WEBVTT

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Oh God. Do we need to like pre -quote with each

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other real quick? No. always like when we ended

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up with the same quotes so okay perfect there

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aren't a lot of nicholas cage quotes and i'm

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pretty sure i got mine wrong i didn't pick a

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nick yeah no neither did i so oh okay i did pick

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a nicholas cage quote oh good then you're you're

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in really good shape how many n words were in

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it yeah did he say yeah yeah yeah that no my

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quote is just that just that word there's a whole

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lot of fucking epithets in this uh i'm gonna

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have to quack myself on that yeah you've already

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recorded it my first quacking of myself oh it

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took season until season three i feel pretty

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good about that you know coward yeah well i probably

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said worse shit and then just cut myself out

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so don't worry yeah and then some guy stole that

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laptop and now has all of that raw audio yeah

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oh that audio is so raw yeah if there's any like

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weird shit that anyone hears from me on the internet

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That's definitely from some other guy. It's a

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deep fake for sure. Yeah. Somebody took all the

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evidence from our podcast and stitched together

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words. It's the best way to do it. So how do

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you guys feel about tap dancing? I'm pro. I was

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in a show one time in high school. It was anything

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goes. Oh, yeah. Yeah. I was playing the I can't

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remember the guy's name, the cuck, basically,

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which was good. But like I had to learn a little

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bit of tap dancing for that. And I don't know

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if you know, but I'm really hard to like force

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to learn things or do anything. Hadn't noticed.

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So like making me learn how to tap dance. Like

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I, I went to like three classes and I was like,

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this is bullshit. I don't need to tap dance.

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And then it's like during the show, it's like,

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yeah, you're going to tap dancer in this. No,

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we're like, fuck. did they just give you soft

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shoes and then they put tap sounds over it no

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i i learned to do the little bits of like i was

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background time i wasn't like fair enough yeah

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you were the cuck you were in the cuck chair

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yeah i was like look i'm so excited it's a musical

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and i'm a non -singing character let's go that

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far that is my energy but i got i had a cool

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workout scene where i had one of those like uh

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one piece workout uniforms yeah yeah and uh i

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did some like super manly lifts and lunges nice

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there's uh i think it was for season three or

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season four of new girl uh they did like a little

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musical like short thing and during rehearsal

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like jake johnson would just be in the back like

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pretending to like do the moves yeah the director

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be like you got the shake he's like got it so

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when they went to film it he didn't actually

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know how to do any of it. So in the final cut,

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he's just like flailing because he's never bothered

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to learn it. I mean, that show is gold. If you

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fake shit hard enough, you know, that show is

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really gold. What a good show. Yeah. One of the

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few like serialized shows that I've watched that

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I really enjoy. Yeah. So when I'm just going

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to give you one more. I'm your host, Sean. See

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you in the next part. you're my co -host okay

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next next part so i was leaving the bar today

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and like right as i got in my car i got a text

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like um hayden's ex -girlfriend alert and i'm

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like fuck and i'm like thinking is this the day

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that i miss a recording because Because I have

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to go back inside and meet one of Hayden's exes

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and talk to them. And you guys would have been

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fine with that, right? If I ditched out. If you

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continue to troll on Hayden. Yeah, I would have

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probably respected that. I mean, we everybody's

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had one absence except me. I'm allowed one. You

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got to make it a good one. That would be a great

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one. Dunk on our boy. That's pretty good. Yeah,

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that is pretty good. Sorry, Hayden. Yeah. Long

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story short. Yeah, it was really hard for me

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not to engage in a text conversation while driving

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over here. I'm just getting texts of like, as

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I was leaving, I was like the one in the sports

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bra. And that just set things off. And I wasn't

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sure it was not the one in the sports bra. Wait,

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was that a new one? What? No, that was just somebody

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who is walking in as I was walking out. Oh, sorry.

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I'm just naming the only woman I noticed in the

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bar as I left. I see. That wasn't one of our

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immediate friends who I know has not touched

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Hayden's penis. Do we know that anyone has? We

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know one person has. Are you talking about a

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parent when she was a child? Yeah, Susie. Hayden

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doesn't ever listen to this podcast, so he can't

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get mad at that joke. That's true. That's true.

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Hayden's got a hot mom. But to be honest, I'd

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Greco -Roman wrestle his dad any day. like just

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for funsies yeah just all greased up what was

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that movie was it the ladies man where at the

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end there's like a will ferrell wrestling like

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baby oil scene oh man i have no idea i think

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it was the ladies man somebody in the comments

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please tell me what movie i'm thinking about

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i cannot which oiled up will ferrell movie is

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referring to also he's nick yeah yeah and my

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co -host And our producer. Hi, I'm Peter. And

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in this podcast, we sometimes talk about Nicolas

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Cage movies. Not this week. He's in it, but it's

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not his film. It's tough, these early phase movies,

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because he really is not a feature. Well, he's

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got more of a character in this, at least. Totally.

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Like, he is actually a featured actor. Yes. Among

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fucking 50. Oh, he's got a great cast. Sorry,

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Sean, we're just going to. Yeah, you're getting

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steamrolled. No, I was going to say, this is

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the first time we've really seen him seeing that

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like budging of that budding of that character

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actor we've come to love so well. Totally. That

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was that was my one critique of this entire thing.

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Let me get right to the Nick Cage judgment. Also,

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we're talking about Cotton Club. It felt like

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proto Nick Cage and he was just sort of like

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kicking the tires. Yeah. And, you know, didn't

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have enough time to really like do his thing.

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And I wanted more. Yeah. You know, at this point,

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how much more do you think Francis Ford Coppola

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was going to give his young nephew and his first

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like featured role? Well, no, because he had

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Valley Girl already. Yeah. Right. Yeah. Valley

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Girl came out. And then he gave him Peggy Sue

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after this. So like it's not like he quit. Yeah.

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But it's not like he liked Cage's decision making

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skills in Peggy Sue. So like. I'm sure there

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was a little more control by Coppola and a little

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less willingness to explore from Cage. So I think

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it was a little both. Yeah, that's probably right.

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But he had a pretty straightforward role. He

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played the brother of Richard Gere. Yeah, Richard

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Gere. Dixie Dwyer. I liked. Richard Gere's creep

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-ass mustache. I love a pencil mustache. It was

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really working for me. I don't know why. And

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like Cage also has kind of a shitty like creeper

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stache, but Gere's is real on point. It was a

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good time for that. Everybody looks like John

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Waters. This is a proper period piece of like

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the late 1920s, early 1930s because we get Nick

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Cage, high -waisted pants, suspenders, no shirt.

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Oh, yeah. I thought you were going to say unabashed

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N -words. Well, that too is of an era. You guys

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made it seem like there were so many more. There

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are like six. There's a lot in there. There's

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not. When I'm not watching a Tarantino film,

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more than one set of phalanges worth of N -words.

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It's more than I'm accustomed to in a day. Yeah.

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Larry Fishburne dropped like. Larry, it's it's

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the white people ones that are the harder ones.

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And you're right. There's only about six of those,

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but you add them all together. Those are the

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hard are ones. Yeah, that's true. I do like how

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they beat the shit out of that one bouncer, though.

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Oh, yeah. Which is to say Lawrence Fishburne's

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character beats up a white guy who was a real

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piece of shit. Yeah. OK, so this is so we already

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you already told us what like you wanted more

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of from this film, which is more cage. I wanted

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more of. Any fucking narrative in this film,

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because there's like three or four through lines

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that all just kind of are happening around each

00:09:09.529 --> 00:09:13.690
other. Yeah. But there's no there's no real build

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to anything because to the Fishburne bathroom

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beating. That starts off because, oh, God, I

00:09:20.870 --> 00:09:23.289
have IMDb open up here because there's this.

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It's a pretty decent, pretty spectacular cast.

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Gregory Hines, his characters, and he's a dancer.

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He's a tap dancer. He's a featured artist at

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the Cotton Club. Yes. He's in love with a singer.

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And like the stage director keeps telling him,

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like, keep your hands off the merchandise. And

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like, you know, kind of roughs him up a bit.

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So Gregory Hines, a Sandman's like, I'm gonna

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kill him. I'm gonna kill him. And gets Fishburne,

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who is a gangster to like deal with it. Well,

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he's a pimp. Yeah. Bumpy roads. Yeah. Years pass.

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And that dealing with it is. A bathroom beating

00:10:00.740 --> 00:10:06.799
many years later, which is fairly large for this

00:10:06.799 --> 00:10:10.080
Jim Crow era. Yeah, I mean, that's a pretty bold

00:10:10.080 --> 00:10:12.860
ass move. Yeah. I mean, considering people are

00:10:12.860 --> 00:10:14.860
getting like shot down into the street in this

00:10:14.860 --> 00:10:18.139
movie. I mean, they did make him like lick the

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toilet and swirled him. Oh, yeah, they swirled

00:10:20.379 --> 00:10:23.940
him real good. Pretty power move. You're right.

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This movie could have had a much tighter. It's

00:10:29.519 --> 00:10:31.879
two hours and like eight minutes or something

00:10:31.879 --> 00:10:35.500
like that. And it feels like four. I mean, it

00:10:35.500 --> 00:10:38.159
feels lengthy. You feel every minute and maybe

00:10:38.159 --> 00:10:41.320
a few extra. They could tighten the script up.

00:10:41.539 --> 00:10:45.820
They could define some of these stories that

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are in it. It is pretty central about Dwyer and

00:10:48.919 --> 00:10:55.240
Vera and their relationship with Dutch the gangster.

00:10:55.559 --> 00:10:59.240
Yeah. And Oni. Yeah. Played by Hoskins, Bob Hoskins.

00:10:59.320 --> 00:11:02.500
Yeah. Fucking great role. He's like such a lovable

00:11:02.500 --> 00:11:04.720
guy until he's like, I will chop your head off.

00:11:04.759 --> 00:11:07.200
And you're like, you will. Yeah, that's fair.

00:11:07.360 --> 00:11:11.059
I get it. Yeah, I don't know. Like to try and

00:11:11.059 --> 00:11:12.779
summarize this is tough because you're right.

00:11:12.820 --> 00:11:14.940
There are sort of like a couple different arcs.

00:11:14.940 --> 00:11:17.000
And the only ones that really matter are Dixie

00:11:17.000 --> 00:11:21.240
and Vera kind of tangentially to that. And then

00:11:21.240 --> 00:11:24.200
Sandman, right? Yeah. Well, I mean, let's just.

00:11:24.730 --> 00:11:27.629
The major arcs are, say, like the Dixie and the

00:11:27.629 --> 00:11:31.289
Sandman arcs. And Cage's character is involved

00:11:31.289 --> 00:11:35.710
with the Dixie Dwyer story. Right. Brothers.

00:11:35.750 --> 00:11:39.049
Not so much in the Sandman story. Also, hey,

00:11:39.110 --> 00:11:41.070
we've got two pairs of brothers here. Oh, yeah.

00:11:41.070 --> 00:11:44.970
Because Sandman's brother, who is also Gregory

00:11:44.970 --> 00:11:49.029
Hines's real brother, is in the movie. Yeah.

00:11:49.289 --> 00:11:51.889
And they're dance partners. So two brother stories.

00:11:52.230 --> 00:11:56.679
Until. Until Sandman betrays him. Hey, they get

00:11:56.679 --> 00:11:58.919
tight again. Yeah, the kiss of fame, man. Yeah.

00:11:59.799 --> 00:12:02.379
And then an actual brotherly kiss on the lips

00:12:02.379 --> 00:12:05.580
later. Yeah, they really got all three. Yeah.

00:12:06.320 --> 00:12:09.480
Brother loving. No, I liked their characters

00:12:09.480 --> 00:12:12.919
actually a lot. One, I like dancing and tap dancing

00:12:12.919 --> 00:12:16.200
was cool. I also think that that era is really

00:12:16.200 --> 00:12:19.379
impressive what they were doing. You know, having

00:12:19.379 --> 00:12:22.480
to perform for a shit ton of white people. Probably

00:12:22.480 --> 00:12:26.100
not great. yeah um especially white people like

00:12:26.100 --> 00:12:29.320
nicholas cage who heckle you as you as he walks

00:12:29.320 --> 00:12:31.940
to his shitty table yeah he's a piece of shit

00:12:31.940 --> 00:12:36.500
yeah he was i will say taking that aspect out

00:12:36.500 --> 00:12:40.059
of the era just the nightclubs the old nightclub

00:12:40.059 --> 00:12:43.679
scene though is so fascinating because like now

00:12:43.679 --> 00:12:45.679
if i want to see live music i gotta buy tickets

00:12:45.679 --> 00:12:49.740
three months out to go see a show i want whereas

00:12:49.740 --> 00:12:53.259
before the you know advent of The Internet. It

00:12:53.259 --> 00:12:55.940
was local. It was always locals only. Yeah, it

00:12:55.940 --> 00:12:58.860
was locals only. You went and saw people you

00:12:58.860 --> 00:13:01.740
knew like it was like a community. And that's

00:13:01.740 --> 00:13:04.600
what culture was. And I don't know. I was like,

00:13:04.620 --> 00:13:08.240
oh, that's cool. I wish we had that. Yeah. And

00:13:08.240 --> 00:13:10.500
more commonly, it was you go to the club you

00:13:10.500 --> 00:13:13.179
go to and who's performing is who's performing.

00:13:14.480 --> 00:13:17.019
You're not even following like a marquee. Right.

00:13:17.120 --> 00:13:22.399
Yeah. I mean, so this is like. partially a love

00:13:22.399 --> 00:13:25.139
letter to like the actual cotton club you know

00:13:25.139 --> 00:13:30.299
it's somewhat historical drama i don't know how

00:13:30.299 --> 00:13:32.620
much of the characters are based on real people

00:13:32.620 --> 00:13:36.000
other than like you know cab calloway's like

00:13:36.000 --> 00:13:38.720
they have cab calloway on stage at one point

00:13:38.720 --> 00:13:41.259
charlie chaplin is like in the audience and yeah

00:13:41.259 --> 00:13:46.740
yeah he does his little potato dance yeah yeah

00:13:46.740 --> 00:13:50.639
classic um was there's no other way you would

00:13:50.639 --> 00:13:53.519
recognize that no fucking hitler's here too that's

00:13:53.519 --> 00:13:55.539
cool they didn't even give him the stash yeah

00:13:55.539 --> 00:13:58.720
he was the 30s he was still an okay he was an

00:13:58.720 --> 00:14:01.720
artist that's right yeah the like but the basic

00:14:01.720 --> 00:14:05.519
premise of the film is you know there is a looming

00:14:05.519 --> 00:14:10.240
potential dang war tension uh richard gare's

00:14:10.240 --> 00:14:15.899
character dixie is a musician just trying to

00:14:15.899 --> 00:14:19.480
like make his Get his big break and accidentally

00:14:19.480 --> 00:14:24.659
winds up saving Dutch, a gangster, from an assassination

00:14:24.659 --> 00:14:27.899
attempt and becomes kind of his driver, his go

00:14:27.899 --> 00:14:31.259
to man, like at, you know, on pain of death.

00:14:31.679 --> 00:14:33.659
That doesn't seem to matter very long because

00:14:33.659 --> 00:14:36.039
he gets out and I don't know, then it kind of

00:14:36.039 --> 00:14:39.840
just loses the plot. The last 45 minutes picks

00:14:39.840 --> 00:14:42.350
up, but like. There's a whole bit in the middle

00:14:42.350 --> 00:14:45.070
where he goes off to Hollywood. The second act

00:14:45.070 --> 00:14:50.309
is very much less of a Dixie Dwyer story as that's,

00:14:50.350 --> 00:14:53.009
I think where it picks up more of the Sandman

00:14:53.009 --> 00:14:56.429
story. Like the second act is where both characters

00:14:56.429 --> 00:15:00.909
kind of get into their, their big moment and

00:15:00.909 --> 00:15:04.070
Dixie, he leaves for Hollywood, but Sandman,

00:15:04.070 --> 00:15:08.230
he gets into like his solo career. So it stays

00:15:08.230 --> 00:15:12.360
local with him. While Dixie goes out and then

00:15:12.360 --> 00:15:14.620
as Sandman and his brother make up in the third

00:15:14.620 --> 00:15:18.159
act, Dixie comes back and resolves his story.

00:15:18.299 --> 00:15:21.220
That's kind of how I took it or where I would

00:15:21.220 --> 00:15:24.980
address that. I did like when the mobsters are

00:15:24.980 --> 00:15:27.440
like evaluating if Dixie's a good candidate to

00:15:27.440 --> 00:15:30.299
go to Hollywood. They're like. He's a terrible

00:15:30.299 --> 00:15:32.700
actor, but he doesn't look like a fruit. Yeah.

00:15:32.779 --> 00:15:36.899
Yeah. He's not a fruit or a commie. But like,

00:15:36.919 --> 00:15:40.059
I'm not quite sure why, like why Hoskins sends

00:15:40.059 --> 00:15:42.220
him to Hollywood. Like he does it as a favor

00:15:42.220 --> 00:15:46.240
to get him out of from under Dutch. Yeah. But

00:15:46.240 --> 00:15:48.860
I don't understand why. Hoskins is a sweetheart.

00:15:48.960 --> 00:15:50.580
I mean, everybody seems to actually really like

00:15:50.580 --> 00:15:52.879
his character. I mean, he's a piece of shit and

00:15:52.879 --> 00:15:55.480
he's a bad guy, but he's also like kind of doing

00:15:55.480 --> 00:16:00.269
good stuff. I, this movie has such a wild swing

00:16:00.269 --> 00:16:05.389
in the third act because the first act is gangland

00:16:05.389 --> 00:16:09.730
mobster film. The second act's more about like

00:16:09.730 --> 00:16:14.409
backstage drama at these clubs, competing clubs.

00:16:14.570 --> 00:16:16.649
And the third act just leans right into kind

00:16:16.649 --> 00:16:19.970
of some magical realism and breaks like the fourth

00:16:19.970 --> 00:16:23.629
wall breaks like a wall between like this, what's

00:16:23.629 --> 00:16:25.370
happening on stage and like what's happening.

00:16:25.960 --> 00:16:29.240
in like people's lives and it ends with like

00:16:29.240 --> 00:16:34.279
a really weird kind of like staged so wave to

00:16:34.279 --> 00:16:37.220
the camera yeah the ending is super weird i loved

00:16:37.220 --> 00:16:39.740
it i loved the end of this movie like the last

00:16:39.740 --> 00:16:42.340
the last 20 minutes of this movie i was riveted

00:16:42.340 --> 00:16:44.620
i think that was part of my problem with this

00:16:44.620 --> 00:16:47.679
is like i had a really really hard time i just

00:16:47.679 --> 00:16:51.980
was distracted a lot by like literally anything

00:16:51.980 --> 00:16:54.759
else other than the movie even though i was really

00:16:54.759 --> 00:16:57.500
enjoying it like the music was great the acting

00:16:57.500 --> 00:17:00.419
i think is pretty solid the cast is amazing i

00:17:00.419 --> 00:17:02.840
think the directing was pretty good there's really

00:17:02.840 --> 00:17:04.920
good moments of writing like there's some good

00:17:04.920 --> 00:17:07.759
character interactions yeah but yeah like i couldn't

00:17:07.759 --> 00:17:12.240
i wasn't captured ever i i was able to just let

00:17:12.240 --> 00:17:16.640
this movie kind of play out and yeah i was really

00:17:16.640 --> 00:17:20.220
enjoying elements of it like throughout i really

00:17:20.220 --> 00:17:25.039
enjoy this movie uh to be frank. Um, but yeah,

00:17:25.119 --> 00:17:27.000
if, if something came up and I looked at my phone,

00:17:27.059 --> 00:17:28.819
I was like, okay, that's fine. I'm not going

00:17:28.819 --> 00:17:31.240
to miss, like, they're not making like split

00:17:31.240 --> 00:17:33.640
second, like character moments. It's the movie's

00:17:33.640 --> 00:17:36.700
long enough. Like all development happens in

00:17:36.700 --> 00:17:39.140
a span of time. Yeah. It's not like, Oh, and

00:17:39.140 --> 00:17:42.400
this happened. So I missed a, a beat in the film.

00:17:42.740 --> 00:17:45.220
I was able to just be like, Oh, okay. Like I'm

00:17:45.220 --> 00:17:49.900
enjoying and just experiencing the film in my

00:17:49.900 --> 00:17:52.009
day. We don't have to say where you pirated your

00:17:52.009 --> 00:17:57.450
film, but was your audio super fucked up? No,

00:17:57.750 --> 00:18:01.589
mine was OK. OK, mine was fine. It was like very

00:18:01.589 --> 00:18:05.730
delayed. So that also threw me off. I had a problem

00:18:05.730 --> 00:18:09.069
with the subtitles originally. And as soon as

00:18:09.069 --> 00:18:11.490
we were like these subtitles, like what's going

00:18:11.490 --> 00:18:14.009
on? Because it looked like they were just mentally

00:18:14.009 --> 00:18:16.609
speaking to each other, like Dixie and Vera at

00:18:16.609 --> 00:18:20.019
one point. Nice. And then like. A whole scene

00:18:20.019 --> 00:18:22.779
later, this dialogue starts to happen. It's like,

00:18:22.839 --> 00:18:25.140
oh, OK, no fucking shut the subtitles. Everything

00:18:25.140 --> 00:18:28.420
is fucked on these. I'll struggle. I'll use my

00:18:28.420 --> 00:18:32.779
ears like God intended. I also had no subtitles.

00:18:33.019 --> 00:18:38.640
Yeah, it's fine. But my audio is OK. Mine had

00:18:38.640 --> 00:18:41.220
subtitles, but they would come and go like they

00:18:41.220 --> 00:18:44.839
would just turn themselves off. Cool. Yeah, I

00:18:44.839 --> 00:18:47.539
just manually turn them off. I took control of

00:18:47.539 --> 00:18:50.650
that situation. So, OK, the cast of characters

00:18:50.650 --> 00:18:53.930
is great, right? Like everyone is good. Fishburn's

00:18:53.930 --> 00:18:57.109
in there. Diane Lane, super hot as usual. Like

00:18:57.109 --> 00:18:59.529
I liked her as a brunette. I liked her as a blonde.

00:18:59.730 --> 00:19:04.109
She was a good like flapper era type person.

00:19:04.109 --> 00:19:06.950
Tom Waits again. Tom Waits was back in there.

00:19:06.970 --> 00:19:09.930
I like to scratch his voice. I had to go back

00:19:09.930 --> 00:19:12.289
and ask Josie where Tom Waits was because I never

00:19:12.289 --> 00:19:15.170
recognize his face, even though we just saw him

00:19:15.170 --> 00:19:17.500
in the last film, too. Well, he looks really

00:19:17.500 --> 00:19:20.359
different as Benny. Yeah. And this was a very

00:19:20.359 --> 00:19:23.500
quick scene. Yeah. Yeah. But this is also the

00:19:23.500 --> 00:19:25.640
least Tom Waits I feel like Tom Waits has ever

00:19:25.640 --> 00:19:28.619
looked. Probably true. Yeah. I mean, the most

00:19:28.619 --> 00:19:32.200
Tom Waits is probably... Rumblefish? Oh, that

00:19:32.200 --> 00:19:36.420
superhero. No. The superhero movie. Mystery Man.

00:19:36.599 --> 00:19:40.660
Oh, yeah. Mystery Man. But one of my favorites

00:19:40.660 --> 00:19:43.259
was probably fucking Frenchie. Oh, Frenchie's

00:19:43.259 --> 00:19:45.339
my favorite, dude. Frenchie's such a good character

00:19:45.339 --> 00:19:47.900
just in general. And then, like, the fact that

00:19:47.900 --> 00:19:51.160
that was Herman Munster is awesome. Like, yeah.

00:19:51.480 --> 00:19:54.440
I think that was the best written, best acted.

00:19:54.440 --> 00:19:57.559
Yeah, he was Herman Munster. He's Fred Gwynn.

00:19:57.579 --> 00:20:01.839
Oh, I love that so much. Yeah, he stole the show

00:20:01.839 --> 00:20:05.680
every time he was on the scene. Well, there's...

00:20:05.900 --> 00:20:07.799
There's this whole weird scene, and this goes

00:20:07.799 --> 00:20:09.900
to my whole, like, how disjointed this film is.

00:20:10.039 --> 00:20:12.079
There's a scene with him and Hoskins where he

00:20:12.079 --> 00:20:15.519
gets, Frenchie gets kidnapped by Nick Cage. For

00:20:15.519 --> 00:20:18.799
reasons? Hoskins pays for ransom, just for ransom,

00:20:18.880 --> 00:20:22.920
for $50 ,000. Cage felt like he was owed. Yeah,

00:20:22.940 --> 00:20:26.880
and, like, Frenchie gets back, you know, and

00:20:26.880 --> 00:20:29.099
starts giving Hoskins shit for, like, only paying

00:20:29.099 --> 00:20:31.940
$500 ransom and, like, breaks Hoskins' watch.

00:20:32.599 --> 00:20:34.759
And then I was like, I paid fifty thousand. And

00:20:34.759 --> 00:20:36.779
then Frenchie gives him a gift and it's a new,

00:20:36.920 --> 00:20:40.920
better watch. So it was just a joke. Yeah, dude,

00:20:41.019 --> 00:20:43.160
I fucking love that. That's probably one of my

00:20:43.160 --> 00:20:45.680
favorite scenes in the film. It was a great scene.

00:20:45.920 --> 00:20:48.119
He just shows up and he's like, you know what?

00:20:48.180 --> 00:20:50.940
I got this boy of mine. I'm a troll him. Like,

00:20:51.000 --> 00:20:54.339
yes, I was just taken hostage and I know my dude

00:20:54.339 --> 00:20:58.180
paid fifty grand for me. I'm going to come in

00:20:58.180 --> 00:21:00.440
hot. I'm going to accuse him of shortchanging

00:21:00.440 --> 00:21:03.849
my life. I'm going to destroy his property, but

00:21:03.849 --> 00:21:06.869
I'm going to replace it with something like leaps

00:21:06.869 --> 00:21:08.730
and bounds better because I know he just shelled

00:21:08.730 --> 00:21:12.089
out shit tons of money for my life. So he's getting

00:21:12.089 --> 00:21:16.670
from my heart like a thank you, dude. Great scene.

00:21:16.829 --> 00:21:18.829
Not saying it's not a great scene. It's hilarious.

00:21:19.410 --> 00:21:23.849
It's weird structurally in a narrative. everything

00:21:23.849 --> 00:21:27.529
yes i think every frenchie scene exists kind

00:21:27.529 --> 00:21:30.650
of in its own story like it's its own movie yeah

00:21:30.650 --> 00:21:34.369
he does not he like he barely fits into this

00:21:34.369 --> 00:21:36.769
film and i love it he's just a giant kind of

00:21:36.769 --> 00:21:39.650
intimidating dude who talks a little he looks

00:21:39.650 --> 00:21:41.589
like a fucking frankenstein yeah it's like there's

00:21:41.589 --> 00:21:45.390
a reason he was herman munster and his name is

00:21:45.390 --> 00:21:50.000
frenchie and he He's just kind of like your goofball

00:21:50.000 --> 00:21:53.859
comedy element to a movie that never asked for

00:21:53.859 --> 00:21:56.619
a goofball comedy. That was what that's my quote,

00:21:56.660 --> 00:21:59.039
though, was someone says, what about your nickname?

00:21:59.359 --> 00:22:01.359
Frenchie? He says, that's different. I'm trustworthy.

00:22:02.240 --> 00:22:05.680
That's my quote, too. Yeah, because Frenchie

00:22:05.680 --> 00:22:09.259
doesn't trust anyone with a nickname. Yeah. Since

00:22:09.259 --> 00:22:12.359
you guys both gave your quote, I just want to

00:22:12.359 --> 00:22:14.859
give mine, which is just when they get to the

00:22:14.859 --> 00:22:17.779
comic book for the first time. You can't do that,

00:22:17.799 --> 00:22:21.039
Sean. All right, go ahead. Take a fresh one on

00:22:21.039 --> 00:22:23.859
that. Nicolas Cage is just hollering at the dancers

00:22:23.859 --> 00:22:26.539
and he says, look at the rump on that one. Just

00:22:26.539 --> 00:22:29.579
because I love the word rump. I love colloquialisms

00:22:29.579 --> 00:22:36.519
for butt. Yeah, that is good. He was so awkward

00:22:36.519 --> 00:22:39.920
going back to their table, like standing by the

00:22:39.920 --> 00:22:43.079
stage and like hollering at all the dancers where

00:22:43.079 --> 00:22:45.880
like. Clearly nobody else does that at this club.

00:22:46.000 --> 00:22:49.839
Yeah. You could see their outsider isms kind

00:22:49.839 --> 00:22:53.339
of really showing in that sort of thing. I mean,

00:22:53.339 --> 00:22:55.880
seeing as this isn't a cage podcast, we should

00:22:55.880 --> 00:22:58.839
like talk about what he does in this film. So

00:22:58.839 --> 00:23:01.900
he plays Dixie's brother who wants to be a gangster,

00:23:01.920 --> 00:23:05.319
like wants to get in with Dutch and uses Dixie's

00:23:05.319 --> 00:23:09.220
like random happenstance of meeting Dutch to

00:23:09.220 --> 00:23:12.849
like get on the payroll. He's just gotten married

00:23:12.849 --> 00:23:18.250
to Jennifer Gray of Ferris Bueller fame. Cool.

00:23:19.269 --> 00:23:22.970
And then disappears for a good chunk of the movie,

00:23:23.069 --> 00:23:28.430
then comes back demanding like a bigger take

00:23:28.430 --> 00:23:30.910
to be like a partner, you know? Yeah, you see

00:23:30.910 --> 00:23:32.869
him every once in a while and he's kind of just

00:23:32.869 --> 00:23:35.589
muscle. So you see like his muscle and he's like,

00:23:35.670 --> 00:23:38.809
oh, I need more money because he shot some people.

00:23:38.910 --> 00:23:42.920
So he's like. there's a little bit of reasoning

00:23:42.920 --> 00:23:45.240
for why he's coming back for more i mean i i

00:23:45.240 --> 00:23:47.400
knew he was in the background but like you know

00:23:47.400 --> 00:23:50.259
like he's not yeah but our listeners don't watch

00:23:50.259 --> 00:23:53.799
these movies and we barely describe what happens

00:23:53.799 --> 00:23:57.779
in these films we kind of do sometimes it's better

00:23:57.779 --> 00:23:59.740
when we have a guest that we can make do it oh

00:23:59.740 --> 00:24:03.079
man yeah they talk good they talk pretty someday

00:24:03.079 --> 00:24:07.319
uh but then you know nick cage's little sidekick

00:24:07.319 --> 00:24:12.289
gets killed so he has his boys mow down that

00:24:12.289 --> 00:24:14.730
guy, mow down Frenchie's, like, not Frenchie,

00:24:14.750 --> 00:24:18.450
Dutch's right -hand man. Couple kids get killed.

00:24:18.589 --> 00:24:20.650
I was like, holy shit, they killed kids. Oh,

00:24:20.650 --> 00:24:24.769
yeah. Oh, one of those kids, Sofia Coppola. Oh,

00:24:24.809 --> 00:24:28.230
tight. Yeah, Josie was, we think it is. Yeah,

00:24:28.369 --> 00:24:33.230
she was listed in the credits for, like, Corpse

00:24:33.230 --> 00:24:35.210
Girl on Street or something like that. She's

00:24:35.210 --> 00:24:37.250
the one who sold an apple. Yeah. She didn't get

00:24:37.250 --> 00:24:40.480
shot. Oh, maybe. Maybe she got shot. Wait, OK,

00:24:40.579 --> 00:24:42.119
so here's where I got really confused with this

00:24:42.119 --> 00:24:45.579
movie. So Cage's buddy gets killed. I got that

00:24:45.579 --> 00:24:49.980
part. OK, that was Bob Hoskins, man, who did

00:24:49.980 --> 00:24:52.759
it. Or was that Dutch's man who was Dutch's man?

00:24:53.299 --> 00:24:57.319
But he works for Dutch. Yeah, but he was clearly

00:24:57.319 --> 00:25:00.700
not in Dutch's favor, especially after he crumpled

00:25:00.700 --> 00:25:02.940
up the hundred and fifty and threw it back at

00:25:02.940 --> 00:25:06.960
him. And I was going to get a psycho. So then

00:25:06.960 --> 00:25:10.819
he he kills that dude. But then steals Frenchie.

00:25:11.220 --> 00:25:13.319
Yeah. Why? Why wouldn't you keep fucking with?

00:25:13.460 --> 00:25:15.559
But that's a different dude. Frenchie doesn't

00:25:15.559 --> 00:25:18.119
work for Dutch. It was about the money. He's

00:25:18.119 --> 00:25:20.200
a he just wants to be a gangster. That's all

00:25:20.200 --> 00:25:23.859
it is. He's not smart. He's dumb. Yeah, he was

00:25:23.859 --> 00:25:26.460
a dumb character. Yeah. Like that character was

00:25:26.460 --> 00:25:29.140
not. Well, like both this and Rumblefish kind

00:25:29.140 --> 00:25:33.579
of exists in this whole. The end of like a criminal

00:25:33.579 --> 00:25:36.420
era, like Rumblefish, it was the end of like.

00:25:36.920 --> 00:25:39.880
You know, street youths fighting. This is kind

00:25:39.880 --> 00:25:43.539
of the end of kind of gangland gangster era.

00:25:43.579 --> 00:25:46.660
And Nick Cage is he wants to be a part of that.

00:25:46.700 --> 00:25:50.220
He idolizes it, even though it's not really what

00:25:50.220 --> 00:25:52.140
he thinks it is. And it ultimately gets him killed

00:25:52.140 --> 00:25:55.099
because he kind of treats it like a game and

00:25:55.099 --> 00:25:59.720
then gets mowed down real bad. Yeah. Tommy Gund.

00:26:00.400 --> 00:26:03.039
In a phone booth. In a phone booth. Hard to get

00:26:03.039 --> 00:26:05.319
out of a phone booth. Can't defend yourself.

00:26:05.799 --> 00:26:10.400
door's too silly it's true well i really did

00:26:10.400 --> 00:26:13.680
appreciate so he gets like referred to as a mad

00:26:13.680 --> 00:26:16.559
dog in the press he's like this hated criminal

00:26:16.559 --> 00:26:20.839
but every time you see uh either dutch's men

00:26:20.839 --> 00:26:25.019
or um what was uh you can just call them the

00:26:25.019 --> 00:26:29.759
dutchman the Dutchman or Oni's Hoskins men. Anytime

00:26:29.759 --> 00:26:31.279
they walk into a place and they're about to do

00:26:31.279 --> 00:26:33.539
a hit, they like tell the staff to get out or

00:26:33.539 --> 00:26:35.640
to get down. Like they give people nods. Like

00:26:35.640 --> 00:26:39.180
it's very, those assassinations are very Columbine

00:26:39.180 --> 00:26:41.759
esque of like, Hey, don't go to school today.

00:26:43.180 --> 00:26:45.059
Sorry. I've been watching a lot of Columbine

00:26:45.059 --> 00:26:51.509
videos. Oh, why? Yeah. that's a terrible answer

00:26:51.509 --> 00:26:54.690
as you can give i suppose i don't even know what

00:26:54.690 --> 00:26:58.069
started it but then like obviously youtube like

00:26:58.069 --> 00:27:00.789
you do you watch one video of something kind

00:27:00.789 --> 00:27:04.369
of obscure and they're like have i got the playlist

00:27:04.369 --> 00:27:07.650
for you and it's like well how flat is this earth

00:27:07.650 --> 00:27:13.039
not as flat as you'd think but Pretty fucking

00:27:13.039 --> 00:27:15.819
flat. Why are you not allowed to fly over Antarctica?

00:27:16.140 --> 00:27:19.640
Yeah. Makes you wonder. It's not science. I'll

00:27:19.640 --> 00:27:25.460
tell you that for free. Ice wall. I forgot where

00:27:25.460 --> 00:27:28.700
I was with that. But yeah, Nick Cage. We weren't

00:27:28.700 --> 00:27:32.299
going anywhere. Yeah, we got into Nicolas Cage's

00:27:32.299 --> 00:27:35.000
death in this. Yeah. That's a pretty good death.

00:27:35.000 --> 00:27:36.859
I did like that he had like a handful of Skittles

00:27:36.859 --> 00:27:38.079
or whatever the fuck those were. Oh yeah, he

00:27:38.079 --> 00:27:41.160
had like some hard candies from the bar and died

00:27:41.160 --> 00:27:44.380
and it was just blood and Skittles. Yeah. So

00:27:44.380 --> 00:27:49.240
romantic, that death. Yeah. Sure. I mean, like,

00:27:49.240 --> 00:27:51.539
not romantic as in like heart -throbbing romantic,

00:27:51.819 --> 00:27:53.880
but like... I mean, his wife was there to witness

00:27:53.880 --> 00:27:58.640
it. The way it was shot, the filming. Yeah. Okay,

00:27:58.779 --> 00:28:01.789
so I just want to say, like... i've not watched

00:28:01.789 --> 00:28:04.450
a lot of coppola's films prior to like these

00:28:04.450 --> 00:28:07.630
uh and especially seeing like rumble fish and

00:28:07.630 --> 00:28:10.630
this back to back just the amount of stagecraft

00:28:10.630 --> 00:28:15.089
the love of like of i mean i want to say practical

00:28:15.089 --> 00:28:17.950
effects but that's not what i mean because it's

00:28:17.950 --> 00:28:22.029
the early 80s but just the love of like stagecraft

00:28:22.029 --> 00:28:26.130
and right location sets and things like that

00:28:26.130 --> 00:28:28.269
location sets like all that stuff all that stuff

00:28:28.269 --> 00:28:30.380
that very much hearkens to like live theater

00:28:30.380 --> 00:28:34.799
performance is so well done and so beautiful

00:28:34.799 --> 00:28:39.940
and i just love all of it yeah this is definitely

00:28:39.940 --> 00:28:45.460
a cinematic experience that speaks more to kind

00:28:45.460 --> 00:28:48.059
of like that well it's an experience kind of

00:28:48.059 --> 00:28:52.779
film so when i i guess this is what filmmakers

00:28:52.779 --> 00:28:55.759
would be talking about when they criticize marvel

00:28:55.759 --> 00:29:00.130
movies and say like cinema is dead it's like

00:29:00.130 --> 00:29:02.890
yeah well i mean they're totally yeah they're

00:29:02.890 --> 00:29:06.210
different for sure yeah but blockbusters have

00:29:06.210 --> 00:29:10.269
never been put up against like art films either

00:29:10.269 --> 00:29:12.630
it's like that's a stupid way to compare movies

00:29:12.630 --> 00:29:15.990
your summer movies versus your indie films so

00:29:15.990 --> 00:29:20.869
i can get out of here scorsese i did read that

00:29:20.869 --> 00:29:23.109
um apparently the original version of this had

00:29:23.109 --> 00:29:27.170
i think four more musical numbers and focused

00:29:27.170 --> 00:29:30.009
much more on sandman and his brother and the

00:29:30.009 --> 00:29:33.670
relationship with um what's her name lila yeah

00:29:33.670 --> 00:29:40.549
and um the studios were like we want less that

00:29:40.549 --> 00:29:46.130
yeah i was like oh boo i think that might have

00:29:46.130 --> 00:29:47.829
been the version i saw because that version did

00:29:47.829 --> 00:29:50.569
come out in like 2019 yeah there was like a special

00:29:50.569 --> 00:29:54.700
cut So, yeah, it's possible that you did, and

00:29:54.700 --> 00:29:57.440
maybe that's why my audio sucked shit and yours

00:29:57.440 --> 00:30:00.519
was better. I think I just had normal audio.

00:30:01.339 --> 00:30:03.960
Did yours have credits for Francis Ford Coppola

00:30:03.960 --> 00:30:08.660
or Francis Coppola? That was the end of the film.

00:30:08.700 --> 00:30:10.980
I don't know. He's in the beginning, too. He's

00:30:10.980 --> 00:30:15.900
a director. Hold on. Was this on B words, P word?

00:30:18.799 --> 00:30:21.799
We'll cut this part out. No, I like it better

00:30:21.799 --> 00:30:24.160
if we just talk about B words, P word. Yeah,

00:30:24.220 --> 00:30:28.119
we'll keep B words, P word in. That's where you

00:30:28.119 --> 00:30:31.039
watched yours. Yeah. Where did you watch yours?

00:30:31.500 --> 00:30:34.640
Not that. Oh, OK. Yeah. Yeah. I was all on top

00:30:34.640 --> 00:30:36.940
of the B words, P word. Yeah. I still have had

00:30:36.940 --> 00:30:39.539
a hard time getting any of that to work for me

00:30:39.539 --> 00:30:42.339
ever. Really? So, you know, I don't try that

00:30:42.339 --> 00:30:44.839
hard. Well, that's fair. I can't fast forward

00:30:44.839 --> 00:30:46.799
as well on there. I can't double speed the same

00:30:46.799 --> 00:30:50.960
way I want. You know, yeah. Double speed. amazing

00:30:50.960 --> 00:30:56.200
holy shit so fast it's a tommy gun yeah so can

00:30:56.200 --> 00:30:58.500
we just say like later on in the film we see

00:30:58.500 --> 00:31:02.019
vera's which is like the club dutch bot for his

00:31:02.019 --> 00:31:09.240
side piece uh so much more so much so much less

00:31:09.240 --> 00:31:11.980
interesting than the cotton club yeah it's boring

00:31:11.980 --> 00:31:14.920
it's whitewashed you know yeah no i really enjoyed

00:31:14.920 --> 00:31:18.400
watching like through the years that the film

00:31:18.400 --> 00:31:22.250
takes place the improvements done on the cotton

00:31:22.250 --> 00:31:25.450
club yeah like you get the you know uh strip

00:31:25.450 --> 00:31:27.990
lights on the floor and everything and who those

00:31:27.990 --> 00:31:33.430
murals though oh yeah yeah i understand this

00:31:33.430 --> 00:31:37.069
is a period piece but yeah yeah i did like the

00:31:37.069 --> 00:31:41.309
um cab calloway mini the moocher yep that was

00:31:41.309 --> 00:31:43.730
good that was just like always think about blues

00:31:43.730 --> 00:31:47.029
brothers blues brothers i was just like i just

00:31:47.029 --> 00:31:48.869
watched that i'm like Do I have time to watch

00:31:48.869 --> 00:31:51.910
Blues Brothers before the podcast? Just cram

00:31:51.910 --> 00:31:55.029
that in there. Yes. I watch that movie at least

00:31:55.029 --> 00:31:56.990
once a year. That's one of my favorite all time

00:31:56.990 --> 00:31:59.849
films. It's a great movie. I like it. I think

00:31:59.849 --> 00:32:02.789
I've only watched it once in my life, but I don't

00:32:02.789 --> 00:32:05.390
really watch a lot of things in my life. I don't

00:32:05.390 --> 00:32:08.829
either. Just Nick Cage movies and generally that.

00:32:09.500 --> 00:32:11.079
Yeah, I mean, I suppose at this point, too, we

00:32:11.079 --> 00:32:12.680
don't have to watch as many Nick Cage movies

00:32:12.680 --> 00:32:15.599
again and again. No, there's more. Concept has

00:32:15.599 --> 00:32:17.900
changed. There's more room in my life for sword

00:32:17.900 --> 00:32:22.680
and sorcery. Ooh, I do. We talk about your masturbation

00:32:22.680 --> 00:32:26.039
habits enough. Nope. There's never too much.

00:32:26.859 --> 00:32:29.700
Did you ever play the I think it's an iPhone

00:32:29.700 --> 00:32:33.500
game sword and sorcery. sword and sorcery sword

00:32:33.500 --> 00:32:37.299
and sorcery it's pretty good uh no super brothers

00:32:37.299 --> 00:32:40.819
sword and sorcery okay yeah not bad i don't play

00:32:40.819 --> 00:32:43.140
a lot of mobile games yeah i don't either usually

00:32:43.140 --> 00:32:46.720
but it's like a weird that one scratches that

00:32:46.720 --> 00:32:49.200
itch yeah it's pretty cool uh what's it like

00:32:49.200 --> 00:32:52.940
is it kind of like the old uh oh what was that

00:32:52.940 --> 00:32:56.799
arcade game golden gauntlet or whatever i know

00:32:56.799 --> 00:32:58.559
exactly what you're talking about dragon's lair

00:32:58.559 --> 00:33:02.180
was no i don't know what you're talking about

00:33:02.180 --> 00:33:03.880
yeah i don't know what you're talking it's fine

00:33:03.880 --> 00:33:08.920
there was a gauntlet arcade game golden oh god

00:33:08.920 --> 00:33:12.940
yeah not gauntlet maybe i do know that game yeah

00:33:12.940 --> 00:33:15.000
where there were different classes and stuff

00:33:15.000 --> 00:33:17.200
you could choose yeah i only played that on nes

00:33:17.200 --> 00:33:20.740
oh really i was terrible at it oh i wonder if

00:33:20.740 --> 00:33:22.500
i could get an emulator on my phone for that

00:33:22.500 --> 00:33:24.359
because i would play that that'd be fucking rad

00:33:24.359 --> 00:33:27.559
dude yeah dude i'm about to get so much less

00:33:27.559 --> 00:33:30.740
work done oh yeah especially if i can play the

00:33:30.740 --> 00:33:33.839
game without fucking kid icarus and all that

00:33:33.839 --> 00:33:36.880
shit hell yeah you know what game i would play

00:33:36.880 --> 00:33:41.000
right now bubble bobble yeah yeah i'd bubble

00:33:41.000 --> 00:33:50.059
some that wasn't a constant one in my life i

00:33:50.059 --> 00:33:53.039
didn't play a lot of that uh my formative years

00:33:53.039 --> 00:33:57.980
were around uh altered beast rise from your grave

00:33:57.980 --> 00:34:02.700
that game fucking slaps dude that was second

00:34:02.700 --> 00:34:08.179
right yes yeah okay that was a good game power

00:34:08.179 --> 00:34:10.900
up so that was what there was like the chick

00:34:10.900 --> 00:34:12.579
there was the barbarian and there was the dwarf

00:34:12.579 --> 00:34:15.900
uh was there a dwarf i don't remember maybe i'm

00:34:15.900 --> 00:34:17.400
thinking of a different thing i think it was

00:34:17.400 --> 00:34:19.340
just like the two i might be thinking of a different

00:34:19.340 --> 00:34:22.239
game did you ever run around in like their underwear

00:34:22.239 --> 00:34:23.980
with some chains and then you get like a power

00:34:23.980 --> 00:34:26.179
up and you kind of like go out slightly like

00:34:26.179 --> 00:34:29.239
canthra pick or whatever and then like i'm gonna

00:34:29.239 --> 00:34:31.719
look this up and then you get another one and

00:34:31.719 --> 00:34:34.500
then you're like a full wearman did you ever

00:34:34.500 --> 00:34:40.579
play the dungeons and dragons like beat them

00:34:40.579 --> 00:34:43.000
up like arcade beat them up i think that's what

00:34:43.000 --> 00:34:46.059
i'm thinking There was a Dungeons and Dragons

00:34:46.059 --> 00:34:47.840
arcade beat -em -up from, like, I want to say

00:34:47.840 --> 00:34:51.179
Konami. Like, it was a Japanese game. Was it

00:34:51.179 --> 00:34:53.480
the animated series characters? So it's just

00:34:53.480 --> 00:34:56.900
children beating each other? Original characters,

00:34:57.039 --> 00:34:59.019
but you leveled up. Like, you got experience.

00:34:59.199 --> 00:35:01.340
You leveled up. You collected items. Like, they

00:35:01.340 --> 00:35:04.840
really kind of took the theme. Wow, this sounds

00:35:04.840 --> 00:35:09.980
a lot like Shaq Fu. Like, there's a story, and,

00:35:10.039 --> 00:35:14.039
like, you kind of get better. But the story doesn't.

00:35:14.650 --> 00:35:16.730
Yeah, but the story doesn't because you're Shaq.

00:35:16.730 --> 00:35:18.989
Because it's Shaq Fu, right? I fucking love Shaq

00:35:18.989 --> 00:35:23.949
Fu. So bad. Do you remember? Oh, man, Shaq was

00:35:23.949 --> 00:35:27.510
hot for a minute. It was weird. Do you remember

00:35:27.510 --> 00:35:31.650
when Shaq had the like Arizona like cream sodas

00:35:31.650 --> 00:35:33.969
or whatever? It was like the soda Shaq brand.

00:35:35.170 --> 00:35:38.369
No. Oh, man. And they were giant cans with Shaq

00:35:38.369 --> 00:35:40.110
on them. Yeah. Well, I mean, they were Arizona

00:35:40.110 --> 00:35:44.630
tea size cans. Yeah. Fucking still 99 cents.

00:35:45.210 --> 00:35:48.429
I just remember when they tried to make him a

00:35:48.429 --> 00:35:53.070
movie star. Oh, dude, Man of Steel is still great,

00:35:53.230 --> 00:36:02.130
and so is Kazam. Is it? I've never watched Steel

00:36:02.130 --> 00:36:05.710
all the way through, but it's based on the DC

00:36:05.710 --> 00:36:08.329
character. Does Superman exist in that universe?

00:36:09.130 --> 00:36:11.510
You know, I haven't watched it since theaters.

00:36:12.000 --> 00:36:16.619
I watched it in theater. Oh, boy. I think that

00:36:16.619 --> 00:36:19.059
came. Did that come out the same year as Joe's

00:36:19.059 --> 00:36:22.400
apartment? Oh, probably. Because that's the year

00:36:22.400 --> 00:36:24.599
that my parents sent me down to L .A. to hang

00:36:24.599 --> 00:36:27.320
out with my uncle. And he just didn't know what

00:36:27.320 --> 00:36:29.679
to do with us at work. So he was just like because

00:36:29.679 --> 00:36:31.719
he was like a photographer. He's like, I can't

00:36:31.719 --> 00:36:33.840
have these fucking kids around. I rent half my

00:36:33.840 --> 00:36:36.639
two years apart. Two years. One year apart. OK.

00:36:37.550 --> 00:36:39.949
uh yeah he'd be like i don't know what to do

00:36:39.949 --> 00:36:42.570
with these kids i rent have my fucking studio

00:36:42.570 --> 00:36:47.329
to a porn shop or a porn studio and so he would

00:36:47.329 --> 00:36:50.690
just drop us off at uh the theater in the morning

00:36:50.690 --> 00:36:53.429
we're like 12 year old kids from rural oregon

00:36:53.429 --> 00:36:56.789
and he drops us off at a megaplex in los angeles

00:36:56.789 --> 00:37:01.329
he's like i'll be back in six hours enjoy joe's

00:37:01.329 --> 00:37:03.539
apartment and Whatever else is out right now.

00:37:03.539 --> 00:37:05.639
He'd give us money for one ticket. This is my

00:37:05.639 --> 00:37:08.840
ultra conservative, like Rush Limbaugh listening

00:37:08.840 --> 00:37:12.199
uncle who looks like a shorter, fatter Michael

00:37:12.199 --> 00:37:15.219
Moore. And he'd drop us off at the theater and

00:37:15.219 --> 00:37:18.079
he'd be like, here's enough money for one ticket

00:37:18.079 --> 00:37:22.340
each. I'll see you in six hours. So I can't tell

00:37:22.340 --> 00:37:24.119
you how many times I went back and forth just

00:37:24.119 --> 00:37:26.280
watching Joe's apartment. Like I'd start some

00:37:26.280 --> 00:37:29.500
movie and it's like, this movie sucks. I'm going

00:37:29.500 --> 00:37:32.420
to go. God, my dad's calling me. It's like he

00:37:32.420 --> 00:37:36.599
knows I'm talking about his family. And then

00:37:36.599 --> 00:37:38.539
I just always go back to Joe's apartment. I got

00:37:38.539 --> 00:37:42.159
a real fun fact. I got a real fun fact for the

00:37:42.159 --> 00:37:46.059
kid from Kazam is now just his career is just

00:37:46.059 --> 00:37:50.119
playing like scuzzy mid -level bad guys and things.

00:37:50.559 --> 00:37:53.199
Perfect. Really? Like what was his last scuzzy

00:37:53.199 --> 00:37:56.340
mid -level bad guy role? He was he's in a bunch

00:37:56.340 --> 00:38:00.000
of Veronica Mars. Never seen it. Josie would.

00:38:00.639 --> 00:38:04.840
He was in some bones. Josie would know. Yeah.

00:38:04.920 --> 00:38:06.699
He was in blue bloods. He just plays a gangster.

00:38:06.820 --> 00:38:09.820
He just plays like he's a TV gangster. He's a

00:38:09.820 --> 00:38:13.039
TV gangster. Yes. But he plays like ethnic adjacent

00:38:13.039 --> 00:38:16.260
gangster, like ethnically ambiguous gangster.

00:38:16.360 --> 00:38:23.599
Oh, he's he's the new Ben Kingsley. All right.

00:38:24.000 --> 00:38:28.599
Box office for July 1996. So like a big banger

00:38:28.599 --> 00:38:34.300
summer hit 96. Superstar actors. Well, one and

00:38:34.300 --> 00:38:38.099
then one like. That is now super considered to

00:38:38.099 --> 00:38:44.900
be a great actor. Cool world. No. Big sci -fi

00:38:44.900 --> 00:38:52.780
shenanigan. Aliens invade Earth. Is it Mars attacks?

00:38:52.940 --> 00:38:56.550
No. It's the other one that's not funny. Independence

00:38:56.550 --> 00:39:01.190
Day? Yes. Okay. All right. Who was the big actor

00:39:01.190 --> 00:39:06.030
in that? Jeff Goldblum? Because he was already

00:39:06.030 --> 00:39:08.250
huge. Fucking Earth Women are easy? Come on.

00:39:08.929 --> 00:39:12.550
Will Smith was the big actor for that one. Jeff

00:39:12.550 --> 00:39:16.769
Goldblum was like the good get. Wait, the rapper

00:39:16.769 --> 00:39:21.570
Will Smith? The guy from Parents Just Don't Understand?

00:39:21.929 --> 00:39:24.349
He's rapping again. He put out a new album. Yeah,

00:39:24.409 --> 00:39:28.250
he did. It's badly. There's a great music video

00:39:28.250 --> 00:39:32.349
for it. It's bad. Yeah. So I never cared for

00:39:32.349 --> 00:39:34.829
his rapping. And to be real, if I have to listen

00:39:34.829 --> 00:39:38.969
to summertime one more time, like it's only July

00:39:38.969 --> 00:39:42.630
3rd. If I have to hear summertime one more time

00:39:42.630 --> 00:39:48.050
on the radio. So relevant for us, number seven

00:39:48.050 --> 00:39:51.940
was The Rock. OK. So you maybe went and saw that

00:39:51.940 --> 00:39:53.980
after you saw Joe's apartment. It's possible.

00:39:54.119 --> 00:39:56.659
Joe's apartment is not on this list. That does

00:39:56.659 --> 00:39:59.760
not surprise me. Number 11, Multiplicity. That's

00:39:59.760 --> 00:40:01.340
because you didn't get it all your money. I've

00:40:01.340 --> 00:40:04.039
never seen Multiplicity. Yeah. Did you see Eraser?

00:40:04.880 --> 00:40:07.760
Eraser? Not that summer. With Schwarzenegger.

00:40:07.840 --> 00:40:11.239
Yeah. What about Phenomenon with Travolta? I

00:40:11.239 --> 00:40:13.639
mean, I've seen these films, but not when I was

00:40:13.639 --> 00:40:16.619
11. Right. Striptease probably missed that one.

00:40:17.420 --> 00:40:21.030
I saw Striptease. in theaters well in a drive

00:40:21.030 --> 00:40:25.570
-in uh my dad took us to see uh lion king and

00:40:25.570 --> 00:40:29.369
um blank check as a double feature uh but striptease

00:40:29.369 --> 00:40:31.690
was playing on the screen behind us so none of

00:40:31.690 --> 00:40:33.989
the kids were paying attention to the fucking

00:40:33.989 --> 00:40:37.150
lion king nobody cared about simba's story incredible

00:40:37.150 --> 00:40:40.309
wait did i already say kazam was 12 no okay so

00:40:40.309 --> 00:40:44.190
kazam was 12 Wow. And then later Mission Impossible

00:40:44.190 --> 00:40:46.289
and then Dragonheart, which is what I saw for

00:40:46.289 --> 00:40:50.230
my birthday that year. Kazam outperformed Mission

00:40:50.230 --> 00:40:53.150
Impossible. Mission Impossible came out earlier.

00:40:53.469 --> 00:40:56.949
Oh, OK. So this is still right. It's tailing

00:40:56.949 --> 00:40:58.530
off. I was going to be like, are you fucking

00:40:58.530 --> 00:41:02.489
giving me Shaq? Got a higher opening weekend

00:41:02.489 --> 00:41:05.929
than Tom Cruise. Yeah, no, not the case. Unfortunate.

00:41:06.590 --> 00:41:10.030
Joe's apartment. It was such a shit. Oh, it's

00:41:10.030 --> 00:41:12.409
a terrible movie. Kevin O 'Connell is a terrible

00:41:12.409 --> 00:41:17.070
actor. But all those cockroaches, man. Yeah,

00:41:17.130 --> 00:41:20.070
great. That part was great characters. I miss

00:41:20.070 --> 00:41:23.289
Bob Hoskins. Yeah, Bob Hoskins is great. His

00:41:23.289 --> 00:41:27.329
character is great in this. Also, Shmi. Great

00:41:27.329 --> 00:41:30.070
Shmi. Oh, he was a good. Yeah. Yeah. Oh, yeah,

00:41:30.130 --> 00:41:32.510
of course. Who framed Roger Rabbit? Amazing.

00:41:33.150 --> 00:41:36.369
That's a great, great performance. Bob Hoskins

00:41:36.369 --> 00:41:39.469
rules. Yeah. Yeah. And also in this movie, he

00:41:39.469 --> 00:41:41.369
rules like he's a bad guy and everyone knows

00:41:41.369 --> 00:41:43.070
he's a bad guy, but everyone's also like, yeah,

00:41:43.190 --> 00:41:46.250
he's all right. I like that guy. I love at the

00:41:46.250 --> 00:41:48.210
end of this movie. He's just like, yeah, I'm

00:41:48.210 --> 00:41:49.369
going to get out. I'm going to get out while

00:41:49.369 --> 00:41:52.130
the getting is good. Going to just go back to

00:41:52.130 --> 00:41:55.190
jail for six months and go own a horse farm.

00:41:55.750 --> 00:41:58.989
Yeah. But Frenchie hooked him up. He's like,

00:41:58.989 --> 00:42:01.570
yeah, you're going to love what we got you in

00:42:01.570 --> 00:42:04.389
Sing Sing. It's carpeted or whatever he said.

00:42:04.670 --> 00:42:06.170
Better than whatever you've been dealing with.

00:42:08.039 --> 00:42:10.940
Man, Frenchie. Yeah. What a dude. Fucking baller,

00:42:10.940 --> 00:42:13.340
dude. Oh, wait. We didn't talk about, and I feel

00:42:13.340 --> 00:42:15.980
like we have to mention, the knife to the throat

00:42:15.980 --> 00:42:19.480
scene. Oh, yeah. Frenchie's real, like, exhibition

00:42:19.480 --> 00:42:24.079
of insanity. Or Duchess. Yeah, Duchess. Sorry.

00:42:24.280 --> 00:42:27.440
Frenchie's cool. Yeah. When Dutch, like, just...

00:42:27.440 --> 00:42:29.400
Knives a guy through the throat. Gets on that

00:42:29.400 --> 00:42:33.539
guy. For telling a joke. Granted, a racist and

00:42:33.539 --> 00:42:36.260
anti -Semitic joke, but... Well, he was also,

00:42:36.360 --> 00:42:39.539
like... dutch's former like rival in the game

00:42:39.539 --> 00:42:43.420
like yeah he's competition yeah and they just

00:42:43.420 --> 00:42:47.059
and uh hoskins just brokered peace and dutch

00:42:47.059 --> 00:42:50.900
loses it and like knife through the back like

00:42:50.900 --> 00:42:54.480
front of the throat back of the throat yeah my

00:42:54.480 --> 00:43:00.400
note was oh damn throat stab yeah i started this

00:43:00.400 --> 00:43:02.320
movie uh i started this movie last night kind

00:43:02.320 --> 00:43:04.659
of late and i was just like i don't know if i'm

00:43:04.659 --> 00:43:06.460
getting into this tonight then like you know

00:43:07.920 --> 00:43:10.079
knife to the throat i'm like all right let's

00:43:10.079 --> 00:43:12.699
see where this goes yeah dutch was an interesting

00:43:12.699 --> 00:43:14.539
character i mean i don't think we have to spend

00:43:14.539 --> 00:43:17.760
a ton of time on it but like james remar plays

00:43:17.760 --> 00:43:21.059
a psycho really fucking well yeah yeah he's he's

00:43:21.059 --> 00:43:23.699
played a bad guy in i think every movie i've

00:43:23.699 --> 00:43:27.840
ever seen and it's like the face like his jaw

00:43:27.840 --> 00:43:31.219
just goes down he's pissed off and you can tell

00:43:31.219 --> 00:43:34.000
he's pissed you know it's like he's gonna fucking

00:43:34.000 --> 00:43:36.340
stab you with a knife or like a piece of bone

00:43:36.340 --> 00:43:39.480
from a ham or something you're like i'm not gonna

00:43:39.480 --> 00:43:41.840
fuck around with that guy i like that he gets

00:43:41.840 --> 00:43:45.659
killed in a urinal yeah well kind of well he

00:43:45.659 --> 00:43:47.800
was taking a leak and yeah he got shot he did

00:43:47.800 --> 00:43:50.480
wander out yeah he dies at the table but like

00:43:50.480 --> 00:43:54.219
arguably iced at a urinal yeah yeah again like

00:43:54.219 --> 00:43:56.739
another like weirdly anticlimactic scene like

00:43:56.739 --> 00:44:00.659
he just gets he you know threatens to get dixie

00:44:00.659 --> 00:44:04.110
then Five minutes later is gunned down in a bathroom

00:44:04.110 --> 00:44:08.449
and that and then that story is over. Yeah, I

00:44:08.449 --> 00:44:11.429
resolution, man. The amount of like overkill

00:44:11.429 --> 00:44:14.190
in that scene was impressive to me. It's like

00:44:14.190 --> 00:44:17.170
they shoot those dudes in the head like very

00:44:17.170 --> 00:44:21.030
effectively and then they shoot him a bunch and

00:44:21.030 --> 00:44:23.530
he's presumably dead and they walk out and then

00:44:23.530 --> 00:44:28.110
they Tommy gun everybody a whole bunch to make

00:44:28.110 --> 00:44:30.550
sure that the bullet in the brain didn't do it.

00:44:31.000 --> 00:44:33.559
Yeah. Probably destroy evidence. Just make it

00:44:33.559 --> 00:44:36.579
look a lot messier. Send a message. Destroy evidence.

00:44:37.019 --> 00:44:39.940
Yeah. Well, we want to know which bullet did

00:44:39.940 --> 00:44:44.659
it. Exactly. It's not a professional hit. That's

00:44:44.659 --> 00:44:47.800
true. Amateurs. Yeah. Yeah. They just all have

00:44:47.800 --> 00:44:49.860
these perfect circles in their foreheads. Also,

00:44:49.900 --> 00:44:52.420
you buy a fucking Tommy gun. You use a fucking

00:44:52.420 --> 00:44:55.260
Tommy gun. That's true. That sounds like a lot

00:44:55.260 --> 00:44:58.760
of fun. Yeah. Oh, I was just going to say, with

00:44:58.760 --> 00:45:01.880
both this and Rumblefish, like, The weird attention

00:45:01.880 --> 00:45:06.360
to gory detail in terms of bullet wounds is impressive.

00:45:06.579 --> 00:45:10.980
Yeah. Yeah. Coppola is weird. That's my final

00:45:10.980 --> 00:45:13.059
take on all of this. It's like Coppola is weird.

00:45:13.400 --> 00:45:16.920
Apparently he makes weird movies, very artsy

00:45:16.920 --> 00:45:19.659
movies. I have not seen Megalopolis. I don't

00:45:19.659 --> 00:45:22.099
know. It's a long weekend. Maybe I kind of want

00:45:22.099 --> 00:45:25.829
to now. Yeah, I mean, I'll try it someday, but

00:45:25.829 --> 00:45:28.769
I feel like that needs to be a like a Tenet movie

00:45:28.769 --> 00:45:31.389
where we we try and watch it together. Yeah,

00:45:31.489 --> 00:45:34.090
but it's four hours. Well, we can watch it backwards.

00:45:34.269 --> 00:45:36.929
That's a lot of trying to hang out together all

00:45:36.929 --> 00:45:40.389
at once. That's true. That is a lot. I like these

00:45:40.389 --> 00:45:43.489
in one hour segments. Yeah, like this isn't fucking.

00:45:43.789 --> 00:45:48.869
We'll hang out one hour a week for a month. Oh,

00:45:48.969 --> 00:45:51.670
man, we need to do an Ice Pirates podcast. uh

00:45:51.670 --> 00:45:54.989
yeah just continuously watching ice pirates yes

00:45:54.989 --> 00:46:00.329
and i'm always hung over as shit god i felt like

00:46:00.329 --> 00:46:04.550
death that day but it was the right movie it

00:46:04.550 --> 00:46:08.469
was the right movie for the day uh the set i

00:46:08.469 --> 00:46:11.650
enjoy i love the cinematography i enjoy all of

00:46:11.650 --> 00:46:17.570
the um performances individually um i'm never

00:46:17.570 --> 00:46:19.489
gonna go i'm never gonna re -watch this movie

00:46:19.489 --> 00:46:24.119
for the plot you can just say i'm never gonna

00:46:24.119 --> 00:46:28.079
re -watch this movie that's fine but there are

00:46:28.079 --> 00:46:30.440
definitely scenes i'm going to watch again i'm

00:46:30.440 --> 00:46:32.480
going to watch the end of this movie again i'm

00:46:32.480 --> 00:46:35.199
gonna watch a lot of like the cotton club like

00:46:35.199 --> 00:46:37.280
performances again like there are aspects of

00:46:37.280 --> 00:46:40.280
this movie just visually i want to see again

00:46:40.280 --> 00:46:42.940
i don't give a fuck about the plot of this film

00:46:42.940 --> 00:46:48.190
yeah uh i i could easily take this as I'll never

00:46:48.190 --> 00:46:50.269
watch this movie again, but I enjoyed it more

00:46:50.269 --> 00:46:54.949
than Rumblefish. See, I'm going to watch Rumblefish

00:46:54.949 --> 00:46:57.909
again. I really liked Rumblefish. Yeah, that's

00:46:57.909 --> 00:47:00.670
fine. What you do in Oregon, you can do in Oregon.

00:47:01.530 --> 00:47:06.349
Yeah. Nick Cage drag show. Yeah. Yeah. You have

00:47:06.349 --> 00:47:09.050
to go to that Nick Cage. I have tickets. I bought

00:47:09.050 --> 00:47:11.619
tickets immediately. Perfect. So for the listeners,

00:47:11.679 --> 00:47:14.179
if you live in the Portland area, Clinton Street

00:47:14.179 --> 00:47:18.639
Theater on the 24th of July, Uncaged and Nicolas

00:47:18.639 --> 00:47:22.000
Cage drag show. So that's going to be fucking

00:47:22.000 --> 00:47:25.139
wild. Yeah. Try to figure out which one is Sean.

00:47:25.300 --> 00:47:27.679
I really hope that somebody shows up in the character

00:47:27.679 --> 00:47:33.059
from Zandali when he shows up. Johnny, Jimmy,

00:47:33.199 --> 00:47:35.139
Johnny, whatever. And he shows up and he does

00:47:35.139 --> 00:47:40.010
that thing. Oh, yeah. His hair is backlit. somebody

00:47:40.010 --> 00:47:43.190
i i need to find this clip again somebody shared

00:47:43.190 --> 00:47:49.170
a video with me of a semi -renowned drag king

00:47:49.170 --> 00:47:56.289
who does a nick cage themed performance and i

00:47:56.289 --> 00:47:59.889
can't remember the song but the word or the the

00:47:59.889 --> 00:48:02.630
letter b the word b b was prominent in the song

00:48:02.630 --> 00:48:04.530
but every time that lyric came up it would just

00:48:04.530 --> 00:48:10.130
be like bees the breeze was it How do I live

00:48:10.130 --> 00:48:18.190
without bees? I've got the bees. How do I live?

00:48:18.789 --> 00:48:22.570
Is that it? No. That song sucks then. Yeah, fuck

00:48:22.570 --> 00:48:25.130
that. Yeah, our song kicks ass. Yeah, sorry you

00:48:25.130 --> 00:48:31.070
have a bad song, Sean. Old bad song, Sean. So,

00:48:31.190 --> 00:48:33.889
okay, last thing, because we haven't done this

00:48:33.889 --> 00:48:37.539
in a while, the Cage Performance Grid. Good movie,

00:48:37.699 --> 00:48:40.500
good Cage, bad, good, good, bad, bad, bad, bad,

00:48:40.500 --> 00:48:44.619
good, bad. Close enough. I think Nick Cage is

00:48:44.619 --> 00:48:48.260
pretty good in this. Like I said, this is the

00:48:48.260 --> 00:48:50.800
first time in kind of the start of his career

00:48:50.800 --> 00:48:52.980
where we see, you know, the hints of that character

00:48:52.980 --> 00:48:55.019
actor. And, you know, he doesn't have a lot of

00:48:55.019 --> 00:48:56.579
screen time, but he uses it well. And I'm like,

00:48:56.639 --> 00:48:59.360
yeah, that's Nick Cage. I like it. Yeah, I agree.

00:48:59.480 --> 00:49:01.699
I think Nick Cage does really well. I think it's

00:49:01.699 --> 00:49:03.760
a, you know, I'll even say it's a pretty good

00:49:03.760 --> 00:49:06.739
movie. You have to want that kind of movie. Yeah.

00:49:06.840 --> 00:49:08.139
If you're in the mood for this, I mean, it's

00:49:08.139 --> 00:49:12.780
long. It's yeah. The plot meanders. Yeah. Yeah.

00:49:12.920 --> 00:49:16.619
But it's interesting. I don't remember the last

00:49:16.619 --> 00:49:19.139
time I thought about Richard Gere outside of

00:49:19.139 --> 00:49:20.960
like romantic comedy. The last time I thought

00:49:20.960 --> 00:49:22.579
about Richard Gere was when we recorded Rumble

00:49:22.579 --> 00:49:24.559
Fish and I thought he was in The Outsiders because

00:49:24.559 --> 00:49:28.199
I was reading about Cotton Club earlier. So,

00:49:28.360 --> 00:49:31.079
yeah, that's the last time I thought about Richard

00:49:31.079 --> 00:49:35.440
Gere. I used to have a. oh god what was that

00:49:35.440 --> 00:49:40.019
like so there was a some kind of like form of

00:49:40.019 --> 00:49:42.619
media that looked like giant records you're talking

00:49:42.619 --> 00:49:45.780
about laser disc no they weren't like laser discs

00:49:45.780 --> 00:49:49.300
they looked like vinyl records but they were

00:49:49.300 --> 00:49:51.940
on these weird cassette things that were record

00:49:51.940 --> 00:49:54.179
like slightly larger than a record and inserted

00:49:54.179 --> 00:49:56.659
whoa and i don't know what it is but i used to

00:49:56.659 --> 00:50:00.250
have a copy of breathless on that that i just

00:50:00.250 --> 00:50:02.750
kept because for some reason there was a part

00:50:02.750 --> 00:50:05.489
of my identity that was like oh that's nick he

00:50:05.489 --> 00:50:08.550
likes richard gear movies this was like at the

00:50:08.550 --> 00:50:10.889
height of his like gerbil butt scandal oh yeah

00:50:10.889 --> 00:50:14.010
and i was like yeah nick's big on gerbil but

00:50:14.010 --> 00:50:16.969
like he didn't do it and if he did that's his

00:50:16.969 --> 00:50:20.110
business so patreon supporter josh tell us what

00:50:20.110 --> 00:50:23.070
media nick is talking about because i don't know

00:50:23.679 --> 00:50:26.260
I might still have it. This is the sort of thing

00:50:26.260 --> 00:50:29.519
that I probably never got rid of. I'll look around.

00:50:29.719 --> 00:50:32.219
Yeah. All right. I forgot about the gerbil thing.

00:50:32.750 --> 00:50:35.969
no i never forget about the triple thing whether

00:50:35.969 --> 00:50:38.309
it's true or not doesn't matter yeah whenever

00:50:38.309 --> 00:50:40.150
somebody says when was the last time you thought

00:50:40.150 --> 00:50:42.329
about richard gear like immediately i'm thinking

00:50:42.329 --> 00:50:44.829
about the gerbil things right now whether god

00:50:44.829 --> 00:50:48.710
i love the early free internet where anything

00:50:48.710 --> 00:50:51.710
goes oh yeah no fact checking you can say whatever

00:50:51.710 --> 00:50:54.130
you want i'm sorry for all the people that were

00:50:54.130 --> 00:50:56.489
hurt by it well that's a good point well it's

00:50:56.489 --> 00:50:59.889
easier to disprove things at this point but like

00:50:59.889 --> 00:51:03.070
this is is it Yeah, because there's just more

00:51:03.070 --> 00:51:06.090
sites that are dedicated to disproving stuff.

00:51:06.429 --> 00:51:09.989
But like back in the early 2000s, if somebody

00:51:09.989 --> 00:51:13.510
on the Internet was like, hey, this famous guy

00:51:13.510 --> 00:51:16.630
shoved a gerbil in his butt. Literally, there

00:51:16.630 --> 00:51:19.889
aren't sites being like Richard Gere didn't do

00:51:19.889 --> 00:51:23.030
that. Like the best you could get is like a quote

00:51:23.030 --> 00:51:27.110
or like if he even deigned to respond to this

00:51:27.110 --> 00:51:30.449
sort of thing. Unlikely. Yeah. Of like. I didn't

00:51:30.449 --> 00:51:32.289
put a gerbil in my butt. Like, that's the best

00:51:32.289 --> 00:51:34.949
you can get. Easily disprovable things. It's

00:51:34.949 --> 00:51:37.630
just like, OK, well, I'm going to leave Breitbart

00:51:37.630 --> 00:51:42.210
and I'm going to look at Snopes. I don't know.

00:51:43.110 --> 00:51:46.050
What was the last thing Richard Gere did? I don't

00:51:46.050 --> 00:51:48.389
put a gerbil in his butt. Like we just discussed

00:51:48.389 --> 00:51:50.769
this. Like literally, that's what just happened.

00:51:50.889 --> 00:51:54.679
And then just gerbil in his ass. Yeah. I think

00:51:54.679 --> 00:51:57.039
he's in a constant state of ass gerbiling and

00:51:57.039 --> 00:52:01.500
that's fine. That's his thing. Leave the man

00:52:01.500 --> 00:52:05.380
alone. Leave Richard alone. What if he has like,

00:52:05.500 --> 00:52:07.739
you know, the tubes that you would put a gerbil

00:52:07.739 --> 00:52:09.880
in a cage? What if he has that just like from

00:52:09.880 --> 00:52:13.659
his ass through to like an outlet port? What

00:52:13.659 --> 00:52:16.400
if hold on and stay with me on this one? Yeah,

00:52:16.460 --> 00:52:19.900
I'm right. What if every morning the gerbil tubes

00:52:19.900 --> 00:52:22.980
into his butt like a daily commute, sits down

00:52:22.980 --> 00:52:26.579
at a desk and just pumps out like whatever a

00:52:26.579 --> 00:52:29.119
Richard Gere asked gerbil does for eight hours.

00:52:29.219 --> 00:52:32.059
And at the end of the day, Richard goes back,

00:52:32.099 --> 00:52:36.079
just. beep beep beep backs up into the tube and

00:52:36.079 --> 00:52:39.039
the gerbil comes out like little punch card like

00:52:39.039 --> 00:52:41.260
clocks out for the day it's a tough business

00:52:41.260 --> 00:52:45.639
but you know it's a living yeah okay i'm gonna

00:52:45.639 --> 00:52:49.059
oh that's all folks no i'm gonna pivot i'm gonna

00:52:49.059 --> 00:52:52.440
there's one last thing i want to do i want to

00:52:52.440 --> 00:52:57.179
pitch a new nicholas cage film lord i want a

00:52:59.719 --> 00:53:03.079
sequel to the rock i wanted to feature nicholas

00:53:03.079 --> 00:53:05.539
cage and sean connery's daughter from the film

00:53:05.539 --> 00:53:09.360
and i want them to escape from alligator alcatraz

00:53:09.360 --> 00:53:14.360
okay there's flooding there's gators there's

00:53:14.360 --> 00:53:19.500
weird swamp men it's perfect yeah it tracks i

00:53:19.500 --> 00:53:22.099
like it she's probably getting deported because

00:53:22.099 --> 00:53:25.719
her dad was illegally in the country true yeah

00:53:25.719 --> 00:53:29.969
uh And her birthright citizenship has been removed.

00:53:30.530 --> 00:53:33.030
Yeah. Villainous president. This is great. Yeah.

00:53:33.269 --> 00:53:37.630
I'm in. Yeah. Trump orders a nuke to be dropped

00:53:37.630 --> 00:53:40.949
on Florida because he's a fucking idiot. Exactly.

00:53:42.309 --> 00:53:44.769
Well, if you want to support us making this movie,

00:53:44.969 --> 00:53:47.849
you can support us on Patreon at Cage Match.

00:53:48.130 --> 00:53:52.590
Yeah, we are. Thank you to our Sparkle Buddies.

00:53:52.920 --> 00:53:55.320
Josh, Josie, Rico, Matt, Adam, Bill, and Stuart.

00:53:55.480 --> 00:53:58.099
And to our Caged Dancers, Ira, John, Nathan,

00:53:58.320 --> 00:54:03.940
and Cameron. Stuart. Bill. Stuart. Bill. Also,

00:54:04.000 --> 00:54:07.320
another good quote from this movie is, what's

00:54:07.320 --> 00:54:23.010
in that bugle case? Bugle. Yeah. Bye. Bye. oh

00:54:23.010 --> 00:54:24.550
we're gonna have to circle back to this when

00:54:24.550 --> 00:54:27.170
we talk about spider -man now oh yeah for sure

00:54:27.170 --> 00:54:30.690
yeah we'll have a flashback hey peter remember

00:54:30.690 --> 00:54:33.090
to put this in later current peter remember to

00:54:33.090 --> 00:54:36.670
tell future peter to flashback to previous peter

00:54:36.670 --> 00:54:40.349
yeah okay i'll do my best okay cool nice i mean

00:54:40.349 --> 00:54:42.090
fuck we gotta keep this thing going for probably

00:54:42.090 --> 00:54:44.510
at least two more years until the final spider

00:54:44.510 --> 00:54:46.309
-verse movie comes out since nick cage is yeah

00:54:46.309 --> 00:54:48.449
i think that's probably about where we'll die

00:54:48.449 --> 00:54:52.880
yeah The heat death of this podcast and my brain.

00:54:55.380 --> 00:54:56.179
Neat. Yeah.
