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DVD
easy retirement. Mick Mars is pissed. Yeah and we were the ones over here
shaking our fists calling bullshit on him. Yeah we knew better. Yeah. Carmine of
Peace or Apathy or whatever has been backing all of this up you know because
he's good friends with Mick Mars. He's gonna be part of Mick Mars touring band.
Now first off I'd like to say this and Topher and I talked about this on the
way down here. Mick Mars is Motley Crue. Oh yeah. He is there sound without him
there is not a Motley Crue. No. You put John Fiver or any other motherfucker in there it
is not Motley Crue. Everyone's gonna be comparing saying nope he didn't play
that right. No he didn't play that right. No I'm sorry John Fiver is very good. Oh
yeah. Real good but the thing is is he is not Mick Mars and Mick Mars is not that
flashy. He's the epitome of a 70s style classic rock guitarist. Yeah yeah it's
just tone the tones in his fingers. Yes. And in his brain and how he how he moves
everything and yeah it's really hard to replicate that. I remember years years
and years ago Motley Crue, Nicky Six specifically got a little bit of shit
because he invited Jakey Lee to join the band Motley Crue. Oh yeah. And and he said
oh we were fucked up I was just joking around I always kind of earmarked out
like hmm you know I don't care if you're fucked up or not you know Mick Mars is
the sound. Yeah. You would never have what you have without that guy. Yeah yeah. So
anyhow all right CNN this is from CNN. Maybe we're getting some wind noise. Yeah we are.
Look at that wind just picked up didn't it. Yeah. So Mick Mars guitarist for 1980s
heavy metal band Motley Crue. I don't agree with that they're not heavy metal
but whatever. He filed a lawsuit on Thursday against the band that he was a part of for
four decades. Mars is requesting that seven corporate entities associated
with Motley Crue hand over records related to their business dealings
following a 2022 dispute stemming from Mars notifying the band that he'd be
retiring from touring due to a medical condition. Mars claims the band
subsequently attempted to oust him altogether and diminish future earnings
he claims he's entitled to according to a copy from the lawsuit attained by CNN.
It is beyond sad that after 41 years together a band would try to throw out a
member who is unable to tour anymore. So okay all right. Okay. So that part is true.
Yeah. He's unable to tour anymore which sucks because I really wanted to see him
solo. But the thing is is this right here. All that being aside they're taking
advantage of him. Yeah. Yeah. So they're telling him uh-uh you're not gonna you
know we're just gonna take this whole ball of shit and it's ours. Yeah. Well
something. Excuse me. That's pretty awesome. Something I thought of is I think
McMars is saying I can't tour as a member of Motley Crue and do Motley Crue
shows. Oh. But he can still tour on his own terms like you know one gig every
four or five days. Whereas Crue it's like night after night every night. That would
make sense the way it was worded with Carmina. Yeah. So I think what Mick is saying is I can't tour
anymore with Crue and keep up your pace. I can still write. I can still do the
songs in the you know in the studio on the album etc. Because when I tour I
need to cut way back and do one show every few days. Because he did retire from
touring. Yeah. And that was it. Retired from touring. With Motley Crue. But that doesn't mean
he's never gonna play live again. No you're right. Absolutely. So yeah okay. Yeah.
Well it's like you know I retired from the postal service because I couldn't
handle carrying mail all the time. But if I could get a job delivering flowers for
a floor shop you know that's much easier I could handle that. Yeah. So I think
that's the situation he's in. I'm probably over over explaining. No no no. I
think that it was necessary to get the effect across. So yeah okay. So Motley
Crue just decided they want to boot him all the way out. So if you're not doing
100% we don't want any of you. Yeah. So Mick Mars has been pushed around far too
long in a band. We're not going to let this continue. Ed McPherson the attorney
representing Mick Mars who filed the lawsuit Thursday was in a CNN statement.
So he told CNN in his statement. McPherson said in the suit that when Mars notified
Motley Crue that he'd retire from touring due to his debilitating
echolocene spondylitis a condition that mainly affects the spine he made it
clear that he had no intention of leaving the band that he could still
record with them and still perform with them in a residency situation so you're
right. Yeah. Yeah so they could go to Vegas and do their residency like all
these other bands in that area has done. Yeah. They'd be fine. So it's the traveling that's
really screwing with them. Yes the pseudo legend just like Ozzy. Ozzy said that he
could probably do a residency but he could not do touring. Yeah. So anyhow or touring
as he knows it. Yeah. Like a show every three days like he had been doing. Yeah. The suit
alleges the band then called an emergency shareholders meeting for
Motley Crue's main corporate entity in order to throw Mars out of the band to
fire him as director of the corporation to fire him as an officer of the
corporation and to take away his shares of the corporation. Wow. Is that not a
fucking cocksucker? Geez. Nicky Six in my opinion you're a piece of fucking shit.
Apparently so. You are the person you swore you never would become. Exactly. You
need to go fucking just go stop. I don't even want to listen to your fucking
music anymore you fucking asshole. Wow. Wow. Yeah I really don't think Nicky Six
was always this way something turned him into this money grubbing greedy backstabbing creep. That motherfucker is only alive because of the grace of God.
Yeah. He shot so much heroin he fucking killed himself. Twice. Twice. Yeah. So I
don't want to hear anything from that guy. Gosh. Fuck you Nicky Six. What a creep. Yeah. Fucking
asshole. Yeah and then look at a band like Rush. They were together for decades
they all liked each other they said you know the key to their longevity is none
of them ever thought they were better than anyone else. It's like you know
everybody in the band is my friend and I want to work with them and I'm not
competing against them. Every one of them were so uber talented they had nothing
to prove. Yeah no kidding. I mean Neil Peart. Yeah. Alex Lifeson. Yeah. Getty Lee. I was
listening to some Rush the other day and just listening to the bass lines. Oh the
bass lines. Amazing. It's amazing his bass lines are so prominent it almost sounded like lead
bass. Yeah. I mean he was just yeah. They're always so tasty. Yeah and always
thought-provoking. Yeah. They didn't just come out and go crotch dick pussy. Yeah. They were very
thought-provoking very intellectual progressive hard. They always challenged
themselves. Yes. You know and new album okay let's try something different
something you know we haven't done before and something that we're not good
at. They never just sat status quo. Yeah. Well anyhow back to this for one second. Yeah.
Miley Crue always performs the songs live but during the last tour Mick
struggled to remember chords played from the songs and made constant mistakes
or led to his departure from the band is what Miley Crue said. Miley Crue
famously reunited 2019 announced a new tour after performing what was supposed
to be their last show at the end of 2015. Yeah. Which says everything right there. Yeah.
You know he he reminds me of this is like Paul Stanley and Gene Simmons on
steroids. Yeah. It got so uppity and up in the clouds and we're been here the
whole time and all that. You know what I don't respect that I never will and I
think it's cheap I think it's horrible I don't think a good person does this and
and I think Nikki Sixx is a very he's a lowlife. Yeah. And Tommy Lee you don't
have to say anything about that. That guy's lucky to be alive to that fucking
brain dead fucking. But you know what liquor you know Nikki Sixx wants to be
the king of the Motley Crue Hill. Paul Stanley and Gene Simmons want to be king
of the Kiss Hill and apparently they are and I guess they're enjoying it but you
know what in a few years no one's gonna give a shit about Motley Crue or Kiss or
any of that. They're on their way out on their way down. They know it. Their fan base
is dying they're not really getting new fans so they're doing all this to hold
on to the last gasp as it's all crumbling away so congratulations on that
but now we're all gonna remember you as a money-grubbing dick. Well I kind of
look at it like this too the real Motley fans not these ones that are showing
up to go watch them at a residency or whatever. Look at that one. Yeah.
Lightning I'm talking about. I'm gonna I'm gonna get a wind filter out here.
Yeah that's a good idea it's starting to hit pretty hard.
All right hang on everyone. Yeah it's gonna work. Now there's the soft
gun. We've got a condom on the microphone so it's gonna cut the wind down. It's safe now.
Yes. Yeah you know what this just shows you that this is all these people
have ever had in their life and they're not letting go. Yeah. You know the
well-rounded person. Rick Morris takes them to the cleaners. Yeah really. A well-rounded person would get
more going on in their life than just the one thing. Yes. But not everybody's a
well-rounded person. That's right. That's right. Obviously Nicky has been missing a lot ever since he was a
child and all the stuff that he said that you know being abandoned basically
all that stuff it's had an effect on him. Yeah. Yeah I remember watching one of his
videos during the reunion tour, Generation Swine. There's some fucked
upness going on in that head. Yeah. Yeah. So that's generally where the more
gifted and unique creative people come from is their brains been jacked with.
Yeah. Yeah I mean look at it like this as soon as Trent Reznor got
happy he can't stand his music. Yeah. That's true. I still continue. I never got
Nirvana without Kurt Cobain killing himself. Yeah. It took that kind of pain to
make that kind of music. Yeah. Yeah. Chris Cornell too I guess. Yeah the
genuineness of the despair and anguish etc is what attracted people to it.
Because you know this is real. I believe this person. I believe what
they're really feeling what they're talking about. Yeah real music says
something. Yeah. Real music has something to say. Real music is outraged. Real
music is undeniable. Yeah. It's art. Yeah. That just you know the happy you know
pop crap that you know is friendly to your ear and you can listen to while not
even thinking about it. That's not really music. That's just background noise.
It's background noise. Yeah. Yeah. If you really want to get to real music then you
get to the angry stuff. The stuff. The protest. Yeah. That's what I like about you know a
number of the bands I listen to is they have the appropriate level of anger in
their music. I mean you can't have too much to where it's like kill you fuck
you die everybody. No. No. It's not what I'm talking about. That's just pointless.
That's yeah. But have something to say and be passionate about it. That I like
that. I do too. It makes better music. So did you have something you want to go
into? Yeah. I was I was watching a show yesterday. It just happened to be on. My
wife was watching it and I watched for a bit and I really started noticing some
interesting things about the way the show was made. It's called Secrets of the
Zoo Tampa and I guess they have secrets of the zoo in different cities
everywhere but the premises of the show is they follow these people around who
work at the zoo and film them having interactions with the animals etc. But
here's what I noticed about the show immediately. Number one
90 to 95 percent female cast. I only saw two. I mean I watched for about on and
off for about three hours three episodes. I saw two men that entire time. I saw
probably about two dozen women come and go but two men and one of them was very
obviously gay. Okay. So the the show made the decision we're gonna have an all
female cast or a relentlessly female cast. All of them were not wearing a
single bit of makeup. None of them had their hair done. It was either just
hanging in disarray or tied up in a messy bun or ponytail. Okay. So every
single woman on the show they made the choice no makeup don't do their hair.
Make them look just plain as day. How weird. That is weird. I wonder what the
whole thought process is on that. I know and you know I mentioned that to my wife
and the first thing she did was defend the show saying oh well these are
these are biologists they don't care about their appearance and I said no
this is a TV show. Yeah with biologists in it. Yeah and these girls aren't
biologists they're volunteers. Oh they're not. Oh yeah. Well then yeah. And if the
production staff wanted them to be wearing makeup they'd be wearing makeup.
I mean everything they sex up everything you think it that would just be like
no hey guys you know go out there. And then I mentioned to her that it was a
you know a mostly female cast and she said well that's probably who
volunteers and again I said but this isn't real life. This is a TV show and
everything you're seeing has been calculated and decided. Yes. They chose
for this to be an all-female cast. If they wanted more men in the cast they
would have found some and put them in there. Yeah. They don't leave shit to
chance. And I finally she finally came around to thinking okay you're right. This
is all artificial and scripted this way and made this way and that's the point
I was making is why did they choose to do it this way. Because none of that just
happened. I'm trying to think of an angle but I don't know what they would have
why they would have benefited from that at all. Well here's the next part. Okay. The
way they edited the show about 50% of what all these women were saying and
these were women from like 18 to 26 or so. You know prime age for marriage,
prime age for starting a family, etc etc. There's no older women. They edited in
such a way that almost 50% of what these women were talking about was gushing
over the cute baby animals. So they're putting themselves in mommy roles. Oh
look at this cute baby. Oh yeah. So they're not they're not a sex figure.
They're not a sex object on the show. They're plain. They have you know must
up hair and you know they're being really open-eyed and innocent about all
the sweet baby animals. They're like the super innocent girl next door. You think they're
portraying angels? Could be because there's there's not a lot of sexual
about these. Exactly sexless, maybe somewhat female looking, taking care of from above
kind of like they swooped in and said we're gonna watch out over these. Yeah. Do
you think like maybe a creator or producer of the show wanted it like that
and said. I think what they want is women to watch and not feel threatened by any
of the women on the show. Oh I'm prettier than all these women. Oh okay. My hair is
better than all these women. That's the story of shows. So they can just sit there and enjoy and
feel good about them without feeling in competition with any of them. That does make sense.
Uh-huh. Okay. Now all of the women, everybody on the show, first name only, it was like
oh this is Brandy and this is Christina and this is the vet was Dr. Melissa. So
intentionally leaving off the last name, everybody's on first name basis, that
that also lends an air of everybody's a real good friends, we're all on first
name basis, nothing's ever formal, it's all just good friends, oh this Dr. Melissa
and buddy friend and you know it's just and then the advertisements that ran
during that show, one that ran over and over was for a Yukon vet show. There
again it was a woman, everybody on her staff, female and all of them in their
20s. So it's a theme. It's a theme that's coming up. It's a theme going. Yeah you know not a man in
sight and all these happy friendly women who aren't competing sexually with each
other for the intention of a man. Isn't that interesting? I'm trying to figure
out an angle of where this is going but I don't, I have not connected the dots
yet. Yeah. Why they would do it like this. And also very prominent in the
advertisements, lots of pet related ads with food, medicine, care, etc. and everyone
that was about a pet's medicine showed a pretty female veterinarian. So it's like
for three hours on this channel men didn't exist. Not at all. And that
and somebody made that choice and I'm trying to figure out why.
Psychological? Maybe the people that they were intending the show to... Exactly.
The people they wanted to watch the show they figured didn't want to see
men anywhere. Is that what was at that? That's the only thing I could think of.
To intentionally exclude one gender completely from not only the show but
the commercials and the ads for future shows and it's like hours and hours of
not a man in sight somebody made a choice to do it that way. I wonder why.
Yeah. I mean were they correct? Is the audience that watched that show so
threatened by the mere appearance of a man on the screen that they would change
the channel and dislike the show? I guess so. Okay. Yeah I guess. But can you imagine
a bunch of guys sitting around say hey I want to watch a show where it's just all
guys no women. No. No. But I can see women saying hey let's watch a show where it's
all just women and no men. Oh I can see that easily. I can see that easily.
So that might have been what the programming idea was. It's let's
program for these women that don't want to see men. Okay. I got an interesting
thing here. Remember last week you're talking about did you tell me about no
we've said this on air about Ace Freely. Yeah. Yeah and he said that Paul
Ciali is on Howard Stern. He said he was gonna sound like piss if Ace is still with him.
Yeah. Well Ace got on Eddie Trunk and anyhow he you know like you said he was
talking about you know if you don't apologize to me in writing that I'm
gonna spill some of your dirty secrets. Yeah. Okay. Well Ace Freely said he'd
heard back from Paul Stanley shortly after demanding an apology from his
former Kiss Bandmate last week. But all he received was a fuck you during the
five-second phone call. Wow tell us how you really feel Paul. It also makes me
wonder if this just isn't one big promotional gimmick. Yeah I'm thinking
Andy Kaufman and the wrestler. Yeah you go on your platform which would be Howard Stern.
They're both on Sirius XM mind you. Then you go on your platform
Eddie Trunk which would be Ace because they're best friends and they you know
anyhow a long history together. As promised last week Freely returned to
Eddie Trunk's Trunk Nation today to offer an update on his ongoing war of words
with Stanley and Gene Simmons. The spaceman previously threatened to air
some dirt on his ex-colleagues if Stanley did not apologize within a week for the
disparaging remarks he made during a recent Howard Stern interview. When asked
if Stanley contacted him Freely said yes but he did but not long after the
show was over I was blindsided by the phone call but instead of an apology I
got a five-second phone call which said fuck you Ace I'm not going to apologize
and hung up. Wow. He wasn't even man enough to let me give a rebuttal and
explain why I'm upset over anything like that. Yeah well something I'll be curious
to see. Wow. So far it hasn't crossed any line. Yeah. Like if now if Ace is to come
back and say that Paul Stanley hates black people and I have him on tape
saying the N-word or something then that's too far. Yeah. But just insinuating and
throwing little bits around like this could be and this could be it's nothing.
It's nothing that they can't be all sudden they're on stage the last five
shows they made up and they all play this big it's a big kumbaya moment and they're
all hugging and yeah yeah yeah if if the dirt that Ace has on them involves
something that could result in criminal charges then I'll take it seriously but
if it's just embarrassing like oh he cheated on his wife with three girls and
he stood on his balcony with his wiener out or yeah yeah if it's not something like you know he
raped a 13 year old in Toledo once and I have pictures you know then I would
believe Ace really has some dirt and is trying to hurt him but if it's all just
you know good old boy embarrassing stuff then yeah they're working together to
pump up their shows and they're yeah and they're hyping their image. It wouldn't
be the first time they did this. Absolutely. Think about that uh that
unplugged MTV live unplugged. Oh yeah. Yeah remember it all sudden Eric Singer and
Bruce Kulick leave yeah and Ace and Peter come up there and replace it. Oh my god
they're all back together again. So yeah yeah I'm almost working up to some big
I'm just I'm about two seconds away from calling bullshit on them yeah yeah and
then they'll get them all together at the final show they'll all hug and cry
and kiss and then release an NFT of the moment yeah yeah yeah buy our non-fungible
token of this reunion. Ace and Paul hugging each other on stage. I got this because it
means so much to me. Then they end up leaving and going fuck you. Hope you get
fucking ass cancer. Fuck you. Meanwhile they're just milking us idiot fans for every
penny we have selling us the lie that they really like each other. Yeah we're
rubed and we love a nice story. Look at them they love each other again. It's like when they first met.
I'd rather spend a thousand dollars and believe a happy lie than keep my
thousand dollars and face the unpleasant truth. But if you listen to
Paul and Gene they all never really liked each other that much anyhow from
the start. No it's been a business from the beginning. They've never been bandmates.
They've always been co-workers. Yeah yeah yeah I remember Paul saying stuff like
Lace is kind of lazy and fat and didn't really like to carry his stuff in and
Gene insinuating that Ace may be a little fucking I don't know a little bi
or something when he gets trapped. I mean all this stuff. Another thing
with Motley Crue is remember when John Karabi was blamed for the failure of
that album and tour and they just dumped everything on him and kicked him out. First of all that was a damn fine
album. What failed is they called it Motley Crue. Yeah they should have called it something else.
But anyway now they're talking about bringing John Karabi back to
replace Vince Neil. So all of a sudden they don't hate him anymore it's a
business decision. And John Karabi will go along with it. Although I heard his solo and he
doesn't care for him. No John Karabi doesn't like him. He played solo in Kansas City a couple times.
As he said you know I don't you know it's not like we're friends or
anything you know it'd be a business arrangement if they want to pay
me to sing their songs. Sure I'll do it. Quite frankly I'd rather at this point
go see John Karabi with that band than anybody else. But I still contend they need to change
the name. Yeah yeah maybe they could leave something in there to remind you it's
Motley Crue. Just like you know say it's second Crue. Second Crue or you know. Two live Crue.
Oh wait a minute wait a minute that's taken. Yes I think somebody already has that one.
I saw a thing. I'm just sitting in a big churn machine. Yeah. That's all okay. I saw a post from Vanilla Ice
the other day and he was saying back when Ice Ice Baby was you know making him
a bunch of money he said Suge Knight approached him at a hotel took him up to
his room and it was Suge Knight and some of his bodyguards and Ice Ice was there
all by himself and Suge suggested that Vanilla Ice should assign his royalty
points over to Suge Knight. That would be a really good idea if he did that and then
he mentioned that it was a long way down from the balcony. Oh yeah yeah no he actually
hung him over the balcony. Yeah. Yeah it was like ten stories up and he actually
put put him out there and was holding by his legs and hung him over the balcony.
Yeah. Now you see that's the kind of stuff you expect to see in mafia movies.
Yeah and who knows if that's true or not. I mean I could totally see that in the
entertainment industry. All that's required is something where lots of
money is changing hands and organized crime moves right in. Oh yeah.
It's just a natural solution for him. I mean why wouldn't somebody say I'll kill
you unless you sign over the rice to this hit song to me. Yeah. And then it's
in the press like oh yeah well I sold him this song for this amount or
whatever and really it was an extortion and the guy would have been dead. Yeah.
Yep. If there's millions of dollars at stake you've got to believe yeah somebody's
gonna take someone's life over that. Sure they will. Yep. Yeah absolutely. Yeah and I
could see you know some of these one-hit wonders they like they have one big hit
and they disappear. They probably get the one big hit get exposed to what success
in the music industry is like and then run screaming for home. Yeah. Yeah. Yep.
That's you know half of the one hit wonders that you never hear of again
they're like oh screw this I'm gonna go back and work in a paper mill. Yeah the
the industry was completely different than they thought it is. Most people have
this idea that you make it big you get a ton of money and everybody loves you.
Yeah. Yeah. And everything good comes your way and everybody's you know
spawning around you but actually you become the prize cow. Yep. In the state
fair. Yep. And people will take pieces off you trade you back and forth and when you're
all used up they throw you away. And that's how you get a lot of this
mental diseases and people freaking out. Yeah. It's because they can't handle the
fact that they're no longer that golden cow that like yeah don't want to deal
with them because they like them they're only dealing with them because they can
make money off of them. Yeah. When they when they hit that reality that they're
no longer worth anything to anybody that's when the real you know that's
when you get the suicidal stuff and the drug use and you know now the drug use
might have always been there but not to the extent of when they realize you know
they're. I think a lot of the drug use well the drug use in the music industry
in like this 50s 60s 70s it had a two-fold purpose one it made the artists
much easier to control because you take away part of their will and they depend
on you for their drug fix. Yeah. Therefore they're easier to deal with and two the
record company would give them you know like the million dollar advance and then
they get it all back selling drugs to the musician. Uh-huh. So the musician would
you know that advance will go up their nose or in their vein and the record
companies now got all their money back and anything they make off this band is
pure profit. And now the band has to go out and work extra hard and do
whatever the label says because they're all out of money because they snorted it
all. That happened with so many bands. Yeah so the band becomes a slave because
they're addicted their label keeps them addicted because that's the way to
siphon back all the money they get paid for anything. Uh-huh. You know oh we got
to pay the artists 10% royalties that's all right we'll just mark up his coke
another 10%. Yeah. And then when he can't write or sing or perform anymore we kick
his ass to the curb and find a younger version. Yeah and then that's where you
get all these skid row stories about all these stars. Yeah.
You. Two ass bags and a box of cheez-its will be right back.
Hey look I think we found land. Oh my god I think we're safe. Oh no it's the island of
horrible jokes.
Why? Can't it be 12 inches long? Because then it would be a foot.
Our constant pursuit for a real knee-slapper it's strange insults from an alien.
Real hilarity.
Hey your chair produces sound similar to a heart. But only once. Such that you cannot reproduce it and prove that it was just the chair.
If a 10 pound bag of shit could talk this is what it would sound like.
I got a I got something here. I'm hearing sirens aren't you? Yes me too.
Well there's a severe thunderstorm just to on the Kansas just to the north.
Wyandotte County has one on there. So I don't know how hairy the weather's gonna get here.
But you might hear some pretty cool stuff. I had a douchebag screaming and running off.
I had a route a male route once that was down in the Kansas River bottoms K-32.
It was like about half businesses and the residential part was mostly trailer parks.
But it was probably about eight feet above river level.
So we've got a rain like this. You needed a canoe to get around on that male route.
Because the water all drained down to the river and it couldn't drain fast enough.
So there was some streets that I just couldn't get into and it rained like this.
What did you do? Just hold your mail till it went down?
Yeah and there was one whole trailer park that would flood and there'd be like six to eight inches of standing water for days.
And it would never dry out. It was just awful.
I don't know why do people live there? I don't get it. It's like man they'll move out. I don't know.
Some of those trailer parks they started building them up on stilts because they got flooded out.
And then the other ones that as they would flood out they wouldn't let them rebuild.
They said no you got to rebuild somewhere else or put them all on stilts.
Well that's what I'm talking about. It sucks for the people because I know their home's there and they'll never get the value out of it or nothing like that.
I mean I get it for their own safety and then people trying to service them too.
Well I mean speaking of rebuilding, you hear about San Francisco?
Oh I know they've been having some troubles lately.
Yeah they have. This is according to the San Francisco Chronicle.
The city is on the verge of collapse.
I can believe it.
Me too. I mean you look at everything all together not just what's happening lately but over time.
They've made a number of unsustainable decisions on how to run their city and it just doesn't work.
Well I mean this feel good stuff only works for so long and then you eventually have to make hard decisions.
And that means if there's a lot of hobos there you're going to have to do something with them.
You can't just let them live off of everybody and shit everywhere.
And to pretend that they're just happy friendly people that just happen to live outdoors.
They have mental illness. They're angry. A lot of them are angry.
Like Ms. Goldfenstein here, very angry. Whoever she's yelling at. Not happy with it.
As long as they deal with reality then you have a chance.
But San Francisco has been believing their own bullshit.
And a lot of them went there because of that. They're like look they don't care what we do here so we're just going to go there.
So hey you know much of San Francisco is facing an economic death spiral brought on by post pandemic woes.
The Chronicle said in an editorial.
The article is headlined San Francisco could be on the verge of collapse.
What should California do about it?
Well traditionally if something collapses it's lying on the ground.
You take a bulldozer. You scrape it off and you build something back over it.
Yeah pretty much.
The idea of San Francisco is at risk of collapsing and taking much of the Bay Area with it according to the editorial.
Experts say post pandemic woes stemming from office workers staying home instead of commuting into the city could send San Francisco into a doom loop.
That would get its tax base, decimate fair reliant regional transportation system like BART, and trap it in an economic death spiral.
The article asks the question who would have predicted such a thing?
Anyone who paid attention to what happened in New York on 9-11 terrorist attacks it answered.
Like San Francisco, Lower Manhattan Financial District was once a nearly exclusive daytime hope for suburban offices, commuters, and businesses who fed them lunch and a ghost town after dark.
That all changed after 9-11.
But New York came up with a version for reinventation, which they did.
The Big Apple Financial District would become a place where people lived and worked.
About 20 billion in public and private investments were spent on making the vision a reality.
So it sounds to me like just on what I read here, there's nobody willing to take a leap of faith into San Francisco because of their policies.
They're all going, that's okay, we'll stay back here.
Yeah, we'll give you six months, see where you are, then we'll talk.
Yeah, we'll come back a little later. Good luck.
Post-World War II, the paradigm was build the suburbs outside the city.
That's where everyone lives, those are bedroom communities.
Then everyone commutes into the city to work and you pay the taxes there to support all those buildings.
At the end of the day, everyone drives out again.
The only people living in the city are the disadvantaged people who have to take the lower paying jobs in the inner city.
Like trash collection, maintaining the sewer system, sweeping and cleaning your nice office building.
That was the paradigm, is the upper middle and upper class white folk move to the suburbs and enjoy the good life.
Anybody living in the city, well, your life sucks, just deal with it.
Yeah, that's absolutely correct.
I think San Francisco is still kind of built on that model where they have high value neighborhoods,
high value areas that sustain themselves with high taxes, but they depend on people coming into those areas.
Which is not really happening now.
The editorial noted the financial district ended up bouncing back.
The tragedy of 9-11 inadvertently revealed the glaring vulnerabilities and inadequacies of office dependent 9-5 business districts.
And created a new model for making America downtown's more stable economic engines for local governments
and fostering better, more compelling urban life.
The editorial said, which we're doing here in Kansas City.
The urban life is a lot of these lofts and condos and apartments that they're building with play areas built into them
right next to them, underneath them, around them.
And getting people away from the idea of needing to own a car. A car is a choice anymore.
Yeah, I mean it's just like this big park that they're planning on building over 670 downtown.
That's a great idea because people will go like, I don't need to live out on the suburbs anymore.
I have a huge green space right here.
Well the 9-5 office culture that we're talking about with the big office buildings,
that was never an efficient way for humans to live or an efficient way for us to have our careers.
It was that way because it provided lots of tax dodges for the people who owned the buildings, owned the businesses.
Yes.
Worked in the city planning commission or the county planning commission.
I mean it made a shit ton of money for a bunch of people, not us.
We just had to live within the system they created which was good for them.
I'm starting to get a little sprain this now.
Yeah, me too.
We were getting a little shower during the podcast.
Now everything is changing. People are like, you know, to hell with your 9-5 commuting culture.
I'm just going to live here, work here, do that, maybe change jobs every six, eight months.
And these enormous structures that all these cities have built downtown suddenly are a big tax liability.
And the people that have enjoyed the tax breaks up till now have got to figure out a way to change it back
or get out from under their big giant office buildings.
Well, I think that's simple how they're...
So that's the push to, you know, hey, get back to work, come back into the office because they want their tax breaks back.
Yeah.
It's not because we're more productive. It's not because it's better for us.
Well, you know, it's said here that San Francisco didn't get the memo.
The thing about this article here was it was an article about an article.
Oh, interesting.
Well, you know, it said how the Chronicle suggested this and that.
Uh-huh.
Well, I went to the Chronicle and there's a subscription deal.
So I was like, no, I'm not paying five bucks to go buy that.
So I just went off of this.
So, okay. It didn't come up with any answers. It just posed questions.
Yeah.
So I think the answers are this right here.
They're just going to make people start working in their offices again with no explanation.
Yeah.
It's like, yeah, you could. I know a lot of banks that are like that now.
They're like, yeah, you could work at home, but we're not going to let you.
They're going to try to make it a condition of employment that you show up in person at this location.
Or at least three days a week.
Now, the interesting thing will be, can they get enough people to agree to that?
Or is that going to be time after time people saying, no, thanks?
Some of these new companies have been built up like that.
They're just going to go, no, work at home. We don't even want to build a building.
Yeah.
They got the advantage right there.
Yeah, exactly.
Yeah.
And I think the federal government also has a vested interest because they collect the tax monies.
So they want big office buildings generating tax money.
They're going to figure out a way to make people go back into the city. That's just how there is to it.
Either that or they're going to find a way to tax them for not going back into the city.
That might be what they're going to do.
And how come they're not really seeming that interested in what's going on? They're just kind of like, OK.
It's like if you have an electric car, you're not paying the tax to fix up the roads and highways because that's built in the price of gas.
So people who buy electric cars, the government is telling them, no, you have to go back and pay as much tax as you would have paid if you'd been buying gas all this time because you're still using the roads.
You've got to pay that tax.
Yeah.
I think there will be a similar thing where they say, OK, you're working for a home, but this downtown still exists.
So we're going to tax you because you're not using it.
Yeah.
I think it's going to wind up being something like that.
I think you're right.
Yeah.
Yeah, that's what I say.
Yeah.
San Francisco has coasted a long time on being a tech hub, a great place to live, great quality of life.
And I think the PR campaign people are seeing through it now, and it's just a city like any other.
And it costs way too much to live there and do anything there.
Yeah.
They're deciding on cheaper places to live, work, have their business, take their vacations, et cetera.
And San Francisco is not wanting to cut their prices, as it were.
It's like, no, we want to be this big, expensive city.
So we're going to polish our image up again and try to get the money back.
Exactly.
Yeah.
But there are cities that come and go in popularity.
And maybe this is San Francisco's time to become the next Fresno.
Let's hope not.
There will be a lot of disappointed people.
Yes.
They'll become the next Oakland.
I just ran across something when I was looking for a couple of stories that I have here.
Yeah.
OK.
And I was going to ask this actually a couple of months ago.
Yeah.
And anyhow, I just saw it written here in handwriting.
OK.
You know how you order like chow now in all these places, right?
Yeah.
You get to the restaurant to order something to go pick it up.
Yeah.
Not delivery, just go pick it up.
Yeah.
And they still ask how much tip you leave.
Yeah.
What the hell are we tipping for?
Yeah.
Does that money even go to the people?
That's what I like to know.
They have no way of knowing it.
No.
They have no way of proving it.
Yeah.
And I mean, hey, did you guys give them $300,000 worth of tips last year?
Mm-hmm.
I mean, would that have been added on their check?
Did they pay in cash?
Man, you're just taking their word for it.
Yeah.
Just like, oh, I'm going to tip this guy.
I think it's a new scam.
He probably never sees a penny of it.
Yeah.
I think it's a new scam.
Yeah.
It's just like I found this out.
Like Instacart, they will not.
They will buy the stuff from Price Chopper that's cut in half.
But they charge you the regular rate.
Ah.
They don't give you the discount.
Ah.
So they make a little money off of that from what I understand.
Yeah.
Well, I mean, allegedly, but it looks like it is.
I mean, that's what I've had some people tell me.
Yeah.
That work for them.
They say, oh, no, no, no.
They still charge the same price.
They might have bought this for $1.50.
They're still charging $3.00.
Yeah.
They'll work it into service fees, convenience fees, et cetera.
Sure.
Yeah.
They'll put a upper hand on that.
Yeah.
It's like the plus fees.
And most people don't look.
Yeah.
Well, I mean, whenever you buy a hotel out of town or even in town, you see plus fees,
service fees.
Yeah.
Those are just gouging you.
It's like we're going to the Freaks on Parade concert coming up September.
Yeah.
Rob Zombie, Alice Cooper, Ministry and Filter.
Yeah.
Our tickets are like $60 tickets.
And the service fees for the four tickets added up to more than the price of a ticket.
Yeah.
Isn't that fucked up?
It is.
As much as I hate ticket bastard and access and all that, who added all these fees?
Is this municipal fees?
No, this is just for the hell of it fees.
Just because they can?
Yeah.
Just because they have a monopoly.
Yeah.
Yeah, that's it.
That's fucked up.
I mean, I saw a photo of their, a copy of their receipt for a different concert and
they, the tickets were like in the six to $700 range and he bought two tickets and the
fees were $1,300.
Shit.
Because it's based on the price of the ticket.
Uh-huh.
Now nothing, nothing has changed.
You know, you buy a ticket, they do, you know, the exact same thing to get you the ticket.
If the ticket's worth a dollar or $500, it doesn't matter.
They've spent the exact same amount of time and money processing that ticket.
But they're not satisfied with that.
They want a bigger cut of the more expensive tickets.
Yeah.
So you buy a dollar ticket, you're going to pay 20 cents.
You buy a $500 ticket, you're going to pay 200 bucks.
Yeah.
All right.
Well, uh, we stopped for a moment there because I had to order some hot coffee because it
is so freaking cold down here.
Yeah.
And the wind's blowing in and rain mist is hitting us.
Yeah.
So, uh, let's see.
You were talking about robot tipping because I got a couple of articles here about robot
waiters and how they're kind of failing and all this.
Yeah.
Um, it was an article, uh, initially it was about a Japanese restaurant that was, uh,
using robotic servers.
Uh-huh.
Instead of people coming out and bringing your food, it was just a little, little rectangular
robot that would come out with trays and come to your table and drop it off.
Just a little generic little bastard.
Yeah.
And people were enjoying it because it was, you know, no one's touching their food and
it's nice and impersonal, but yeah, I get it.
Here's the kicker.
People are tipping the robot.
It's not a person.
It's not alive.
It doesn't need income.
You think the robot prompts it, prompts them?
Like it gives them the opportunity.
I'm sure.
I'm sure it does too.
Yeah.
Well, in Japan that might be considered rude for the robot to say, you know, hey, tip me.
But, uh, it would go over, I'm sure in America where the tipping culture is just nuts.
People tip for anything and everything, but yeah, I imagine that, you know, a little robotic
server comes up and gives your plate and some guy tipping it five dollars just because it's
cute.
Who gets that money?
Or impresses girlfriend.
Oh, the owner of the shop, I'm sure.
Yeah, I'm sure too.
Yeah.
It's just another way to get money from you.
Wow.
Have you heard about a Pat Sajak being in trouble?
Um, not specifically this time, no.
Well, he gets in a lot of, a lot of little bickering and stuff, people online, because
he says off-color things.
Oh, wow.
Well, here's the deal.
I've noticed this.
He's very entertaining because his mind keeps going and he just says little things.
But he does have time to filter into what it sounds like, what it could, what he could
mean by it.
But it's really nothing inadvertently like overly anything.
Oh, okay.
It's like little innuendos.
There's enough innuendo that it could, yeah, it passes.
Yeah.
Yeah, okay.
But, I mean, as far as entertaining, I don't think there's very many people that could
do what he does.
Yeah, he's lasted a long time in that shop.
How quick and how fast he is on his feet.
And, anyhow, this time I think it's warranted because I watched it.
Oh, okay.
And I do think, and I think that he's just being stubborn by not backing down.
Numerous Wheel of Fortune fans are furious.
They feel a contestant was robbed on April 7th, 2023 episode.
Alexa Hustra was represented at Texas Women's University.
Was ruled to have incorrectly say the phrase, just winging it.
Okay.
And the way she said it with that Texas draw was just winging it is what it almost sounded
like.
Winning, not winging.
Yes.
Oh.
Yes.
And, yeah, and anyhow, it was, when you listen to it a couple of times, sounds just like
she said, just winging it.
It's so close that they need to just give it to her, but I don't know if they have yet
or if they're going to.
Seconds after Pat declared her to have not won, Twitter blew up with controversy.
Many people saying that Pat ripped her off 100 grand.
The lady has a Texas draw and when listened to a couple of times, she might very well
have just said, she might have said just winging it instead of just winning it.
Yeah.
Like Pat called.
No word on whether the Wheel of Fortune will look into this matter or not, but I think
they need to.
And look, even if she gets a free one, it's going to be great for publicity.
They're going to go, look, you know what?
They could have been wrong.
So they went ahead and backed their ass up and just gave it to her.
Yeah.
And I think it's a decent thing to do.
Yeah.
Because she could have easily said winging it.
I think she did after I listened to it a couple of times, but I also admit it could be the
power of suggestion.
Do you know what letters were missing when she made her guess?
Was it the G?
Hang on, let's take a look.
Because if it was W-I-N blank, I-N blank.
Then we could just be like, yeah, the nets.
Well, then she would know it's not winging it because the other N would be up there if
it was winging it.
So she would know that.
You know what?
Hang on.
So there's no way she would say winging because the second N would be up there instead of
a blank spot for the G.
Okay.
Hang on here.
April 7th is when it was, right?
Of course, this may be their point is to get us to always talk about Wheel of Fortune.
That's the, you know what?
Honestly, it's probably that.
They already gave her it.
We're like the fish in the pond and they drop a new lure in and we go, oh, look at that.
Everyone look at that.
And they jerk it around a bit and then they drop a new lure in over there.
Hey, everyone look at that over there.
We're being played.
We're all losing our mind over a beer can with a transgender person on it.
I know.
Somebody's getting invaded somewhere or a law is being passed that is going to really
screw us.
Yeah, I know.
But we're all distracted by a trans beer can.
I know.
So we're not paying attention.
You know what?
And you know, if that's what's going on, then it's probably what we all deserve.
If we're that shallow, we get distracted by this meeting of shit.
We deserve every screwing we're getting.
The thing is, all of these things want to run like a two minute segment.
So I don't know.
I think that, you know what?
You're right.
I'm going to take a look at it tonight and I'll come up with my own decision and you
can look at it too.
But OK, maybe that's the key then.
What words were left.
Yeah.
Interesting.
But let's see.
The way the bonus puzzle works is if you say one word or one letter, all the letters appear
on there.
Yeah.
So if there was one end, you're right.
All the ends would have showed up.
It would have showed up and they'd have been like, OK, that's not winning.
Yeah.
She would know it's not winning because the second end wouldn't have been there.
So I'm trying to find a skill level.
I don't know if I'll feel a fortune can deny her.
Me neither.
It's too obvious.
Yeah.
So let's see.
Here it is right here.
It's the first one.
OK.
I'm going to take a look at this here and see what it says.
See, we're doing the internet search so none of y'all have to.
Yeah.
You guys are welcome.
We're doing the grueling search here.
Your phone's going to get hit with all the targeted ads instead of everybody else.
But meanwhile, Topher.
Oh, no, no, no, no.
Look, the ends are in there.
Yeah.
So there's no way it would be winning because the second end would be right there between
that end and I.
OK.
Yeah.
You're right.
OK.
Yeah.
Just the way she knows there's not another W in there because a W has already been said.
Exactly.
Yeah.
Wheel of Fortune doesn't have a leg stand on here.
No, they don't.
Nope.
Topher meant nothing against people with one leg.
No.
Yeah.
Just thought I'd bring that out there.
You know, the other day we were talking about plot devices that lazy script writers use.
Another one that has, it was used for a while in like the 80s and 90s and has really fallen
out of favor is the plot device of The White Savior.
Back in the 70s, there was a show called The White Shadow and it was a professional basketball
player who was white, who gave up his high paid NBA career because he wanted to give
back to the community.
And actually, I remember that show really well since you brought it up.
But go ahead.
I'm sorry.
So he moves to an inner city area and becomes a basketball coach at an inner city school
where the majority of the students are black.
And he turns it all around and everybody starts succeeding.
That was supposed to be a feel good story.
But at its core, it's saying, look at these poor black people who can't do for themselves.
We better send a white person in there to save them.
And that's the way it comes off.
Michelle Pfeiffer did the same thing in Dangerous Minds.
White school teacher goes to a black inner city school, saves them all because the magic
white woman shows up and is the savior.
Different strokes.
The rich white guy adopts the two black kids and he magically improves their life.
Yeah, The White Savior idea.
And it's really fallen out of fashion.
But I think The White Savior storyline was really just another disguise for the hand
of God coming in and fixing everything.
Like the genie in Aladdin.
It's God showing up to do magical things that you can't do on your own and giving you the
life you want.
Oh, what was the other movie?
Blanking.
But anyway.
You said it this morning.
Yeah.
But like Cinderella.
Cinderella is a good one.
Here's the fairy godmother represents God coming to give you the life you always wanted,
etc.
But Hollywood doesn't want to show Judeo-Christian storylines over and over and over.
So they disguise God as the white savior who comes in to fix the broken school or the fairy
godmother or the genie in the lamp or like an avatar, the guy who rebels against his
own kind and helps the blue people.
It's like the savior from outside.
And that's a God trope.
That's supposed to be God or Jesus coming in from heaven and fixing your life.
But if you're not a Christian, then you don't want to see God or Jesus doing it.
So they disguise it.
Sometimes it's a cartoon rat.
Sometimes it's a scientist with extraordinary large breasts.
It's always the same idea.
Adam West, Batman.
Yes.
He always had the exact right tool on his belt to get him out of this complex situation
that never will rise again.
But he just happens to have that tool on his belt.
Because that's something that God would be able to do.
It's like shark repellent.
It's like anything that came along.
They were surfboarding and the Joker was surfboarding and they were after him.
And a shark.
It was so cheesy.
He's chomping on his leg and he grabs the bat shark repellent.
James Bond is another one.
The villain will put him in a complex situation where he's going to die.
Luckily, Q has given him just the right special gadget and he has access to it.
So there again, it's like a retelling of God and his special powers.
But it's interesting to note over and over again, the savior person seems to be what
most of white middle class America thinks of as Jesus.
Which is a white American.
A lot of people have a picture on their wall of who they say, oh look, that picture, that's
Jesus.
Like, yeah, you weren't around.
You have no idea what he looks like.
But it makes you happy to think that he looked like you.
Blond, blue eyes, six feet tall.
Although he was in a different region with very different looking people.
Probably Arab.
But who knows.
But anyway, that's the thing is we don't know.
But for American consumption, the good guy or the good girl, the person with all the
powers to come in and swoop in and make everything right, generally is a white person.
Well it was.
Now it's changed now.
You have the big time actors that come in, like the Will Smiths, well it was Denzel Washington.
Now it's like a, yeah, I mean now it's changed quite a bit.
But for a long time we had that period where they came in, swooped in.
At most a person of color would be like the sidekick, but never the main hero.
That person's in a lot of trouble.
Whoever's having the blood moon problems.
That's a cord drilling.
They're going to have to bust into something and fix it.
This is serious.
Yeah, this is serious shit.
Sorry on the side note watching the traffic around here.
Well I've noticed some equality creeping in to how villains and heroes are cast on TV
shows.
You're familiar with the Lifetime Movie Network?
Yeah.
It's basically there's two channels in the Lifetime.
There's one Lifetime channel where it's movies designed to scare the crap out of women.
Because every plot line, every story line is a vulnerable woman in trouble getting her
life basically threatened or her children's life threatened.
Like Killer Nanny, my husband's killer ex-girlfriend.
The Pool Boy Nightmare.
It's always a white woman in desperate trouble and how she gets out of it.
Movie after movie is like that.
And then there's the Hallmark channel where it's their movies pretty much the basic story
line is everybody in the movie is in their 20s, everybody in the movie is gorgeous no
matter what.
All the women are gorgeous.
All the men are gorgeous.
The plumber down the street, he's gorgeous.
Everybody is just beautiful and they all have very simple minor problems that are easily
solved and everybody's happy at the end.
It's designed to make you feel good and happy about everything.
But I've noticed that in the terror movies where it's supposed to scare the crap out
of you that up until recently the villain has always either been a man or a white woman.
Like the ex-girlfriend, ex-mistress or the stalker boyfriend or the one night stand.
But here recently the villains, they're starting to cast black women as the villains.
You said this and we never did get this on.
And I started noticing you're right.
Now that's equality.
The entertainment industry feels comfortable enough that they can portray a black woman
on screen as someone you want to hate.
And also notoriety too.
You make more credit being a villain than you do a hero I think in the movie industry.
Yeah and it shows your range.
People remember that.
I've got one for you.
Is it a Nissan commercial where they have the new Nissan sales extravaganza?
Where it started with a guy and a chick doing like Spy vs. Spy where like the chick's taking
off from her wedding or whatever.
Oh yeah.
And the guy says, well the latest is the butler did it.
Have you seen that commercial?
Yeah.
Okay.
Have you noticed in the middle of there, he goes, although no crimes were committed, it
has a disclaimer built in it.
And the guy, the guy, the black guy that says it appears the butler did it, the butler's
a shifty, skinny white guy like looking real evil.
And then he gets in his car and then the hero gets in his car and chases after him.
Yeah.
Okay.
In the middle of that he goes, although no laws were broken.
And then it starts going into, I was just like, does anyone catch this?
Do they have to say that this guy really did not kill somebody or whatever, whatever you
think they did?
Well, it's like in the 90s.
It would appear the butler did it.
That could be anything.
Maybe he took someone's shoelace.
You know, I don't know.
Yeah.
Well, yeah.
You read a car's owner manual from the fifties and it'll tell you how to rebuild your engine.
You read a car's owner's manual for today and it tells you not to drink the engine oil.
Yes.
So that shows you where we are.
So here we are in society.
I've noticed another one is for a long time commercials have loved the trope of the useless
white guy.
You know, he's always the butt of the joke.
He's the guy that isn't using your product.
He doesn't get it.
Doesn't understand.
So useless white guy.
There's some insurance company that's got the TV dad thing where the guy's asking somebody
to advise.
Oh, why don't I ask TV dad?
When his real dad's standing right there and already suggested it.
Yeah.
Well, they started out, you know, the TV dad is a black man that kind of looks dressed up
like Mr. Huxtable on the Bill Cosby show.
Yeah, yeah.
A little differences.
They may have a little bit more overweight.
Yeah.
But yeah, yeah.
So enough to bring back.
The same type of likeability when you see him.
It's like, oh, look, just a gentle old guy.
Yeah.
You're supposed to think of the good things about the Cosby show.
Exactly.
But not think of Bill Cosby himself, who's a sick predator.
I think that's why they made this guy a little bit heavier.
Yeah.
But you know, TV dad.
And sitting down on a couch.
Yeah.
But that is absolutely Bill Cosby as whatever Bill Huxtable on the Cosby show.
Yeah, they watch you think of the Huxtables.
Yeah.
So as the first couple of commercials, the TV dad would be the one they paid attention
to.
And he's saying the right things, or he's saying the exact same thing that the white
dad said, only people were paying attention to the TV dad.
Exactly.
And people go over and, oh, go ahead.
I'm sorry.
But now that's changed.
In a recent commercial, it's like a teenage girl, a white teenage girl, who is asking
about insurance.
And then the TV dad explains something to her, and then she rolls her eyes like he's
the biggest idiot, and she can't believe it.
Oh, I think I've seen this one.
So now they're portraying not only is it just the useless white guy in the ads, now it's
the useless guy.
Whatever ethnicity you are, if you're a guy in the commercial, you're the useless idiot,
the fool.
I want to go a step further.
That's another thing.
I was going to say that's another way of showing that commercial producers are getting more
comfortable with black actors in the commercials, that they're willing to make the black person
in the commercial look like the fool.
Now that's something they wouldn't dare do.
No, they wouldn't have done that for probably at least a 12 year period, I agree.
Or if you were clowning the black guy in the commercial, it was always done by a white
woman.
Yes, it was.
Wendy's does that over and over.
They have a black guy who's getting clowned by a white woman, and that's safe.
Yeah, that's safe.
So the insurance commercial is still, it's a young white woman, like 17, 18 or whatever,
and she's clowning the black guy, but it's safe because it's a white woman doing it.
I know.
If it was a white man doing it, commercial would never air.
It would have never aired.
It would never air because, oh, it's offensive.
They're willing to accept being berated and humiliated by a white woman.
Apparently that's okay.
No, it's really.
I know.
Oh, God.
Two douchebags and microphone.net, you're one stop for everything douchebaggery.
You want to write us?
You want to say something to us?
You want to look for a live button?
When we go live, you can call in.
All of this stuff is right there for your ear holes and eye holes.
You got it, chumps.
It's all yours.
Two douchebags and microphone.net is up and running.
Don't forget to hit the subscribe button.
Hey, where did everybody go?
Where are the douchebags?
Oh, my God.
Someone took a dump in the corner.
Oh, jeez.
Glad they're gone.
Let's just hope they don't come back.
Man, that smells.