WEBVTT

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You're listening to a podcast of Spurious Morality.

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Only now am I thinking we should have done some

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kind of intergalactic song contest related intro

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to this one. Where's Connor? I bet he does a

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good Ryland impression. No, let's not inflate

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that upon the world. Hello and welcome to the

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803rd episode of a podcast of Spurious Morality.

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We should have arranged the whole podcast so

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that this was the 803rd episode. Yeah. A bit

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of an oversight. We should have recorded another

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sort of 670 -something episodes in the last week

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just to get ourselves there. Yeah, we've slipped

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up there. Hello and welcome to a podcast of spurious

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morality. I'm Johnston and with me again this

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week I have Mansour. Hello. Hello. And we're

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carrying on looking at the latest new current

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series of Doctor Who. And the most recent episode

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is the Intergalactic Song Contest. And I think

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expectations were quite high for this one. It

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was obviously a bit of a high budget episode.

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you know, a writer that has done some Doctor

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Who stuff before but hasn't made it onto telly

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yet. And we were teased, Russell T. Davis teased

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that you really want to watch this one as quickly

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as possible so you don't get spoiled. And I think

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he was very, very right about that. This is the

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first one this series where I have kind of gone,

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yeah, I need to watch this as soon as possible

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and kind of got to... Got to it on iPlayer as

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quickly as I can. And I'm glad I did because

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I managed to get through to it without at least

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one thing being spoiled. I did kind of see the

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other spoiled on Facebook. It's my own fault

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for logging onto Facebook. But yeah, I think

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this one justified the hype. I think that we've

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actually got an episode that... Was built up

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beforehand. A lot of people were kind of expecting

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an awful lot from it. And I think it delivered.

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This is going to be a very spoilery chat. I've

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not done spoiler warnings for a while, but I

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kind of feel as though we should do one for this

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one. Like you're listening to a podcast episode

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about the Intergalactic Song Contest. I'm hoping

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you've seen it by this point, but this is going

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to spoil a lot. Because we've got two big, big,

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big things. We've got a lot of little things,

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but we've got two huge things. One of those things

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was obviously the on -screen return of Susan,

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who I think we're going to see more from. She

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kind of appeared, she said a few lines and then

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she disappeared. I hope that there's more to

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Susan's first proper appearance in the series

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since The Five Doctors to that. And we also found

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out that Mrs. Flood is the Rani and bi -generated

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into another Rani. So now we have two Ranis.

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And I can't believe neither of the next two episodes

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are not having their names changed to the two

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Ranis. Why would you not? Surely it's so tempting.

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It's very easy to just sort of dig into these

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things that I've mentioned. It's very easy to

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just kind of go, oh, it's the one where Susan

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comes back and it's got two Ronnies at the end.

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But actually there's the episode itself, which

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was sort of in some ways like standard political

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Doctor Who fare, but in other ways it was really,

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really well done. It was a really engaging story.

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It was, you know, we had a good villain, a really

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well played villain, bit of a tragic villain,

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you know. They were sort of in their own heads.

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They were freedom fighters. They were getting

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revenge. They were making a point. The idea that

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the Eurovision Song Contest carries on to be

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this big intergalactic affair with trillions

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of viewers, I thought was brilliant. Ryland,

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as himself, was a great bit of casting. The surprise

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cameo from Graham Norton was brilliant. It wasn't

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a surprise, actually. We were told about it.

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But the cameo from Graham Norton was brilliant.

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You know, him being the one that tells the Doctor

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that Earth was destroyed on the 24th of May or

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whenever it is. That was great. And everything

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fit together. Like, even talking about this episode

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now, it feels like I'm just kind of emptying

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a kitchen sink and then throwing the kitchen

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sink in as well. But actually, it all gelled

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together really nicely. It was a really good,

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really fun episode. I think the bit that's maybe

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not getting the amount of discussion that it

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deserves is the fact that the Doctor went pretty

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dark in this one. Like, this is the most sinister

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we've seen this Doctor. I'd say it's the most

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sinister we've seen a Doctor behave probably

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since Peter Capaldi when he was running around

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shooting Time Lords. Really, really good. Like,

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Shooty got a couple of sinister moments and...

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They were good sinister moments. They were well

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-written sinister moments, really well -performed

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sinister moments. And I like just getting the

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odd reminder that the Doctor can go a bit dark

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and the whole, you know, there's ice in my heart

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now speech was absolutely brilliant. Really felt

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like we got, it felt slightly like this Doctor's

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sort of Zygon inversion moment, you know, that

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moment, I think I mentioned it last week, actually,

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when we suddenly got, This absolutely out of

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this world, this is what this actor is capable

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of performance at Capaldi. I feel like we've

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now got that with Shooty, which is just great.

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So I was a really big fan of this one. And I'm

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actually now at a stage where I've seen some

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of the people kind of ranking the episodes of

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this season, you know, putting this one certainly

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very close to the top, if not at the top. I can't

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do it. I think any of the last, certainly the

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last three episodes are potentially the best

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episode of this series. It's just so good. Like

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the quality we're getting this year is, it's

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some of the best, some of the consistent, most

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consistently brilliant Doctor Who we've had for

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quite a long time. I'm really enjoying it. What

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about you, Mansour? Where were you sort of on

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this episode? this series as a whole so far i

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guess because that's where i went with that um

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the the it's interesting because i probably feel

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quite similar to you with all the stuff you mentioned

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but i've seen very mixed reactions to this episode

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there are some people calling it i could do the

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gym just with like you know youtube reviews popping

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up in the last few days i've seen some people

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calling it okay and some people calling it like

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the worst episode of the season or this or this

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era um but yeah it's definitely towards the the

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top for me um like really good spectacle i think

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that was another part of the expectation that

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was built up by the whole sequence of uh the

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audience being um sucked off into space uh and

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at that point you don't know that they're going

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to be preserved or or put into um uh like like

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stasis because you don't know anything about

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that field the way it's played is that those

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hundreds of thousands of people are just being

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slaughtered immediately in this huge um incident

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uh so yeah just like so the impact of that and

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just the visuals of that sequence were really

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striking um like a lot of things it's there's

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like elements that feel very familiar from rtd1

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like uh you know meeting those side characters

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who conveniently play uh or conveniently have

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the skills to rise above just being a sort of

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standard ordinary person and being really vital

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to the to the plot um that that was all that

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was all great uh oh you mentioned the the uh

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politics of it as well i think and um that that's

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one of the things that i've seen people criticize

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it for as much as praise it for, with a lot of

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people saying that it was an oversimplification

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or a ham -fisted handling of politics and a bit

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black and white and the resolution was too neat.

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And I can see all those things, but it's like

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when people are making all these comparisons.

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between like lucky day and adolescence and there

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are some interesting comparisons to be drawn

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but like one of these is a is a is a major bbc

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one show aimed at the whole family and one of

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them is a is a netflix drama that is a bit you

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know a bit more niche has gotten a lot of attention

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but is definitely more niche and is something

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that will have a much more selective audience

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The fact that Doctor Who has this big mainstream

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flagship show can even start to engage with these

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types of ideas is, I think, itself something.

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Like, yes, it could be more nuanced. There could

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be, you know, if you had three or four hours

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to explore this stuff, you could delve into it

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with much more sort of political literacy and

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detail. But the fact that it's just raising that...

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It's saying words like genocide. Did they use

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that word in this episode? I'm trying to remember.

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I'm probably thinking about it because there

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was a lot of use of the word in the UK Parliament

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today. I think, yes. I think it was used. I think

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so. I think so. I mean, that's definitely how

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it's played. Even if the word isn't used, like

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ethnic cleansing or genocide, that's what's...

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or like exploitation to the point where it is

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effectively that we're just stripping that planet

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of resources and this was written a long time

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ago because you know in political terms like

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but all the stuff that's going on today like

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I said like the day that we're recording this

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uh you may be listening to it far in the future

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but there was a lot of discussion about that

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word genocide in the in the uk parliament it's

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something that is really relevant and unfortunately

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continues to be relevant over the last few decades

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so yeah i think politically yeah could have been

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more uh you could have had like a lot more detail

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and nuance there, but I think it's a massive

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thing that it even goes into that area and I

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think does an okay job of it in the constraints

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of this big flagship BBC One show. Okay, so what

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else was going on? What else did you talk about?

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Because you covered a lot of stuff at the start.

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Oh, The Doctor as well. You said that was one

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of the things that stood out to you about The

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Doctor's turn. Yes. Yeah, I really like that.

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And again, like I mentioned, Joy to the World

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and that moment he has there. And I think we're

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seeing a lot more of that this season. I feel

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like, again, I think that we're feeling pretty

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close to each other. I think we talked about

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this before, but it feels like in season two,

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or actually from Joy to the World onwards, that

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this Doctor, you're seeing a lot more layers

00:13:07.149 --> 00:13:09.269
to him and you're seeing a lot more depth beyond

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that. super hyper happy exterior and that's still

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there it's like with Peter Davison where you

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see those layers to him where he's not just this

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relentlessly pleasant friendly character there's

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that that irritation and sharpness underneath

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the surface and and I feel like we're sort of

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getting far enough in to see those sorts of layers

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to this doctor now and yeah I think they're really

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interesting and just how far he goes like because

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we've had moments where the Doctor has kind of

00:13:43.710 --> 00:13:46.809
been pushed or gotten to that point with the

00:13:46.809 --> 00:13:50.889
whole Time Lord Victorious arc and was it Solomon

00:13:50.889 --> 00:13:53.690
in Dinosaurs on a Spaceship? That one stood out

00:13:53.690 --> 00:13:57.029
quite a bit as well, where he was, was he deliberately

00:13:57.029 --> 00:14:03.090
sending him to his death on that spaceship? Yes.

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And, but this just. And I mean, if you look at

00:14:08.820 --> 00:14:10.899
it literally, what he does to the family of blood

00:14:10.899 --> 00:14:14.399
is much worse. That's like unending, eternal

00:14:14.399 --> 00:14:18.860
torture and imprisonment. But he talks here about,

00:14:18.919 --> 00:14:23.460
you know, hurting him like millions of times

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for all of the people that he was threatening.

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And the way it is played in the scene, it goes

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on for a long time. It's not just like once or

00:14:31.980 --> 00:14:34.620
twice to make the point of the doctor getting

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to the point of violence. How many times is it?

00:14:37.639 --> 00:14:40.200
Like four, five, six, seven? It's like he does

00:14:40.200 --> 00:14:44.820
it again and again and again. And I thought it

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was interesting. Belinda's reaction to it was

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interesting as well because she comes in and

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she's quite rightly shocked by it, but she doesn't

00:14:56.759 --> 00:15:00.220
actually challenge him that much on it afterwards.

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Maybe they don't get time before the TARDIS doors

00:15:03.879 --> 00:15:07.769
blow in, but it's... What did you think of Belinda's

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reaction to seeing how far the doctor had gone?

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I was certainly expecting a conversation that

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we never quite got. Yeah. There was the line

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about, you know, you do scare me sometimes or

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something like that, which felt like it was going

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to go into it. You know, it felt like there was

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another line that was going to come after that.

00:15:30.690 --> 00:15:32.529
Like, you know, you can't do that again, doctor.

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That was... that was too far, you're not, judge,

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jury, execution. And we didn't get there. But

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I can't immediately remember whether we didn't

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get there because they were interrupted by Graham

00:15:44.899 --> 00:15:47.019
Norton or whether we didn't get there because

00:15:47.019 --> 00:15:51.200
it just wasn't going to happen. Yeah, I wanted

00:15:51.200 --> 00:15:54.320
a bit more of that. I mean, like with Donna in

00:15:54.320 --> 00:15:58.179
Runaway Bride, it's like a much more deliberate

00:15:58.179 --> 00:16:01.139
moment of challenging him and shouting at him

00:16:01.139 --> 00:16:05.470
to stop. Yeah. it doesn't have to be quite as

00:16:05.470 --> 00:16:08.669
as dramatic as that but I wanted something afterwards

00:16:08.669 --> 00:16:12.330
to and and it was a bit it was all a bit mixed

00:16:12.330 --> 00:16:14.830
up with the fact that this was played as the

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episode where Belinda is starting to have fun

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and like you know chooses to to stay and and

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I feel like there was an opportunity to do something

00:16:23.870 --> 00:16:26.389
with that of like she's at that point of starting

00:16:26.389 --> 00:16:29.549
to to like the doctor and to see how great he

00:16:29.549 --> 00:16:32.340
is and then this could have like pulled the rug

00:16:32.340 --> 00:16:35.519
out underneath of that, but it wasn't quite sort

00:16:35.519 --> 00:16:37.919
of followed through in as clear a way as I wanted.

00:16:38.759 --> 00:16:41.940
And it's kind of where this series felt as though

00:16:41.940 --> 00:16:44.559
it was going at the start. Those first couple

00:16:44.559 --> 00:16:46.879
of episodes, first few episodes, we really did

00:16:46.879 --> 00:16:51.360
have quite a bit about the relationship between

00:16:51.360 --> 00:16:53.659
these two characters. And it seems to have been,

00:16:53.759 --> 00:16:57.159
it's not forgotten. It's still there. And we

00:16:57.159 --> 00:16:58.960
do, you know, we are getting lights like you

00:16:58.960 --> 00:17:02.309
scared me and that kind of thing, but. At the

00:17:02.309 --> 00:17:05.990
start of the series, Ida expected this episode

00:17:05.990 --> 00:17:08.670
to have a little bit more of a gut punch in relation

00:17:08.670 --> 00:17:13.130
to these two characters. And yeah, you're right.

00:17:13.210 --> 00:17:16.390
It just wasn't, it wasn't not there, but it wasn't

00:17:16.390 --> 00:17:19.349
quite there. It's like we thought about it and

00:17:19.349 --> 00:17:24.009
then that was enough. Yeah. And it's like you

00:17:24.009 --> 00:17:26.349
were saying last week, I think, that we've only

00:17:26.349 --> 00:17:30.019
got so much time with Belinda. and we're into

00:17:30.019 --> 00:17:34.500
finale territory now so again worry slightly

00:17:34.500 --> 00:17:37.259
that it's a missed opportunity to to give her

00:17:37.259 --> 00:17:41.339
story a bit more more weight i really like the

00:17:41.339 --> 00:17:44.119
performance and the character i i feel like more

00:17:44.119 --> 00:17:47.220
interested and engaged in the character um and

00:17:47.220 --> 00:17:49.119
not criticism really gives them but just like

00:17:49.119 --> 00:17:52.460
i feel like belinda's got more interesting stuff

00:17:52.460 --> 00:17:56.160
to her in terms of the character But, yeah, I'm

00:17:56.160 --> 00:17:57.940
seeing these sort of missed opportunities to

00:17:57.940 --> 00:18:01.099
go a bit further with her as well. Yeah, and

00:18:01.099 --> 00:18:06.039
I'm hoping that they... I'm hoping that there's

00:18:06.039 --> 00:18:09.539
a moment in the finale to kind of pause and,

00:18:09.579 --> 00:18:12.640
you know, discuss this kind of thing. I hope

00:18:12.640 --> 00:18:15.920
it's not just a case of, you know, at the end

00:18:15.920 --> 00:18:18.160
of the finale, OK, Belinda, we've got you home

00:18:18.160 --> 00:18:20.660
now, that's what you wanted, see you, bye, and

00:18:20.660 --> 00:18:23.980
then that'd be it. There needs to be some conclusion

00:18:23.980 --> 00:18:26.640
to this that isn't just, okay, Belinda's home

00:18:26.640 --> 00:18:30.779
now. But that list of things to wrap up that

00:18:30.779 --> 00:18:33.079
we talked about last week, that's just gotten

00:18:33.079 --> 00:18:39.940
longer because now we have two Ronnies. Is Kid

00:18:39.940 --> 00:18:42.339
potentially coming back? That seems to be the

00:18:42.339 --> 00:18:45.160
way it was played, unless that's for a future

00:18:45.160 --> 00:18:49.099
series. Yeah, I get that that might be more of

00:18:49.099 --> 00:18:54.900
a... this villain will return. Think Cassandra

00:18:54.900 --> 00:18:59.240
and that kind of thing. Possibly. But then Russell

00:18:59.240 --> 00:19:02.400
T Davies has also said that this unholy trinity

00:19:02.400 --> 00:19:05.359
that's being referred to, the Rani only counts

00:19:05.359 --> 00:19:09.539
as one of that trinity. Yes, they're still both

00:19:09.539 --> 00:19:13.559
the Rani. Because I was joking about the Rani

00:19:13.559 --> 00:19:17.420
in a previous episode. I had no idea she was

00:19:17.420 --> 00:19:19.539
real. really going to appear but then she turned

00:19:19.539 --> 00:19:22.839
out to be real so now I'm worried that Omega

00:19:22.839 --> 00:19:27.880
is going to turn up next week with zero introduction

00:19:27.880 --> 00:19:32.519
and two seconds of a classic episode as a flashback

00:19:32.519 --> 00:19:35.920
as if that helps people understand who he is

00:19:35.920 --> 00:19:40.039
if they haven't seen all his previous TV stories

00:19:41.000 --> 00:19:43.400
And I'll be honest, I really don't think Arkham

00:19:43.400 --> 00:19:46.400
Infinity can be saved by a 75 -minute edit with

00:19:46.400 --> 00:19:53.700
a bit of CGI thrown in. Then again, can Time

00:19:53.700 --> 00:19:56.140
and the Rani? Oh my God, are we getting Time

00:19:56.140 --> 00:19:59.240
and the Rani? Well, Time and the Rani had some

00:19:59.240 --> 00:20:04.279
of, for the time, really impressive special effects.

00:20:04.440 --> 00:20:09.420
I don't think it needs... I guess you could cut

00:20:09.420 --> 00:20:14.329
it down, but... Yeah. Maybe Mark of the Rani.

00:20:15.049 --> 00:20:17.369
You could probably shave out the entirety of

00:20:17.369 --> 00:20:19.289
the second episode of Time of the Rani and not

00:20:19.289 --> 00:20:24.089
lose too much. Yeah. So maybe that could make

00:20:24.089 --> 00:20:28.450
a Tales of the TARDIS episode. I don't know.

00:20:28.470 --> 00:20:30.569
I like to think they'll do that again. I like

00:20:30.569 --> 00:20:34.930
to think they will go, okay, let's watch Mark

00:20:34.930 --> 00:20:37.029
of the Rani, Time of the Rani. If it is Omega,

00:20:37.230 --> 00:20:41.630
let's watch. Three Doctors and Ark of Infinity,

00:20:41.849 --> 00:20:47.490
if we have to. Was the last year's Pyramids of

00:20:47.490 --> 00:20:49.609
Mars, Tales of the TARDIS, was that announced

00:20:49.609 --> 00:20:57.269
beforehand? I think Tales of the TARDIS was announced,

00:20:57.369 --> 00:20:59.549
but I didn't think we knew what it was going

00:20:59.549 --> 00:21:00.890
to be, because I think there was speculation

00:21:00.890 --> 00:21:04.950
that it was going to be basically a clip show

00:21:04.950 --> 00:21:10.180
of the series so far. And then SUTEC came back

00:21:10.180 --> 00:21:12.019
and immediately we all went, oh, right, it's

00:21:12.019 --> 00:21:13.940
Pyramid to Mars then. And then they announced

00:21:13.940 --> 00:21:16.299
it pretty quickly after that, that it was going

00:21:16.299 --> 00:21:19.539
to be, I think. But we don't have any slot for

00:21:19.539 --> 00:21:22.500
a new episode of Tales of the TARDIS announced

00:21:22.500 --> 00:21:26.400
at the moment. And I think we'd know by now.

00:21:27.619 --> 00:21:29.900
I don't know how far in advance they announced

00:21:29.900 --> 00:21:32.480
that. Then again, it doesn't necessarily need

00:21:32.480 --> 00:21:34.180
to be announced. It doesn't need to be broadcast.

00:21:34.259 --> 00:21:37.160
It can just go on iPlayer without any warning.

00:21:38.519 --> 00:21:45.519
Yeah. Like Pyramids had a BBC 4 broadcast, didn't

00:21:45.519 --> 00:21:49.519
it? Yeah, I think it did, yeah. I think that

00:21:49.519 --> 00:21:52.200
was around that time there was like something

00:21:52.200 --> 00:21:57.559
on BBC 1, 2 and 4. I don't know about 3, but

00:21:57.559 --> 00:22:01.480
yeah, like with the War Games, there was like

00:22:01.480 --> 00:22:04.740
basically something new -ish Doctor Who on multiple

00:22:04.740 --> 00:22:10.119
BBC channels. Yeah. That sounds about right.

00:22:11.039 --> 00:22:13.319
Just going back to the point you were making

00:22:13.319 --> 00:22:18.579
about sort of politics before, and it kind of

00:22:18.579 --> 00:22:20.220
makes me laugh that some people are saying it

00:22:20.220 --> 00:22:22.380
didn't go into the politics enough because all

00:22:22.380 --> 00:22:25.359
I've heard for the best part of a decade now

00:22:25.359 --> 00:22:28.720
is there's too much politics in Doctor Who. And

00:22:28.720 --> 00:22:32.200
then the moment an episode sort of doesn't really

00:22:32.200 --> 00:22:34.759
go into the politics, oh, well, that wasn't political

00:22:34.759 --> 00:22:37.400
enough. Oh, I think it might be. Enough politics.

00:22:38.160 --> 00:22:40.359
I think the reason for that might be is that

00:22:40.359 --> 00:22:42.079
criticism is coming from a different direction.

00:22:42.160 --> 00:22:47.380
So it's not like the sort of Conrads and right

00:22:47.380 --> 00:22:50.480
-wing grifters. It's actually more like some

00:22:50.480 --> 00:22:54.099
sort of left -leaning people who are saying this

00:22:54.099 --> 00:22:56.660
oversimplified some really important stuff and

00:22:56.660 --> 00:23:00.339
it should have... Yeah, we could have done something

00:23:00.339 --> 00:23:05.579
with that. Yeah. I agree. But yeah, it just shows

00:23:05.579 --> 00:23:08.759
that... not everyone is always going to be happy

00:23:08.759 --> 00:23:10.859
and i think there are too many people who seem

00:23:10.859 --> 00:23:13.259
to think that they should be the person that

00:23:13.259 --> 00:23:16.079
happy you know the i've watched this show for

00:23:16.079 --> 00:23:19.579
45 50 whatever years crowd and therefore i know

00:23:19.579 --> 00:23:22.640
exactly what it should be like slight warning

00:23:22.640 --> 00:23:24.319
for i think they're like officially released

00:23:24.319 --> 00:23:27.299
production stills but there's there's stuff coming

00:23:27.299 --> 00:23:30.539
out about the finale that's making me increasingly

00:23:30.539 --> 00:23:32.680
think that it's going to go in that direction

00:23:32.680 --> 00:23:36.359
the fact that we've got Conrad set up as sort

00:23:36.359 --> 00:23:42.000
of representing that type of person who would

00:23:42.000 --> 00:23:44.500
be at the sort of more toxic end of Doctor Who

00:23:44.500 --> 00:23:47.460
fandom if he wasn't pushing you know political

00:23:47.460 --> 00:23:52.039
conspiracies and then you've got a production

00:23:52.039 --> 00:23:58.460
still of him holding a Doctor Who book so and

00:23:58.460 --> 00:24:01.319
we've had fans brought up like sort of less toxic

00:24:01.319 --> 00:24:06.369
kind in in Lux I wonder if it is going to get

00:24:06.369 --> 00:24:09.369
into that, this thing of not just Doctor Who

00:24:09.369 --> 00:24:12.549
is fictional, but turning the mirror on fans

00:24:12.549 --> 00:24:16.410
and the audience, which stuff like Love and Monsters

00:24:16.410 --> 00:24:19.630
and other things have done in the past, but I

00:24:19.630 --> 00:24:22.630
wonder if that's going to be the big thing about

00:24:22.630 --> 00:24:24.630
the finale. It's going to be interesting to see

00:24:24.630 --> 00:24:29.250
how Conrad fits into this. I know it's like an

00:24:29.250 --> 00:24:31.470
unholy trinity and all that kind of thing, but...

00:24:33.039 --> 00:24:37.519
The Rani working with a right -wing podcaster.

00:24:39.859 --> 00:24:43.519
And we're told that... I've seen it mentioned

00:24:43.519 --> 00:24:46.599
that this isn't just character, this is the Rani,

00:24:46.660 --> 00:24:49.960
this is an experiment, there's something very

00:24:49.960 --> 00:24:55.500
Rani -ish going on here. Yeah, I'm kind of curious

00:24:55.500 --> 00:24:58.500
as to how Conrad fits into all of it. What's

00:24:58.500 --> 00:25:02.559
called the reality... No, the penultimate is

00:25:02.559 --> 00:25:06.259
Wishworld and then the final is the reality war.

00:25:06.900 --> 00:25:10.119
Conrad had that line about denying the Doctor's

00:25:10.119 --> 00:25:13.819
reality. Is there something about the Rani's

00:25:13.819 --> 00:25:17.059
experiment allowing her to manipulate reality

00:25:17.059 --> 00:25:21.920
and rewrite the Doctor's history to... And maybe

00:25:21.920 --> 00:25:23.740
that's where this ice in his heart thing is coming

00:25:23.740 --> 00:25:27.119
from. It's like that's the first bits of... This

00:25:27.119 --> 00:25:29.980
sounds like exactly her plan from time in the

00:25:29.980 --> 00:25:34.680
Rani. Like, the third member of the Unholy Trinity

00:25:34.680 --> 00:25:37.640
is a gigantic brain. I'm calling it now. You

00:25:37.640 --> 00:25:42.000
heard it here first, and probably last. So yeah,

00:25:42.079 --> 00:25:46.000
maybe the... Oh, or maybe it's the Valiant. Maybe

00:25:46.000 --> 00:25:50.900
the Doctor is the third member, and Conrad's

00:25:50.900 --> 00:25:54.359
going to turn the Doctor into the Valiant. You

00:25:54.359 --> 00:25:56.160
see, if it was Moffat, that would definitely

00:25:56.160 --> 00:26:00.019
be it. The Doctor would be the extra bit of evil.

00:26:00.700 --> 00:26:02.880
That's very Moffat -y, but I'm not sure Russell

00:26:02.880 --> 00:26:07.680
T. Davis would do that. Interesting. I think

00:26:07.680 --> 00:26:11.440
it's going to be something Pantheon -y, or Omega's

00:26:11.440 --> 00:26:14.660
in control of all the gods now. We'll get a clip

00:26:14.660 --> 00:26:17.140
from the three Doctors where he goes, I should

00:26:17.140 --> 00:26:21.279
have been a god. Yeah, and in extended media,

00:26:21.380 --> 00:26:24.680
Omega's been... much more treated as a god or

00:26:24.680 --> 00:26:28.119
god figure, like the novels and, I think, audios

00:26:28.119 --> 00:26:32.160
as well. But there's also the Master, whose gold

00:26:32.160 --> 00:26:35.299
tooth was trapped inside the Toymaker's tooth,

00:26:35.420 --> 00:26:39.460
and that's never come back. So are they going

00:26:39.460 --> 00:26:44.539
to pop up? Yeah, and I've always taken that as

00:26:44.539 --> 00:26:48.930
a thing that's just going to be used when. when

00:26:48.930 --> 00:26:51.349
they need it to. Like, there you go, the master,

00:26:51.509 --> 00:26:53.509
there's an easy way to bring him back if we need

00:26:53.509 --> 00:26:59.329
it. Yeah. We'll see. So we've kind of touched

00:26:59.329 --> 00:27:01.049
on this, or, you know, the next point of discussion

00:27:01.049 --> 00:27:03.450
was going to be the doctor in this episode and

00:27:03.450 --> 00:27:07.009
him, you know, him going a bit evil. Well, not

00:27:07.009 --> 00:27:09.410
evil, a bit dark, a bit sinister. And we've kind

00:27:09.410 --> 00:27:11.309
of covered that, you know, it's what he does.

00:27:11.430 --> 00:27:14.329
But it's interesting that the thing that pulls

00:27:14.329 --> 00:27:19.359
him back is visions of Susan. Caroline Ford's

00:27:19.359 --> 00:27:23.539
back. This is proper Susan. We've not regenerated

00:27:23.539 --> 00:27:29.799
Susan. We've not. And I honestly do not believe

00:27:29.799 --> 00:27:31.759
that this is the last we've seen of her. There's

00:27:31.759 --> 00:27:36.319
no way you bring her back for the sake of those

00:27:36.319 --> 00:27:38.519
few little appearances that don't really quite

00:27:38.519 --> 00:27:42.920
make all that much sense. So where do we think

00:27:42.920 --> 00:27:47.769
the Susan thing is going? I don't know, but yeah,

00:27:47.809 --> 00:27:50.190
I agree she's coming back. And again, in Unleashed,

00:27:50.230 --> 00:27:53.369
she was wearing what looked like a different

00:27:53.369 --> 00:27:56.170
costume from the ones in the shots that we saw,

00:27:56.289 --> 00:27:58.569
and I think it would not be a surprise if she's

00:27:58.569 --> 00:28:04.369
back. So Susan was the one who definitely snapped

00:28:04.369 --> 00:28:05.970
him out of that moment where he was about to

00:28:05.970 --> 00:28:08.349
be frozen. But I'm just thinking about how it

00:28:08.349 --> 00:28:11.190
played out towards the end of the episode, because

00:28:11.190 --> 00:28:16.319
didn't he ignore her when she was saying, she

00:28:16.319 --> 00:28:18.759
was telling him to stop. I feel like it was something

00:28:18.759 --> 00:28:20.619
else that actually made him stop in the end.

00:28:21.079 --> 00:28:23.779
I think it took her a few times telling him to

00:28:23.779 --> 00:28:27.880
stop, but eventually he did. Yeah. And it's,

00:28:27.880 --> 00:28:34.339
it's, I don't know, maybe she's going to have

00:28:34.339 --> 00:28:40.519
some role in, like, rather than it being just

00:28:40.519 --> 00:28:42.940
like happy reunion, she's going to be back and

00:28:42.940 --> 00:28:48.079
it's going to be her stopping the doctor. Or

00:28:48.079 --> 00:28:54.380
it's going to be that just her in person is the

00:28:54.380 --> 00:28:59.119
thing that pulls him back from the edge. You'd

00:28:59.119 --> 00:29:03.500
certainly hope. Yeah. I'm curious as to how all

00:29:03.500 --> 00:29:06.880
of this fits together. Yeah, I've got no idea.

00:29:07.299 --> 00:29:10.980
Yeah, it feels like we've just got a lot of pieces

00:29:10.980 --> 00:29:15.839
on the board randomly at this point. Like the

00:29:15.839 --> 00:29:17.519
Doctor and Belinda are on the board, Earth's

00:29:17.519 --> 00:29:20.480
Been Destroyed is on the board, the Rani, both

00:29:20.480 --> 00:29:22.660
Ranis are on the board, Conrad's on the board,

00:29:22.779 --> 00:29:24.960
Ruby's on the board, Unit's on the board, Mel's

00:29:24.960 --> 00:29:28.880
on the board, Susan's on the board. How do these

00:29:28.880 --> 00:29:33.279
pieces play together? What's it all going to?

00:29:33.440 --> 00:29:39.099
It kind of feels like where we're up to with...

00:29:41.440 --> 00:29:43.960
Avengers Doomsday at the moment where we've got

00:29:43.960 --> 00:29:47.960
a lot of chairs with names on the back and no

00:29:47.960 --> 00:29:55.599
context and yeah I'm just okay all of this is

00:29:55.599 --> 00:29:58.460
going to be in the finale there's a lot to fit

00:29:58.460 --> 00:30:01.339
a hell of a lot to fit in yeah I think that's

00:30:01.339 --> 00:30:03.759
a good comparison but like even more so with

00:30:03.759 --> 00:30:07.140
this finale because with Doomsday yeah they'll

00:30:07.140 --> 00:30:09.900
do some heavy adaptation but we've got the original

00:30:09.900 --> 00:30:12.920
comic stories to get a sense of how it will play

00:30:12.920 --> 00:30:16.099
out and how all those characters will form into

00:30:16.099 --> 00:30:20.960
teams and come up against dr doom but yeah with

00:30:20.960 --> 00:30:23.180
this finale i've got no and again it's like we're

00:30:23.180 --> 00:30:24.920
saying about before about the second half of

00:30:24.920 --> 00:30:28.440
this season it's it's quite nice to go in not

00:30:28.440 --> 00:30:32.700
knowing how it's all going to play out um because

00:30:32.700 --> 00:30:37.079
like with in season one we just had fewer elements

00:30:37.079 --> 00:30:39.200
and it was like the stuff about Ruby on one side

00:30:39.200 --> 00:30:43.079
and then Sutec as this late in the day reveal

00:30:43.079 --> 00:30:46.980
and those two things were tied together just

00:30:46.980 --> 00:30:52.059
about I can't see all these dozen different things

00:30:52.059 --> 00:30:55.240
you listed how they're all going to be wrapped

00:30:55.240 --> 00:31:00.900
up in a neat little package but we do know they're

00:31:00.900 --> 00:31:03.880
all there yeah And there's other stuff as well,

00:31:03.920 --> 00:31:08.599
like we know that Susan Twist's in it, Susan

00:31:08.599 --> 00:31:13.839
Triad character's in it. Oh, yeah. Well, they

00:31:13.839 --> 00:31:15.660
announced she was coming back and she's not been

00:31:15.660 --> 00:31:21.160
in it so far, so that's what I'm getting. Yeah,

00:31:22.160 --> 00:31:24.359
the more I think about it, the more I sort of

00:31:24.359 --> 00:31:26.539
go, hang on, that's in there as well, isn't it?

00:31:27.079 --> 00:31:31.220
Oh, we know we've got Poppy from Space Babies

00:31:31.220 --> 00:31:34.470
as well. Yeah, that's a big one as well. Yeah,

00:31:34.549 --> 00:31:37.710
the more I think about this, the more there is

00:31:37.710 --> 00:31:39.849
going to be in the next two weeks. And actually,

00:31:39.990 --> 00:31:43.049
we know nothing about the plot. We just know

00:31:43.049 --> 00:31:50.190
a lineup of what's in it. Very curious sort of

00:31:50.190 --> 00:31:54.569
how any of this is going to fit together. What

00:31:54.569 --> 00:31:58.990
was the Rani's line? Let battle commence. Yes.

00:31:59.230 --> 00:32:05.109
That doesn't really... Like with who? So this

00:32:05.109 --> 00:32:08.230
is the other thing. Mrs. Flood has this complete

00:32:08.230 --> 00:32:12.190
switch of being really meek and subservient after

00:32:12.190 --> 00:32:15.869
the bi -generation. I don't buy that at all because

00:32:15.869 --> 00:32:17.769
you think back to the way that she was talking

00:32:17.769 --> 00:32:23.670
when she was with Cherry and when they were dusted.

00:32:24.609 --> 00:32:30.009
Yeah. So when the David Tennant's 14th Doctor

00:32:30.480 --> 00:32:33.240
by generated he doesn't become a different character

00:32:33.240 --> 00:32:37.940
it's played as it's a split and he is the same

00:32:37.940 --> 00:32:42.259
regeneration splitting off to the side so if

00:32:42.259 --> 00:32:44.279
it's the same logic with mrs flood she's not

00:32:44.279 --> 00:32:46.500
going to go from someone who's talking like she

00:32:46.500 --> 00:32:49.960
can go up against gods to then just being this

00:32:49.960 --> 00:32:54.220
really meek person i think there's a lot of like

00:32:54.220 --> 00:32:56.859
sort of barely hidden disdain or superiority

00:32:56.859 --> 00:33:02.589
and she's just playing the new Rani or giving

00:33:02.589 --> 00:33:07.670
her the sense that she's this meek person? Yes,

00:33:07.670 --> 00:33:13.970
I get the same impression. And that leaves the

00:33:13.970 --> 00:33:17.829
option open of is the Mrs. Flood regeneration

00:33:17.829 --> 00:33:23.170
of the Rani actually on the Doctor's side? Because

00:33:23.170 --> 00:33:25.690
there was hints of that with previous Mrs. Flood

00:33:25.690 --> 00:33:28.559
stuff. The way she would say... Was it the same

00:33:28.559 --> 00:33:33.559
episode when they get de -dusted? She talks about

00:33:33.559 --> 00:33:37.180
the Doctor being that clever boy or something.

00:33:37.960 --> 00:33:40.339
Yeah, because everyone started going, oh, it's

00:33:40.339 --> 00:33:44.400
Clara. Yeah, and that's not the way that the

00:33:44.400 --> 00:33:48.960
Rani in her traditional camp evil persona would

00:33:48.960 --> 00:33:52.240
talk about the Doctor. So maybe this is like

00:33:52.240 --> 00:33:56.009
an aberration. regeneration of the Rani where

00:33:56.009 --> 00:34:00.549
it's like Missy and like she's she heals yeah

00:34:00.549 --> 00:34:07.309
and yeah yeah so I feel like there could be something

00:34:07.309 --> 00:34:09.449
really interesting going on with her which I

00:34:09.449 --> 00:34:12.269
hope there is because I hope we get more of Anita

00:34:12.269 --> 00:34:15.789
Dobson beyond just like following the new Rani

00:34:15.789 --> 00:34:19.389
around who looks really great as well but I hope

00:34:19.389 --> 00:34:21.630
Anita Dobson doesn't get too sidelined which

00:34:21.630 --> 00:34:25.099
is a risk with this these dozen different plot

00:34:25.099 --> 00:34:30.260
elements again to link up. At this point, I do

00:34:30.260 --> 00:34:33.760
sort of wonder if we're going into a Doctor Light

00:34:33.760 --> 00:34:38.940
episode again. Maybe not like completely Doctor

00:34:38.940 --> 00:34:42.539
Light, but I'm thinking The Stolen Earth, how

00:34:42.539 --> 00:34:44.500
it takes the Doctor the whole episode to actually

00:34:44.500 --> 00:34:48.800
get to where everything's going on. And it's

00:34:48.800 --> 00:34:53.630
sort of a bit more led by Unit. Torch Wooden,

00:34:53.650 --> 00:34:59.409
Sarah Jane. I kind of wonder if maybe that's...

00:34:59.409 --> 00:35:02.610
We're going to get that as a first episode, you

00:35:02.610 --> 00:35:06.030
know, the Doctor trying to get to Earth and maybe

00:35:06.030 --> 00:35:10.150
Unit are leading things a little bit and, you

00:35:10.150 --> 00:35:12.829
know, by the time the Doctor gets to Earth, everything's

00:35:12.829 --> 00:35:17.030
already gone dreadful. Oh, yes, Unit as well.

00:35:17.090 --> 00:35:20.650
Like, yeah, are we going to have space here for...

00:35:20.880 --> 00:35:26.000
more set up of the spin -off? Or is that just

00:35:26.000 --> 00:35:28.239
going to be its own thing and kind of not have

00:35:28.239 --> 00:35:32.000
too much of a hard link into the main show? Or

00:35:32.000 --> 00:35:35.099
at least a continuation of where Lucky Day left

00:35:35.099 --> 00:35:39.579
off. Yeah, because I think things were said by

00:35:39.579 --> 00:35:45.179
the writer or Russell T Davies about that having

00:35:45.179 --> 00:35:48.860
important links to the spin -off, like the public

00:35:48.860 --> 00:35:53.000
reaction to Unit. Yeah, so maybe there's a little

00:35:53.000 --> 00:35:58.280
bit more of a look at that. Hard to say, but

00:35:58.280 --> 00:36:02.920
I do like where it's all going. I just hope it

00:36:02.920 --> 00:36:08.619
can stick the landing. And I did find that last

00:36:08.619 --> 00:36:11.719
year's finale, I really liked the first part.

00:36:11.900 --> 00:36:14.380
I thought it really built up suspense. We had

00:36:14.380 --> 00:36:17.679
the whole extended sequence in the time window.

00:36:18.840 --> 00:36:21.630
Yeah, that was good, yeah. It built up and it

00:36:21.630 --> 00:36:24.070
built up and it built up and it was really tense

00:36:24.070 --> 00:36:27.449
and I just don't think we're going to have time

00:36:27.449 --> 00:36:30.369
for that this time because there's just so much

00:36:30.369 --> 00:36:36.269
there. The majority of that episode was trying

00:36:36.269 --> 00:36:42.130
to figure out who Ruby's mum was. That was a

00:36:42.130 --> 00:36:44.269
very, very big chunk of that episode. We kind

00:36:44.269 --> 00:36:46.789
of had Mel doing a bit of undercover stuff as

00:36:46.789 --> 00:36:51.559
well, but essentially... Yeah, and we're not

00:36:51.559 --> 00:36:53.380
going to get that this time. We're not going

00:36:53.380 --> 00:36:57.400
to have time for that big build -up if everything

00:36:57.400 --> 00:37:00.059
that we've just listed is all going to get a

00:37:00.059 --> 00:37:08.559
decent sort of slice of the cake. Again, I sound

00:37:08.559 --> 00:37:10.579
like I'm going into this finale really negative.

00:37:10.719 --> 00:37:12.440
I'm not. I think it's great that all of these

00:37:12.440 --> 00:37:15.780
things are sort of together. We kind of know

00:37:15.780 --> 00:37:17.800
what the ingredients are, but not what the final

00:37:17.800 --> 00:37:21.400
dish is. And we know that Russell T. Davis can

00:37:21.400 --> 00:37:26.400
handle a finale where there are a lot of characters

00:37:26.400 --> 00:37:29.000
that need serving. Like, we've done that. We

00:37:29.000 --> 00:37:32.000
had it with Stolen Earth and Journey's End. And

00:37:32.000 --> 00:37:34.699
if this ends up being half as good as Stolen

00:37:34.699 --> 00:37:37.099
Earth and Journey's End, we're up for a pretty

00:37:37.099 --> 00:37:42.159
good finale. Yeah. Yeah, I'm really curious.

00:37:42.960 --> 00:37:48.079
I'm sort of very cautious about... all of this

00:37:48.079 --> 00:37:49.900
being wrapped up in a satisfied way, but also

00:37:49.900 --> 00:37:53.860
really fascinated as to what it will look like.

00:37:55.780 --> 00:38:00.599
Yeah, it's that how for me, like how is this

00:38:00.599 --> 00:38:03.460
all, how does it all fit together? Because it

00:38:03.460 --> 00:38:07.179
just feels like a lot of random pieces at the

00:38:07.179 --> 00:38:10.739
moment. Yeah. Which is good, you know, we're

00:38:10.739 --> 00:38:13.719
sat here talking about it, speculating, so that's,

00:38:13.719 --> 00:38:19.239
it's kind of done its thing. It's the old playground

00:38:19.239 --> 00:38:21.500
discussion analogy, isn't it? And that kind of

00:38:21.500 --> 00:38:24.860
thing. So it has done its job. It's got us talking

00:38:24.860 --> 00:38:27.260
about what it's supposed to have us talking about.

00:38:28.099 --> 00:38:33.320
But really, I'm really enjoying going into a

00:38:33.320 --> 00:38:36.219
Doctor Who finale with absolutely no idea where

00:38:36.219 --> 00:38:40.199
it's going. And this could be the first time.

00:38:40.300 --> 00:38:42.940
This could genuinely be the first finale where

00:38:42.940 --> 00:38:48.489
I've not really known. what's coming at all you

00:38:48.489 --> 00:38:51.030
know everything else we've had leaks we've had

00:38:51.030 --> 00:38:54.409
spoilers we've had set reports we've had you

00:38:54.409 --> 00:38:57.489
know we've been told stuff we've had stuff going

00:38:57.489 --> 00:39:03.250
into this time there's it's nothing like i'd

00:39:03.250 --> 00:39:05.670
struggle to even tell you where it was set like

00:39:05.670 --> 00:39:09.170
i assume earth on the day that earth gets destroyed

00:39:09.170 --> 00:39:12.809
like that's that's the best guess but We don't

00:39:12.809 --> 00:39:14.829
know how it gets destroyed, who destroys it,

00:39:14.909 --> 00:39:18.929
why it gets destroyed, how it links to any of

00:39:18.929 --> 00:39:33.489
the things that we listed before. So the one

00:39:33.489 --> 00:39:35.750
thing we haven't talked about much is the music

00:39:35.750 --> 00:39:40.849
in this episode. Yes, I was hoping to avoid that.

00:39:43.150 --> 00:39:47.190
I thought it was pretty authentic. Yeah. Picking

00:39:47.190 --> 00:39:52.010
the sort of major types of Eurovision song, it

00:39:52.010 --> 00:39:57.550
felt very authentic to that. I'd be curious to,

00:39:57.590 --> 00:39:59.630
because we didn't get them all play out in full,

00:39:59.769 --> 00:40:02.909
if they do a sort of mini soundtrack release

00:40:02.909 --> 00:40:06.730
like they did with the Goblin song single, I'd

00:40:06.730 --> 00:40:11.010
be curious to hear them in full. But you weren't

00:40:11.010 --> 00:40:15.250
impressed, it sounds like. You just want that

00:40:15.250 --> 00:40:20.690
full version of Dugadoo, don't you? I mean, you

00:40:20.690 --> 00:40:22.829
and the majority of other people I've spoken

00:40:22.829 --> 00:40:25.010
to about this episode over the last few days.

00:40:26.409 --> 00:40:30.210
I like the first one as well, the one just before

00:40:30.210 --> 00:40:37.789
everyone gets sucked off. Yeah, that sounded

00:40:37.789 --> 00:40:41.440
good. And yeah, just be curious to hear them

00:40:41.440 --> 00:40:45.800
play out in full. Like I preferred this to, there's

00:40:45.800 --> 00:40:50.820
always a twist at the end. Yes, absolutely. No,

00:40:50.960 --> 00:40:53.500
no, you're absolutely right. The music was entirely

00:40:53.500 --> 00:40:57.860
sort of authentic to the different kind of styles

00:40:57.860 --> 00:41:00.239
and songs you get at Eurovision. It totally was.

00:41:00.400 --> 00:41:05.900
It was very, very well done. There was certainly

00:41:05.900 --> 00:41:10.500
a better understanding of, Eurovision than The

00:41:10.500 --> 00:41:15.239
Devil's Chord had of The Beatles. That kind of

00:41:15.239 --> 00:41:23.719
thing. Again, it's not particularly my genre

00:41:23.719 --> 00:41:26.199
of music. I'll sit and watch Eurovision and have

00:41:26.199 --> 00:41:28.039
one too many to drink and a bit of a laugh with

00:41:28.039 --> 00:41:31.300
it like everybody else, but I'm never going to

00:41:31.300 --> 00:41:34.519
be the person sat there going, I'm actually going

00:41:34.519 --> 00:41:38.179
to get this song and listen to it normally. Do

00:41:38.179 --> 00:41:40.360
people do that? Is that a thing? Are people doing

00:41:40.360 --> 00:41:43.900
Eurovision soundtracks? Yeah, I think they definitely

00:41:43.900 --> 00:41:48.480
do full Eurovision CD soundtracks. They used

00:41:48.480 --> 00:41:52.480
to do them. There'll be digital ones now. I'll

00:41:52.480 --> 00:41:56.739
never forget when Sam Ryder with Spaceman, which

00:41:56.739 --> 00:41:59.139
did quite well, obviously. UK entry did quite

00:41:59.139 --> 00:42:03.480
well. I'll never forget the massive mistake he

00:42:03.480 --> 00:42:07.820
made when it came to titling his album. Because

00:42:07.820 --> 00:42:12.639
it was, there's nothing but spaceman. Which,

00:42:12.659 --> 00:42:18.460
it's not what you meant, is it, Sam? But the

00:42:18.460 --> 00:42:24.539
reviewers picked up on it. But yeah, it's, yeah,

00:42:24.659 --> 00:42:28.179
it was, like you say, it was perfectly authentic.

00:42:28.460 --> 00:42:31.400
It genuinely felt like this is what Eurovision

00:42:31.400 --> 00:42:36.360
is going to be if it still exists in. many, many,

00:42:36.360 --> 00:42:42.940
many years' time. Considering most New Doctor

00:42:42.940 --> 00:42:46.920
Who has been broadcast on the same evening, well,

00:42:46.980 --> 00:42:50.480
most series have had an episode broadcast on

00:42:50.480 --> 00:42:52.260
the same evening as Eurovision, I should say.

00:42:52.840 --> 00:42:55.619
I'm amazed they've not done this before. It's

00:42:55.619 --> 00:42:58.539
such an obvious thing to do when you think about

00:42:58.539 --> 00:43:03.699
it. But in the same way... I'm kind of glad that

00:43:03.699 --> 00:43:05.940
it's happened now because this episode would

00:43:05.940 --> 00:43:11.139
not have looked as good five years ago, let alone

00:43:11.139 --> 00:43:18.940
1520. Yeah, definitely. This was another one

00:43:18.940 --> 00:43:21.760
where we saw the Disney budget. I feel the need

00:43:21.760 --> 00:43:23.980
to put a little TM next to it every time I say

00:43:23.980 --> 00:43:28.239
Disney budget. But yeah, this is another episode

00:43:28.239 --> 00:43:30.659
where we definitely saw that Disney budget doing

00:43:30.659 --> 00:43:33.960
its thing. This is how Doctor Who should look.

00:43:38.579 --> 00:43:41.260
Yeah, like I said, that sequence near the start,

00:43:41.420 --> 00:43:43.380
like really early on, that was one of the most

00:43:43.380 --> 00:43:46.079
impressive, but just generally throughout, like

00:43:46.079 --> 00:43:52.400
all the visuals outside the space station, all

00:43:52.400 --> 00:43:57.630
of that was really impressive. Yeah, it was great.

00:44:00.389 --> 00:44:03.309
So is there anything else you want to add or

00:44:03.309 --> 00:44:08.710
discuss or anything like that at all? Yeah, we

00:44:08.710 --> 00:44:11.869
talked a lot about what this is setting up for

00:44:11.869 --> 00:44:20.489
the finale. Belinda, the Doctor, the villain

00:44:20.489 --> 00:44:22.969
themselves. And again, coming back to the fact

00:44:22.969 --> 00:44:24.849
that if you had lots more time, you could flesh

00:44:24.849 --> 00:44:31.010
things out. I thought he was in between Conrad

00:44:31.010 --> 00:44:34.250
and the guy from Robot Revolution in terms of

00:44:34.250 --> 00:44:37.949
depth and complexity. I feel like Robot Revolution

00:44:37.949 --> 00:44:41.650
guy is towards the bottom. Conrad's the most

00:44:41.650 --> 00:44:44.750
interesting and layered. And then this guy is

00:44:44.750 --> 00:44:47.409
sort of sitting in the middle where he's got

00:44:47.409 --> 00:44:51.190
some sort of charisma and depth to him, but it

00:44:51.190 --> 00:44:53.949
still is a bit, he doesn't really go on any sort

00:44:53.949 --> 00:44:57.610
of journey. And maybe that's the point of his

00:44:57.610 --> 00:45:00.570
character. He's kind of already been on the journey

00:45:00.570 --> 00:45:03.610
at the start. And what goes on in this episode

00:45:03.610 --> 00:45:07.090
are the actions following that. But yeah, you're

00:45:07.090 --> 00:45:11.010
right. There was never any kind of moment of

00:45:11.010 --> 00:45:13.590
regret. Like the episode ended with him in exactly

00:45:13.590 --> 00:45:15.869
the same place as it started, which he kind of

00:45:15.869 --> 00:45:19.750
did with Conrad. But I think Conrad, you can

00:45:19.750 --> 00:45:23.269
look at Conrad and you can see. a real person

00:45:23.269 --> 00:45:25.949
we see these people in the media at the time

00:45:25.949 --> 00:45:28.230
you know you can yeah he's got the messiness

00:45:28.230 --> 00:45:31.130
yeah like he's got the messiness to him as well

00:45:31.130 --> 00:45:33.090
of like is he is he actually does he actually

00:45:33.090 --> 00:45:35.989
believe this or is he just a grifter and it's

00:45:35.989 --> 00:45:38.210
played with enough complexity that you could

00:45:38.210 --> 00:45:43.210
read it either way at times yeah um but comrade

00:45:43.210 --> 00:45:47.630
is not a pleasant one but very much human yeah

00:45:47.630 --> 00:45:54.690
yeah and it's whereas Yeah, the villain in this,

00:45:54.730 --> 00:45:57.530
I've actually forgotten his name. Kid. Kid, yeah.

00:45:57.849 --> 00:46:03.030
Yeah. Automatically, Kid wasn't a human and therefore

00:46:03.030 --> 00:46:07.650
lost all of those links to real people and real

00:46:07.650 --> 00:46:12.250
situations and real personas. It lost all of

00:46:12.250 --> 00:46:16.389
that. While where Kid was coming from was definitely

00:46:16.389 --> 00:46:20.849
a similar place to. where a lot of humans are

00:46:20.849 --> 00:46:26.070
um you did sort of lose a level of character

00:46:26.070 --> 00:46:29.289
complexity there because we're we were only told

00:46:29.289 --> 00:46:32.429
quite briefly actually about what happened to

00:46:32.429 --> 00:46:35.809
the home world and there's hints about how the

00:46:35.809 --> 00:46:38.989
race is persecuted but again there's no real

00:46:38.989 --> 00:46:43.710
it doesn't go into it at all it's it's it's sort

00:46:43.710 --> 00:46:46.510
of there but like again like the belinda confrontation

00:46:46.510 --> 00:46:48.619
it's there but like could have been made more

00:46:48.619 --> 00:46:51.400
because isn't there a line about where his name

00:46:51.400 --> 00:46:54.900
comes from that it's not because of a baby goat

00:46:54.900 --> 00:46:59.599
it's because he was his parents were killed or

00:46:59.599 --> 00:47:01.300
he was taken away from his parents before he

00:47:01.300 --> 00:47:05.280
was named or something so there's little like

00:47:05.280 --> 00:47:07.579
if you look closely there are those very sort

00:47:07.579 --> 00:47:11.199
of dark hints and layers there but actually his

00:47:11.199 --> 00:47:13.980
accomplice was the one who I think had a bit

00:47:13.980 --> 00:47:16.389
more depth to her in a sense that in the sense

00:47:16.389 --> 00:47:20.889
that she seemed conflicted certainly more conflicted

00:47:20.889 --> 00:47:23.309
yeah like she she went on a bit of a journey

00:47:23.309 --> 00:47:25.570
but still kind of ended up in the same place

00:47:25.570 --> 00:47:31.190
yeah nevertheless um yeah it's definitely one

00:47:31.190 --> 00:47:34.250
of those episodes where the doctor's presence

00:47:34.250 --> 00:47:40.280
did actively make everything better You know,

00:47:40.280 --> 00:47:42.860
it's very easy for the Doctor to not actually

00:47:42.860 --> 00:47:45.219
have that much impact on what's going on, whereas

00:47:45.219 --> 00:47:47.880
on this one, everybody would have been screwed

00:47:47.880 --> 00:47:54.780
without the Doctor. Yeah. So, yeah. But, yeah,

00:47:54.800 --> 00:47:57.159
no, you're right. There just wasn't quite...

00:47:57.159 --> 00:47:59.820
We did need that little bit more. There wasn't

00:47:59.820 --> 00:48:03.460
quite that Conrad level of... But, you know,

00:48:03.480 --> 00:48:08.239
Lucky Day had... It did take time to explore

00:48:08.239 --> 00:48:10.400
Comrade and it did explore him on a very human

00:48:10.400 --> 00:48:13.300
level and he didn't particularly interact with

00:48:13.300 --> 00:48:16.019
the Doctor much. It was Ruby, another human character

00:48:16.019 --> 00:48:20.059
who we have spent a lot of time with. That was

00:48:20.059 --> 00:48:25.019
kind of his main point of contact for the audience.

00:48:25.960 --> 00:48:30.739
Yeah, but definitely not a bad villain, definitely

00:48:30.739 --> 00:48:34.199
not a forgettable villain. definitely a villain

00:48:34.199 --> 00:48:37.320
we have seen in Doctor Who quite a lot before,

00:48:37.460 --> 00:48:42.139
I think. But yeah, you know, the motivation was

00:48:42.139 --> 00:48:44.059
there. We know what it was. You can kind of look

00:48:44.059 --> 00:48:46.539
at it and go, yeah, see, I can see how he's got

00:48:46.539 --> 00:48:49.920
there. He just didn't really go anywhere throughout

00:48:49.920 --> 00:48:52.500
the course of the episode. And like the Disney

00:48:52.500 --> 00:48:55.099
money stuff, this is where like the new budget

00:48:55.099 --> 00:48:57.699
lines up with the storytelling maybe, because

00:48:57.699 --> 00:48:59.380
yes, we've seen characters like him in Doctor

00:48:59.380 --> 00:49:04.340
Who loads of times, but we've never seen. their

00:49:04.340 --> 00:49:06.980
actions or the impact of their actions play out

00:49:06.980 --> 00:49:11.840
in, I think, quite as much sort of quite horrific

00:49:11.840 --> 00:49:16.400
detail, like all those people seemingly being

00:49:16.400 --> 00:49:20.099
killed. You don't see that sort of killing on

00:49:20.099 --> 00:49:24.659
that scale in most Doctor Who? No, absolutely

00:49:24.659 --> 00:49:28.300
not. I did kind of wonder, when it happened,

00:49:28.380 --> 00:49:30.639
I kind of wondered, okay, you know, is the Doctor

00:49:30.639 --> 00:49:32.639
going to be the only survivor here? You know,

00:49:32.659 --> 00:49:36.280
is this going to be a, have we just watched the

00:49:36.280 --> 00:49:40.739
biggest death count in all Doctor Who ever? Which,

00:49:40.739 --> 00:49:44.539
you know, we've had the suggestion of mass death

00:49:44.539 --> 00:49:47.639
in Doctor Who. You know, think back to parting

00:49:47.639 --> 00:49:50.679
of the ways where the Daleks bombed the Earth

00:49:50.679 --> 00:49:54.159
and literally reshaped continents. Yeah, but

00:49:54.159 --> 00:49:59.199
that's from space. Yeah, all you saw was a little

00:49:59.199 --> 00:50:01.480
computer graphic of continents changing shape.

00:50:01.760 --> 00:50:07.239
Exactly, yeah. But no, it would have been pretty

00:50:07.239 --> 00:50:12.659
massive to have just left it. I noticed the line

00:50:12.659 --> 00:50:15.239
of dialogue, they're all alive, went in pretty

00:50:15.239 --> 00:50:18.199
quickly. There was obviously the immediate tension

00:50:18.199 --> 00:50:23.079
when you saw everybody lift up. Yeah. It was

00:50:23.079 --> 00:50:25.119
the very next scene where we go, oh, they are

00:50:25.119 --> 00:50:29.860
still alive, by the way, guys. It's okay. Which

00:50:29.860 --> 00:50:32.500
I think is okay. Again, it's like a show aimed

00:50:32.500 --> 00:50:35.579
at the whole family. You don't want little kids

00:50:35.579 --> 00:50:39.679
to feel that hundreds, thousands of people have

00:50:39.679 --> 00:50:41.400
been slaughtered and just leave them with that

00:50:41.400 --> 00:50:44.760
for half the episode. If it was Big Finish, it

00:50:44.760 --> 00:50:47.920
would be right at the end. Oh, by the way, there's

00:50:47.920 --> 00:50:51.460
still a gravity bubble. Everyone's okay. And

00:50:51.460 --> 00:50:53.780
if it was the New Adventures, billions of people

00:50:53.780 --> 00:50:56.039
would just stay dead and that would just be part

00:50:56.039 --> 00:51:00.579
of the Doctor's character now. If it was New

00:51:00.579 --> 00:51:04.179
Adventures, Kit would have succeeded and the

00:51:04.179 --> 00:51:08.820
Doctor would have let it happen because maybe

00:51:08.820 --> 00:51:14.360
he was right. I don't know. All right. Well,

00:51:14.539 --> 00:51:16.690
I think... I think we've covered it. I think

00:51:16.690 --> 00:51:19.230
we've got it there. It was a great episode. It

00:51:19.230 --> 00:51:22.389
is a great series. I'm really looking forward

00:51:22.389 --> 00:51:24.630
to talking about the next two episodes because

00:51:24.630 --> 00:51:27.710
I have no idea at this point what it is we're

00:51:27.710 --> 00:51:32.150
going to be talking about. And that's quite exciting.

00:51:32.889 --> 00:51:35.889
So Doctor Who's got me excited. I think it has

00:51:35.889 --> 00:51:38.730
this whole series, to be honest. I'm invested.

00:51:38.969 --> 00:51:43.250
I'm wanting to watch it. You know, watching it

00:51:43.250 --> 00:51:46.329
at 8 o 'clock when possible. That kind of thing.

00:51:46.429 --> 00:51:48.510
As I said at the start, this is the first one

00:51:48.510 --> 00:51:50.909
where I've kind of gone, yeah, I want to watch

00:51:50.909 --> 00:51:52.809
this as quickly as possible. Everything else

00:51:52.809 --> 00:51:56.710
I've kind of watched when I can. Always on the

00:51:56.710 --> 00:51:59.989
Saturday, of course. But this is the one where

00:51:59.989 --> 00:52:01.449
I've kind of gone, yeah, I need to watch this

00:52:01.449 --> 00:52:06.170
now. And I think that's how I'm going to feel

00:52:06.170 --> 00:52:10.110
on this coming Saturday as well. And Saturday

00:52:10.110 --> 00:52:12.769
after that, it's going to have to be seven o

00:52:12.769 --> 00:52:15.969
'clock. Yeah, I've booked it for the cinema and

00:52:15.969 --> 00:52:19.289
I don't think it's feasible to try and avoid

00:52:19.289 --> 00:52:22.670
spoilers for Wishworld. So I think it will have

00:52:22.670 --> 00:52:25.909
to be at 8am viewing for Wishworld and then re

00:52:25.909 --> 00:52:29.769
-watch it in the cinema. It feels insane to try

00:52:29.769 --> 00:52:33.170
and avoid for the whole week. Well, I also need

00:52:33.170 --> 00:52:35.650
you to watch Wishworld straight away so we can

00:52:35.650 --> 00:52:40.880
talk about it. It would be really interesting

00:52:40.880 --> 00:52:43.280
trying to talk about an episode with you that

00:52:43.280 --> 00:52:47.420
you'd not seen without spoiling it, which is

00:52:47.420 --> 00:52:49.219
not a challenge. I think we should try sometime.

00:52:49.760 --> 00:52:54.380
Yeah. Right. Well, we shall leave it there, but

00:52:54.380 --> 00:52:56.800
thanks as ever for joining me, Mansoor. It's

00:52:56.800 --> 00:52:59.099
been really good discussing this. Yeah, my pleasure.

00:52:59.920 --> 00:53:02.920
And yeah, we'll be back to talk about Wishworld

00:53:02.920 --> 00:53:06.539
next week when hopefully we'll... we'll know

00:53:06.539 --> 00:53:07.940
what we're talking about. We'll have something

00:53:07.940 --> 00:53:10.800
to talk about. And hopefully some of the speculation

00:53:10.800 --> 00:53:15.420
that we've kind of suggested here will be proved

00:53:15.420 --> 00:53:18.659
to be right or wrong. We're going to be talking

00:53:18.659 --> 00:53:22.719
about Omega next week, aren't we? Like we actually

00:53:22.719 --> 00:53:27.679
are. Yeah, we'll see. Well, thanks very much

00:53:27.679 --> 00:53:29.360
for listening, everybody. And we will be back

00:53:29.360 --> 00:53:31.320
for more Spodcasting soon. Goodbye now.
