WEBVTT 00:00:01.720 --> 00:00:23.940 Oh, God. I'm going to point this out because 00:00:23.940 --> 00:00:26.079 nobody else has. I'm the only person here not 00:00:26.079 --> 00:00:29.500 wearing glasses. Oh, yeah. I got LASIK on Friday. 00:00:29.800 --> 00:00:31.859 Did you really? I did. Oh, hell yeah. Two days 00:00:31.859 --> 00:00:35.240 out. It's weird. Oh, I bet. Yeah. How often do 00:00:35.240 --> 00:00:37.219 you touch your face now? Just like trying to 00:00:37.219 --> 00:00:40.340 put your glasses back up. I have this morning 00:00:40.340 --> 00:00:42.140 getting out of bed. I reached for my glasses. 00:00:42.619 --> 00:00:45.679 And then when I was like, you know, splashing 00:00:45.679 --> 00:00:47.460 water on my face first thing this morning, I 00:00:47.460 --> 00:00:51.079 did it on my eyes and immediately regretted it. 00:00:51.140 --> 00:00:55.649 Oh, yeah. That would drive me insane. As someone 00:00:55.649 --> 00:00:57.609 who constantly looks for the glasses they are 00:00:57.609 --> 00:01:00.630 currently wearing, not having glasses would drive 00:01:00.630 --> 00:01:05.230 me insane. I think about it fairly often. It 00:01:05.230 --> 00:01:07.170 would be interesting, but I've had glasses for 00:01:07.170 --> 00:01:09.109 so fucking long. I got mine when I was eight. 00:01:09.290 --> 00:01:13.730 Yeah, you beat me. Second grade. Yeah. That's 00:01:13.730 --> 00:01:17.439 seven. Yeah, that's when I got it. Third. All 00:01:17.439 --> 00:01:19.719 I know about John's illustrious backstory is 00:01:19.719 --> 00:01:21.140 you had glasses when you were eight and you used 00:01:21.140 --> 00:01:23.760 to be a bodybuilder. I am imagining a tiny buff 00:01:23.760 --> 00:01:26.480 child now with glasses. Little buff boys. Oh, 00:01:26.519 --> 00:01:30.319 I was fat. I graduated high school at 320. Damn. 00:01:30.480 --> 00:01:33.359 Wow. I don't remember when I was bodybuilding. 00:01:33.459 --> 00:01:38.719 I was 198 and a quarter. I just barely made weight. 00:01:38.799 --> 00:01:42.200 Wow. God, that's crazy. I had to go pee to make 00:01:42.200 --> 00:01:45.280 weight. Shit you not. Empty that bladder out. 00:01:45.359 --> 00:01:48.120 We got it. Couple more ounces off. Done. There 00:01:48.120 --> 00:01:51.780 was dudes spitting in cups. That's so wild. Well, 00:01:51.920 --> 00:01:54.459 that was a weird tangent. Sorry. No, that's OK. 00:01:54.560 --> 00:01:56.340 That's kind of what our bread and butter is. 00:01:56.420 --> 00:01:59.239 So, yeah. Oh, the interesting thing is I've had 00:01:59.239 --> 00:02:01.560 moments walking around the house and realize 00:02:01.560 --> 00:02:04.120 I'm not wearing my glasses and then think, oh, 00:02:04.180 --> 00:02:06.319 I can't see. And then a half second later being 00:02:06.319 --> 00:02:09.879 like, oh, actually, I can. That is like that 00:02:09.879 --> 00:02:12.180 cognitive dissonance. Yeah, it's been real odd. 00:02:12.520 --> 00:02:13.840 because i'm used to you know hey if i don't have 00:02:13.840 --> 00:02:15.680 my glasses on i can't see right that's right 00:02:15.680 --> 00:02:19.879 i think i'd have to get like if i had if i got 00:02:19.879 --> 00:02:21.560 lasik and like i could see normally i'd have 00:02:21.560 --> 00:02:25.340 to get like glasses just for style like just 00:02:25.340 --> 00:02:28.639 just style and normality like i don't think i'm 00:02:28.639 --> 00:02:30.780 thinking about being that guy that wears like 00:02:30.780 --> 00:02:34.280 just a tiny bit shaded glasses all the time oh 00:02:34.280 --> 00:02:36.939 you know what i mean i mean it would go with 00:02:36.939 --> 00:02:39.990 your whole hat vibe yeah It's true. And the low 00:02:39.990 --> 00:02:42.710 pony that I've got going now, too. So tiny bit 00:02:42.710 --> 00:02:45.389 shaded. You're just going to live like at all 00:02:45.389 --> 00:02:48.030 times. Just a little yellow. In a world where 00:02:48.030 --> 00:02:50.849 like you're the guy with transitions who just 00:02:50.849 --> 00:02:53.689 came inside. No, not that dark. I'm thinking 00:02:53.689 --> 00:02:58.169 more like Matthew McConaughey in Days of Confused. 00:02:58.490 --> 00:03:01.270 That kind of vibe. That's not a vibe a lot of 00:03:01.270 --> 00:03:07.270 people look for. It's kind of a scummy guy. Looks 00:03:07.270 --> 00:03:09.819 aren't everything. It's what's in your heart, 00:03:09.900 --> 00:03:13.060 Nick. So you watch this movie, these movies, 00:03:13.300 --> 00:03:16.479 this morning. I set an alarm to get up and watch 00:03:16.479 --> 00:03:18.719 these this morning because I forgot about it 00:03:18.719 --> 00:03:21.819 until about Thursday. And then we were throwing 00:03:21.819 --> 00:03:24.699 a Friendsgiving, so I had zero time. Yeah. So 00:03:24.699 --> 00:03:26.960 they're fresh in your bloodstream. Don't regret 00:03:26.960 --> 00:03:29.120 it, honestly. Okay, there you go. Sipping coffee. 00:03:29.719 --> 00:03:31.479 Welcome back to Cage Magical and a roundabout 00:03:31.479 --> 00:03:34.240 way of meeting Nicholas Cage. Since Peter's already 00:03:34.240 --> 00:03:36.379 gotten started before you've even... announced 00:03:36.379 --> 00:03:40.000 to the films uh this week we're kind of going 00:03:40.000 --> 00:03:42.560 off book and well not really we've discussed 00:03:42.560 --> 00:03:44.159 movies that nicholas cage is barely in and this 00:03:44.159 --> 00:03:45.979 week we're just discussing movies that he's not 00:03:45.979 --> 00:03:48.780 in uh we're doing the grindhouse films death 00:03:48.780 --> 00:03:53.780 proof and planet terror yep and uh in the little 00:03:53.780 --> 00:03:55.319 trailers that come along with it which is where 00:03:55.319 --> 00:03:57.819 we do get nick cage this is maybe the least nick 00:03:57.819 --> 00:04:00.360 cage screen time we've had ever though right 00:04:00.729 --> 00:04:04.229 I would argue, though, it's still more Nick Cage 00:04:04.229 --> 00:04:06.469 acting than Dazed and... Not Dazed and Abused. 00:04:08.189 --> 00:04:10.310 You're welcome. Now you have to leave that in 00:04:10.310 --> 00:04:12.349 for continuity. I am going to leave it in. Fast 00:04:12.349 --> 00:04:14.189 Times at Ridgemont High. For Fast Times at Ridgemont 00:04:14.189 --> 00:04:17.149 High, where he's there, but says nothing. He 00:04:17.149 --> 00:04:19.550 at least makes some faces in that one that were 00:04:19.550 --> 00:04:22.990 okay. He makes faces in this one. He makes racist 00:04:22.990 --> 00:04:27.009 faces in this one. Racist faces. Yes, in the... 00:04:27.979 --> 00:04:32.459 Great Rob Zombie trailer for Werewolf Women of 00:04:32.459 --> 00:04:36.980 the SS. Nicholas Cage plays Fu Manchu. Nice long 00:04:36.980 --> 00:04:40.680 fake mustache. Did any of you find the Rob Zombie 00:04:40.680 --> 00:04:42.800 interview where he discusses how this happened? 00:04:43.560 --> 00:04:47.600 no no but i wish i had yeah uh so in a short 00:04:47.600 --> 00:04:49.939 little interview with rob zombie he was talking 00:04:49.939 --> 00:04:51.980 about how he's like so i was doing this thing 00:04:51.980 --> 00:04:55.180 and you know i never asked my friends like for 00:04:55.180 --> 00:04:57.139 favors to be in my thing but like you know you 00:04:57.139 --> 00:04:58.779 don't know if you don't ask so i asked nick like 00:04:58.779 --> 00:05:01.480 hey do you want to be like the head nazi in this 00:05:01.480 --> 00:05:04.540 thing he's like no no man i can't be a nazi so 00:05:04.540 --> 00:05:06.199 i was just like fuck i want nick cage in this 00:05:06.199 --> 00:05:09.120 um so i just made up on the spot uh do you want 00:05:09.120 --> 00:05:11.180 to be fu manchu and nick cage is like Yeah, I'll 00:05:11.180 --> 00:05:15.720 do that. There was no Fu Manchu in the script. 00:05:15.839 --> 00:05:18.759 There was no Fu Manchu. I just said it. And apparently 00:05:18.759 --> 00:05:21.420 that was less problematic than a Nazi. Yeah. 00:05:22.199 --> 00:05:24.800 And that was essentially the interview. And that's 00:05:24.800 --> 00:05:27.939 why Fu Manchu is in that trailer. This is a tough 00:05:27.939 --> 00:05:30.500 question now. So who wants to be Fu Manchu for 00:05:30.500 --> 00:05:36.279 the poster? Not it. Oh, man. 100 % it. Yeah, 00:05:36.300 --> 00:05:39.680 all right. You can be one of the two fawning 00:05:39.680 --> 00:05:43.420 women at his feet. It's Fu Manchu or Nazi. Those 00:05:43.420 --> 00:05:45.839 are your choices today. And Peter's going to 00:05:45.839 --> 00:05:50.120 do a really good job on the Nazi photo. Really 00:05:50.120 --> 00:05:53.970 get your likeness in there. I don't. know that 00:05:53.970 --> 00:05:58.149 i need this in my life well we had a good run 00:05:58.149 --> 00:06:02.790 sean did we i don't know we had a run and the 00:06:02.790 --> 00:06:05.670 runs technically we've just discussed the entirety 00:06:05.670 --> 00:06:07.970 of nick cage's role in these films so we'll see 00:06:07.970 --> 00:06:10.050 you next week peter hit us with that outro yeah 00:06:10.050 --> 00:06:14.529 right okay but so he gives us a laugh is all 00:06:14.529 --> 00:06:16.709 yeah right yeah he's pretty much just like a 00:06:16.709 --> 00:06:19.230 turn and a laugh and i think he said i thought 00:06:19.230 --> 00:06:22.810 there was one line yeah it's very brief i don't 00:06:22.810 --> 00:06:25.769 know what he actually says also i did not have 00:06:25.769 --> 00:06:28.629 this trailer in either of the movies i watched 00:06:28.629 --> 00:06:31.629 i had to find it on youtube and even then because 00:06:31.629 --> 00:06:34.329 there are tits in it all i could find is a camcorder 00:06:34.329 --> 00:06:37.310 from a theater version of it gotcha so you got 00:06:37.310 --> 00:06:40.509 to watch a handy cam version of which is probably 00:06:40.509 --> 00:06:42.649 the best way to the best representation yeah 00:06:42.649 --> 00:06:45.810 yeah okay i like the most authentic way right 00:06:45.810 --> 00:06:50.339 machete is awesome great yeah i made it Did you 00:06:50.339 --> 00:06:52.360 ever see the actual movies? No, but I want to 00:06:52.360 --> 00:06:56.480 now. I know. No, you don't. It's not bad. No, 00:06:56.500 --> 00:06:59.420 that's too bad. I feel like they looked awesome. 00:06:59.480 --> 00:07:01.899 They were hitting something fun with that. And 00:07:01.899 --> 00:07:03.939 I guess Robert Rodriguez had had him in mind 00:07:03.939 --> 00:07:07.279 for like a really long time to do a machete movie 00:07:07.279 --> 00:07:09.720 and then was like, we'll just prime the pump 00:07:09.720 --> 00:07:12.959 with this sucker. Yeah. I mean, we're going to 00:07:12.959 --> 00:07:14.480 get in. I mean, I'm going to get into it later 00:07:14.480 --> 00:07:17.949 as to. whether or not i find i feel this like 00:07:17.949 --> 00:07:21.250 the rodriguez like grindhouse films work but 00:07:21.250 --> 00:07:26.470 spoiler yeah yeah that tone kind of answers the 00:07:26.470 --> 00:07:29.889 whether you think i object i mean you know i 00:07:29.889 --> 00:07:32.230 have my opinions but uh i think it works as a 00:07:32.230 --> 00:07:34.949 sizzle reel i don't know that it works as a 90 00:07:34.949 --> 00:07:38.449 minute joke as most jokes don't work as a 90 00:07:38.449 --> 00:07:42.329 minute you know you know past five how long are 00:07:42.329 --> 00:07:46.930 these podcasts Like an episode runtime? I mean, 00:07:46.949 --> 00:07:48.750 it depends. When we were doing the double features 00:07:48.750 --> 00:07:51.689 in the past, we would get anywhere from 55 minutes 00:07:51.689 --> 00:07:55.069 to close to an hour and a half was like our biggest. 00:07:55.269 --> 00:07:57.149 90 minutes, you say? Yeah, 90 minutes indeed. 00:07:57.470 --> 00:08:02.610 And the jokes didn't work. It's all been downhill 00:08:02.610 --> 00:08:06.470 since Paradictal. Oh, yeah, that's true. That 00:08:06.470 --> 00:08:09.209 was an early one, too. Oh, yeah. So let's see. 00:08:09.290 --> 00:08:12.029 The other one was the Edgar Wright one. Don't. 00:08:12.600 --> 00:08:15.279 oh yeah i kind of liked that you know it was 00:08:15.279 --> 00:08:18.199 stupid way but yeah it made me laugh in a dumb 00:08:18.199 --> 00:08:20.939 way oh i missed that one too that one i actually 00:08:20.939 --> 00:08:23.579 enjoyed that one uh i forgot about that trailer 00:08:23.579 --> 00:08:26.360 there's also the eli roth one yeah the thanksgiving 00:08:26.360 --> 00:08:29.100 one yeah that was fantastic i wanted to see that 00:08:29.100 --> 00:08:31.720 especially i'm fucking the turkey fucking the 00:08:31.720 --> 00:08:34.259 turkey yeah there was some weird visuals in that 00:08:34.259 --> 00:08:36.799 eli roth's a weird dude he's a very weird guy 00:08:36.799 --> 00:08:41.409 yeah Yeah, the grandma trussed up as the turkey 00:08:41.409 --> 00:08:45.509 in the end. Yep. Oh, I forgot about that. Gross 00:08:45.509 --> 00:08:48.169 and hot. Gross and hot. It took me a second to 00:08:48.169 --> 00:08:49.870 realize what was going on there because it doesn't 00:08:49.870 --> 00:08:52.269 show it for very long. Oh, as a connoisseur of 00:08:52.269 --> 00:08:57.850 grandma bodies, I knew right away. We know what 00:08:57.850 --> 00:09:03.629 category Nick goes for. Oh, God. Gross. I think 00:09:03.629 --> 00:09:06.220 it was kind of cool, and I'm sort of sad. in 00:09:06.220 --> 00:09:09.399 the state of affairs of cinema and movie theaters 00:09:09.399 --> 00:09:11.419 that something like this just probably can't 00:09:11.419 --> 00:09:14.759 exist again. Um, it's like the concept is just 00:09:14.759 --> 00:09:18.019 like incredibly low budget, pretty fast to produce 00:09:18.019 --> 00:09:22.820 movies that, you know, mostly exploitation style 00:09:22.820 --> 00:09:25.980 movies and, you know, lots of sword fight movies, 00:09:26.120 --> 00:09:28.000 martial arts movies kind of fit in that category. 00:09:28.519 --> 00:09:31.220 Um, yeah, it's just low budget action, horror 00:09:31.220 --> 00:09:35.000 and exploitation. Yeah. Shocking kind of bite. 00:09:35.639 --> 00:09:38.159 definition i guess or by trying to be by trying 00:09:38.159 --> 00:09:41.740 to be usually i think like more modern things 00:09:41.740 --> 00:09:44.080 you could point out it would be like uh trauma 00:09:44.080 --> 00:09:46.980 films right they're very much in that vein but 00:09:46.980 --> 00:09:49.080 they just don't get a theatrical release so it 00:09:49.080 --> 00:09:52.259 it hits different but i like this idea that you 00:09:52.259 --> 00:09:54.779 had theaters that like kind of had to fill time 00:09:54.779 --> 00:09:57.039 right so it's like what are you doing between 00:09:57.039 --> 00:09:59.159 all these blockbusters it's like okay i don't 00:09:59.159 --> 00:10:01.909 know It's like it's like public access, you know, 00:10:01.909 --> 00:10:04.309 and there's some horrible shit on public access 00:10:04.309 --> 00:10:06.149 and there's some kind of amazing shit that you 00:10:06.149 --> 00:10:09.409 find. And this, I'm sure, falls into both of 00:10:09.409 --> 00:10:11.590 those buckets. But, you know, it's kind of a 00:10:11.590 --> 00:10:13.690 cool idea in general, just being able to go to 00:10:13.690 --> 00:10:15.769 a movie theater and watch like, I don't know, 00:10:15.809 --> 00:10:19.909 an all nighter of like absolute nonsense. Like 00:10:19.909 --> 00:10:23.029 that sounds kind of fun. Yeah. I mean, like most 00:10:23.029 --> 00:10:26.870 things, it all got ruined by capitalism and studios 00:10:26.870 --> 00:10:30.120 wanting to like. monopolize every screen all 00:10:30.120 --> 00:10:32.659 the time rather than you don't get indie stuff 00:10:32.659 --> 00:10:34.620 anymore because no one will like pay for it because 00:10:34.620 --> 00:10:38.080 you guys watch the studio i haven't seen on apple 00:10:38.080 --> 00:10:42.059 tv super good yeah really yeah amazing can't 00:10:42.059 --> 00:10:44.120 recommend it enough but they talk about a lot 00:10:44.120 --> 00:10:47.720 of that actually of like because first episode 00:10:47.720 --> 00:10:51.659 spoiler alert half the season is about them having 00:10:51.659 --> 00:10:56.159 to make a kool -aid man movie and like fucking 00:10:56.159 --> 00:10:58.100 hating it and trying to figure out you know how 00:10:58.100 --> 00:11:00.799 to make it decent and stuff and the exact argument 00:11:00.799 --> 00:11:03.139 you're talking about of making like auteur films 00:11:03.139 --> 00:11:05.679 versus having to make these blockbusters that 00:11:05.679 --> 00:11:08.980 pay for the auteur films right well time was 00:11:08.980 --> 00:11:12.799 you know studios would just produce things and 00:11:12.799 --> 00:11:16.000 would look at the overall how much they made 00:11:16.000 --> 00:11:18.440 versus each individual project some projects 00:11:18.440 --> 00:11:20.000 would do worse some projects would do better 00:11:20.000 --> 00:11:22.139 but stuff would get produced and you know it 00:11:22.139 --> 00:11:23.740 would all come out in the wash as a whole but 00:11:23.740 --> 00:11:29.200 now each film needs to make so much money yeah 00:11:29.200 --> 00:11:30.879 it's the same thing that's happening with video 00:11:30.879 --> 00:11:32.279 games too you know where it's like everything 00:11:32.279 --> 00:11:35.519 has to be these triple a releases ultimately 00:11:35.519 --> 00:11:38.480 for the people at the top who don't like don't 00:11:38.480 --> 00:11:41.159 like video games well who don't make art who 00:11:41.159 --> 00:11:43.700 aren't involved in that they're just there to 00:11:43.700 --> 00:11:46.360 make money Yeah, it's opportunity cost, right? 00:11:46.419 --> 00:11:48.159 It's like, hey, if I get a loan for a billion 00:11:48.159 --> 00:11:50.360 dollars, I want to make as much possible money 00:11:50.360 --> 00:11:53.580 off that billion dollars. Right. So fuck the 00:11:53.580 --> 00:11:56.100 auteur films. I don't care. Yeah. You're right. 00:11:56.120 --> 00:11:58.480 It's pure money. It's just money. Yeah. It's 00:11:58.480 --> 00:12:00.519 just a bummer, though. You know, like it makes 00:12:00.519 --> 00:12:03.100 me we should make a fucking grindhouse film. 00:12:03.200 --> 00:12:04.720 Let's do it. We should. We might as well. We 00:12:04.720 --> 00:12:06.700 could. We might as well. We could. I mean, there's 00:12:06.700 --> 00:12:09.500 no reason we couldn't. We can totally shoot the 00:12:09.500 --> 00:12:12.519 beacon. I mean, the one thing that keeps us from 00:12:12.519 --> 00:12:16.250 doing it is time. oh i was gonna say skill and 00:12:16.250 --> 00:12:18.889 no you don't need skill that's unnecessary i'm 00:12:18.889 --> 00:12:21.990 really so time is right you're right in in the 00:12:21.990 --> 00:12:25.429 uh in the uh vein of that like uh are you guys 00:12:25.429 --> 00:12:29.809 excited for anaconda yes who loved a movie so 00:12:29.809 --> 00:12:32.889 much they wanted to remake it it is it's i mean 00:12:32.889 --> 00:12:34.789 kind of like i do sort of think that they're 00:12:34.789 --> 00:12:36.470 going to have a better time with it than the 00:12:36.470 --> 00:12:38.769 original one you know and it could be fun you 00:12:38.769 --> 00:12:40.450 know that kind of shit is enjoyable when people 00:12:40.450 --> 00:12:43.350 who make a thing have fun doing it and it's not 00:12:43.350 --> 00:12:45.509 like i mean we are talking about the same jack 00:12:45.509 --> 00:12:47.820 black film right Yeah. OK, what are you guys 00:12:47.820 --> 00:12:49.320 talking about? What's happening? Jack Black's 00:12:49.320 --> 00:12:52.039 remaking Anaconda. No, it's a movie called Anaconda. 00:12:52.039 --> 00:12:55.320 And it's the premise is these friends really 00:12:55.320 --> 00:12:58.200 loved the movie Anaconda as kids, because I mean, 00:12:58.200 --> 00:13:00.840 have you ever seen that movie? Yes, I have. And 00:13:00.840 --> 00:13:04.519 they just kind of like decide, hey, we have to 00:13:04.519 --> 00:13:06.820 make this film. So they just try to do a shot 00:13:06.820 --> 00:13:09.000 for shot remake of it. But they have zero budget, 00:13:09.100 --> 00:13:14.240 zero skill. And. It's a dumb movie. Looks dumb. 00:13:14.360 --> 00:13:17.220 It should be okay. Great. I'd see that. Yeah. 00:13:17.320 --> 00:13:20.879 That's all I wanted to talk about. I mean, the 00:13:20.879 --> 00:13:24.299 premise, the premise also being that to cut costs, 00:13:24.440 --> 00:13:28.379 they just get a giant snake who then the like 00:13:28.379 --> 00:13:31.080 remake of Anaconda just becomes them in an Anaconda 00:13:31.080 --> 00:13:34.799 situation. Yeah. Oh, it's so it's sort of like 00:13:34.799 --> 00:13:36.820 the unbearable weight of massive town a little 00:13:36.820 --> 00:13:41.440 bit. Yeah. Yeah. It becomes the action. I'm your 00:13:41.440 --> 00:13:46.340 guest, John. yeah all right who are you sean 00:13:46.340 --> 00:13:50.460 no i mean that's actually a good uh segue into 00:13:50.460 --> 00:13:53.200 kind of my main issue with these two films in 00:13:53.200 --> 00:13:55.419 terms of like grindhouse cinema it's just like 00:13:55.419 --> 00:14:01.759 can you make our tour like low budget like films 00:14:01.759 --> 00:14:06.919 with in the studio system or are we just you 00:14:06.919 --> 00:14:09.860 know i don't think these movies come go far enough 00:14:09.860 --> 00:14:12.620 to be considered parody but because they're made 00:14:12.620 --> 00:14:14.940 within the system i don't know if they're made 00:14:14.940 --> 00:14:17.980 with enough integrity is the wrong word but like 00:14:17.980 --> 00:14:21.100 yeah they just come off a little inauthentic 00:14:21.100 --> 00:14:24.500 yeah that's a fair assessment yeah um and because 00:14:24.500 --> 00:14:29.659 i'm the anal retentive fuck i am um the film 00:14:29.659 --> 00:14:32.899 grain over it i could see where it loops and 00:14:32.899 --> 00:14:35.100 like where the digital like streaks were coming 00:14:35.100 --> 00:14:37.980 in and that annoyed me the entire fucking time 00:14:37.980 --> 00:14:40.679 yeah It was unnecessary. Yeah, you don't need 00:14:40.679 --> 00:14:42.960 to do that shit. Well, and also in Death Proof, 00:14:42.960 --> 00:14:45.779 it kind of like came and went, too. Yeah, I was 00:14:45.779 --> 00:14:46.840 noticing that. It was at the beginning, there 00:14:46.840 --> 00:14:48.320 was a midsection where it had none, and then 00:14:48.320 --> 00:14:50.019 at the end, maybe it was back again. I don't 00:14:50.019 --> 00:14:52.299 remember exactly the sequence. Who was the DP 00:14:52.299 --> 00:14:55.340 for that? They were their own DP. Oh, I was going 00:14:55.340 --> 00:14:57.559 to say, I saw that Robert Rodriguez was his own. 00:14:57.740 --> 00:15:00.299 Yeah, and so was Terry. That tracks, yeah. Which 00:15:00.299 --> 00:15:02.600 is, I mean, fine. I like the idea of them trying 00:15:02.600 --> 00:15:04.860 to kick the tires on different aspects, but, 00:15:04.919 --> 00:15:07.840 you know, I think to varying degrees of success. 00:15:08.429 --> 00:15:10.409 Yeah, I really wish Quentin Tarantino would stop 00:15:10.409 --> 00:15:13.149 trying to act. Oh, he's so fucking bad. He's 00:15:13.149 --> 00:15:15.090 bad. He's even bad in Pulp Fiction, and that's 00:15:15.090 --> 00:15:18.610 probably his best, you know. Yeah. Well, I kind 00:15:18.610 --> 00:15:20.590 of just wish Tarantino would go away at this 00:15:20.590 --> 00:15:25.330 point. Just on the whole. Who? Tarantino. Tarantino? 00:15:25.330 --> 00:15:26.830 I just kind of wish he'd go away on the whole 00:15:26.830 --> 00:15:29.389 right now. Have you heard his most recent, like, 00:15:29.409 --> 00:15:31.750 tirade of interviews and him just kind of shitting 00:15:31.750 --> 00:15:35.429 on everybody he fucking can? Yeah. I mean, he's 00:15:35.429 --> 00:15:38.549 always been sort of that way. Yeah. Just at the 00:15:38.549 --> 00:15:40.549 point now where he's just throwing names out 00:15:40.549 --> 00:15:42.429 of people he doesn't like, like he's not even 00:15:42.429 --> 00:15:44.789 asked about things. He's just like, I fucking 00:15:44.789 --> 00:15:46.730 hate Owen Wilson. People are like, why? He's 00:15:46.730 --> 00:15:48.169 like, I don't like the way he acts. It's like, 00:15:48.230 --> 00:15:52.830 nobody asked you. Fair enough. I've met people 00:15:52.830 --> 00:15:55.289 like that. Yeah. I don't like his face. Well, 00:15:55.350 --> 00:15:57.190 I actually don't like Owen Wilson's face, but 00:15:57.190 --> 00:16:00.029 I do like him. He's very charming. Yeah. He seems 00:16:00.029 --> 00:16:02.049 like kind of a cool guy. Honestly, he grew on 00:16:02.049 --> 00:16:08.220 me. Wow. Luke Wilson, however. Not a fan. Insufferable 00:16:08.220 --> 00:16:11.139 brother. Yeah. Nepo brother. Nepo brother, right? 00:16:11.299 --> 00:16:14.159 Owen's got all the talent. Yep. Bottle rocket, 00:16:14.299 --> 00:16:21.980 baby. Okay, so wait. Who are you, Sean? Nick. 00:16:22.000 --> 00:16:25.519 I'm Nick. Oh, hey. Yeah, we're still doing the 00:16:25.519 --> 00:16:28.120 intro. I'm your host, Sean, with my co -host. 00:16:28.559 --> 00:16:33.019 I've done my part. And our producer, Peter. Hello. 00:16:33.539 --> 00:16:37.620 And our guest. John, I said it like five minutes 00:16:37.620 --> 00:16:39.340 ago. Yeah, it's good. This is going to be perfect. 00:16:40.200 --> 00:16:46.600 No edit episode. Nope. You know, honestly, I 00:16:46.600 --> 00:16:48.159 haven't listened to an episode in like two years. 00:16:48.220 --> 00:16:51.019 So I don't know. I don't know if any of this 00:16:51.019 --> 00:16:52.500 stuff actually ever makes it to air anymore. 00:16:53.480 --> 00:16:55.200 We actually don't even put anything out anymore. 00:16:55.299 --> 00:16:57.440 It's like in a wet hot American summer when it 00:16:57.440 --> 00:16:59.940 like pans down from the kid doing the radio announcements 00:16:59.940 --> 00:17:01.799 and it just shows everything unplugged. Yep. 00:17:02.440 --> 00:17:04.240 I've never actually seen that movie. It's pretty 00:17:04.240 --> 00:17:06.880 fun. Oh, it's terrific. john you want to run 00:17:06.880 --> 00:17:10.559 through the plot of a planet terror yeah i can 00:17:10.559 --> 00:17:14.700 try to do that um there's not a lot it's basically 00:17:14.700 --> 00:17:18.220 they wanted to make a generic zombie movie with 00:17:18.220 --> 00:17:22.279 a lot of gore and like stuff but there is a little 00:17:22.279 --> 00:17:26.289 bit of a plot um i'm thinking about i'm trying 00:17:26.289 --> 00:17:28.470 to debate do i go with chronological order let's 00:17:28.470 --> 00:17:30.950 do that sure i mean that's often a way to tell 00:17:30.950 --> 00:17:33.789 a tale well i mean like so i'm seal team bruce 00:17:33.789 --> 00:17:38.430 willis uh finds osama shoots him twice and his 00:17:38.430 --> 00:17:41.589 laptop once and i think that's at the time that's 00:17:41.589 --> 00:17:46.869 when they find the like gas stuff dc2 yeah which 00:17:46.869 --> 00:17:48.890 everybody seems to know exactly what that is 00:17:49.690 --> 00:17:52.710 i don't is it a real thing it can't be no i think 00:17:52.710 --> 00:17:54.609 it's just something that they didn't need to 00:17:54.609 --> 00:17:56.970 explain because it is in that world yeah dick 00:17:56.970 --> 00:17:58.970 chemical too whatever yeah whatever it would 00:17:58.970 --> 00:18:01.170 be dick chemical too it would feel weird to give 00:18:01.170 --> 00:18:04.170 exposition about something yeah like that in 00:18:04.170 --> 00:18:07.089 that it makes you mutate if you don't see breathe 00:18:07.089 --> 00:18:09.430 more of it yeah that's the thing is you need 00:18:09.430 --> 00:18:11.569 a little bit of it so like i don't know it's 00:18:11.569 --> 00:18:13.670 sort of a bane situation because if they take 00:18:13.670 --> 00:18:16.069 their masks off they start you know getting all 00:18:16.069 --> 00:18:18.710 boily and then eventually seems like your brain 00:18:18.710 --> 00:18:20.609 gets taken over and you kind of just go zombie 00:18:20.609 --> 00:18:23.910 yeah but fast zombie and strong zombie right 00:18:23.910 --> 00:18:27.450 real bubbly zombies though yeah i want to see 00:18:27.450 --> 00:18:30.670 weak zombie like malnourished zombie movie where 00:18:30.670 --> 00:18:33.250 like they they don't really like catch you or 00:18:33.250 --> 00:18:35.450 anything they just kind of shuffle at you and 00:18:35.450 --> 00:18:37.829 like can barely get their arms up but you could 00:18:37.829 --> 00:18:40.349 like push them over my musculature is rotting 00:18:40.349 --> 00:18:42.849 away they had those in the walking dead actually 00:18:42.849 --> 00:18:45.329 they were like the real malnourished ones and 00:18:45.329 --> 00:18:47.269 stuff they get like real weak and shit and then 00:18:47.269 --> 00:18:50.349 they like chain them up perfect yeah i want to 00:18:50.349 --> 00:18:52.569 live 28 days later too oh yeah that's true oh 00:18:52.569 --> 00:18:56.160 we haven't seen that one yet 28 days later? Oh, 00:18:56.299 --> 00:18:58.680 wait, no. Sorry, what did I say? You said days. 00:18:58.759 --> 00:19:01.019 I was thinking 28 years later. Yeah, I haven't 00:19:01.019 --> 00:19:02.740 seen that one yet. Likewise. And you haven't 00:19:02.740 --> 00:19:06.700 gone to the Bone Temple? That's the other one. 00:19:07.019 --> 00:19:10.619 Oh, okay. No, I guess not. You haven't been to 00:19:10.619 --> 00:19:13.339 the Bone Temple? Is that a different film than 00:19:13.339 --> 00:19:17.460 28 Years Later? I think it is a different film. 00:19:17.539 --> 00:19:21.859 I am not entirely sure and don't care. I'm so 00:19:21.859 --> 00:19:27.869 confused by the 28. universe the show the movie 00:19:27.869 --> 00:19:30.849 really starts with rose mcgowan and we should 00:19:30.849 --> 00:19:32.890 probably talk about the whole brought to you 00:19:32.890 --> 00:19:35.329 by the weinstein company this is rose mcgowan 00:19:35.329 --> 00:19:38.730 not the weinstein company brought to you by your 00:19:38.730 --> 00:19:41.869 friends yeah yeah at the weinstein company i 00:19:41.869 --> 00:19:44.750 heard that and i just went oh yeah and then i 00:19:44.750 --> 00:19:47.049 realized it was rose mcgowan and i was like oh 00:19:47.049 --> 00:19:55.200 no oh yeah um sad now so she's not a stripper 00:19:55.200 --> 00:19:58.079 she's a go -go dancer which go -go not cry cry 00:19:58.079 --> 00:20:03.500 right thank you yeah that was one of the lines 00:20:03.500 --> 00:20:06.059 that i actually wrote down we were talking and 00:20:06.059 --> 00:20:08.920 about um i was writing down good lines and then 00:20:08.920 --> 00:20:10.440 i just gave up because there were so many of 00:20:10.440 --> 00:20:12.299 them there's a lot of like witty one -liners 00:20:12.299 --> 00:20:15.859 in this especially at the beginning like i feel 00:20:15.859 --> 00:20:18.339 like it hits like a lot hard oh yeah they got 00:20:18.339 --> 00:20:20.380 all their best writing out yeah and then they're 00:20:20.380 --> 00:20:21.720 like now it's just gonna be like zombie heads 00:20:21.720 --> 00:20:23.519 popping and then occasionally we'll give you 00:20:23.519 --> 00:20:26.460 another good quip yeah yeah okay so she leaves 00:20:26.460 --> 00:20:30.480 um she gets bumped into a trash can and cuts 00:20:30.480 --> 00:20:34.579 her leg and then she goes to a barbecue joint 00:20:34.579 --> 00:20:38.539 called the bone shack tight name yeah my favorite 00:20:38.539 --> 00:20:41.140 is later when it's very on fire and all you see 00:20:41.140 --> 00:20:44.059 is the barbecue sign i was like spot on yeah 00:20:44.410 --> 00:20:49.450 Art masterpiece. Yeah. Oh, so we kind of forgot 00:20:49.450 --> 00:20:53.450 one part. So Bruce Willis wants all the DC to 00:20:53.450 --> 00:20:56.970 write from the weird drug dealer. Naveen Andrews, 00:20:56.970 --> 00:20:59.369 the scientist who also has the weird ball jar. 00:20:59.549 --> 00:21:01.390 And I just did not want to miss the ball jar. 00:21:01.490 --> 00:21:04.210 I was going to get to that. The most 80s scientist 00:21:04.210 --> 00:21:07.009 ever, including the blazer with the rolled up 00:21:07.009 --> 00:21:09.690 sleeves and the headband. Yeah, that was a pretty 00:21:09.690 --> 00:21:13.380 good look. Why did he have the ball? Why was 00:21:13.380 --> 00:21:16.180 that a thing? He liked to collect balls. Yeah, 00:21:16.200 --> 00:21:18.160 when you're a bad guy, you like to cut off balls. 00:21:18.200 --> 00:21:20.119 And he had the knife and the cool scissors for 00:21:20.119 --> 00:21:22.980 it. He had the cool ball tools. He did have cool 00:21:22.980 --> 00:21:26.460 ball tools. What was the middle part of the ball 00:21:26.460 --> 00:21:29.099 scissors for? I think just an anchor point. It 00:21:29.099 --> 00:21:31.019 was like a scissor with a knife in the middle. 00:21:31.779 --> 00:21:34.059 I think you just get that into the taint and 00:21:34.059 --> 00:21:36.039 then it... Oh, I thought maybe it was a sounding 00:21:36.039 --> 00:21:39.559 situation. It goes up the middle. I don't like 00:21:39.559 --> 00:21:42.420 that either. I don't like any of this. maybe 00:21:42.420 --> 00:21:44.940 it's there like it's not sharp or anything it's 00:21:44.940 --> 00:21:47.180 just there in the center to split the balls so 00:21:47.180 --> 00:21:49.339 that way you get one ball around either side 00:21:49.339 --> 00:21:52.839 so when it cuts oh that makes more sense it does 00:21:52.839 --> 00:21:54.940 make sense you can watch them individually and 00:21:54.940 --> 00:21:57.079 you know maybe it protects the ball the gonad 00:21:57.079 --> 00:21:59.579 yeah i'll say this though when they do cut off 00:21:59.579 --> 00:22:02.880 someone's balls they come out one at a time they 00:22:02.880 --> 00:22:04.599 throw one over their shoulder and then the other 00:22:04.599 --> 00:22:08.380 one comes later yeah so uh i was that with the 00:22:08.380 --> 00:22:10.200 scissors or was that when he had his i was sure 00:22:10.200 --> 00:22:12.319 that was this is like hook knife yeah i think 00:22:12.319 --> 00:22:16.460 it was the scissors but yeah and then like Immediately, 00:22:16.460 --> 00:22:19.720 the hubris of having a ball jar smashes on the 00:22:19.720 --> 00:22:21.799 ground. He ends up getting a face full of balls. 00:22:22.160 --> 00:22:23.900 But then he's just stuffing them in his pocket. 00:22:23.900 --> 00:22:26.200 He scrambles like, yeah, he's like, no, not my 00:22:26.200 --> 00:22:29.420 balls. The stuffing the balls in his pocket was 00:22:29.420 --> 00:22:32.079 probably one of the funniest things in this film. 00:22:32.640 --> 00:22:35.200 Incredible, incredible scene. Like, I don't even 00:22:35.200 --> 00:22:37.539 think Naveen Andrews is a great actor, but I 00:22:37.539 --> 00:22:39.619 was just like, this is amazing. This is amazing. 00:22:40.420 --> 00:22:43.180 Goopy ball on your face, shuttling him in your 00:22:43.180 --> 00:22:45.579 pockets, running away. He does have my favorite. 00:22:45.660 --> 00:22:47.740 He does have my favorite onscreen death in this 00:22:47.740 --> 00:22:49.940 film. You know, thinking back to Con Air and 00:22:49.940 --> 00:22:52.180 like having to make a fake Dave Chappelle, I 00:22:52.180 --> 00:22:53.859 was also really laughing at the idea of having 00:22:53.859 --> 00:22:57.140 to make a fake Naveen Andrews like exploded head 00:22:57.140 --> 00:23:00.400 doll like that because it does look like him. 00:23:00.519 --> 00:23:05.660 Just the. Yeah. The actual practical effects 00:23:05.660 --> 00:23:08.359 for like the gore and like the exploding heads 00:23:08.359 --> 00:23:13.299 and like torsos. Best part of this film. So Cherry 00:23:13.299 --> 00:23:16.220 Darling gets to the bone shack, which really 00:23:16.220 --> 00:23:21.380 does sound like a porno. And meets her ex -boyfriend. 00:23:22.000 --> 00:23:27.380 El Rey. Played by Freddy Rodriguez. Based on 00:23:27.380 --> 00:23:31.339 the context clues, is also a former. Badass. 00:23:31.400 --> 00:23:34.859 Army soldier. But he's really good at twirling 00:23:34.859 --> 00:23:37.759 guns. Okay. That boy's got the devil in him. 00:23:39.119 --> 00:23:41.319 I love the scene where he gets the guns and they're 00:23:41.319 --> 00:23:43.960 like, he's showing off with his like, he's showing 00:23:43.960 --> 00:23:46.119 off his cool gun tricks and his cool gun twirls, 00:23:46.119 --> 00:23:48.799 but they have to keep cutting like the shot. 00:23:49.519 --> 00:23:52.160 Yeah. I mean, it makes it look like it's a far 00:23:52.160 --> 00:23:56.359 lower budget film. Yeah. Which is great. So let's 00:23:56.359 --> 00:23:59.119 see. So Fergie is there. Fergie is the girlfriend 00:23:59.119 --> 00:24:04.440 of this doctor and doctor's wife situation. The 00:24:04.440 --> 00:24:07.119 doctor being some sadist played by Josh Brolin. 00:24:07.579 --> 00:24:10.380 Pretty good job. Not Kurt Russell. Not Kurt Russell. 00:24:10.519 --> 00:24:13.200 When the movie started, I was like, which one? 00:24:13.660 --> 00:24:15.599 Which movie is this? Is this the Kurt Russell 00:24:15.599 --> 00:24:18.980 one? They have a kid together who's a dipshit. 00:24:19.980 --> 00:24:22.019 So Sean, you saw the actual movie, right? Like 00:24:22.019 --> 00:24:25.460 the actual two releases. Not like the double 00:24:25.460 --> 00:24:29.339 feature. Was there a post credit scene with the 00:24:29.339 --> 00:24:33.240 kid? Yes. OK, I didn't see that because the version 00:24:33.240 --> 00:24:36.319 I had didn't have that. I didn't see that. That 00:24:36.319 --> 00:24:39.299 it's I just watched like I just rewatched Planet 00:24:39.299 --> 00:24:41.519 Terror before this and I like was skipping to 00:24:41.519 --> 00:24:43.319 the end to see if like the extra trailers were 00:24:43.319 --> 00:24:45.039 at the end of it. And that's the first time I 00:24:45.039 --> 00:24:47.619 saw it, whereas it's just the kid on the beach 00:24:47.619 --> 00:24:49.119 at the end of the film with all of his pets. 00:24:50.259 --> 00:24:52.500 For our listeners, the kid dies in the film, 00:24:52.559 --> 00:24:55.240 shoots himself in the face. yeah like definitely 00:24:55.240 --> 00:24:58.819 dead um but then at the end of the movie it's 00:24:58.819 --> 00:25:02.819 just him on the beach with his animals so shrug 00:25:04.289 --> 00:25:07.990 I don't like beaches. What did this in the double 00:25:07.990 --> 00:25:13.089 feature? Whoa. Whoa. Hold on, Sean. No, I don't 00:25:13.089 --> 00:25:14.869 care for beaches. You don't like beaches? No. 00:25:15.049 --> 00:25:17.509 I also don't really like beaches. Fuck beaches. 00:25:17.569 --> 00:25:20.390 Beaches suck. You guys are all anti beach. Yeah. 00:25:20.470 --> 00:25:22.589 And I lived in Florida for 10 years. Damn. All 00:25:22.589 --> 00:25:24.569 right. I kind of like beaches. I'm pro beach. 00:25:24.750 --> 00:25:26.910 They're boring. They are boring. It's where dirt 00:25:26.910 --> 00:25:29.470 meets water. What was the runtime for this? This 00:25:29.470 --> 00:25:33.140 one was 90. 90. Okay. So. I was wondering if 00:25:33.140 --> 00:25:35.019 they, you know, maybe cut the double feature 00:25:35.019 --> 00:25:38.180 for time, but it doesn't sound like it. I looked 00:25:38.180 --> 00:25:40.180 up. I actually looked up the Wikipedia page that 00:25:40.180 --> 00:25:43.359 is just now because I feel bad for not remembering 00:25:43.359 --> 00:25:45.180 the plot. And as I'm sitting here reading the 00:25:45.180 --> 00:25:46.900 plot, as we're all talking about it, I don't 00:25:46.900 --> 00:25:48.339 feel bad for not remembering the plot anymore. 00:25:48.660 --> 00:25:51.619 It's incredibly stupid. Remarkably thin. Yeah. 00:25:51.720 --> 00:25:54.980 There's barely a plot. Cherry Darlene, Rose McGowan 00:25:54.980 --> 00:25:58.259 gets. her and the el rey get attacked by zombies 00:25:58.259 --> 00:26:01.799 she gets her leg ripped off torn off right he 00:26:01.799 --> 00:26:04.579 gets arrested because the cops don't like him 00:26:04.579 --> 00:26:10.299 they go to the hospital yeah i mean the main 00:26:10.299 --> 00:26:12.579 share the sheriff played by the third best bean 00:26:12.579 --> 00:26:15.900 michael bean michael bean third to sean bean 00:26:15.900 --> 00:26:19.279 best bean and second best bean mr bean yep sean 00:26:19.279 --> 00:26:22.119 mr michael that's how it goes Holy shit. So I 00:26:22.119 --> 00:26:24.380 went to Rachel's Teatro Zanzani show last night 00:26:24.380 --> 00:26:27.339 and they had a character named Mr. Peepy, who 00:26:27.339 --> 00:26:31.559 basically was a Mr. Bean type person, you know, 00:26:31.559 --> 00:26:33.819 sort of walking around and making strange sounds 00:26:33.819 --> 00:26:35.839 that are almost like talking. But he did this 00:26:35.839 --> 00:26:38.119 thing where he juggled three ping pong balls 00:26:38.119 --> 00:26:40.920 with his mouth. That was incredible. It was really 00:26:40.920 --> 00:26:43.440 good. Do you get his number? Yeah, man. Fuck 00:26:43.440 --> 00:26:45.359 yeah. Let's let's throw up. We got at least three 00:26:45.359 --> 00:26:48.750 balls right here. Yes. I got a whole bag of balls. 00:26:50.569 --> 00:26:53.670 Call Naveen Andrews. A weirdly fancy jar for 00:26:53.670 --> 00:26:56.230 your balls. Yes. It looked like the thing that 00:26:56.230 --> 00:27:00.490 in the rock that they kept the balls in. I think 00:27:00.490 --> 00:27:03.400 that was also called DC2. well when you uh it 00:27:03.400 --> 00:27:05.700 wasn't when you have so many balls that you want 00:27:05.700 --> 00:27:08.859 to display you really splurge on your ball container 00:27:08.859 --> 00:27:11.480 ball yeah i wonder i want it to be one of those 00:27:11.480 --> 00:27:13.240 things where like it has you put a light bulb 00:27:13.240 --> 00:27:14.960 in the bottom of it and just sort of like a lava 00:27:14.960 --> 00:27:17.279 lamp eventually they start moving fast you gotta 00:27:17.279 --> 00:27:24.259 warm up though the balls bit reminded me of the 00:27:24.259 --> 00:27:27.059 bruce willis scenes for some reason uh is bruce 00:27:27.059 --> 00:27:28.900 willis actually in this movie with anybody or 00:27:28.900 --> 00:27:31.000 is he just shot separately I think he might be 00:27:31.000 --> 00:27:32.839 shot separately. I don't think he's ever actually 00:27:32.839 --> 00:27:36.140 on screen at the same time with anybody. I mean, 00:27:36.140 --> 00:27:37.660 maybe with some like background actors running 00:27:37.660 --> 00:27:39.700 around. Right. There would be people standing 00:27:39.700 --> 00:27:42.259 behind him or something. Yeah. OK, so, yeah, 00:27:42.259 --> 00:27:44.339 plot line. Let's see. Let's let's speed run this. 00:27:44.400 --> 00:27:47.180 So Cherry Darling loses her leg. The doctors 00:27:47.180 --> 00:27:49.880 are all at the hospital. Lady Doctor escapes 00:27:49.880 --> 00:27:53.440 from bad husband doctor after Fergie is trying 00:27:53.440 --> 00:27:55.359 to kill her brain. Yeah, she leaps right out 00:27:55.359 --> 00:27:57.579 of the window. Yeah, that's pretty cool. A bunch 00:27:57.579 --> 00:28:01.000 of trash. When she opens up the door and like 00:28:01.000 --> 00:28:03.720 she can't. I forgot about that. Like when I first 00:28:03.720 --> 00:28:07.140 from like initial watching and then the other 00:28:07.140 --> 00:28:09.940 day it was just like when she shoves her hand 00:28:09.940 --> 00:28:13.140 down in there and the like slips and falls. Oh, 00:28:13.259 --> 00:28:16.059 God. Breaks her wrist. That's the part of this 00:28:16.059 --> 00:28:18.640 film that I always forget about and hate. Yeah. 00:28:18.720 --> 00:28:22.519 Yeah. It gets a reaction. Yeah. Like after he 00:28:22.519 --> 00:28:26.769 she gets drugged up, she loses like. you know 00:28:26.769 --> 00:28:29.029 find muscle control in her hand so there's a 00:28:29.029 --> 00:28:33.809 lot of like flopping around to do stuff she tries 00:28:33.809 --> 00:28:35.269 to open the door by like sticking her hand in 00:28:35.269 --> 00:28:37.150 the handle and like opening hitting the latch 00:28:37.150 --> 00:28:40.549 with her foot what else i mean what there's nothing 00:28:40.549 --> 00:28:42.509 important in this movie it's like it's incredibly 00:28:42.509 --> 00:28:48.450 stupid uh so they patch up cherry's leg at the 00:28:48.450 --> 00:28:51.109 hospital right and for some reason at the bottom 00:28:51.109 --> 00:28:53.339 they put in this giant Well, they put in that 00:28:53.339 --> 00:28:59.759 giant metal square. Yeah. Future mounting. They 00:28:59.759 --> 00:29:02.960 give her like a Barrett arm from Final Fantasy 00:29:02.960 --> 00:29:06.019 7. That comes back to play. Yeah, sure does. 00:29:06.259 --> 00:29:09.460 And then jam a table leg on it, which works somehow. 00:29:10.319 --> 00:29:12.900 No, the hospital didn't do that. No, they were 00:29:12.900 --> 00:29:16.980 a little more delicate about the situation. Them 00:29:16.980 --> 00:29:18.779 escaping from the hospital is one of my favorite 00:29:18.779 --> 00:29:22.299 scenes. Just Rose McGowan like. On the fake leg, 00:29:22.359 --> 00:29:25.119 just like stumbling around. It's done so well. 00:29:25.259 --> 00:29:27.799 And El Rey just like fucking working those knives. 00:29:28.140 --> 00:29:31.440 Yeah, with butterfly knives. He never misses. 00:29:34.720 --> 00:29:38.220 Yeah, it was a good line. Escaping from the hospital 00:29:38.220 --> 00:29:41.640 with the cops, they get back to the bone shack 00:29:41.640 --> 00:29:47.099 and we get the history. behind cherry darling 00:29:47.099 --> 00:29:51.200 and lra um cut to sex scene cut to film burning 00:29:51.200 --> 00:29:55.119 away and scene missing sorry and then other movie 00:29:55.119 --> 00:29:59.160 or just we're gonna just skip all the boring 00:29:59.160 --> 00:30:01.380 parts and just get to the action they spent so 00:30:01.380 --> 00:30:04.799 much time on that sex scene too it's like really 00:30:04.799 --> 00:30:07.700 luxuriating in it it was like all right i understand 00:30:07.700 --> 00:30:11.920 what's going on here but like come on yeah it's 00:30:11.920 --> 00:30:16.109 no big top peewee makeout scene but But what 00:30:16.109 --> 00:30:20.410 is? This movie does one thing right that I do 00:30:20.410 --> 00:30:24.250 absolutely love from this type of cinema. Having 00:30:24.250 --> 00:30:26.170 just rewatched the original Highlander, which 00:30:26.170 --> 00:30:29.890 I'd put as like a high budget grindhouse film 00:30:29.890 --> 00:30:34.930 in a lot of ways. The monster, enemy, whatever, 00:30:35.089 --> 00:30:38.890 like a bad thing coming just out of the periphery 00:30:38.890 --> 00:30:41.869 of everyone there and nobody saw it. Like when 00:30:41.869 --> 00:30:44.049 the cop's going to give the deputy his ring. 00:30:44.559 --> 00:30:48.400 And the zombie like jumps out of just to the 00:30:48.400 --> 00:30:51.220 right of the camera and nobody saw him. Nobody 00:30:51.220 --> 00:30:54.279 notices it. Yeah, right. Yeah. But I feel like 00:30:54.279 --> 00:30:56.700 that's that kind of shit's intentional in this, 00:30:56.720 --> 00:30:58.799 right? Like it's very purposefully dumb, right? 00:30:58.960 --> 00:31:02.539 Yeah. Now, like I said, I just rewatched Highlander 00:31:02.539 --> 00:31:06.460 and every like fight scene is Clancy Brown coming 00:31:06.460 --> 00:31:10.039 just slightly to the left. Chris Lambert just 00:31:10.039 --> 00:31:12.539 like coming just. They've been having like a 00:31:12.539 --> 00:31:14.180 five minute conversation and Clancy Brown just 00:31:14.180 --> 00:31:18.059 like jumps out of. Just to the left and no one 00:31:18.059 --> 00:31:21.500 saw him there. Well, he is blind. Yeah, well, 00:31:21.579 --> 00:31:23.180 it makes sense when you realize Chris Lambert 00:31:23.180 --> 00:31:27.500 is legally blind. Plotline stuff, John, anything 00:31:27.500 --> 00:31:30.839 else that you feel like to talk about? no it's 00:31:30.839 --> 00:31:33.519 just a it's it's a there's a lot of badass action 00:31:33.519 --> 00:31:38.960 scenes rose so rose mcgowan slash cherry um eventually 00:31:38.960 --> 00:31:42.920 replaces table leg with a gun grenade launcher 00:31:42.920 --> 00:31:45.059 yeah ray does that i don't remember what it is 00:31:45.059 --> 00:31:47.180 it's that cool gun that's got like yeah like 00:31:47.180 --> 00:31:49.480 an m16 or whatever like whatever it's got a grenade 00:31:49.480 --> 00:31:52.420 launcher on it it also has a bayonet but the 00:31:52.420 --> 00:31:55.900 blade doesn't stick past the barrel so why because 00:31:55.900 --> 00:31:58.640 it looks cool for chopping yeah it's only for 00:31:58.640 --> 00:32:01.990 chopping Also, from the school of action movies, 00:32:02.049 --> 00:32:04.309 John Woo action movies where no one has to reload 00:32:04.309 --> 00:32:07.789 at the end of this film, she's like grenade launching 00:32:07.789 --> 00:32:10.609 herself over walls and shit. I was so hoping 00:32:10.609 --> 00:32:12.269 that was going to happen at some point and then 00:32:12.269 --> 00:32:15.109 it did. Yeah, worth it. It's like stand up in 00:32:15.109 --> 00:32:16.630 the movie theater clapping. You're like, hell 00:32:16.630 --> 00:32:20.089 yeah, this is for me. Yeah, the rocket jumps 00:32:20.089 --> 00:32:23.029 great. As I'm watching this film and I'm kind 00:32:23.029 --> 00:32:26.029 of like, you know, debating whether or not, you 00:32:26.029 --> 00:32:29.200 know, genre like. genre picture works like is 00:32:29.200 --> 00:32:31.400 this a spoof is it not is it too serious is it 00:32:31.400 --> 00:32:33.599 like going far enough and it's only this last 00:32:33.599 --> 00:32:35.480 like 10 minutes of the film when it gets to just 00:32:35.480 --> 00:32:38.059 this craziness i'm like this is what this entire 00:32:38.059 --> 00:32:39.240 movie should have been we shouldn't have been 00:32:39.240 --> 00:32:41.559 building up to this we should have just started 00:32:41.559 --> 00:32:45.019 at 10 and kept going i don't know i thought it 00:32:45.019 --> 00:32:48.759 was fun nonsense i really enjoy this so i started 00:32:48.759 --> 00:32:50.579 got up early this morning and watched started 00:32:50.579 --> 00:32:53.859 watching it with headphones on um And then Marcy 00:32:53.859 --> 00:32:56.220 got up about 45 minutes and she, you know, had 00:32:56.220 --> 00:32:59.700 a cup of coffee and sat down and started watching 00:32:59.700 --> 00:33:01.460 it with me. And she's like, this is awesome. 00:33:01.940 --> 00:33:05.859 Like, it's just a fun, stupid watch. There's 00:33:05.859 --> 00:33:08.839 stupid, bad movies, which is kind of the hallmark 00:33:08.839 --> 00:33:12.099 of the genre, the genre that they're working 00:33:12.099 --> 00:33:15.240 off of. And as like actual grindhouse films, 00:33:15.400 --> 00:33:19.339 I don't think they're really. Well, I mean, they 00:33:19.339 --> 00:33:22.690 can't really be. actual grindhouse films 30 million 00:33:22.690 --> 00:33:25.930 dollar budget yes exactly by two massive you 00:33:25.930 --> 00:33:28.230 know at the time superstar directors yeah but 00:33:28.230 --> 00:33:31.970 as films of like oh you know i saw and i like 00:33:31.970 --> 00:33:36.269 these films clearly too much money and too much 00:33:36.269 --> 00:33:40.630 talent can make it like just look inauthentic 00:33:40.630 --> 00:33:43.950 but yeah it feels like like these directors know 00:33:43.950 --> 00:33:47.609 the style and they're just having a lot of fun 00:33:47.609 --> 00:33:52.230 with it um I enjoy watching both of these movies. 00:33:52.269 --> 00:33:58.349 I liked the effects a lot in Planet Terror. And 00:33:58.349 --> 00:34:01.009 the comedy for me was really good. Yeah. Yeah. 00:34:01.089 --> 00:34:03.609 I mean, it's it's just a fun, dorky little watch. 00:34:03.690 --> 00:34:05.369 You're not you're not going to be a better person 00:34:05.369 --> 00:34:07.230 for watching. You might be a worse person. No, 00:34:07.230 --> 00:34:10.809 probably not a worse person. I watched the two 00:34:10.809 --> 00:34:13.050 movies backwards because I had remembered liking 00:34:13.050 --> 00:34:16.030 Death Proof the first time I saw this in theaters 00:34:16.030 --> 00:34:19.210 back in 2007. And I was like, I'm going to start 00:34:19.210 --> 00:34:22.050 there. And I wish I hadn't. Well, maybe I'm glad 00:34:22.050 --> 00:34:24.130 that I did. But I ended up liking Planet Terror 00:34:24.130 --> 00:34:27.150 a lot more than I remembered because it was like 00:34:27.150 --> 00:34:29.869 very dumb. And it was the right kind of dumb 00:34:29.869 --> 00:34:33.590 for me at my age right now, maybe. So I was as 00:34:33.590 --> 00:34:36.309 I was watching this or as I was watching Death 00:34:36.309 --> 00:34:38.489 Proof, I was like, these movies should have been 00:34:38.489 --> 00:34:40.949 in reverse order. I feel like I would have been 00:34:40.949 --> 00:34:45.190 much more into the kind of slowish burn of Death 00:34:45.190 --> 00:34:47.869 Proof at the beginning, whereas coming off of. 00:34:48.539 --> 00:34:51.119 um planet terror i was like it's kind of boring 00:34:51.119 --> 00:34:55.320 i think that was probably an intentional well 00:34:55.320 --> 00:34:57.219 my understanding is the way this originally happened 00:34:57.219 --> 00:34:59.519 was robert rodriguez was just like i got this 00:34:59.519 --> 00:35:03.480 fun schlocky idea for like a grindhouse style 00:35:03.480 --> 00:35:05.599 film that he was trying to sell to tarantino 00:35:05.599 --> 00:35:07.559 to like help produce and he's like that's great 00:35:07.559 --> 00:35:09.460 i'll make one too and tarantino just kind of 00:35:09.460 --> 00:35:12.940 like glommed onto this as a project and probably 00:35:12.940 --> 00:35:15.440 helped get some funding for it overall i don't 00:35:15.440 --> 00:35:20.820 know rodriguez had all that spy kids money But 00:35:20.820 --> 00:35:25.420 in terms of like commercial commercials and advertising 00:35:25.420 --> 00:35:30.559 this film, I don't think that if they went. Death 00:35:30.559 --> 00:35:31.940 Proof forward, because I remember the original 00:35:31.940 --> 00:35:35.340 ad campaign was all Planet Terror and like some 00:35:35.340 --> 00:35:37.340 just shots of like car chases from Death Proof. 00:35:37.360 --> 00:35:38.940 But I think if they went Death Proof forward, 00:35:39.039 --> 00:35:41.739 this wouldn't have gotten as much buzz around 00:35:41.739 --> 00:35:47.199 it in the mid aughts or interest. The main thing 00:35:47.199 --> 00:35:49.599 I remember from the advertising was Gun Leg. 00:35:49.900 --> 00:35:53.179 Yeah. And I was 17 when this came out. Perfect 00:35:53.179 --> 00:35:57.159 age for Gun Leg. For Gun Leg. Never saw it. Yeah. 00:35:57.199 --> 00:35:59.920 Interesting. Yeah. Well, I remember when this 00:35:59.920 --> 00:36:01.340 came out because I did see it in theaters with 00:36:01.340 --> 00:36:03.159 friends like opening night and thoroughly enjoyed 00:36:03.159 --> 00:36:06.960 it. I think having the shorter of the two because 00:36:06.960 --> 00:36:10.099 the Tarantino films two hours. I think if you 00:36:10.099 --> 00:36:11.820 would have gone into that, then there was a break. 00:36:11.900 --> 00:36:14.780 I think people might have walked. um but i remember 00:36:14.780 --> 00:36:16.920 after seeing it loving it when i originally saw 00:36:16.920 --> 00:36:19.320 it and like going to college talking to just 00:36:19.320 --> 00:36:22.039 average people about the film and they're like 00:36:22.039 --> 00:36:23.659 a double feature i don't know if i could sit 00:36:23.659 --> 00:36:26.579 in a theater that long i'm like you've watched 00:36:26.579 --> 00:36:28.099 all of the lord of the rings films in the theater 00:36:28.099 --> 00:36:29.599 you could have sat through this it's not that 00:36:29.599 --> 00:36:33.000 bad too long you get a fucking intermission i 00:36:33.000 --> 00:36:35.599 love an intermission yeah well i went to see 00:36:35.599 --> 00:36:38.840 the hateful eight um so quinn tarantino did the 00:36:38.840 --> 00:36:41.199 hateful eight and that was on some fancy film 00:36:41.199 --> 00:36:44.440 whatever and they only showed it in that fancy 00:36:44.440 --> 00:36:47.900 film in like a dozen, maybe two dozen theaters 00:36:47.900 --> 00:36:50.699 around the country. And one of them was near 00:36:50.699 --> 00:36:52.960 me in Florida and actually went and did it. And 00:36:52.960 --> 00:36:54.579 they did that whole shtick. There was like an, 00:36:54.599 --> 00:36:57.780 like a solid 15, 20 minute intermission in the 00:36:57.780 --> 00:36:59.760 middle. Cause it's a long movie. Yeah. And like, 00:36:59.760 --> 00:37:01.980 you know, you got like this big handout thing. 00:37:02.079 --> 00:37:05.139 It was a whole extra deal. But yeah, intermission 00:37:05.139 --> 00:37:07.599 is kind of nice. I mean, as a person who definitely 00:37:07.599 --> 00:37:10.420 has to pee every movie somewhere in the middle, 00:37:10.500 --> 00:37:14.380 like I'm pro intermission. Well, I will say when 00:37:14.380 --> 00:37:16.139 this movie came out, there was no intermission. 00:37:16.239 --> 00:37:19.219 It's a bench. Watch movies at home. I just be 00:37:19.219 --> 00:37:24.260 on the couch then. You're right. Yeah, the trailers 00:37:24.260 --> 00:37:28.440 exist not as an intermission, but as just a transitionary. 00:37:28.519 --> 00:37:31.360 And I remember my friends and I went to the midnight 00:37:31.360 --> 00:37:33.099 show of this, so we didn't get home till like 00:37:33.099 --> 00:37:37.780 4 a .m. Yeah. OK, well, let's switch to Death 00:37:37.780 --> 00:37:40.139 Proof then and we can talk about Tarantino's 00:37:40.139 --> 00:37:44.820 love of feet. yeah feet on display it's so it's 00:37:44.820 --> 00:37:49.579 so egregious in this film well it's in a lot 00:37:49.579 --> 00:37:53.380 of his shit i remember uh pulp fiction yeah i 00:37:53.380 --> 00:37:55.179 know and i've like i've never paid that much 00:37:55.179 --> 00:37:57.460 attention to it until i knew about it and then 00:37:57.460 --> 00:37:59.599 the first shot of this film is just bare feet 00:37:59.599 --> 00:38:02.699 well so so maya hawk was getting interviewed 00:38:02.699 --> 00:38:07.179 and uh her mom's uma thurman and her mom because 00:38:07.179 --> 00:38:09.199 my did something with Tarantino. I can't remember. 00:38:09.539 --> 00:38:13.420 Uh, I think it's, um, once upon a time in Hollywood, 00:38:13.440 --> 00:38:16.019 she's one of the characters in there. And her 00:38:16.019 --> 00:38:19.480 only advice to her daughter was keep your shoes 00:38:19.480 --> 00:38:27.500 on. Uh, pervy ass Tarantino. I enjoy this film 00:38:27.500 --> 00:38:31.099 more personally. Um, so how do we want to discuss 00:38:31.099 --> 00:38:32.519 this movie? Cause technically I feel like it's 00:38:32.519 --> 00:38:35.329 two movies. Well, yeah, I mean, that's a good 00:38:35.329 --> 00:38:37.630 point. I mean, there's sort of the invincible 00:38:37.630 --> 00:38:40.570 version of Stuntman Mike. And then there's the 00:38:40.570 --> 00:38:43.550 other. There's yeah, there's the initial with 00:38:43.550 --> 00:38:47.230 Jungle Julia, the girls night at a bar. And there's 00:38:47.230 --> 00:38:50.289 this creepy Kurt Russell character, Stuntman 00:38:50.289 --> 00:38:52.190 Mike, who's just kind of hovering around all 00:38:52.190 --> 00:38:55.829 night. And then yet another Rose McGowan. At 00:38:55.829 --> 00:38:58.590 the end of the film, serial killer, but uses 00:38:58.590 --> 00:39:02.579 his car as a murder weapon. Nice little concept. 00:39:03.000 --> 00:39:06.880 Nice slow burn. A lot of fun. It's done in the 00:39:06.880 --> 00:39:11.019 same grindhouse effect as Planet Terror. It's 00:39:11.019 --> 00:39:13.980 got the grain filter. Technically takes place 00:39:13.980 --> 00:39:15.480 in the same universe because we see the hospital, 00:39:15.679 --> 00:39:21.199 the sheriff, and the doctor. Jungle Julia gets 00:39:21.199 --> 00:39:25.079 a shout out in Planet Terror. yeah which was 00:39:25.079 --> 00:39:26.980 also interesting because they they say like you 00:39:26.980 --> 00:39:29.619 know rest in peace jungle julia in planet terror 00:39:29.619 --> 00:39:32.320 um which obviously doesn't mean jack shit to 00:39:32.320 --> 00:39:33.900 you at that time if you're watching it in sequence 00:39:33.900 --> 00:39:36.539 but i thought again if these were flipped movies 00:39:36.539 --> 00:39:38.940 you would get more of that but you know whatever 00:39:38.940 --> 00:39:42.420 i guess the world is ruined at the end of no 00:39:42.420 --> 00:39:43.940 that makes even more sense the world is ruined 00:39:43.940 --> 00:39:46.840 at the end of planet terror so yeah yeah so we 00:39:46.840 --> 00:39:49.500 have that and uh so and apparently planet terror 00:39:49.500 --> 00:39:53.730 takes place in austin if this is the case sure 00:39:53.730 --> 00:39:56.130 yeah but then we have you know we have that great 00:39:56.130 --> 00:39:58.369 like murder scene where kurt russell like drives 00:39:58.369 --> 00:40:00.829 through the car and we see each girl's death 00:40:00.829 --> 00:40:03.309 in the car get more and more gruesome with each 00:40:03.309 --> 00:40:06.090 death what was the deal with the cigarette lighter 00:40:06.090 --> 00:40:09.510 because he pulls his cigarette no that's uh the 00:40:09.510 --> 00:40:12.010 headlights in old cars your headlights were a 00:40:12.010 --> 00:40:15.150 little pole thingy yeah before my time and then 00:40:15.150 --> 00:40:17.710 hard cut from there and then we go to the hospital 00:40:17.710 --> 00:40:20.679 scene then we get a hard cut to just a tarantino 00:40:20.679 --> 00:40:22.800 film it starts off in black and white they lose 00:40:22.800 --> 00:40:27.219 the grain filter and it's just 14 months later 00:40:27.219 --> 00:40:29.059 i think is the time transition but it's another 00:40:29.059 --> 00:40:33.199 movie and outside of crazy guy in a car there's 00:40:33.199 --> 00:40:37.179 no connection yeah i never really yeah you're 00:40:37.179 --> 00:40:39.199 right it was super disconnected i never understood 00:40:39.199 --> 00:40:41.820 the motivation like yeah you know serial killer 00:40:41.820 --> 00:40:43.500 whatever like you need to have a little bit of 00:40:43.500 --> 00:40:46.000 a motivation yeah it's more than yeah find people 00:40:46.000 --> 00:40:48.000 who have like hot cars or something that you're 00:40:48.000 --> 00:40:49.699 like no i'm the better i'm the better driver 00:40:49.699 --> 00:40:52.219 you know whatever it might be but it just seemed 00:40:52.219 --> 00:40:55.280 like sort of random because it was jungle julia 00:40:55.280 --> 00:40:58.420 butterfly who also was a dancer i think maybe 00:40:58.420 --> 00:41:02.000 i can't remember um just like two random yeah 00:41:02.000 --> 00:41:05.309 i think friends of theirs and yeah yeah i don't 00:41:05.309 --> 00:41:06.909 know i feel bad for butterfly she got fucked 00:41:06.909 --> 00:41:09.590 yeah well there's connections you know it's groups 00:41:09.590 --> 00:41:13.130 of girls uh four girls each time yeah uh one 00:41:13.130 --> 00:41:16.050 of them at least has to be black it's true uh 00:41:16.050 --> 00:41:19.090 one of them has to be from somewhere else because 00:41:19.090 --> 00:41:22.789 they have an accent uh new york and not australian 00:41:22.789 --> 00:41:25.070 yeah i found myself getting annoyed by a lot 00:41:25.070 --> 00:41:28.210 of the the extended lingering shots um not just 00:41:28.210 --> 00:41:30.329 defeat but like when kurt russell's like taking 00:41:30.329 --> 00:41:33.099 photos of the second group of girls uh coming 00:41:33.099 --> 00:41:35.739 out of the airport and we just have like 90 seconds, 00:41:35.760 --> 00:41:38.599 two minutes of just like shutter shots and stuff. 00:41:38.760 --> 00:41:41.199 Like we get it. He's creepy. Move on. This movie 00:41:41.199 --> 00:41:43.539 is two hours long. I don't need this. It's certainly 00:41:43.539 --> 00:41:49.719 not two minutes. It's over a minute. I, okay. 00:41:51.239 --> 00:41:55.219 I like the concept, the idea of a stunt man with 00:41:55.219 --> 00:41:57.880 a death proof car using that to go kill people. 00:41:58.489 --> 00:42:00.570 That sounds super cool, but like the movie just 00:42:00.570 --> 00:42:03.409 did not pay off on that at all. No, it set it 00:42:03.409 --> 00:42:07.429 up and then just totally fucked it over. Not 00:42:07.429 --> 00:42:10.170 to say that the ending isn't still kind of fun, 00:42:10.329 --> 00:42:14.789 but they just feel disconnected. I did not like 00:42:14.789 --> 00:42:17.469 this nearly as much as I liked Planet Terror. 00:42:18.710 --> 00:42:21.269 And I think part of it was because of the order, 00:42:21.349 --> 00:42:22.929 like I was talking about earlier, is like Planet 00:42:22.929 --> 00:42:26.880 Terror is just like. constant action one -liners 00:42:26.880 --> 00:42:28.539 like real fun and then you switch to this and 00:42:28.539 --> 00:42:30.500 it's more of a slow burn before you get to any 00:42:30.500 --> 00:42:37.440 real like action or anything and um yeah it just 00:42:37.440 --> 00:42:40.179 doesn't have enough to really like pull you in 00:42:40.179 --> 00:42:43.840 or at least me yeah yeah it's a long burn to 00:42:43.840 --> 00:42:46.559 even get to the first kill scene and then you 00:42:46.559 --> 00:42:48.079 know all these people even like trying to pay 00:42:48.079 --> 00:42:51.190 attention to as characters get fucking definitely 00:42:51.190 --> 00:42:54.789 murdered in gruesome ways butterfly's face gets 00:42:54.789 --> 00:42:57.769 tired off but i mean it works as a horror it 00:42:57.769 --> 00:42:59.730 works as a short little slasher horror film it's 00:42:59.730 --> 00:43:02.269 like because each movie is about 60 each half 00:43:02.269 --> 00:43:04.130 is about 60 minutes and it works where you have 00:43:04.130 --> 00:43:06.750 the killer kind of like you get to know him like 00:43:06.750 --> 00:43:08.769 he seems like a nice enough guy a little creepy 00:43:08.769 --> 00:43:11.389 a little you know but and then you get to the 00:43:11.389 --> 00:43:15.050 murderizing and then the second half isn't about 00:43:15.050 --> 00:43:18.179 him at all and he's barely the only association 00:43:18.179 --> 00:43:20.920 is he shows up at the end like he sees the girls 00:43:20.920 --> 00:43:22.480 at the beginning and then he shows up at the 00:43:22.480 --> 00:43:26.300 end but there's not the same bill to it to his 00:43:26.300 --> 00:43:29.179 attack on them yeah that that second one definitely 00:43:29.179 --> 00:43:31.159 doesn't make any sense i mean it's a love letter 00:43:31.159 --> 00:43:36.079 to um old hollywood stunt driving uh the australian 00:43:36.079 --> 00:43:39.539 chick is a stunt woman new zealand they did all 00:43:39.539 --> 00:43:42.719 that stuff new zealand um yeah they specifically 00:43:42.719 --> 00:43:45.679 call that out yeah that's you know so it's a 00:43:45.679 --> 00:43:47.400 love letter to that and that part's great but 00:43:47.400 --> 00:43:50.380 it's just an excuse to have that chase sequence 00:43:50.380 --> 00:43:55.320 without having an actual plot yeah i will say 00:43:55.320 --> 00:43:57.340 this the chase sequence is pretty solid pretty 00:43:57.340 --> 00:43:59.219 good i really enjoyed them as chase sequences 00:43:59.219 --> 00:44:03.119 yeah i did like that um i also liked the transition 00:44:03.119 --> 00:44:06.360 from stuntman mike being this sort of like invulnerable 00:44:06.360 --> 00:44:09.760 asshole like force to getting shot and being 00:44:09.760 --> 00:44:13.119 like a super bitch baby yeah like squealing almost 00:44:13.119 --> 00:44:16.099 the beat down he gets at the end is also terrific 00:44:16.099 --> 00:44:19.219 pretty fantastic yeah also i like the clips like 00:44:19.219 --> 00:44:22.039 in the middle like um it would cut to two different 00:44:22.039 --> 00:44:25.119 shots without actually like moving the camera 00:44:25.119 --> 00:44:27.659 it's like they cut out like you know 10 frames 00:44:27.659 --> 00:44:31.360 or something it just goes yeah Uh, also, uh, 00:44:31.579 --> 00:44:33.679 the three girls who go off in the car, uh, bad 00:44:33.679 --> 00:44:36.099 friends. Cause they left their, uh, they left 00:44:36.099 --> 00:44:41.139 their one friend there with sling blade. Her 00:44:41.139 --> 00:44:47.860 last line in the film is gulp. Especially because 00:44:47.860 --> 00:44:52.219 they, they dress like a cheerleader. They tell 00:44:52.219 --> 00:44:53.840 them she's like a porn star or something. Yeah, 00:44:53.840 --> 00:44:57.500 exactly. Oh, was it one of those pornos? It's 00:44:57.500 --> 00:44:59.539 like, here you go, Lee. Enjoy entertaining this 00:44:59.539 --> 00:45:03.019 guy while we steal his car. Bye, friend. All 00:45:03.019 --> 00:45:05.760 because the one girl wanted to drive that specific 00:45:05.760 --> 00:45:09.119 car. Yeah. And then never drove it. Yeah. She 00:45:09.119 --> 00:45:11.159 wanted to ride on the hood of that specific car. 00:45:11.360 --> 00:45:14.039 Oh, yeah. It started with she wanted to drive 00:45:14.039 --> 00:45:16.639 it. And then once she was there, she was like, 00:45:16.739 --> 00:45:19.440 I want to do the ship's mast. Ship's mast. Yeah. 00:45:20.000 --> 00:45:22.960 Oh, I will say my favorite quote from these films 00:45:22.960 --> 00:45:26.800 does come from Death Proof. And it's. the connecting 00:45:26.800 --> 00:45:29.760 bit of death proof and, uh, planet terror when 00:45:29.760 --> 00:45:32.039 they're in the hospital and you have, uh, the 00:45:32.039 --> 00:45:37.360 doctor's, um, dad, uh, sheriff goes talking about 00:45:37.360 --> 00:45:41.099 why Kurt Russell killed these girls. Well, I 00:45:41.099 --> 00:45:45.480 guesstimate it's a sex thing. My favorite line 00:45:45.480 --> 00:45:48.719 from this movie or these movies was in the machete 00:45:48.719 --> 00:45:52.000 trailer. He's talking to his priest buddy, trying 00:45:52.000 --> 00:45:54.929 to like pull him in and he goes, like a cheech 00:45:54.929 --> 00:45:57.590 marin yeah and he goes like thanks bro i mean 00:45:57.590 --> 00:46:05.489 padre to uh very enjoyable scripts of bad writing 00:46:05.489 --> 00:46:08.710 but like purposefully bad writing i feel like 00:46:08.710 --> 00:46:11.650 yeah which is kind of how i get to the point 00:46:11.650 --> 00:46:14.150 of like i mean they miss the mark of being actual 00:46:14.150 --> 00:46:18.210 grindhouse films but they're uh they're still 00:46:18.210 --> 00:46:20.230 enjoyable well i think this is a good time then 00:46:20.230 --> 00:46:22.050 to talk about some of that shit right like you 00:46:22.050 --> 00:46:24.409 you did a bigger dive into the actual grindhouse 00:46:24.409 --> 00:46:26.670 movies so like one what movies did you watch 00:46:26.670 --> 00:46:29.909 two which ones were best and then three you know 00:46:29.909 --> 00:46:34.130 like what's your takeaway on that genre uh so 00:46:34.130 --> 00:46:38.789 okay yeah there's since it's kind of a broad 00:46:38.789 --> 00:46:44.489 genre that's mostly you know uh best characterized 00:46:44.489 --> 00:46:49.900 by like low budget action horror And I watched 00:46:49.900 --> 00:46:52.440 a couple different types of movies. So I watched 00:46:52.440 --> 00:46:54.380 a couple of Pam Grier movies. I watched Coffee 00:46:54.380 --> 00:46:59.559 where she is a shotgun toting nurse that goes 00:46:59.559 --> 00:47:03.320 around and kills bad people. Like she's just 00:47:03.320 --> 00:47:07.079 a nurse vigilante with a shotgun. Pretty cool. 00:47:07.719 --> 00:47:10.099 Then I watched a movie called Dead End Drive 00:47:10.099 --> 00:47:13.860 -In. This one's a post -apocalyptic. movie where 00:47:13.860 --> 00:47:17.719 jails or uh drive -in movies are used as uh jails 00:47:17.719 --> 00:47:21.380 for people and so this kid and his girlfriend 00:47:21.380 --> 00:47:24.159 go there and like they're kind of shitty people 00:47:24.159 --> 00:47:26.619 and while they're watching the movie the cops 00:47:26.619 --> 00:47:29.440 steal the tires off of his car so they can't 00:47:29.440 --> 00:47:32.460 leave and it's in the middle of nowhere so that's 00:47:32.460 --> 00:47:35.599 how these kids get stuck in there and it's all 00:47:35.599 --> 00:47:39.179 uh an adventure of trying to like get all their 00:47:39.179 --> 00:47:40.880 stuff to get out but it's like as soon as he 00:47:40.880 --> 00:47:44.280 gets tired somebody steals part of his engine 00:47:44.280 --> 00:47:46.940 so it's like oh well it's like the surfer yeah 00:47:46.940 --> 00:47:48.840 you just always stuck there you definitely can't 00:47:48.840 --> 00:47:54.059 just walk nope i watched uh white mom black mama 00:47:54.059 --> 00:47:58.059 white mama which is pam greer and some white 00:47:58.059 --> 00:48:00.500 lady i love how much pam greer is in all of these 00:48:00.500 --> 00:48:04.780 like so cool the lady from archer was she an 00:48:04.780 --> 00:48:07.500 archer yeah she's one of the voices in archer 00:48:08.519 --> 00:48:12.079 uh so yeah i'm gonna continue on uh they're like 00:48:12.079 --> 00:48:16.360 handcuffed together and they're escaping from 00:48:16.360 --> 00:48:19.099 prison but they're like two completely different 00:48:19.099 --> 00:48:22.039 kinds of people like pam greer is a prostitute 00:48:22.039 --> 00:48:28.280 and uh different one yeah is the character name 00:48:28.280 --> 00:48:31.480 oh yeah it's judy greer is the actress and then 00:48:31.480 --> 00:48:35.780 pam is the badass character i think we combined 00:48:35.780 --> 00:48:39.429 not played by judy greer Correct. Carol slash 00:48:39.429 --> 00:48:43.530 Cheryl slash Charlene. Sorry. Outlaw country. 00:48:44.449 --> 00:48:47.869 Nailed it. So, yeah, it's a prostitute and a 00:48:47.869 --> 00:48:50.769 revolutionary like handcuffed together as they 00:48:50.769 --> 00:48:53.010 try to escape jail. But they have different motivations, 00:48:53.050 --> 00:48:56.050 so they have to work all that out. That sounds 00:48:56.050 --> 00:48:58.409 great. Yeah, these movies sound kind of awesome. 00:48:58.469 --> 00:49:01.170 Dude, they're all fucking great. That also makes 00:49:01.170 --> 00:49:02.849 me think of Crippled Masters again. But, you 00:49:02.849 --> 00:49:04.809 know, I don't know to dive into that right now. 00:49:05.440 --> 00:49:08.659 so after that i went a little harder and i went 00:49:08.659 --> 00:49:13.119 to ilsa she wolf of the ss and that one is uh 00:49:13.119 --> 00:49:16.519 kind of like a combined story about a lot of 00:49:16.519 --> 00:49:19.119 the different horrors that were going on in the 00:49:19.119 --> 00:49:21.860 concentration camps of like medical experimentation 00:49:21.860 --> 00:49:25.460 and torture and all that wrapped into something 00:49:25.460 --> 00:49:29.579 that's borderline a porno and because every woman 00:49:29.579 --> 00:49:32.320 in this movie you will see topless at some point 00:49:32.809 --> 00:49:36.030 there's pretty good sex scenes in it no no pen 00:49:36.030 --> 00:49:39.269 but uh you know you get everything up to that 00:49:39.269 --> 00:49:44.389 point um you gotta earn that x rating yeah but 00:49:44.389 --> 00:49:48.610 that was pretty good lots of uh a very very gory 00:49:48.610 --> 00:49:53.659 kind of booby -filled movie so speaking of pam 00:49:53.659 --> 00:49:55.559 greer we should probably mention jackie brown 00:49:55.559 --> 00:49:58.059 since the time with quentin tarantino right which 00:49:58.059 --> 00:50:01.460 came out in i literally just looked at it 90s 00:50:01.460 --> 00:50:04.820 i was gonna say early 90s right 97 oh later than 00:50:04.820 --> 00:50:07.380 i saw 10 years before this but you know he's 00:50:07.380 --> 00:50:10.159 already got that kind of he's already delved 00:50:10.159 --> 00:50:12.860 into well that's black exploitation but yeah 00:50:12.860 --> 00:50:15.880 you know well all the exploitation films fit 00:50:15.880 --> 00:50:18.809 nicely into grind houses i like that there's 00:50:18.809 --> 00:50:21.409 a canadian exploitation sub -genre of that too 00:50:21.409 --> 00:50:28.110 what can exploitation oh well ilsa is a canadian 00:50:28.110 --> 00:50:30.949 film there we go perfect i got to claim i was 00:50:30.949 --> 00:50:32.750 watching foreign films that day that's right 00:50:32.750 --> 00:50:34.949 it's an art house film uh it's from another country 00:50:34.949 --> 00:50:38.909 it's okay i can watch this all the german peace 00:50:38.909 --> 00:50:42.969 stuff art film yeah but uh just watching all 00:50:42.969 --> 00:50:45.639 of them like they have kind of certainly different 00:50:45.639 --> 00:50:48.519 styles and different fields but it they all kind 00:50:48.519 --> 00:50:53.079 of they they jive the same way and like your 00:50:53.079 --> 00:50:55.400 acting is going to be pretty straightforward 00:50:55.400 --> 00:51:00.340 like uh just line deliveries and people like 00:51:00.340 --> 00:51:02.519 making it to where they need to stand like hitting 00:51:02.519 --> 00:51:05.019 all their marks and stuff like that that's the 00:51:05.019 --> 00:51:08.719 baseline yeah not a lot of retakes yeah no that's 00:51:08.719 --> 00:51:13.230 true film's expensive so um and In that, I can 00:51:13.230 --> 00:51:18.090 see the way Rodriguez and Tarantino were emulating 00:51:18.090 --> 00:51:21.570 the styles, but clearly there was just too much 00:51:21.570 --> 00:51:26.550 talent behind the work and too much money. Going 00:51:26.550 --> 00:51:30.969 to the talent behind the work, getting Hollywood 00:51:30.969 --> 00:51:35.150 actors, good Hollywood actors, to act bad is 00:51:35.150 --> 00:51:39.119 its own special kind of hell. yeah i bet everybody 00:51:39.119 --> 00:51:41.980 had a lot of fun filming these yeah i agree with 00:51:41.980 --> 00:51:45.800 that i'm sure i'm sure it was fun i just i watching 00:51:45.800 --> 00:51:49.739 good actors try and be bad actors is just painful 00:51:49.739 --> 00:51:52.539 for me yeah i would have preferred if these were 00:51:52.539 --> 00:51:57.099 like nobodies yeah Like the most we got, the 00:51:57.099 --> 00:52:00.460 best bad acting that seems very authentic is 00:52:00.460 --> 00:52:03.199 the kid who shoots his head off, which is one 00:52:03.199 --> 00:52:05.900 of Rodriguez's kids, I believe. Every kid is 00:52:05.900 --> 00:52:09.260 a terrible actor. They're so bad. They don't 00:52:09.260 --> 00:52:11.280 even know who they own are. One every generation 00:52:11.280 --> 00:52:14.860 turns out to be a good actor. I mean, fuck, dude. 00:52:14.940 --> 00:52:17.599 If I were a director, 100 % I would put my kids 00:52:17.599 --> 00:52:21.059 in these things. Why not? It's fun. Give it an 00:52:21.059 --> 00:52:23.119 opportunity for them to just have fun being silly. 00:52:23.630 --> 00:52:25.869 Like you get to hang out with your dad. That's 00:52:25.869 --> 00:52:29.389 how you get a Jaden Smith. Well, I mean, okay. 00:52:29.449 --> 00:52:31.909 So for every, for every Jaden Smith you get. 00:52:31.949 --> 00:52:34.110 What about the Apatow kids, right? Like they're 00:52:34.110 --> 00:52:36.869 in all of his movies and they don't, they seem 00:52:36.869 --> 00:52:40.309 normal teenagers by now. Probably. Yeah. I haven't 00:52:40.309 --> 00:52:42.530 heard any crazy shit. Yeah. But yeah, I mean, 00:52:42.550 --> 00:52:48.150 Jaden Smith is a outlier. Sofia Coppola. She 00:52:48.150 --> 00:52:50.230 just is a shitty actor. She's a fine director. 00:52:50.880 --> 00:52:53.119 Yeah, I'm just saying, like, don't don't cast 00:52:53.119 --> 00:52:56.440 your shitty kids in fucking movies. Cast other 00:52:56.440 --> 00:52:58.739 people's shitty kids in your shitty movies. That's 00:52:58.739 --> 00:53:01.000 right. But at least make sure those kids can 00:53:01.000 --> 00:53:04.260 fucking act. Yeah. I don't know. All in all for 00:53:04.260 --> 00:53:06.599 this, like, I felt pretty good about watching 00:53:06.599 --> 00:53:08.719 it other than the time commitment, which was 00:53:08.719 --> 00:53:11.280 a stark reminder of the fact that we used to 00:53:11.280 --> 00:53:13.780 do two movies every single fucking episode. I 00:53:13.780 --> 00:53:16.219 don't miss that. Wow. That was a lot that we 00:53:16.219 --> 00:53:19.139 put on our plate for two and a half years or 00:53:19.139 --> 00:53:25.210 whatever it was. I think I will say my final 00:53:25.210 --> 00:53:26.710 thoughts on both these films. I enjoyed Death 00:53:26.710 --> 00:53:29.869 Proof a lot. I don't know that I'll ever watch 00:53:29.869 --> 00:53:33.630 Planet Terror again. It just does not instill 00:53:33.630 --> 00:53:38.590 joy in me at 41 as it did when I was 27. I think 00:53:38.590 --> 00:53:41.369 I lean pretty heavily in the same direction. 00:53:41.550 --> 00:53:46.039 I like Death Proof a lot. I like the suspense 00:53:46.039 --> 00:53:50.380 aspect of it. The kind of film where it's like 00:53:50.380 --> 00:53:54.519 you see Mike the Hunter and then you see the 00:53:54.519 --> 00:53:58.079 aspect of like the prey seeing Mike the Hunter. 00:53:58.159 --> 00:54:01.280 So it kind of flips the narrative in that on 00:54:01.280 --> 00:54:05.340 the split. I like the character that Kurt Russell 00:54:05.340 --> 00:54:10.030 gave. uh overall i like that movie a lot um and 00:54:10.030 --> 00:54:13.690 you know i fucking love car chases and cool stunt 00:54:13.690 --> 00:54:17.070 work so it's it's definitely filmed better it's 00:54:17.070 --> 00:54:19.469 a more beautiful film like i think it needed 00:54:19.469 --> 00:54:21.710 to not have the film grain garbage on it i mean 00:54:21.710 --> 00:54:24.210 that filter could have been deleted from both 00:54:24.210 --> 00:54:26.610 films and it would have been better i think if 00:54:26.610 --> 00:54:28.590 i watch death proof again i'm gonna watch the 00:54:28.590 --> 00:54:32.469 first half the actual like slasher film and then 00:54:32.469 --> 00:54:34.369 i'm gonna watch the last 20 minutes and i'm just 00:54:34.369 --> 00:54:39.809 gonna cut out All of the second group of girls 00:54:39.809 --> 00:54:43.909 like. Yeah, they're hanging out at a coffee shop 00:54:43.909 --> 00:54:45.389 or whatever. I don't need to know anything about 00:54:45.389 --> 00:54:48.829 these characters other than two of them are stunt 00:54:48.829 --> 00:54:50.969 women and they're going to get in a chase later. 00:54:51.469 --> 00:54:54.710 But Planet Terror, I liked enough. You know, 00:54:54.730 --> 00:54:57.030 I enjoy myself when I watch it. I don't think 00:54:57.030 --> 00:55:03.750 it's really that good. Even for like what I think 00:55:03.750 --> 00:55:06.780 it's trying to be. But, you know, it's enjoyable 00:55:06.780 --> 00:55:09.260 and it's fun. It's got great special effects. 00:55:09.340 --> 00:55:12.519 And I love good practical effects like popping 00:55:12.519 --> 00:55:15.440 the big like pustules on their faces. Oh, so 00:55:15.440 --> 00:55:17.980 gross. Oh, yeah. Greg Nicotero, by the way. Same 00:55:17.980 --> 00:55:22.159 guy that did Walking Dead and then actually took 00:55:22.159 --> 00:55:24.119 that show over. Like kind of a famous makeup 00:55:24.119 --> 00:55:26.860 guy. Oh, that's cool. Yeah. Yeah. And I mean, 00:55:26.860 --> 00:55:28.360 you think about like that when they're driving 00:55:28.360 --> 00:55:31.099 El Rey's truck, you know, to escape towards the 00:55:31.099 --> 00:55:33.219 end. And it's just like. People getting slammed 00:55:33.219 --> 00:55:35.360 by it and turning into balloons. Does he call 00:55:35.360 --> 00:55:37.840 it the killdozer? He does. He does at one point. 00:55:38.300 --> 00:55:42.280 Oh, the helicopter. The helicopter is what I 00:55:42.280 --> 00:55:44.820 was going to mention. That was awesome. Also, 00:55:44.880 --> 00:55:49.880 that's not how physics work. No. No. The minibike. 00:55:49.920 --> 00:55:51.800 Did we need the minibike? Oh, my God. Was there 00:55:51.800 --> 00:55:53.619 a payoff to the minibike? Oh, my God. I don't 00:55:53.619 --> 00:55:55.679 care. No, it was amazing. Just seeing him with 00:55:55.679 --> 00:55:58.860 his legs splayed out in silhouette was incredible. 00:55:58.860 --> 00:56:02.760 Doing the wheelie as he rides off. uh that's 00:56:02.760 --> 00:56:04.800 just like that's the kind of fun that i got from 00:56:04.800 --> 00:56:07.019 that one that like i wanted both of them to have 00:56:07.019 --> 00:56:09.659 more of well planet terror is definitely like 00:56:09.659 --> 00:56:14.480 a a whole uh yeah horror comedy or whatever uh 00:56:14.480 --> 00:56:18.159 the comedy aspect is ingrained in it it's intentional 00:56:18.159 --> 00:56:20.900 and it's meant to be there and yeah yeah i would 00:56:20.900 --> 00:56:23.699 much rather watch planet terror over death proof 00:56:23.699 --> 00:56:27.960 um no that's fine Yeah, I know. My vote doesn't 00:56:27.960 --> 00:56:30.340 count. I think what I've learned from this episode 00:56:30.340 --> 00:56:33.280 is I don't really care for either of these directors 00:56:33.280 --> 00:56:38.539 at this point in my life. Fair. So I don't remember 00:56:38.539 --> 00:56:40.059 who it was. Somebody was talking about how terrible 00:56:40.059 --> 00:56:42.460 it is watching good actors be bad actors. It 00:56:42.460 --> 00:56:47.579 was Sean. Yeah. I really enjoyed it. I like when 00:56:47.579 --> 00:56:50.760 I can see intentionality behind art and like 00:56:50.760 --> 00:56:53.949 watching these people clearly have. a blast being 00:56:53.949 --> 00:56:57.210 bad actors like it was just fun for me it was 00:56:57.210 --> 00:57:00.449 like watching um like a band on stage that's 00:57:00.449 --> 00:57:02.789 clearly having fun kind of thing i don't know 00:57:02.789 --> 00:57:05.690 it just gives me the warm and warm fuzzies you 00:57:05.690 --> 00:57:07.929 know i think back to some of my favorite low 00:57:07.929 --> 00:57:13.699 budget like films ice pirates You have a couple 00:57:13.699 --> 00:57:15.679 of people who went on to do great things, but 00:57:15.679 --> 00:57:18.019 you have like the main guy. I have no idea who 00:57:18.019 --> 00:57:20.340 the main guy is and he hams it up and he's cheesy 00:57:20.340 --> 00:57:21.940 and you know, he's trying his fucking hardest 00:57:21.940 --> 00:57:24.539 and that's why it works. See, I don't like that. 00:57:24.639 --> 00:57:27.559 As opposed to Bruce Willis being like, just kind 00:57:27.559 --> 00:57:30.500 of trying to act bad. And I'm just like, this 00:57:30.500 --> 00:57:34.000 is just weird and just stilted in a way that 00:57:34.000 --> 00:57:37.659 isn't authentic and doesn't like, it just seems 00:57:37.659 --> 00:57:42.110 a little try hard to be bad. Yeah, I don't know. 00:57:42.250 --> 00:57:44.210 I the Bruce Willis of it is hard because I think 00:57:44.210 --> 00:57:46.449 he's actually just kind of a shitty actor. But 00:57:46.449 --> 00:57:50.389 I literally turned to Marcy as we were watching 00:57:50.389 --> 00:57:52.789 this and I was like, I miss Bruce Willis. Yeah, 00:57:52.929 --> 00:57:55.230 me too. I mean, the classics are the classics, 00:57:55.289 --> 00:57:57.710 but like beyond the classics, it's like it's 00:57:57.710 --> 00:58:00.349 a bunch of dog shit. Yeah. Well, I was just kind 00:58:00.349 --> 00:58:01.849 of also thinking about just kind of like what 00:58:01.849 --> 00:58:03.849 went down with them, you know? Oh, totally. No, 00:58:03.889 --> 00:58:06.449 it's very sad. I mean, so much of his later output 00:58:06.449 --> 00:58:08.469 was just to try and make money for his family 00:58:08.469 --> 00:58:10.730 because he knew he was on borrowed time. Well, 00:58:10.769 --> 00:58:13.989 let's end on that beautiful high note. We miss 00:58:13.989 --> 00:58:17.429 you, Bruce Willis. Yeah, we love you. If you 00:58:17.429 --> 00:58:18.809 ever hear me say this, you're going to forget 00:58:18.809 --> 00:58:26.150 it immediately. Oh, I made myself sad. I know. 00:58:26.630 --> 00:58:28.989 Next up, we got Astro Boy, which I have never 00:58:28.989 --> 00:58:31.250 seen before, so I'm kind of interested in this. 00:58:31.409 --> 00:58:34.070 One of you watch like the old school like anime. 00:58:34.250 --> 00:58:36.059 Oh, yeah, we'll check some out. You know, I want 00:58:36.059 --> 00:58:37.960 to see some of it, like the inspiration behind 00:58:37.960 --> 00:58:43.500 a weird full 3D movie. Like why? Why Nick Cage 00:58:43.500 --> 00:58:46.820 is the dad creator? We will find out. This is 00:58:46.820 --> 00:58:48.920 my friend Tiffany's like favorite Nick Cage movie. 00:58:49.099 --> 00:58:50.760 So I'm excited. She's talked this up to me, so 00:58:50.760 --> 00:58:54.440 I'm excited to see it. It'll be great. So, yeah, 00:58:54.440 --> 00:58:56.659 thanks to our sparkle buddies, Josh, Josie, Matt, 00:58:56.840 --> 00:58:59.019 Adam, Bill, Stuart and Willow. And to our cage 00:58:59.019 --> 00:59:02.599 dancers, John. Hi. And Freeman, Nathan and Cameron. 00:59:02.699 --> 00:59:05.389 I paid to be here. That's true. You have. You've 00:59:05.389 --> 00:59:08.030 earned it. You've earned it by paying us. And 00:59:08.030 --> 00:59:10.590 a special thanks to our for our intro music to 00:59:10.590 --> 00:59:12.809 Bill Panks. And thank you all for listening. 00:59:12.969 --> 00:59:17.210 And we'll be back in two weeks for more antics.