,080
So I took his class.

325
00:22:00,080 --> 00:22:06,000
I took his contemporary free verse poetry class.

326
00:22:06,000 --> 00:22:22,800
And that class has, by and large, shaped a lot of my personal aesthetics when it comes to how I view art, how I approach telling stories, and also how I approach writing in general.

327
00:22:22,800 --> 00:22:26,280
One of the first classes he sat, you know, we were all sitting there and he was talking

328
00:22:26,280 --> 00:22:28,560
about metaphor.

329
00:22:28,560 --> 00:22:29,560
And he made this joke.

330
00:22:29,560 --> 00:22:31,560
He said, what's a metaphor?

331
00:22:31,560 --> 00:22:35,000
And you know, we're all looking at him like we don't know what he's talking about.

332
00:22:35,000 --> 00:22:42,400
And he says a metaphor is where you keep the cows in, which I didn't understand the joke

333
00:22:42,400 --> 00:22:46,120
at all at that moment because it makes no sense to keep the cows in.

334
00:22:46,120 --> 00:22:47,120
What is a meadow?

335
00:22:47,120 --> 00:22:49,080
And then I spelled it out further.

336
00:22:49,080 --> 00:22:52,360
Oh, what is a meadow for?

337
00:22:52,360 --> 00:22:55,080
A meadow maybe meaning like a meadow in a pasture.

338
00:22:55,080 --> 00:22:57,080
I was like, oh, to keep the cows in.

339
00:22:57,080 --> 00:22:58,280
That makes sense.

340
00:22:58,280 --> 00:23:03,080
So I was like, man, this guy is going to be ahead of us this whole semester.

341
00:23:03,080 --> 00:23:05,160
And that was really how the class went.

342
00:23:05,160 --> 00:23:08,460
He would give us these kind of tastes of an idea.

343
00:23:08,460 --> 00:23:12,040
He would kind of prompt us with something and then we'd think about it.

344
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We'd stew over it.

345
00:23:13,560 --> 00:23:17,520
Sometimes it felt like a riddle or a spell he was kind of casting.

346
00:23:17,520 --> 00:23:21,560
But one class he did tell us, he was like, you know, when you're writing a poem, there

347
00:23:21,560 --> 00:23:25,760
is the potential that you might find magic.

348
00:23:25,760 --> 00:23:30,040
And when you do, you have to be really careful and you got to use it well.

349
00:23:30,040 --> 00:23:33,880
And there were times when I was I'd be writing and I would just kind of uncover something

350
00:23:33,880 --> 00:23:35,160
that I didn't know was there.

351
00:23:35,160 --> 00:23:37,800
And I just go, whoa, I didn't know I could do that.

352
00:23:37,800 --> 00:23:43,440
I didn't know I could find a detail or kind of string together a series of metaphors and

353
00:23:43,440 --> 00:23:44,920
create an effect.

354
00:23:44,920 --> 00:23:47,880
It was just completely exciting.

355
00:23:47,880 --> 00:23:54,360
And it was how I learned how to edit films was actually by taking his poetry class because

356
00:23:54,360 --> 00:23:58,200
I realized that when you're writing a poem, you're writing images.

357
00:23:58,200 --> 00:24:03,080
You're writing this image and then this image and then this image.

358
00:24:03,080 --> 00:24:07,960
And essentially, you're creating a series of shots that you're cutting together.

359
00:24:07,960 --> 00:24:13,360
And so by learning how to create metaphor between images, you can essentially learn

360
00:24:13,360 --> 00:24:14,440
how to do anything.

361
00:24:14,440 --> 00:24:16,520
So huge class, huge class.

362
00:24:16,520 --> 00:24:18,560
I think about it every day.

363
00:24:18,560 --> 00:24:20,960
So that's really inspiring.

364
00:24:20,960 --> 00:24:23,520
I feel like that definitely makes sense.

365
00:24:23,520 --> 00:24:29,200
Like people might not connect poetry to filmmaking immediately, but like through like storytelling

366
00:24:29,200 --> 00:24:34,600
or like the magic or the way how you tell stories through images, I think that definitely

367
00:24:34,600 --> 00:24:36,080
makes sense.

368
00:24:36,080 --> 00:24:41,560
And OK, now this next question also ties into the general process for college apps as well.

369
00:24:41,560 --> 00:24:46,080
Could you explain the entire college app process you had to go through and what advice would

370
00:24:46,080 --> 00:24:51,280
you give to current juniors and seniors at ICS and their application processes?

371
00:24:51,280 --> 00:24:52,280
Such a good question.

372
00:24:52,280 --> 00:24:58,400
It's a very important question, especially for anyone who's who's looking at colleges.

373
00:24:58,400 --> 00:25:06,800
For me personally, I spent hours and hours and hours and hours looking at colleges.

374
00:25:06,800 --> 00:25:12,480
I put a lot of time into it and I would I would recommend I would recommend that anyone

375
00:25:12,480 --> 00:25:18,200
who's looking at college spends a lot of time thinking about it and researching and reading

376
00:25:18,200 --> 00:25:20,880
and looking at colleges.

377
00:25:20,880 --> 00:25:25,720
When we would have college fairs come to ICS, I would go to as many booths as seemed interesting

378
00:25:25,720 --> 00:25:26,720
to me.

379
00:25:26,720 --> 00:25:29,800
I would seek out the schools that had the programs I was interested in.

380
00:25:29,800 --> 00:25:35,480
So for example, we had Maryland Institute College of Art come to ICS and I sought out

381
00:25:35,480 --> 00:25:36,480
that representative.

382
00:25:36,480 --> 00:25:37,480
I went and found him.

383
00:25:37,480 --> 00:25:38,960
I said, hey, I'm really interested in film.

384
00:25:38,960 --> 00:25:41,600
I want to I want to be a filmmaker.

385
00:25:41,600 --> 00:25:43,600
What is your program like at MICA?

386
00:25:43,600 --> 00:25:45,880
How is how is that program?

387
00:25:45,880 --> 00:25:51,120
So I would try to kind of find ways to even while I was in Bangkok at ICS far away from

388
00:25:51,120 --> 00:25:56,000
the states, I was still trying to find ways to meet people in person if possible.

389
00:25:56,000 --> 00:25:59,320
So making the most of that, you know, making the most of finding those representatives

390
00:25:59,320 --> 00:26:02,760
who come to ICS for the fairs and all that.

391
00:26:02,760 --> 00:26:07,600
I also did, you know, I kind of knew what I wanted.

392
00:26:07,600 --> 00:26:12,540
I wanted a school where I could study film and make films.

393
00:26:12,540 --> 00:26:16,040
And I wanted it to be in a place that ideally was beautiful.

394
00:26:16,040 --> 00:26:18,660
So I was looking at colleges in the northwest.

395
00:26:18,660 --> 00:26:23,840
I was looking at colleges in the northeast of the U.S. and I applied to schools that

396
00:26:23,840 --> 00:26:27,900
to me thought I thought, wow, if I got into this school, that would be crazy.

397
00:26:27,900 --> 00:26:31,960
You know, I was applying for some that I to me felt like total reaches.

398
00:26:31,960 --> 00:26:35,640
And then I was applying to some that I felt like would have been maybe I would have been

399
00:26:35,640 --> 00:26:39,720
a shoe in for, you know, ones that weren't super risky to apply to.

400
00:26:39,720 --> 00:26:45,440
So by kind of applying to that range, you're able to give yourself a sense of confidence

401
00:26:45,440 --> 00:26:49,360
of, you know, I might not get into all the schools that are reaches, but I definitely

402
00:26:49,360 --> 00:26:52,300
could get into this one.

403
00:26:52,300 --> 00:26:55,520
And also, I gave myself freedom to not choose.

404
00:26:55,520 --> 00:26:59,840
You know, I applied to schools even if I didn't absolutely love them.

405
00:26:59,840 --> 00:27:05,400
And I'm really glad I did, because the ones I applied to, I got into most of them.

406
00:27:05,400 --> 00:27:10,280
And then it was a matter of choosing, OK, you know, when you look at the scholarships,

407
00:27:10,280 --> 00:27:16,120
when you look at how much scholarship money comes in and all that, it really does kind

408
00:27:16,120 --> 00:27:20,880
of shift what your your options are and what you can choose.

409
00:27:20,880 --> 00:27:22,560
But I got pretty nerdy at times.

410
00:27:22,560 --> 00:27:26,040
I would get I would get in deep on the research.

411
00:27:26,040 --> 00:27:30,000
There were two colleges I was really trying to choose between.

412
00:27:30,000 --> 00:27:37,240
I was trying to choose between George Fox, and then I was also looking potentially at

413
00:27:37,240 --> 00:27:41,780
Bard College, which was in the East Coast.

414
00:27:41,780 --> 00:27:46,800
Before I visited either of them, I just kind of on a gut level felt akin to them, like

415
00:27:46,800 --> 00:27:51,900
there was something about these schools, the program, the teachers.

416
00:27:51,900 --> 00:27:57,040
But my heart and what I felt, it felt like a spiritual prompting, a guiding.

417
00:27:57,040 --> 00:28:02,540
I felt like God might be urging me or kind of putting George Fox on my mind.

418
00:28:02,540 --> 00:28:08,520
So when my family when we visited the school one summer, I just kind of realized while

419
00:28:08,520 --> 00:28:12,520
I was on campus, like, wow, this place really has a sense of the community.

420
00:28:12,520 --> 00:28:17,200
I felt that ICS, it might be a good place for me to land when I come to the States.

421
00:28:17,200 --> 00:28:20,220
So I kind of followed that that guidance.

422
00:28:20,220 --> 00:28:22,340
And I am glad I did.

423
00:28:22,340 --> 00:28:29,080
You know, I do in some some days I I some days I regret not looking more seriously at

424
00:28:29,080 --> 00:28:35,660
Bard College because had I looked more seriously, I would have saw that one of the professors

425
00:28:35,660 --> 00:28:39,000
is a filmmaker who I greatly respect and admire.

426
00:28:39,000 --> 00:28:42,840
And it would have been cool to study under her.

427
00:28:42,840 --> 00:28:50,000
But at the same time, you know, nothing really, at least hindsight bias, you know, George

428
00:28:50,000 --> 00:28:52,600
Fox was a really wonderful community for me.

429
00:28:52,600 --> 00:28:53,600
So I'm glad I went.

430
00:28:53,600 --> 00:28:57,280
So, yeah, number one piece of advice and do the research.

431
00:28:57,280 --> 00:28:59,880
Really look at the schools.

432
00:28:59,880 --> 00:29:00,880
It's time well spent.

433
00:29:00,880 --> 00:29:02,920
It really is.

434
00:29:02,920 --> 00:29:08,760
Because even when you've gotten into undergrad and you're there and you're in college, it's

435
00:29:08,760 --> 00:29:13,360
really good to know that at least you know in your heart that you you looked at the other

436
00:29:13,360 --> 00:29:17,800
doors and you saw what was behind them and you you gave them the fair chance.

437
00:29:17,800 --> 00:29:24,480
Yeah, and shoot for the stars, honestly, apply to the schools that seem like you never know

438
00:29:24,480 --> 00:29:27,280
because it can happen.

439
00:29:27,280 --> 00:29:28,280
Thank you.

440
00:29:28,280 --> 00:29:29,280
That was super helpful.

441
00:29:29,280 --> 00:29:34,760
I'd like to ask about the process of getting into USC's Fame Film Program.

442
00:29:34,760 --> 00:29:36,320
What was that process like?

443
00:29:36,320 --> 00:29:40,040
And did you apply to other programs as well?

444
00:29:40,040 --> 00:29:46,080
The process to get into USC was process similar to applying to undergrad.

445
00:29:46,080 --> 00:29:53,720
You apply to schools and the only difference being with grad programs for film, you have

446
00:29:53,720 --> 00:29:58,240
to do interviews and you have to submit films to get in.

447
00:29:58,240 --> 00:30:03,760
So I also applied to several other film schools in Southern California.

448
00:30:03,760 --> 00:30:10,480
I applied to USC, applied to AFI, American Film Institute, which is a conservatory.

449
00:30:10,480 --> 00:30:19,120
I also applied to Chapman, which is in Orange County, a little bit outside of LA.

450
00:30:19,120 --> 00:30:21,920
And yeah, the process for applying to those schools was great.

451
00:30:21,920 --> 00:30:26,640
I mean, I learned a lot by filling out the application.

452
00:30:26,640 --> 00:30:30,840
I learned a lot during the interviews, that's for sure.

453
00:30:30,840 --> 00:30:37,560
Some interviewees I met with at the different schools helped me get a better sense of what

454
00:30:37,560 --> 00:30:39,480
the program would be like if I went there.

455
00:30:39,480 --> 00:30:46,280
You know, and it's like, do I want to have a professor who's like this every day?

456
00:30:46,280 --> 00:30:47,560
Maybe, maybe not.

457
00:30:47,560 --> 00:30:54,320
So the process to choose USC was tough because it wasn't my only option.

458
00:30:54,320 --> 00:31:00,040
But what I decided on was when I talked to some folks about it, some of my friends who

459
00:31:00,040 --> 00:31:06,040
are older than me, wiser than me, the sentiment was, well, you know, why wouldn't you choose

460
00:31:06,040 --> 00:31:07,920
USC?

461
00:31:07,920 --> 00:31:11,080
It is quote unquote the film school.

462
00:31:11,080 --> 00:31:15,360
And if it's an option to you, why choose another one?

463
00:31:15,360 --> 00:31:23,160
So I kind of personally have a bend toward not choosing the popular route, just with

464
00:31:23,160 --> 00:31:27,560
my personal sense of taste and what I like to make.

465
00:31:27,560 --> 00:31:31,440
And so I worried that being at USC would make me too commercial.

466
00:31:31,440 --> 00:31:36,880
But I realized I had to just get over that and choose the school that felt like it would

467
00:31:36,880 --> 00:31:44,360
probably best set me up for being in the film industry, even if I end up making really interesting

468
00:31:44,360 --> 00:31:45,720
art films.

469
00:31:45,720 --> 00:31:49,880
Our final question for the first segment is connected to the last question.

470
00:31:49,880 --> 00:31:53,000
Could you describe what it was like to have to choose between different schools?

471
00:31:53,000 --> 00:31:55,400
Was that a difficult decision to make?

472
00:31:55,400 --> 00:32:02,540
It wasn't that difficult of a decision once I realized that USC is right in the heart

473
00:32:02,540 --> 00:32:04,780
of L.A.

474
00:32:04,780 --> 00:32:12,240
And after I met the faculty of the other film schools, I felt as if USC had maybe the best

475
00:32:12,240 --> 00:32:13,240
of both worlds.

476
00:32:13,240 --> 00:32:18,520
It was it would be rigorous and serious enough, but not so rigorous and serious that it would

477
00:32:18,520 --> 00:32:21,680
be at the expense of the student.

478
00:32:21,680 --> 00:32:23,100
And that to me was huge.

479
00:32:23,100 --> 00:32:25,600
So that's part of why I chose USC.

480
00:32:25,600 --> 00:32:27,040
And that ends segment one.

481
00:32:27,040 --> 00:32:30,760
Thank you, Coleman, for telling us that part of your post high school story.

482
00:32:30,760 --> 00:32:35,040
We'll be right back with more from Coleman after this short announcement.

483
00:32:35,040 --> 00:32:41,040
Hello, everyone.

484
00:32:41,040 --> 00:32:47,440
This is Amy, founder of the ICS Media Club, and I'm Alpha, co-director of ICS Media Club.

485
00:32:47,440 --> 00:32:52,120
We're here to share with you guys about what being a member of our club would look like.

486
00:32:52,120 --> 00:32:57,360
To summarize, our videographers from the ICS Media Club will film and edit every big event

487
00:32:57,360 --> 00:33:01,280
such as but not limited to Eagles Camp, banquet and salt trip.

488
00:33:01,280 --> 00:33:03,680
If you don't know how to edit, don't worry.

489
00:33:03,680 --> 00:33:08,960
We can teach you how and our video and edit team will edit the final video as well.

490
00:33:08,960 --> 00:33:12,040
These videos will be uploaded on our YouTube channel.

491
00:33:12,040 --> 00:33:16,080
For those of you who prefer designing, we have a team for layout design where you can

492
00:33:16,080 --> 00:33:20,680
design Instagram posts or YouTube thumbnails for the videos that we will upload.

493
00:33:20,680 --> 00:33:26,640
Make sure to follow our YouTube channel at ICS Media Club 0204, where you can find example

494
00:33:26,640 --> 00:33:32,280
videos from last year and our Instagram at ICS Media Club, where you can sign up if you're

495
00:33:32,280 --> 00:33:33,280
interested.

496
00:33:33,280 --> 00:33:38,000
Thank you, and we hope to see you soon.

497
00:33:38,000 --> 00:33:39,960
We are back with our second segment.

498
00:33:39,960 --> 00:33:43,480
We are going to hear more from Coleman about his experience at USC so far.

499
00:33:43,480 --> 00:33:48,000
We'll be asking some questions about his vision for how he'd like to do film as a career.

500
00:33:48,000 --> 00:33:52,120
And we might just ask him about his secret identity as a professional yo-yoer.

501
00:33:52,120 --> 00:33:54,280
Premier will get us started again.

502
00:33:54,280 --> 00:33:58,640
Before we get into this cool program at USC, we all want to know about this professional

503
00:33:58,640 --> 00:34:00,040
yo-yoer thing.

504
00:34:00,040 --> 00:34:02,680
Yeah, yo-yoing is a huge part of my life.

505
00:34:02,680 --> 00:34:08,440
I started yo-yoing when I was in fourth or fifth grade.

506
00:34:08,440 --> 00:34:13,640
And when my family moved to Thailand, I was homeschooled for the first two years of that.

507
00:34:13,640 --> 00:34:21,400
And so that gave me a lot of time at home alone to practice yo-yo.

508
00:34:21,400 --> 00:34:25,840
And a lot of the friends I made were actually yo-yoers who I met online through posting

509
00:34:25,840 --> 00:34:27,360
yo-yo videos on YouTube.

510
00:34:27,360 --> 00:34:28,360
And it's a whole scene.

511
00:34:28,360 --> 00:34:32,680
You know, there's a whole scene of people online who love yo-yoing, love making tricks,

512
00:34:32,680 --> 00:34:34,020
posting tricks.

513
00:34:34,020 --> 00:34:39,400
So it became a huge thing for me and something to aspire to, something to work toward.

514
00:34:39,400 --> 00:34:40,560
And my parents encouraged it.

515
00:34:40,560 --> 00:34:41,940
They thought it was fun.

516
00:34:41,940 --> 00:34:47,820
So a lot of my childhood was, you know, practicing tricks, trying to meet up with yo-yo friends

517
00:34:47,820 --> 00:34:52,080
who if I was going to be in the States in a certain state, I would try to find out if

518
00:34:52,080 --> 00:34:55,840
there are any yo-yoers there and try to meet up with them and then, you know, trade tricks

519
00:34:55,840 --> 00:34:57,340
and that kind of thing.

520
00:34:57,340 --> 00:35:01,200
And then, you know, before starting high school at ICS, I actually went to the World Yo-Yo

521
00:35:01,200 --> 00:35:07,520
Contest to meet up with friends and compete and just had a great experience, made a bunch

522
00:35:07,520 --> 00:35:10,880
of friends who I've kept in touch with since.

523
00:35:10,880 --> 00:35:17,100
And to this day, you know, I'm still yo-yoing all the time.

524
00:35:17,100 --> 00:35:23,840
The team I'm on is for Atmos Projects, which is a yo-yo company based in Singapore.

525
00:35:23,840 --> 00:35:27,800
Really great people, kind people who make really good yo-yos.

526
00:35:27,800 --> 00:35:32,560
And it's really fun to be on that team and represent them and still learning a bunch

527
00:35:32,560 --> 00:35:33,560
about yo-yoing.

528
00:35:33,560 --> 00:35:39,040
You know, there's only so much you can learn even if you've been doing it for 12 years.

529
00:35:39,040 --> 00:35:42,000
So, yeah, having a great time with that.

530
00:35:42,000 --> 00:35:45,280
And it's part of my life that's fun.

531
00:35:45,280 --> 00:35:46,520
There's no pressure behind it.

532
00:35:46,520 --> 00:35:49,800
It can just be fun.

533
00:35:49,800 --> 00:35:54,880
And that's really great when I'm in a career-driven time of my life.

534
00:35:54,880 --> 00:35:55,880
So yeah.

535
00:35:55,880 --> 00:36:00,160
We want to know about what you are doing now at USC.

536
00:36:00,160 --> 00:36:04,340
What program you are in and where that can lead you in the future.

537
00:36:04,340 --> 00:36:11,080
I'm in the Master's program at USC and in the Film and Television program.

538
00:36:11,080 --> 00:36:17,860
And it's a program that helps you connect with other students and essentially learn

539
00:36:17,860 --> 00:36:21,520
parts of the craft that you don't know yet, fill in gaps of knowledge that you haven't

540
00:36:21,520 --> 00:36:23,040
gotten to yet.

541
00:36:23,040 --> 00:36:27,560
I think the main thing about USC that's an asset is that it's considered an industry-plugged

542
00:36:27,560 --> 00:36:28,560
school.

543
00:36:28,560 --> 00:36:33,840
A lot of schools in Southern California have reputations.

544
00:36:33,840 --> 00:36:41,160
And USC's reputation is one that students who go to USC tend to enter the industry and

545
00:36:41,160 --> 00:36:43,480
find a job, have a career.

546
00:36:43,480 --> 00:36:46,120
So it's a huge asset to be at a school like this.

547
00:36:46,120 --> 00:36:47,820
It's an immense privilege.

548
00:36:47,820 --> 00:36:55,280
In terms of what USC has to offer students, it's we have industry professionals who come

549
00:36:55,280 --> 00:36:57,800
into class quite often.

550
00:36:57,800 --> 00:37:04,120
And people who have the ability to kind of potentially give you a job are often coming

551
00:37:04,120 --> 00:37:05,200
into the school.

552
00:37:05,200 --> 00:37:07,840
So it's pretty cool for that reason.

553
00:37:07,840 --> 00:37:09,880
It's very close to the industry.

554
00:37:09,880 --> 00:37:11,400
It's in the middle of everything.

555
00:37:11,400 --> 00:37:17,120
So for someone who wants to be a commercial filmmaker and actually make a living by making

556
00:37:17,120 --> 00:37:21,680
movies, hard to pick a better school to go to.

557
00:37:21,680 --> 00:37:24,160
We'd like to know more about the program itself.

558
00:37:24,160 --> 00:37:27,160
So what are some of the classes and overall environment like?

559
00:37:27,160 --> 00:37:29,200
How many students are in your cohort?

560
00:37:29,200 --> 00:37:31,920
What's a typical week look like for you?

561
00:37:31,920 --> 00:37:36,920
The environment here at USC is really good for the most part.

562
00:37:36,920 --> 00:37:41,800
You know, like any school, you can find yourself in potentially the wrong crowd.

563
00:37:41,800 --> 00:37:45,640
You can find yourself in toxic environments if you put yourself there and if you allow

564
00:37:45,640 --> 00:37:49,080
yourself to kind of get swept up into it.

565
00:37:49,080 --> 00:37:53,200
But for the most part, I've made some lifelong friends here at school who want to collaborate

566
00:37:53,200 --> 00:37:56,400
with me and I want to collaborate with them.

567
00:37:56,400 --> 00:37:58,840
There's 60 students in my cohort.

568
00:37:58,840 --> 00:38:03,400
So every semester they take 60 new students in the spring and the fall.

569
00:38:03,400 --> 00:38:05,480
And my cohort has 60.

570
00:38:05,480 --> 00:38:10,320
Typical week is go to classes almost every day.

571
00:38:10,320 --> 00:38:13,520
This semester I'm at school four days a week.

572
00:38:13,520 --> 00:38:19,960
And then the day I'm not at school, I'm usually writing, working on homework, in production

573
00:38:19,960 --> 00:38:22,440
on a film, et cetera.

574
00:38:22,440 --> 00:38:29,080
And yeah, my classes, it depends on the semester, but every semester, no matter what, I'm going

575
00:38:29,080 --> 00:38:30,360
to be working on films.

576
00:38:30,360 --> 00:38:32,040
I'm going to be making films.

577
00:38:32,040 --> 00:38:34,320
I'm going to be running sound.

578
00:38:34,320 --> 00:38:37,160
I'm going to be a cinematographer.

579
00:38:37,160 --> 00:38:40,480
I'm going to be getting practice behind the camera.

580
00:38:40,480 --> 00:38:43,960
I'm going to be working with actors.

581
00:38:43,960 --> 00:38:48,200
Every semester I've been at USC, I've had practice in all of these different areas and

582
00:38:48,200 --> 00:38:49,840
that's been really great.

583
00:38:49,840 --> 00:38:53,080
How did USC become so popular for this degree?

584
00:38:53,080 --> 00:38:59,800
USC became a very popular school because so many students who went here went on to do

585
00:38:59,800 --> 00:39:01,160
pretty impressive work.

586
00:39:01,160 --> 00:39:07,000
You have students who, while at USC, maybe were considered rebels like George Lucas,

587
00:39:07,000 --> 00:39:11,480
who once they went into the field, made Star Wars and then everyone said, wow, the greatest

588
00:39:11,480 --> 00:39:12,640
filmmaker.

589
00:39:12,640 --> 00:39:19,200
So it really does have a reputation for putting out incredible talent, whether that's the

590
00:39:19,200 --> 00:39:24,080
fault of the school, whether the school can take full credit for that or not is a really,

591
00:39:24,080 --> 00:39:28,920
no one really can say for sure because George Lucas had a really hard time making some of

592
00:39:28,920 --> 00:39:34,400
his films here, but it has become popular because a lot of great filmmakers have started

593
00:39:34,400 --> 00:39:39,280
their careers by coming to school here and learning the nuts and bolts of how to make

594
00:39:39,280 --> 00:39:40,280
a film.

595
00:39:40,280 --> 00:39:44,640
And there's just so many grad students, so many undergrad students who've gone to the

596
00:39:44,640 --> 00:39:50,920
film program here who are now working in the industry and it's kind of a mafia and they

597
00:39:50,920 --> 00:39:52,200
talk about it that way.

598
00:39:52,200 --> 00:39:57,600
So once you're done at USC, you still have kind of a family of people in the industry

599
00:39:57,600 --> 00:40:01,080
who are willing to kind of open the door for you.

600
00:40:01,080 --> 00:40:05,440
I would think that networking with other like-minded people in this industry is part of the values

601
00:40:05,440 --> 00:40:06,560
as well.

602
00:40:06,560 --> 00:40:10,820
So what kind of networking opportunities are you exposed to and do you run into well-known

603
00:40:10,820 --> 00:40:13,720
actors, directors and producers much?

604
00:40:13,720 --> 00:40:16,680
I'm exposed to a lot of networking opportunities here.

605
00:40:16,680 --> 00:40:20,640
Some of them are ones that the school initiates.

606
00:40:20,640 --> 00:40:24,600
Some of them are ones I seek out on my own, film screenings that are happening in town

607
00:40:24,600 --> 00:40:26,800
that I hear about.

608
00:40:26,800 --> 00:40:29,120
I try to keep my eyes and ears peeled for things.

609
00:40:29,120 --> 00:40:36,340
I try to keep, I follow certain social media accounts that post about screenings that are

610
00:40:36,340 --> 00:40:41,560
happening and filmmakers who are going to be doing Q&As and that kind of thing.

611
00:40:41,560 --> 00:40:47,080
So a lot of it's, you know, legwork I have to do on my own to stay up to date on what's

612
00:40:47,080 --> 00:40:48,080
going on.

613
00:40:48,080 --> 00:40:55,040
But a lot of stuff USC initiates and they bring filmmakers in and you kind of get a

614
00:40:55,040 --> 00:40:57,640
distanced chance to meet them.

615
00:40:57,640 --> 00:41:03,580
The previous semester, one of my professors invited a filmmaker from Laos to come speak

616
00:41:03,580 --> 00:41:09,040
to the class and she makes these really cool, creepy films.

617
00:41:09,040 --> 00:41:11,000
Her name's Maddie Doe.

618
00:41:11,000 --> 00:41:17,080
And I went to this director's talk and afterwards the professor invited everyone else out to

619
00:41:17,080 --> 00:41:19,760
go get food and drinks afterwards.

620
00:41:19,760 --> 00:41:27,880
And so, you know, the handful of us who were left joined her and Maddie to go to the bar

621
00:41:27,880 --> 00:41:29,560
to get food and drinks.

622
00:41:29,560 --> 00:41:34,100
And it was a really casual way to get to know this filmmaker who otherwise I probably would

623
00:41:34,100 --> 00:41:35,980
have never met.

624
00:41:35,980 --> 00:41:38,440
So certain things like that are just really special.

625
00:41:38,440 --> 00:41:41,780
You know, you're able to connect with someone in an organic way.

626
00:41:41,780 --> 00:41:47,800
For example, at some of the screenings I go to in town, I'm able to walk up to a filmmaker

627
00:41:47,800 --> 00:41:52,800
who's there to present their work and just honestly say, hey, I really liked your film.

628
00:41:52,800 --> 00:41:54,520
And they're like, hey, thanks.

629
00:41:54,520 --> 00:41:55,520
What's your name?

630
00:41:55,520 --> 00:42:01,360
And immediately you can kind of jump into a casual conversation that is built off of

631
00:42:01,360 --> 00:42:03,920
a mutual appreciation for cinema.

632
00:42:03,920 --> 00:42:06,920
So yeah, lots of networking opportunities.

633
00:42:06,920 --> 00:42:11,280
A lot of it can be, you know, potentially scary.

634
00:42:11,280 --> 00:42:18,280
But in all honesty, if you're yourself and you're able to acknowledge what you like and

635
00:42:18,280 --> 00:42:23,120
don't like, it's kind of hard to go wrong.

636
00:42:23,120 --> 00:42:30,320
The quote, there's a quote I hear a lot in LA where people say, real recognize real.

637
00:42:30,320 --> 00:42:37,280
Meaning like people who are real and genuine recognize when other people are real and genuine.

638
00:42:37,280 --> 00:42:40,200
So try to follow that.

639
00:42:40,200 --> 00:42:47,120
We all know there's a creative side to producing a film, script writing, storyboarding, cinematography

640
00:42:47,120 --> 00:42:48,120
and acting.

641
00:42:48,120 --> 00:42:53,600
We all know it is a business and these entertainment companies have a lot of pressure to make money

642
00:42:53,600 --> 00:42:54,760
as well.

643
00:42:54,760 --> 00:42:57,600
What is your favorite part of the filmmaking process?

644
00:42:57,600 --> 00:42:59,680
The creative side or the business side?

645
00:42:59,680 --> 00:43:03,680
My favorite part of the filmmaking process is the creative side.

646
00:43:03,680 --> 00:43:08,640
Like I mentioned, you know, there are classes in undergrad I took that I ended up dropping.

647
00:43:08,640 --> 00:43:10,760
One of them was an entrepreneurship class.

648
00:43:10,760 --> 00:43:16,400
So business is not really my thing, even though I really tried hard to like it.

649
00:43:16,400 --> 00:43:18,920
The creative side is just where I get my kicks.

650
00:43:18,920 --> 00:43:20,980
It's the funnest part for me.

651
00:43:20,980 --> 00:43:24,680
It's where my head naturally kind of occupies that space.

652
00:43:24,680 --> 00:43:31,080
The writing, writing the scripts, thinking about character motivations, thinking about

653
00:43:31,080 --> 00:43:43,160
color, how to frame a shot, man, every creative decision that directing a film requires, it

654
00:43:43,160 --> 00:43:44,160
excites me.

655
00:43:44,160 --> 00:43:52,320
So I am less fond of the raising the funds to make the movie and, you know, submitting

656
00:43:52,320 --> 00:44:00,440
the film to festivals to get it seen or anything that requires the tedious logistical stuff.

657
00:44:00,440 --> 00:44:02,560
It's not my cup of tea.

658
00:44:02,560 --> 00:44:07,780
And to be honest, a lot of the ideas for films I have when I think about them aren't necessarily

659
00:44:07,780 --> 00:44:11,640
the most marketable films.

660
00:44:11,640 --> 00:44:16,120
They're not necessarily the most Hollywood friendly films.

661
00:44:16,120 --> 00:44:20,760
So the business side is not always part of my consideration process when I'm making a

662
00:44:20,760 --> 00:44:21,760
film.

663
00:44:21,760 --> 00:44:25,200
It's usually the last thing I think about.

664
00:44:25,200 --> 00:44:26,200
That's just how I work.

665
00:44:26,200 --> 00:44:27,560
Not every filmmaker is like that.

666
00:44:27,560 --> 00:44:33,640
So some filmmakers really care to make sure that the film they're making makes enough

667
00:44:33,640 --> 00:44:35,840
money to pay for the next one.

668
00:44:35,840 --> 00:44:39,080
So they do spend more time on the business side of things.

669
00:44:39,080 --> 00:44:43,520
For me, it just comes down to setting where my priorities are, which is in creating what

670
00:44:43,520 --> 00:44:49,080
I hope to be works of art and allowing the business to kind of come after that.

671
00:44:49,080 --> 00:44:52,240
That sounds so interesting and fascinating.

672
00:44:52,240 --> 00:44:53,960
This last question is about the future.

673
00:44:53,960 --> 00:44:56,560
Where would you like to see yourself in 10 years?

674
00:44:56,560 --> 00:45:00,440
What would you like to be doing in the area of film?

675
00:45:00,440 --> 00:45:07,880
In 10 years, it would be awesome if I could be making feature films.

676
00:45:07,880 --> 00:45:14,120
Since I was in eighth grade, my dream was to be a director and make films.

677
00:45:14,120 --> 00:45:19,040
So if I'm able to be doing anything remotely close to that, if I'm able to make films,

678
00:45:19,040 --> 00:45:27,560
especially feature films, at any capacity, I'll be pretty excited and proud of myself

679
00:45:27,560 --> 00:45:29,320
10 years from now.

680
00:45:29,320 --> 00:45:32,960
It can be really hard to raise money to make a film.

681
00:45:32,960 --> 00:45:36,880
It can be really hard to successfully distribute a film.

682
00:45:36,880 --> 00:45:46,200
So if in 10 years I'm still doing that, I'll be pretty excited.

683
00:45:46,200 --> 00:45:52,360
Because really that's how it goes, if you're directing films, you make one, maybe it gets

684
00:45:52,360 --> 00:45:56,040
distributed, maybe you make a bit of money on it.

685
00:45:56,040 --> 00:45:59,480
But usually when you're starting out, it's pretty dry.

686
00:45:59,480 --> 00:46:04,200
So you're just making films, you scrap together the funds, you make the film, and you do it

687
00:46:04,200 --> 00:46:11,920
over and over until you're able to kind of establish yourself, until you're able to actually

688
00:46:11,920 --> 00:46:14,280
potentially make a livable income on it.

689
00:46:14,280 --> 00:46:19,360
So yeah, I'm willing to be scrappy until then.

690
00:46:19,360 --> 00:46:24,200
But if in 10 years I'm able to make a livable income making feature films, that would be

691
00:46:24,200 --> 00:46:25,600
pretty cool.

692
00:46:25,600 --> 00:46:27,820
And that ends our discussion with Coleman.

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Thank you for joining us from California, and we hope you're able to get all your projects

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done this week.

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I'm sure it's an intense time of the year with the end of the semester coming up next

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month.

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I hope our current listeners have been inspired by Coleman's journey, and he's an ICS alumni.

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It's been a joy.

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00:46:42,480 --> 00:46:43,480
Thank you guys for having me.

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00:46:43,480 --> 00:46:48,160
Yeah, it's always so refreshing to touch base with my ICS community.

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So I wish you all the best.

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As we end this episode, I reminded that education is important, and so is the opportunity to

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follow your dreams and passions.

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Don't be afraid to take a chance on something or step out in faith, not knowing what the

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outcome may be.

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00:47:12,720 --> 00:47:17,480
As always, this podcast would not be possible without the hard work and support of our international

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student production team.

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00:47:19,120 --> 00:47:24,860
All music and sound effects are courtesy of Pixabay.com, a vibrant community of creatives

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00:47:24,860 --> 00:47:28,720
sharing copyright free images, videos, and music.

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00:47:28,720 --> 00:47:31,120
And we are signing off until next time.

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Be your Students Incorporated, because your voice matters.

