WEBVTT

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You're listening to a podcast of Spirulius Verity.

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Hello, and welcome to a podcast of spurious morality.

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I'm Johnston, and with me again this week, I

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have Mansell. Hello. Hello. So we're continuing

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through the new series of Doctor Who. We're doing

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the story and the engine this week, which is,

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it's proved to be quite an interesting episode

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in terms of reception, I think. It's very different

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for Doctor Who. In fact, it struck me as a little

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bit big finishy. But in a good way, a good Big

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Finish. TV Doctor Who doesn't normally explore

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non -European locations, for example, except

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the odd trip to America. It was a very sort of,

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I guess, high concept story by TV Doctor Who

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standards. Did Big Finish not exist? If Big Finish

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didn't exist, this would be a completely out

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there, different kind of story. But I think,

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I actually think it's not because we have had

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Big Finish and Big Finish has enabled the Doctor

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to explore sort of more interesting locations

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than London and Cardiff. But overall, good episode,

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I thought. I enjoyed it. I'm going to jump straight

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in with I enjoyed this one. It was... sort of

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an interesting one. And it did different things.

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And it's good to see, even with a reduced episode

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count, we are doing different things. I really

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appreciated that. What were your sort of thoughts

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on it, Mansoor? Yeah, for TV Doctor Who, it's

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refreshing that after 50 plus years, they can

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still do stories that feel... fresh and unique

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for tv but like i said that not so much big finish

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but what my first thought was um uh like the

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the novels like both the bbc novels for the eighth

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doctor and the virgin uh new adventures for the

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seventh because of well firstly this whole season

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has been focused on this god's arc but then the

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the particularly heightened magical realism stuff

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that was going on in this story that felt very

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very like some of the stuff that was going on

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in the novels um so so yeah in good ways again

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like like like other stories this season reminding

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me of some of the best extended media stuff i

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have seen reviews that have sort of said it managed

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to squeeze a lot of the depth that you get in

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those new adventures novels into a 45 50 minute

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episode which It's hard to argue with. There

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was a lot of really good stuff in there. Yeah,

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I think the pacing stuff is still a thing for

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this whole era, like every week. And again, like

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in a good way in that I've seen people as well

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say that this could have been a two -part story

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and I've seen that comment about a lot of episodes

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this season. And again, I see the logic in not

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losing people's attention and rattling through

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a story and thinking about the risk of people

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second screening it and having their phone in

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their hand and being desperate to hold on to

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their attention. But yeah, I wish sometimes we

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could just let things breathe just for an extra

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10, 15 minutes. And you mentioned Ghost Light.

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It made me think of that story a lot in that

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I watched it. And the first time, I didn't really

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100 % understand what was going on, but I just

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had this feeling that it was something special

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and interesting that I wanted to go back to and

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that I wanted to put the effort into understanding

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more. And I think it was the same with Ghostlight,

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that it wasn't intended to be so hard to figure

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out. maybe something that happened along the

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way in production where things got shortened

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and it got squashed down and bits were lost.

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And I feel like almost the same has happened

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with a lot of episodes in this season of Doctor

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Who. But it's, I mean, I completely agree with

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you. You know, I said, obviously, I got kind

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of big Finnish vibes from it, you know, some

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of the more experimental monthly range stuff.

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But at the same time, you're right, Ghostlight

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is a... is a great example, and I suppose Warrior's

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Gate is the other one that comes to mind immediately.

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Episodes that, it's all there, like everything

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is there, it's all available for you to figure

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out, it's all there for you to piece together,

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but maybe it just takes more than one go, more

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than one watch. It's asking questions of you

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as a viewer, it's giving you things to interpret,

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and some very sort of abstract ideas and concepts

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in there. And that's great. I don't want Doctor

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Who to do that every week. Sometimes I do just

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want Monster Bad, Rundown, Corridor, press big

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red button to make it all go away. But Doctor

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Who's very guilty, well, new Doctor Who, is very

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guilty of having a bit of a mid -season lull.

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And it doesn't seem to be happening here. We've

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just had two very good, very enjoyable mid -season

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episodes. I really do think this series is going

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from strength to strength. And this episode is

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just an example that, you know, not everything

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does have to be directly linked to the ongoing

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storyline. I know we're sort of playing with

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the themes of gods and storytelling and that

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kind of thing, which we've had quite a bit of.

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So we're still playing in the same themes, but

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we're not necessarily linking anything directly

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to the current storyline. You know, there were

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references to gods, but these gods weren't. It's

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a different type of gods. Yeah. Toymaker and

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Sutec, they were sort of... Well, they were Earth

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-based, because they talked about the number

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of people affected, and they didn't talk about

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the whole universe. I think he talked about the

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population of Earth. So it was almost like these

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were semi -mythological beings that tied very

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specifically to the cultural history of Earth.

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That it wasn't the SUTEC thing of they are these

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universe -spanning aliens that are worshipped

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on many worlds. It was Earth deities. Yeah, which,

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like I say, it means we're still playing with

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those themes, but we're doing it in a slightly

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more, in some ways slightly more grounded, in

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other ways slightly more fairytale -like, I guess.

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But the whole thing definitely sort of played

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with the idea of fairy tales and folk tales and

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that kind of thing. And I thought that was good.

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I liked seeing that in Doctor Who and I liked

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seeing it done that way in Doctor Who because

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it's very easy to be a bit too on the nose with

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the idea of a fairy tale maybe or, you know,

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linking things to a myth. You know, we've had,

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I don't know, Underworld is just the retelling

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of a Greek myth. Horns of Nymon is and all that

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kind of thing. And it's just a sci -fi retelling.

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This wasn't that. This was very much based in

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the Doctor Who universe and the way it is and

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the way we understand it. And I did particularly

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enjoy that. I also liked the fact that the setting

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was significant. um lagos but it wasn't linked

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to any sort of historical event usually we visit

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somewhere like that it's linked to some historical

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idea or figure or event and we we didn't have

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that it just happened to be the place where the

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doctor was this week um and i liked that as well

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you know it let the setting live and breathe

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because it was about the setting and not not

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a person um Which, again, Doctor Who's very guilty

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of hooking things like this to an individual,

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a historical individual or whatever. Or an event

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like Partition with Demons of the Punjab, which

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I liked as an episode. Yes. And it did have characters

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as well to give it that human dimension, but

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it was a story about Partition and the effect

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on people. Yeah, very much so. Whereas this didn't

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feel the need to do that. This had its own thing

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to do, but I thought it used the setting very

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effectively. I thought it used it very well and

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kind of let us explore the Doctor's, what the

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race he appears as now, I suppose. It's allowed

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for a bit of conversation about that, which has

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been brushed. You know, brushed past, brushed

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around, brushed over, I guess, is being mentioned

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in passing, but we've never had any kind of sort

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of real acknowledgement of it. And, you know,

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how the doctor feels as though certain people

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do treat him differently now. And this is something

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we missed in the Jodie Whitter career, I think,

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as well. I think we maybe needed something, you

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know, we never really explored the fact that

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the doctor was a woman. There's little bits.

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There was a little jokey moment. And then like

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in the Witchbinders, there was a bit more to

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it. But yeah, I definitely would have liked more

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of that. I'm completely speculating, but I wonder

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if it was like an anxiety. And maybe there's

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something about, I liked her costume as well,

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but maybe there was something about that filtering

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into her costume choice of, oh, let's make it

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something kind of cool looking, but also potentially

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a bit androgynous in terms of silhouette. And

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maybe there was the same thing with engaging

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with those ideas. But I feel like they've done

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it a fair bit in this season, like with Lux,

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setting it up. There was, I think, just the right

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amount there and then talking about it a bit

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more explicitly here and the conversation with

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Belinda as well to bring it out a bit more. Yeah,

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it's good to see that it's maybe been a slow

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journey, but we are acknowledging. um the fact

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that the doctor's not just a white bloke anymore

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um and that that it should be doing we should

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be doing that you know it's people are perceived

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differently based on whatever characteristic

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you want to name and therefore the doctor is

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able to change those characteristics therefore

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the doctor will be perceived differently um so

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it's definitely something that should be explored

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and i'm i'm glad we've done that So one drawback

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I can think of with this episode, it was doing

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an awful lot, it was giving the audience a lot

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to think about, but I'm kind of concerned that

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Belinda got relegated to the background a bit

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here. She spent a fair chunk in the TARDIS, she

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comes out of the TARDIS, she wanders round, she

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meets... For some reason, one of the kids from

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Space Babies, we haven't quite figured that one

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out yet, and then enters the barbershop and doesn't

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do particularly much from that point onwards.

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And it's fine. We've had episodes before where

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Companion has been sidelined, Doctor has been

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sidelined. But again, it's an eight -episode

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series. We had an episode last week where Belinda

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was in one scene. I feel as though that we're

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nearly three quarters of the way through the

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series and for a quarter of it, we've not really

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spent any time with this new character, which,

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you know, a bit of a concern in a longer season.

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It wouldn't bother me at all, even in a 13 -episode

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season. I probably wouldn't even notice. But

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it's the fact that of the, what have we had now,

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seven, six, five, five episodes? Five episodes

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we've had. Belinda's not really been around for

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two of them, or she was barely in one at all

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and hasn't had much to do here. I know that I've

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sort of complained about a number of episodes

00:13:39.220 --> 00:13:41.039
in the season before, and I know it's a very,

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very easy thing to do as a fan, go, ooh, I want

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more. And I'm well aware there's probably a very

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good production reason we're only getting eight.

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I'm judging by how fantastic the series looks

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that a lot more work is going into those eight

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episodes than perhaps went into 13, 20 years

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ago. But I really do feel that it's costing getting

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to know companions. And we've had two companions

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in. or 18 episodes by the time this series ends.

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And I still don't feel as though we got to know

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Ruby. In fact, I feel as though we got to know

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Ruby quite a lot more last week, as I said, when

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we were discussing it. And I have the same concern

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about Belinda. Like, really, we've had three

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and a bit episodes of her at this point, and

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we are... heading towards the end of the series

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now. It could well be that, considering Russell

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T Davies has said there's some kind of reveal

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in next week's episode, it could well be that

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we're kind of stuck in that kind of finale zone

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where there isn't much room for change or development

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or that kind of thing. And I just hope we've

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not missed an opportunity to get to know Belinda

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better. I guess with Ruby we got... We had an

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episode that was completely Ruby -based in the

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last season and we did get to know her a little

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bit more. We've not had that with Belinda and

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evidence would suggest we're not going to because

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the next three episodes appear as though they're

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going to be quite significant and I don't think

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we're going to take a week off to just hang out

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with Belinda for a bit. Yeah, it's... agree and

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especially as I think I've enjoyed her character

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a lot more I think she's been given a bit more

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dimension than Ruby from the start I think she's

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been better served by her first few stories and

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script to give her a bit more depth at the same

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time we've kind of had this rerun and recap at

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the start of every episode now of her reminding

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the doctor to get us home and it feels like almost

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like a recap for the audience's benefit in case

00:16:03.129 --> 00:16:06.149
you're just tuning in that week to like remind

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us of the setup of the show like the intro to

00:16:08.289 --> 00:16:12.389
quantum leap and just just uh just like restate

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the mission of getting a home um and i see the

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logic of that but i also hope that we don't keep

00:16:18.649 --> 00:16:21.809
hammering that too much and we just do continue

00:16:21.809 --> 00:16:25.029
to see more dimensions to her in the last three

00:16:25.029 --> 00:16:28.000
episodes But I think you're right. Like, if this

00:16:28.000 --> 00:16:33.399
was like a 13 -episode series or Belinda was

00:16:33.399 --> 00:16:36.659
sticking around for more than one season, I don't

00:16:36.659 --> 00:16:40.120
think there was much need for her to be in the

00:16:40.120 --> 00:16:43.080
second half of the story. She wasn't bad when

00:16:43.080 --> 00:16:47.159
she turned up, and she was given a very sort

00:16:47.159 --> 00:16:50.759
of active role and had some impact on the story.

00:16:50.940 --> 00:16:53.720
But it was quite, I felt like she slipped into

00:16:53.720 --> 00:16:58.049
quite a generic companion mode. And I don't feel

00:16:58.049 --> 00:16:59.889
like loads of time has passed, but she almost

00:16:59.889 --> 00:17:04.369
had a lot of knowledge and skill that was very

00:17:04.369 --> 00:17:06.750
doctorish, and I didn't know how that developed

00:17:06.750 --> 00:17:10.150
so quickly. Have we had a time jump or a gap,

00:17:10.250 --> 00:17:12.930
do you think, at some point? Maybe after episode

00:17:12.930 --> 00:17:18.190
three? I get the impression that maybe, yeah,

00:17:18.230 --> 00:17:22.910
after the well, and maybe they were doing...

00:17:23.099 --> 00:17:28.319
other stuff while Lucky Day was going on. It

00:17:28.319 --> 00:17:30.380
feels like we've had a jump, but she's still

00:17:30.380 --> 00:17:32.039
saying, Doctor, you need to get me home now,

00:17:32.119 --> 00:17:33.920
so it doesn't feel like it's been a big jump.

00:17:35.039 --> 00:17:40.680
But tonally, maybe we've had room for a few novels

00:17:40.680 --> 00:17:43.460
in there or something like that. I think there

00:17:43.460 --> 00:17:46.220
must be something, because she's not had a rest

00:17:46.220 --> 00:17:49.549
since Robot Revolution. And she's human. She

00:17:49.549 --> 00:17:52.369
needs to sleep. And also just tonally, the well

00:17:52.369 --> 00:17:58.589
was pretty traumatic. And it feels like there

00:17:58.589 --> 00:18:00.529
must have been some sort of gap between that

00:18:00.529 --> 00:18:04.670
and then kind of the way things feel in this

00:18:04.670 --> 00:18:07.750
episode. I don't think the fact that she got

00:18:07.750 --> 00:18:10.710
shot in the well has been referenced at all since,

00:18:10.789 --> 00:18:13.690
has it? Oh, yeah. I didn't know. I was thinking

00:18:13.690 --> 00:18:15.170
about just the episode in general. But yeah,

00:18:15.190 --> 00:18:19.940
she got shot and she died. Yeah, didn't die,

00:18:20.019 --> 00:18:23.900
but got shot and had to recover from getting

00:18:23.900 --> 00:18:28.079
shot. Yeah. Even with sort of TARDIS medicine,

00:18:28.359 --> 00:18:32.680
I'd like to think getting shot on an alien planet

00:18:32.680 --> 00:18:34.579
when you're being stalked by some horror creature

00:18:34.579 --> 00:18:37.839
is going to traumatise somebody a little bit.

00:18:38.019 --> 00:18:40.079
Like, that's the sort of thing you'd expect to

00:18:40.079 --> 00:18:42.799
happen. But, yeah, it's not been mentioned again.

00:18:43.410 --> 00:18:46.309
Even to even mention the Mara at the start of

00:18:46.309 --> 00:18:50.170
Mordred Undead, you know. Yeah, so it feels like

00:18:50.170 --> 00:18:52.650
the big finish box set might start there and

00:18:52.650 --> 00:18:56.849
she is a little bit understandably traumatised

00:18:56.849 --> 00:19:00.190
and then get to the point of where she's a bit

00:19:00.190 --> 00:19:03.089
more relaxed and happy and maybe time has passed

00:19:03.089 --> 00:19:05.690
for her to watch the Doctor and pick some stuff

00:19:05.690 --> 00:19:12.259
up from him. I'd hope so. Yeah, it's feeling

00:19:12.259 --> 00:19:15.960
very rushed, which, fine, we knew that was going

00:19:15.960 --> 00:19:20.640
to happen going into it. I wasn't 100 % convinced

00:19:20.640 --> 00:19:22.920
I wanted a new companion in this series. I'd

00:19:22.920 --> 00:19:24.559
have been quite happy if we'd have just carried

00:19:24.559 --> 00:19:28.279
on with Ruby as we did last series, you know,

00:19:28.299 --> 00:19:31.259
picked up, second sit. But I know Russell T.

00:19:31.279 --> 00:19:34.299
Davis likes to change his regulars around, and

00:19:34.299 --> 00:19:37.720
Belinda is a brilliant character. I don't want

00:19:37.720 --> 00:19:40.700
to play the... Who's the better companion game?

00:19:40.960 --> 00:19:44.720
But I think just in terms of how the characters

00:19:44.720 --> 00:19:47.259
are written, I think there's a lot more potential

00:19:47.259 --> 00:19:49.740
with Belinda than there is with Ruby. Just my

00:19:49.740 --> 00:19:52.839
concern is we're not going to get to properly

00:19:52.839 --> 00:20:00.220
see that potential. Maybe, because we're most

00:20:00.220 --> 00:20:02.339
of the way through the series now and haven't

00:20:02.339 --> 00:20:09.680
spent that much time with her still. You never

00:20:09.680 --> 00:20:12.599
know. Maybe we'll get something a bit more Belinda

00:20:12.599 --> 00:20:14.880
-centric. Well, you mentioned I got the stuff

00:20:14.880 --> 00:20:19.119
for the finale, and I was thinking just after

00:20:19.119 --> 00:20:21.039
this episode, oh, you mentioned the Space Babies

00:20:21.039 --> 00:20:23.920
as well, and I was just thinking how all of these,

00:20:24.079 --> 00:20:27.339
there are quite a few lingering threads and mysteries

00:20:27.339 --> 00:20:29.559
that need to be wrapped up in the next three

00:20:29.559 --> 00:20:32.180
episodes, or at least acknowledged, you would

00:20:32.180 --> 00:20:35.440
hope. So Mrs. Flood obviously feels like a given.

00:20:36.619 --> 00:20:39.259
now we have this new space babies thing we have

00:20:39.259 --> 00:20:43.099
the boss and is that the same as mrs flood or

00:20:43.099 --> 00:20:47.299
is that someone different um we have like what's

00:20:47.299 --> 00:20:48.920
happened to the earth we've got no indication

00:20:48.920 --> 00:20:52.480
of what's actually going on there and presumably

00:20:52.480 --> 00:20:56.579
reverse that um i'm sure there's more like i

00:20:56.579 --> 00:20:59.380
think i think it seemed i expect ruby and conrad

00:20:59.380 --> 00:21:02.500
are both going to be back uh mel is going to

00:21:02.500 --> 00:21:07.819
be in it um It feels like a lot, and I'm expecting

00:21:07.819 --> 00:21:09.819
a lot of this won't be in the Interstellar Song

00:21:09.819 --> 00:21:13.099
Contest, because a lot of that's going to be

00:21:13.099 --> 00:21:15.380
in space, and some of these elements are quite

00:21:15.380 --> 00:21:18.359
Earth -based. So that's a lot to squeeze into

00:21:18.359 --> 00:21:21.779
the last two episodes, and yeah, I think you're

00:21:21.779 --> 00:21:24.079
right. How much space does that leave for any

00:21:24.079 --> 00:21:28.019
detailed introspection or character development

00:21:28.019 --> 00:21:31.460
for Belinda? Have we had confirmation of the

00:21:31.460 --> 00:21:35.319
length of the final episode yet? Because I know

00:21:35.319 --> 00:21:37.200
it is getting a cinema screening, isn't it? Has

00:21:37.200 --> 00:21:41.980
that said how long it is? It probably says somewhere,

00:21:42.059 --> 00:21:46.220
but I think if it was longer than 50, 55 minutes,

00:21:46.480 --> 00:21:49.519
we would have heard. That's what I'm thinking.

00:21:49.559 --> 00:21:52.619
Is it going to be one of those, you know, actually

00:21:52.619 --> 00:21:55.759
it's 75 minutes type things, but there's no indication,

00:21:56.019 --> 00:22:00.009
is there? No, and I feel like if... like you

00:22:00.009 --> 00:22:02.410
say the cinema listings must be up and if if

00:22:02.410 --> 00:22:04.210
it was that sort of running time i feel like

00:22:04.210 --> 00:22:07.529
we would know by now people will be talking about

00:22:07.529 --> 00:22:12.529
it i'd assume um and and these episodes have

00:22:12.529 --> 00:22:16.849
run quite short like uh was it children where

00:22:16.849 --> 00:22:19.549
we tended to get like longer episodes that were

00:22:19.549 --> 00:22:22.789
like bumping up against an hour sometimes and

00:22:22.789 --> 00:22:25.170
it feels like we've gone the other like weirdly

00:22:25.170 --> 00:22:26.690
in the age of streaming we've gone the other

00:22:26.690 --> 00:22:29.940
way to like squeeze into like a very specific

00:22:29.940 --> 00:22:37.380
broadcast television slot of 45 minutes I'm just

00:22:37.380 --> 00:22:40.299
trying to find the episode lengths now because

00:22:40.299 --> 00:22:46.579
yes I think you're right yeah 46, 44, 47 46 and

00:22:46.579 --> 00:22:51.359
47 we've had so far so they've all beaten 45

00:22:51.359 --> 00:22:56.289
minutes and I remember the days when an episode

00:22:56.289 --> 00:22:58.809
would come in at 42 minutes and, oh, that's it,

00:22:58.869 --> 00:23:00.869
it's a disaster and the series is being cancelled

00:23:00.869 --> 00:23:05.130
because it's three minutes short. I don't know,

00:23:05.289 --> 00:23:08.470
is this... I wonder if this is, rather than broadcast

00:23:08.470 --> 00:23:11.289
schedules, given that the international distributor

00:23:11.289 --> 00:23:15.990
is Disney +, is this again like the anxiety of

00:23:15.990 --> 00:23:19.029
holding people's attention and just, is this

00:23:19.029 --> 00:23:21.740
like some sort of limit that... Russell T Davies

00:23:21.740 --> 00:23:23.779
has set for himself or maybe it's budget as well

00:23:23.779 --> 00:23:27.319
but like when you're making when you're making

00:23:27.319 --> 00:23:30.859
it with like a heightened budget and production

00:23:30.859 --> 00:23:34.339
quality an extra five minutes costs a lot of

00:23:34.339 --> 00:23:39.700
money well yeah there's that and I mean time

00:23:39.700 --> 00:23:42.279
time with streaming just doesn't matter like

00:23:42.279 --> 00:23:44.720
you know we've got a new series of Stranger Things

00:23:44.720 --> 00:23:46.660
coming this year and we've basically been told

00:23:46.660 --> 00:23:50.640
it's It's eight movies. It's eight films lengthwise.

00:23:51.160 --> 00:23:57.079
Yeah. So, yeah, things have seemed to have got

00:23:57.079 --> 00:23:59.059
longer with streaming, but then again, at the

00:23:59.059 --> 00:24:04.339
same time, we still seem to be sticking fairly

00:24:04.339 --> 00:24:08.660
rigidly to 45, 50 minutes. I don't know. Can

00:24:08.660 --> 00:24:11.539
anyone say how long an episode of Doctor Who

00:24:11.539 --> 00:24:14.420
is now? I suppose it still has to be broadcast

00:24:14.420 --> 00:24:18.720
on BBC One. That is... that's still its home

00:24:18.720 --> 00:24:23.740
it is but bbc does not because bbc is commercial

00:24:23.740 --> 00:24:27.900
free um the programming doesn't line up in nice

00:24:27.900 --> 00:24:29.980
neat hourly slots anyway you know if it's like

00:24:29.980 --> 00:24:35.000
um and even channel four doesn't seem to line

00:24:35.000 --> 00:24:38.900
up neatly uh it's more the american networks

00:24:38.900 --> 00:24:41.140
where like you know programming starts on the

00:24:41.140 --> 00:24:43.799
hour and you have this amount of time and the

00:24:43.799 --> 00:24:46.400
rest is sold to advertisers and that's all quite

00:24:46.400 --> 00:24:49.720
constrained so because like yeah like with the

00:24:49.720 --> 00:24:52.420
Chibnall area we had like things growing a bit

00:24:52.420 --> 00:24:56.920
longer and that and I remember like there were

00:24:56.920 --> 00:25:00.000
quite a few episodes where we had them a bit

00:25:00.000 --> 00:25:02.039
longer and they overran like the series three

00:25:02.039 --> 00:25:05.200
finale and they would be edited down in other

00:25:05.200 --> 00:25:08.960
regions because those other regions had the that

00:25:08.960 --> 00:25:11.980
sort of restrictions on that we've sold that

00:25:11.980 --> 00:25:17.710
advertising space I think it was the Series 3

00:25:17.710 --> 00:25:19.289
finale where there were scenes that were cut

00:25:19.289 --> 00:25:23.150
out for the American broadcast, I think. Yeah.

00:25:24.390 --> 00:25:28.730
I'll never forget how... The one that weirded

00:25:28.730 --> 00:25:30.890
me out the most of how they managed to get away

00:25:30.890 --> 00:25:36.769
with it was the Series 9. Both finale episodes

00:25:36.769 --> 00:25:41.579
were quite long. I remember them going... Heaven

00:25:41.579 --> 00:25:44.240
Sent is this long and Hellbent is even longer.

00:25:44.259 --> 00:25:48.619
It's this long. So we actually got two extended

00:25:48.619 --> 00:25:51.359
length episodes, which at the time, we're only

00:25:51.359 --> 00:25:54.819
talking 10 years ago, was virtually unheard of.

00:25:57.420 --> 00:26:00.859
That's two extra long episodes. And like you

00:26:00.859 --> 00:26:03.900
say, in the Chibnall era, we got spoiled a bit

00:26:03.900 --> 00:26:09.140
by episode lengths. They said... You know, episodes

00:26:09.140 --> 00:26:11.039
are 50 minutes now. We're doing fewer episodes,

00:26:11.220 --> 00:26:15.240
but episodes are longer. But here it seems to

00:26:15.240 --> 00:26:18.019
be fewer episodes and shorter episodes. I'm not

00:26:18.019 --> 00:26:22.220
entirely sure. Like you say, it could be a budget

00:26:22.220 --> 00:26:26.599
thing. And also, I think part of it should be

00:26:26.599 --> 00:26:31.240
down to how long does the story take to tell?

00:26:33.200 --> 00:26:36.740
This isn't classic Doctor Who anymore. It's not.

00:26:37.049 --> 00:26:39.269
we've got to have a cliffhanger every 25 minutes.

00:26:40.750 --> 00:26:45.450
Yeah. You know, it's not even 10, 15 years ago

00:26:45.450 --> 00:26:48.009
where we have to have a cliffhanger every 45

00:26:48.009 --> 00:26:52.190
minutes. The format of the show has changed.

00:26:52.210 --> 00:26:56.670
It has evolved. Like I say, I suspect it's just

00:26:56.670 --> 00:27:00.329
the number of sort of working hours that have

00:27:00.329 --> 00:27:04.140
to go into. making it look as good as it does.

00:27:04.259 --> 00:27:06.380
And we've repeatedly talked about how good this

00:27:06.380 --> 00:27:11.819
series looks. You know, a lot of people said

00:27:11.819 --> 00:27:13.819
that the Disney money didn't appear on screen

00:27:13.819 --> 00:27:16.420
last year. Well, it sure as hell has this year.

00:27:16.539 --> 00:27:19.259
In every single episode, it's looked exceptional.

00:27:20.180 --> 00:27:23.119
And I sort of see that. But then at the same

00:27:23.119 --> 00:27:26.019
time, like if I was extending some of these episodes

00:27:26.019 --> 00:27:30.480
by five, ten minutes, a lot of that would be

00:27:30.480 --> 00:27:34.630
like... character moments or dialogue heavy scenes

00:27:34.630 --> 00:27:40.450
so not not talking like loads of effects and

00:27:40.450 --> 00:27:44.250
you know expensive setups but so that's what

00:27:44.250 --> 00:27:46.349
makes me think maybe is it actually more about

00:27:46.349 --> 00:27:48.509
like a self -imposed limit of no we're going

00:27:48.509 --> 00:27:52.410
to hold people's attention and okay and and to

00:27:52.410 --> 00:27:55.809
be fair i would prefer something is a bit short

00:27:55.809 --> 00:27:59.710
and leaves you wanting more to to to use the

00:27:59.710 --> 00:28:04.839
big finish example or even some classic Doctor

00:28:04.839 --> 00:28:09.319
Who, to pad things out a bit longer than the

00:28:09.319 --> 00:28:14.420
story deserves or the story needs. And, you know,

00:28:14.440 --> 00:28:17.240
to sort of artificially hold yourself to longer

00:28:17.240 --> 00:28:21.259
running time and go the other direction. Which

00:28:21.259 --> 00:28:23.339
I suppose must be an easy trap to fall into.

00:28:24.380 --> 00:28:27.920
Well, yeah. I mean, if you're a writer for Big

00:28:27.920 --> 00:28:30.759
Finish, you're given the brief of... all of our

00:28:30.759 --> 00:28:34.519
stories have to be X number of CDs long, or you

00:28:34.519 --> 00:28:36.299
have to fill this box set, you have to fill these

00:28:36.299 --> 00:28:40.559
slots. You can't write a story that's like three

00:28:40.559 --> 00:28:44.480
quarters of a CD long. It has to be, you know,

00:28:44.539 --> 00:28:48.180
that's 60 minutes. I know they play around a

00:28:48.180 --> 00:28:50.420
little bit with like sometimes squeezing three

00:28:50.420 --> 00:28:54.140
short episodes onto a disc, but it's generally,

00:28:54.259 --> 00:28:57.759
they're pretty, they're pretty like, you know,

00:28:57.779 --> 00:29:02.099
it's an hour's worth of story. on each CD I find

00:29:02.099 --> 00:29:04.700
it amazing that it's still sort of dictated by

00:29:04.700 --> 00:29:10.880
CD length in 2025 because it can there can't

00:29:10.880 --> 00:29:14.420
be much audio drama produced now that is dictated

00:29:14.420 --> 00:29:19.400
by can we fit it on a CD I really can't but it's

00:29:19.400 --> 00:29:22.039
Doctor Who there'll be like that core of people

00:29:22.039 --> 00:29:28.339
who will complain if Like, you know, some releases

00:29:28.339 --> 00:29:32.539
go digital only or, you know, they can't continue

00:29:32.539 --> 00:29:34.759
collecting. Which we have seen. Yeah, they are

00:29:34.759 --> 00:29:36.920
announcing digital only releases now and there

00:29:36.920 --> 00:29:39.160
are people that are not buying them because they

00:29:39.160 --> 00:29:42.200
can't have them on. Yeah, yeah. They're very

00:29:42.200 --> 00:29:46.119
tentative. Yeah, and you can tell, it's like

00:29:46.119 --> 00:29:49.859
with like Recast, they're sort of like, you can

00:29:49.859 --> 00:29:52.059
tell that Big Finish are a bit anxious about

00:29:52.059 --> 00:29:53.980
jumping into that and they're just trying it

00:29:53.980 --> 00:29:58.140
to see how people react. for really going for

00:29:58.140 --> 00:30:01.359
it. I suppose that's the other thing that sort

00:30:01.359 --> 00:30:04.319
of dictates Big Finish. It's what do people buy?

00:30:04.460 --> 00:30:07.960
What will people... Yeah, they're much more constrained

00:30:07.960 --> 00:30:11.279
by that because you can put something out on

00:30:11.279 --> 00:30:14.220
the BBC and there aren't advertisers to keep

00:30:14.220 --> 00:30:17.180
happy. Viewing figures aren't the be -all and

00:30:17.180 --> 00:30:20.400
end -all. It's about doing what the charter says

00:30:20.400 --> 00:30:22.779
you're supposed to do. It's not just about numbers

00:30:22.779 --> 00:30:26.180
of viewers. so you have a lot more flexibility.

00:30:26.759 --> 00:30:30.019
Whereas Big Finish, I think as I understand it,

00:30:30.099 --> 00:30:34.119
they put out a lot of stuff, but it sounds like

00:30:34.119 --> 00:30:37.640
their margins are quite narrow, and so they have

00:30:37.640 --> 00:30:41.759
to be a bit more, maybe not mercenary, but they

00:30:41.759 --> 00:30:44.440
have to be a bit more reactive to, well, people

00:30:44.440 --> 00:30:46.039
will buy more stuff if there's a Dalek on the

00:30:46.039 --> 00:30:49.140
cover, so we'll put out a lot of Dalek stories.

00:30:49.539 --> 00:30:52.880
It still lets them do good stuff. within those

00:30:52.880 --> 00:30:55.140
constraints but i think they are more constrained

00:30:55.140 --> 00:31:01.980
than people making doctor who on tv and of course

00:31:01.980 --> 00:31:05.799
they're also constrained by doctor who on tv

00:31:05.799 --> 00:31:08.819
as well yeah what they have what they're allowed

00:31:08.819 --> 00:31:11.460
to do what because they can't because considering

00:31:11.460 --> 00:31:13.680
what they do produce and considering some of

00:31:13.680 --> 00:31:15.660
the stuff they come out with it's actually a

00:31:15.660 --> 00:31:17.720
minor miracle that it's as good as it is because

00:31:17.720 --> 00:31:22.980
they do have you know imagine if the tv series

00:31:22.980 --> 00:31:28.339
were to look at facebook twitter gallifrey base

00:31:28.339 --> 00:31:32.480
and gauge what it had to do based on that which

00:31:32.480 --> 00:31:34.380
i'm not saying is what big finish does you know

00:31:34.380 --> 00:31:36.640
big finish looks at what sells and what doesn't

00:31:36.640 --> 00:31:39.980
and goes okay as you say daleks are on the cover

00:31:39.980 --> 00:31:41.940
of that one it's sold better than anything else

00:31:41.940 --> 00:31:46.579
we'll put more daleks on covers um and the opposite

00:31:46.579 --> 00:31:49.400
way around where like what, you know, stuff that

00:31:49.400 --> 00:31:51.259
I really enjoyed, like the novel adaptations,

00:31:51.480 --> 00:31:56.460
doesn't continue because people weren't buying

00:31:56.460 --> 00:31:57.900
them in the numbers that they buy other stuff.

00:31:58.880 --> 00:32:01.680
Or Fogarty is a big example, a big one as well.

00:32:02.119 --> 00:32:05.160
Like, you know, Chris and Roz, they attempted

00:32:05.160 --> 00:32:09.519
to bring them back, but seems like people just

00:32:09.519 --> 00:32:13.740
have something, don't, yeah, the numbers aren't

00:32:13.740 --> 00:32:16.539
there for those, those like comics and books

00:32:16.539 --> 00:32:19.069
characters coming in. I suppose at the end of

00:32:19.069 --> 00:32:24.269
the day, you know, they originated in a series

00:32:24.269 --> 00:32:29.029
of 30 -odd -year -old novels that are very difficult

00:32:29.029 --> 00:32:33.170
to get hold of. There's an awful lot of, like,

00:32:33.269 --> 00:32:36.130
if you look at the list of new adventures and

00:32:36.130 --> 00:32:38.329
you've never read any of them, it's quite overwhelming.

00:32:38.369 --> 00:32:40.930
As somebody that's not actually read all that

00:32:40.930 --> 00:32:45.099
many. I can kind of get it. I can kind of people

00:32:45.099 --> 00:32:49.019
go, I kind of get why people go, yeah, I'm just

00:32:49.019 --> 00:32:53.400
not engaging with that. Which is a shame because

00:32:53.400 --> 00:32:56.339
I quite liked the novel adaptations. I quite

00:32:56.339 --> 00:32:58.400
like Chris and Rose, especially the way they

00:32:58.400 --> 00:33:02.559
have been sort of interpreted on audio. Because

00:33:02.559 --> 00:33:05.319
they have, maybe it was to do with the order

00:33:05.319 --> 00:33:07.559
as well, but they have done their origin story.

00:33:07.759 --> 00:33:09.599
I don't think it was their first audio, but they

00:33:09.599 --> 00:33:12.839
have done. original sins so like with bernice

00:33:12.839 --> 00:33:16.880
they've done an adaptation of lohan war so even

00:33:16.880 --> 00:33:19.440
if you if you don't track down those novels you

00:33:19.440 --> 00:33:23.119
can still get a performed introduction to these

00:33:23.119 --> 00:33:30.839
to these components yeah absolutely um but but

00:33:30.839 --> 00:33:33.920
dragging it dragging us back to um the story

00:33:33.920 --> 00:33:40.890
and the engine um it's I hope that Belinda doesn't

00:33:40.890 --> 00:33:43.049
become that kind of character, actually, you

00:33:43.049 --> 00:33:45.490
know, a character that people don't go for in

00:33:45.490 --> 00:33:48.509
spin -off because we didn't really see or hear

00:33:48.509 --> 00:33:51.269
much from her on screen. Like, she's a great

00:33:51.269 --> 00:33:53.710
character, just my concern is she's been a little

00:33:53.710 --> 00:33:58.670
bit underserved. That may all change in the next

00:33:58.670 --> 00:34:02.789
few episodes. She's been compared to Tegan, who's

00:34:02.789 --> 00:34:08.880
quite a well -regarded character now. But I think

00:34:08.880 --> 00:34:12.079
at certain points was dismissed as the one who's

00:34:12.079 --> 00:34:15.519
always complaining and just doesn't want to be

00:34:15.519 --> 00:34:20.099
there. I think there's a lot more to both Tegan

00:34:20.099 --> 00:34:24.500
and Belinda. I think we've had a very good reassessment

00:34:24.500 --> 00:34:29.340
of Tegan over the last few years. I do remember

00:34:29.340 --> 00:34:31.820
a time where everybody just dismissed 80s who

00:34:31.820 --> 00:34:34.079
was dreadful and anybody involved with it was

00:34:34.079 --> 00:34:37.369
also dreadful and therefore Tegan was... lugged

00:34:37.369 --> 00:34:41.150
in on the list of worst companions ever. Even

00:34:41.150 --> 00:34:46.309
worse because she dared to not be in love with

00:34:46.309 --> 00:34:50.989
travelling in the TARDIS and maybe that set some

00:34:50.989 --> 00:34:56.090
fans against her. Those fans who would fantasise

00:34:56.090 --> 00:34:58.190
about going off in the TARDIS with the Doctor

00:34:58.190 --> 00:35:00.750
when they were children and there's this person

00:35:00.750 --> 00:35:02.389
who doesn't want to be there. What's her problem?

00:35:02.690 --> 00:35:07.329
I also wonder if The fact it took Janet Fielding

00:35:07.329 --> 00:35:11.650
a while to start regularly doing Big Finish contributes

00:35:11.650 --> 00:35:14.750
to that as well. Like a lot of people have said

00:35:14.750 --> 00:35:16.530
that, you know, Big Finish has done absolute

00:35:16.530 --> 00:35:20.110
wonders for, you know, The Sixth Doctor and Ace

00:35:20.110 --> 00:35:24.030
and Adric even, you know, another late to Big

00:35:24.030 --> 00:35:25.710
Finish. But nevertheless, we've had some great

00:35:25.710 --> 00:35:29.969
stuff with Adric there now. So I wonder if that's

00:35:29.969 --> 00:35:33.030
kind of a contributing factor as well, like in

00:35:33.030 --> 00:35:35.519
terms of people that are... are looking at the

00:35:35.519 --> 00:35:38.000
ongoing Classy Doctor Who big finish. I wonder

00:35:38.000 --> 00:35:43.079
if, you know, there being no new Tegan material

00:35:43.079 --> 00:35:49.280
has perhaps skewed the view a little bit. And

00:35:49.280 --> 00:35:52.840
obviously that's been fixed in the last 10 years.

00:35:53.639 --> 00:35:59.340
Maybe. Nevertheless, it's, you know, Tegan is

00:35:59.340 --> 00:36:01.960
beloved. Tegan came back. Everyone was happy

00:36:01.960 --> 00:36:05.420
that Tegan came back. in power at the doctor

00:36:05.420 --> 00:36:09.300
um and i just hope that there's the platform

00:36:09.300 --> 00:36:14.719
for if nothing else more appreciation of belinda

00:36:14.719 --> 00:36:17.500
in the future because it kind of doesn't really

00:36:17.500 --> 00:36:20.199
feel like that at the minute there's just not

00:36:20.199 --> 00:36:24.380
much to work with um yeah anyway we'll move on

00:36:24.380 --> 00:36:26.940
because we can keep going on so in circles on

00:36:26.940 --> 00:36:31.840
this one um the doctor then So we've kind of

00:36:31.840 --> 00:36:37.659
mentioned that the Doctor found visiting Lagos,

00:36:37.659 --> 00:36:39.940
he found it as a safe space, the barbershop especially

00:36:39.940 --> 00:36:42.239
was a safe space. It's somewhere he felt comfortable

00:36:42.239 --> 00:36:45.380
going in his current regeneration. I love the

00:36:45.380 --> 00:36:48.380
fact that we are referring to off -screen adventures

00:36:48.380 --> 00:36:53.679
with the 15th Doctor because everything feels

00:36:53.679 --> 00:36:56.019
like it's happened quickly. Again, I'm complaining

00:36:56.019 --> 00:36:58.159
about shorter episode count. I need to get over

00:36:58.159 --> 00:37:00.889
it. Everything feels like it's happened really

00:37:00.889 --> 00:37:02.969
quickly. It doesn't feel like this Doctor's gone

00:37:02.969 --> 00:37:04.690
off and had loads and loads of adventures. But

00:37:04.690 --> 00:37:08.210
actually, there are some fairly solid gaps in

00:37:08.210 --> 00:37:10.829
his timeline where he could have done and presumably

00:37:10.829 --> 00:37:14.210
did, the biggest one being in between seasons.

00:37:14.550 --> 00:37:16.510
And, you know, we had a Christmas special sort

00:37:16.510 --> 00:37:20.829
of set in that period. So just sort of have you

00:37:20.829 --> 00:37:23.630
any thoughts about the Doctor in this week's

00:37:23.630 --> 00:37:25.869
episode and have we learned a bit about him and

00:37:25.869 --> 00:37:32.250
that sort of thing? Yeah, I think the off -screen

00:37:32.250 --> 00:37:35.710
adventures are good and they add some depth.

00:37:36.030 --> 00:37:40.929
And I don't know, I feel like, I'm finding it

00:37:40.929 --> 00:37:42.670
hard to be specific, but I feel like there's

00:37:42.670 --> 00:37:46.309
more to the Doctor's performance this season.

00:37:48.789 --> 00:37:53.429
Because was season two filmed? I know season

00:37:53.429 --> 00:37:57.110
two was filmed ages ago. Like, how close was

00:37:57.110 --> 00:37:59.050
it to season one? Because it almost feels like

00:37:59.050 --> 00:38:03.289
he's had some time to settle in and to get a

00:38:03.289 --> 00:38:08.429
sort of deeper hold on what his Doctor is. Yeah.

00:38:09.690 --> 00:38:15.150
Yeah, there's definitely been some kind of subtle

00:38:15.150 --> 00:38:16.929
shift in the performance. And we discussed this

00:38:16.929 --> 00:38:19.369
at the start, you know, when we watched The Robot

00:38:19.369 --> 00:38:21.489
Revolution. We kind of discussed this then and

00:38:21.489 --> 00:38:24.070
kind of said, actually, there's not been much

00:38:24.070 --> 00:38:27.519
of a shift, but... Yeah, a few more episodes

00:38:27.519 --> 00:38:32.039
in. I agree with you. He just seems to have gelled

00:38:32.039 --> 00:38:33.760
with the role a bit more. I don't think there's

00:38:33.760 --> 00:38:37.639
been any sort of huge conscious change in the

00:38:37.639 --> 00:38:39.719
way the character's done. It's not like Patrick

00:38:39.719 --> 00:38:43.300
Troughton being a very different Doctor by Tomb

00:38:43.300 --> 00:38:46.619
of the Cybermen than he was in Power of the Daleks.

00:38:46.840 --> 00:38:50.719
But yeah, he certainly feels more comfortable

00:38:50.719 --> 00:38:52.659
in the role. I really don't think there was that

00:38:52.659 --> 00:38:56.039
big a gap between... Filming season. But then

00:38:56.039 --> 00:38:58.480
Christopher Eccleston changed in his season.

00:38:58.579 --> 00:39:01.219
I think I'm trying to track it back, but it might,

00:39:01.239 --> 00:39:03.239
it might even be like broke by production book.

00:39:03.320 --> 00:39:07.539
Like I feel like Eccleston's performance when

00:39:07.539 --> 00:39:09.699
it started in the, in the earliest filmed episodes

00:39:09.699 --> 00:39:13.280
that it was a bit broader. It was a little bit

00:39:13.280 --> 00:39:16.880
more CBBC where, and where he was getting his

00:39:16.880 --> 00:39:20.280
head around the role. And then as time went on,

00:39:20.340 --> 00:39:22.880
his doctor became, there was still some of that.

00:39:23.159 --> 00:39:28.219
lightness and comedy, but it became a bit more

00:39:28.219 --> 00:39:33.960
real and a bit more grounded as he got further

00:39:33.960 --> 00:39:36.280
in. And maybe it's just that same thing. So even

00:39:36.280 --> 00:39:39.679
if season two was filmed right after, it was

00:39:39.679 --> 00:39:41.460
just one of the later production blocks, effectively.

00:39:42.599 --> 00:39:46.840
Yeah, I think every Doctor has settled into the

00:39:46.840 --> 00:39:51.570
character over time. And, you know, writers become

00:39:51.570 --> 00:39:53.809
more confident with how to write the character

00:39:53.809 --> 00:39:57.269
as well. It must be so difficult to come in as

00:39:57.269 --> 00:40:00.130
a guest writer and write for a brand new Doctor

00:40:00.130 --> 00:40:03.150
who hasn't actually appeared on screen yet. I

00:40:03.150 --> 00:40:06.429
know most of the last series was written by Russell

00:40:06.429 --> 00:40:11.349
T Davies, who was obviously trying to steer it

00:40:11.349 --> 00:40:15.389
in a certain direction. But new voices have helped,

00:40:15.489 --> 00:40:18.820
I think, in this case. Definitely for this season,

00:40:18.880 --> 00:40:21.360
I think that's been both for the Doctor and the

00:40:21.360 --> 00:40:23.280
stories, and in general just having that bit

00:40:23.280 --> 00:40:25.159
more of a mix, and having Russell T Davies, I'm

00:40:25.159 --> 00:40:28.400
sure, very closely involved in rewrites to make

00:40:28.400 --> 00:40:32.360
it feel cohesive. I think that's throughout both

00:40:32.360 --> 00:40:35.420
the first era and this one. Some of the strongest

00:40:35.420 --> 00:40:38.420
stories are the ones where a writer has come

00:40:38.420 --> 00:40:42.940
with the first draft and those ideas and that

00:40:42.940 --> 00:40:46.539
freshness, and then he's done sometimes very

00:40:46.539 --> 00:40:51.449
extensive. rewrites but sometimes that collaboration

00:40:51.449 --> 00:40:55.130
I'm curious if there's a writer's tale I'm curious

00:40:55.130 --> 00:40:57.829
to know how his process has changed for this

00:40:57.829 --> 00:41:01.650
era and if he's being more hands off or he's

00:41:01.650 --> 00:41:04.429
still working in the exact same way as he did

00:41:04.429 --> 00:41:08.750
the first time around but I mean coming back

00:41:08.750 --> 00:41:11.969
to the Doctor in this episode so I'm seeing that

00:41:11.969 --> 00:41:15.519
bit of a subtle shift from where he was in Church

00:41:15.519 --> 00:41:18.780
on Ruby Road, Space Babies, right at the start.

00:41:20.239 --> 00:41:23.599
And there was moments in Joy to the World where

00:41:23.599 --> 00:41:26.460
you got to see some very different sides to him

00:41:26.460 --> 00:41:29.960
as well. But I'm also a bit anxious that potentially

00:41:29.960 --> 00:41:33.559
with three episodes left, I don't think this

00:41:33.559 --> 00:41:38.000
Doctor is going to get the type of arc or progression.

00:41:39.059 --> 00:41:41.599
And actually, to be fair, I don't think Jodie

00:41:41.599 --> 00:41:44.269
Whittaker... was well served by this either as

00:41:44.269 --> 00:41:48.010
well by like by ending up a different person

00:41:48.010 --> 00:41:50.230
at the end of their era than they were at the

00:41:50.230 --> 00:41:56.250
start i think 10 11 and 12 all had that in in

00:41:56.250 --> 00:41:59.449
in really interesting ways um 12 being my favorite

00:41:59.449 --> 00:42:03.190
example of that of how he changes so much from

00:42:03.190 --> 00:42:07.030
eight to nine and then to ten um from those seasons

00:42:07.030 --> 00:42:11.980
um but i don't think jodie wetzker or tutor got

00:42:11.980 --> 00:42:15.980
while so far have had anything as dramatic as

00:42:15.980 --> 00:42:22.500
that everyone says the big big moment with the

00:42:22.500 --> 00:42:26.840
12th doctor with capaldi was a zygon inversion

00:42:26.840 --> 00:42:31.280
you know the big the big sort of monologue in

00:42:31.280 --> 00:42:35.079
that that really sort of let us see i mean peter

00:42:35.079 --> 00:42:37.599
capaldi acting at full throttle because there

00:42:37.599 --> 00:42:41.710
are a lot of quite reasonable sort of discussions

00:42:41.710 --> 00:42:43.949
about how okay we've got this we've got someone

00:42:43.949 --> 00:42:46.090
who we know is an absolutely phenomenal actor

00:42:46.090 --> 00:42:50.190
who is just not being maybe challenged isn't

00:42:50.190 --> 00:42:52.469
the right word but you know i mean not not being

00:42:52.469 --> 00:42:57.389
given material that necessarily lets them show

00:42:57.389 --> 00:43:00.510
really what they can bring to the table and then

00:43:00.510 --> 00:43:02.909
we suddenly got it in that episode and it was

00:43:02.909 --> 00:43:07.489
kind of a big moment for that doctor And I think

00:43:07.489 --> 00:43:09.769
maybe we need that moment. I think we've had

00:43:09.769 --> 00:43:11.610
a few moments that could have been that moment.

00:43:13.010 --> 00:43:17.170
But going back to, like a stuck record here,

00:43:17.309 --> 00:43:19.309
we've just not seen enough of him. We've just

00:43:19.309 --> 00:43:24.670
not had enough of this doctor on screen. Yeah,

00:43:24.670 --> 00:43:29.409
and maybe he's a doctor who doesn't monologue

00:43:29.409 --> 00:43:32.369
as extensively as Capaldi, who was my favourite.

00:43:34.269 --> 00:43:38.409
who's my favorite doctor i think but um and and

00:43:38.409 --> 00:43:42.269
but i especially with like his final speech where

00:43:42.269 --> 00:43:44.590
he gets like he has two or three regeneration

00:43:44.590 --> 00:43:47.050
speeches layered on top of each other there are

00:43:47.050 --> 00:43:50.070
times when i think that his stuff could have

00:43:50.070 --> 00:43:54.610
been cut down a bit little bit um but like for

00:43:54.610 --> 00:43:58.090
example the speech with conrad that was like

00:43:58.090 --> 00:44:00.409
more understated and maybe that's who this doctor

00:44:00.409 --> 00:44:03.880
is that he isn't as dramatic or over the top

00:44:03.880 --> 00:44:06.179
as some of the previous ones will have been but

00:44:06.179 --> 00:44:08.019
it's almost yeah a bit of that sort of Patrick

00:44:08.019 --> 00:44:11.199
Troughton energy of like being a bit more subtle

00:44:11.199 --> 00:44:14.619
and maybe being a bit scarier because of that

00:44:14.619 --> 00:44:16.820
like Sylvester McCoy had a bit of that sometimes

00:44:16.820 --> 00:44:20.639
as well so I think that's all very in keeping

00:44:20.639 --> 00:44:24.980
with other versions of the Doctor yeah perhaps

00:44:24.980 --> 00:44:29.800
nevertheless it's good to see it is good to see

00:44:29.800 --> 00:44:32.920
the way that Shuji Gatwa performs, the role,

00:44:33.119 --> 00:44:37.659
is evolving, is changing, is becoming more Doctor

00:44:37.659 --> 00:44:41.079
-like. Still a very unique Doctor, but still

00:44:41.079 --> 00:44:45.320
definitely the Doctor. And I think there's a

00:44:45.320 --> 00:44:50.420
really good balance of that. And I really hope

00:44:50.420 --> 00:44:52.280
we do get more. You know, there are rumours that

00:44:52.280 --> 00:44:55.820
this is his last season. I hope that isn't the

00:44:55.820 --> 00:44:58.980
case. I hope we get another, at least one more

00:44:58.980 --> 00:45:04.130
season. with this Doctor, because there's definitely

00:45:04.130 --> 00:45:09.349
potential for more, I think, from the character.

00:45:09.929 --> 00:45:12.510
However, not the only Doctor in this episode.

00:45:12.809 --> 00:45:15.750
Big surprise, wasn't expecting it at all. We

00:45:15.750 --> 00:45:19.130
got to see the Fugitive Doctor for a brief moment,

00:45:19.449 --> 00:45:23.809
which I really wasn't expecting. I really, really

00:45:23.809 --> 00:45:27.090
thought we were perhaps done with that character.

00:45:27.110 --> 00:45:29.530
I thought maybe that character was... Something

00:45:29.530 --> 00:45:33.369
that appeared in the Chibnall era and that was

00:45:33.369 --> 00:45:36.070
it. And I've mentioned in the past actually about

00:45:36.070 --> 00:45:39.469
how I'm not a huge fan of how when a new era

00:45:39.469 --> 00:45:41.909
of Doctor Who comes along, a new showrunner in

00:45:41.909 --> 00:45:46.190
particular, a lot of stuff kind of just stops

00:45:46.190 --> 00:45:49.670
and disappears. Whereas we really are reaching

00:45:49.670 --> 00:45:51.590
into other eras with this one. You know, we have

00:45:51.590 --> 00:45:53.969
Kate Stewart who's come all the way through from

00:45:53.969 --> 00:45:57.949
the early half of the Moffat era. We've had...

00:45:58.750 --> 00:46:01.150
The Fugitive Doctor now. We've even had Mel from

00:46:01.150 --> 00:46:04.590
the classic series. And it's just nice to see

00:46:04.590 --> 00:46:08.750
that we're not afraid to kind of bring things

00:46:08.750 --> 00:46:13.070
from the show's recent past through here. And

00:46:13.070 --> 00:46:17.489
I hope that we do get another proper Fugitive

00:46:17.489 --> 00:46:19.610
Doctor episode sometime. I'm not talking about

00:46:19.610 --> 00:46:23.670
a little cameo. I'm hoping we get, for some reason,

00:46:23.750 --> 00:46:28.230
the current Doctor has to, has to... get into

00:46:28.230 --> 00:46:31.050
an adventure with the Fugitive Doctor. I suppose

00:46:31.050 --> 00:46:34.849
the closest example I've got would be Coda from

00:46:34.849 --> 00:46:37.650
Once and Future where the War Doctor and the

00:46:37.650 --> 00:46:39.869
Fugitive Doctor just sort of happen to end up

00:46:39.869 --> 00:46:43.070
in an adventure together. I'd like to see something

00:46:43.070 --> 00:46:46.690
like that. Or a special... Like, there's all

00:46:46.690 --> 00:46:48.550
sorts of rumours about what will happen if there's

00:46:48.550 --> 00:46:51.349
a hiatus on TV and, you know, there's talk of,

00:46:51.349 --> 00:46:55.099
like, celebrity... and like having a different

00:46:55.099 --> 00:46:58.039
doctor every year for a TV movie. And, you know,

00:46:58.059 --> 00:47:02.239
we might finally get our Paul McGann movie that's

00:47:02.239 --> 00:47:06.179
been like everyone's wanted for the last few

00:47:06.179 --> 00:47:08.199
decades. And they might do a Joe Martin movie,

00:47:08.360 --> 00:47:11.599
you know, like all the tales of the TARDIS stuff.

00:47:11.800 --> 00:47:15.739
And, you know, Dr. Davis's vague comments about

00:47:15.739 --> 00:47:18.320
bi -generation potentially being this retroactive

00:47:18.320 --> 00:47:20.789
thing, which you've had nothing about. since

00:47:20.789 --> 00:47:24.909
the giggle um i feel like that was just him just

00:47:24.909 --> 00:47:30.809
just kind of getting a bit carried away um but

00:47:30.809 --> 00:47:33.250
but maybe that was set up for oh you know there'll

00:47:33.250 --> 00:47:37.829
be a uh a sylvester mccoy special every every

00:47:37.829 --> 00:47:40.190
now and then when when our main doctor isn't

00:47:40.190 --> 00:47:43.030
available or is busy doing a play or something

00:47:43.030 --> 00:47:47.469
and yeah joe martin would be great to see doing

00:47:47.469 --> 00:47:50.050
something like that um because yeah because you're

00:47:50.050 --> 00:47:52.250
right you don't want her to just keep being the

00:47:52.250 --> 00:47:57.630
cameo doctor um you know who turns up and like

00:47:57.630 --> 00:48:02.329
everyone really just wants more of but we never

00:48:02.329 --> 00:48:04.929
get more than like that that fleeting look at

00:48:04.929 --> 00:48:07.449
at that certain point you have to keep stop teasing

00:48:07.449 --> 00:48:11.530
and give us something more substantial and there

00:48:11.530 --> 00:48:14.659
was a line and a very Very in keeping with like

00:48:14.659 --> 00:48:17.460
the whole theme of stories about like, what was

00:48:17.460 --> 00:48:20.340
it? Like something about a story might be finished

00:48:20.340 --> 00:48:24.239
one day or. Certainly a hint. Something like.

00:48:27.159 --> 00:48:32.039
So, yeah, is that hinting? I hope so. But we'll

00:48:32.039 --> 00:48:35.159
see. I'm not expecting it, but I'd very much

00:48:35.159 --> 00:48:40.199
like it. It felt. I suspect that for COVID reasons.

00:48:41.039 --> 00:48:44.739
we never quite got what the original plan for

00:48:44.739 --> 00:48:48.860
Joe Martin was in the Jodie Whittaker era, in

00:48:48.860 --> 00:48:54.480
the Chibnall era. I always felt as though there

00:48:54.480 --> 00:48:57.679
was meant to be another episode. Was there a

00:48:57.679 --> 00:49:05.039
plan? But Chibnall's been a bit vague about what

00:49:05.039 --> 00:49:09.500
actually was going on there. And maybe that's...

00:49:09.820 --> 00:49:11.880
that's fine that like you know you leave that

00:49:11.880 --> 00:49:13.820
vague and even the author doesn't know the answers

00:49:13.820 --> 00:49:17.079
but he's almost i feel like he said things recently

00:49:17.079 --> 00:49:19.460
that make it sound like he didn't know himself

00:49:19.460 --> 00:49:22.539
what you know where she sits in the timeline

00:49:22.539 --> 00:49:28.860
or who she is i don't necessarily need confirmation

00:49:28.860 --> 00:49:32.539
of the timeline but there's a load of stuff with

00:49:32.539 --> 00:49:35.739
you know the whole division thing was never really

00:49:35.739 --> 00:49:39.809
wrapped up I don't know. It feels as though that

00:49:39.809 --> 00:49:42.829
there are dangling threads there. And there is

00:49:42.829 --> 00:49:46.989
Big Finish, but... Well, we know that Big Finish

00:49:46.989 --> 00:49:51.590
13th Doctor stuff isn't going to deal with that

00:49:51.590 --> 00:49:55.449
because it's set before Flux. And there's fugitive

00:49:55.449 --> 00:49:58.510
Doctor box sets, but again, I don't think Big

00:49:58.510 --> 00:50:00.829
Finish are going to constrain. They're not going

00:50:00.829 --> 00:50:04.369
to be allowed to reveal some earth -shattering...

00:50:05.179 --> 00:50:07.119
thing that changes the whole nature of Doctor

00:50:07.119 --> 00:50:09.920
Who which by the way is what Russell Davis is

00:50:09.920 --> 00:50:13.239
hinting at next week's episode being based on

00:50:13.239 --> 00:50:15.900
his Doctor Who magazine comments that's not going

00:50:15.900 --> 00:50:18.280
to happen in Big Finish so again they're constrained

00:50:18.280 --> 00:50:22.260
because like what really radical or amazing things

00:50:22.260 --> 00:50:24.619
can they do with revelations about the fugitive

00:50:24.619 --> 00:50:27.659
Doctor and the same with the war Doctor you know

00:50:27.659 --> 00:50:30.219
they're working within the constraints of like

00:50:30.219 --> 00:50:34.340
we know where he ends up and it I've liked a

00:50:34.340 --> 00:50:36.239
lot of Board Doctor stuff, but it limits what

00:50:36.239 --> 00:50:38.280
they can do with that concept and that setup.

00:50:41.460 --> 00:50:44.260
Yeah, we have the start point, we have the end

00:50:44.260 --> 00:50:48.079
point, and we have not a lot to go on with the

00:50:48.079 --> 00:50:52.179
character, and we're never going to get what

00:50:52.179 --> 00:50:53.860
we got with the Eighth Doctor at Big Finish,

00:50:53.920 --> 00:50:57.639
which is a whole era that covers so many aspects

00:50:57.639 --> 00:50:59.920
of his life and all that kind of thing, because

00:50:59.920 --> 00:51:03.190
the future of Board Doctor's characters... aren't

00:51:03.190 --> 00:51:05.670
set up like that they're not yeah the current

00:51:05.670 --> 00:51:09.849
doctor at big finish at all um and even when

00:51:09.849 --> 00:51:12.889
the eighth doctor wasn't like even when we had

00:51:12.889 --> 00:51:17.409
the ninth doctor the gulf um the gap was so big

00:51:17.409 --> 00:51:20.469
that you could almost still view the eighth doctor

00:51:20.469 --> 00:51:23.289
as having this open -ended history which is starting

00:51:23.289 --> 00:51:28.349
to close off now but but still i i i saw the

00:51:28.349 --> 00:51:31.599
eighth doctors The Eighth Doctor is the current

00:51:31.599 --> 00:51:34.980
Doctor at Big Finish, right the way through to

00:51:34.980 --> 00:51:38.340
the end of Stranded, easily. It was ongoing adventures

00:51:38.340 --> 00:51:41.780
with a Doctor who, okay, by that stage we did

00:51:41.780 --> 00:51:45.360
know how he ended, we did know how he regenerated,

00:51:45.400 --> 00:51:49.099
but it was a hell of a long way to get there.

00:51:50.119 --> 00:51:52.340
Yeah, there's still a bit of a gap, it feels,

00:51:52.360 --> 00:51:56.079
between the Liv and Helen era and then the Time

00:51:56.079 --> 00:51:59.550
War era. It feels like... I need to catch up

00:51:59.550 --> 00:52:01.670
with the last few box sets. I don't know if that's

00:52:01.670 --> 00:52:03.469
been filled in even more, but it feels like there's

00:52:03.469 --> 00:52:07.050
still a bit of a sort of jump, a vague period

00:52:07.050 --> 00:52:11.530
there. There's still questions to be answered,

00:52:11.590 --> 00:52:16.550
certainly. Yeah. Anyway, it's interesting, I

00:52:16.550 --> 00:52:20.889
think, that the story in the engine has given

00:52:20.889 --> 00:52:22.769
us an awful lot to talk about as an episode.

00:52:22.869 --> 00:52:24.650
Very good episode. I definitely need to watch

00:52:24.650 --> 00:52:27.739
it again. I've only seen it once. And I think

00:52:27.739 --> 00:52:30.559
we're absolutely right in terms of it being a

00:52:30.559 --> 00:52:32.659
bit ghost -like -ish. You need to give it a couple

00:52:32.659 --> 00:52:38.380
of goes before you get everything. But it's interesting

00:52:38.380 --> 00:52:40.119
that it's given us an awful lot to talk about,

00:52:40.159 --> 00:52:43.980
about the wider Doctor Who universe and various

00:52:43.980 --> 00:52:46.579
implications here and there and things we can

00:52:46.579 --> 00:52:49.000
compare it to and not compare it to and all that

00:52:49.000 --> 00:52:51.659
sort of thing. And at the end of the day, for

00:52:51.659 --> 00:52:53.699
the first time ever, as I said at the very start,

00:52:53.820 --> 00:52:57.239
I feel like... we've had a big finished story

00:52:57.239 --> 00:52:59.880
on screen. And that's not a bad thing. Like,

00:52:59.880 --> 00:53:02.880
it feels like we've had a really, really good

00:53:02.880 --> 00:53:04.719
big finished story. Like, someone has picked

00:53:04.719 --> 00:53:07.119
one of the best and just put it on screen instead

00:53:07.119 --> 00:53:13.280
of onto a CD. And I've really enjoyed that. So

00:53:13.280 --> 00:53:18.340
it's nice to explore what it has explored. You

00:53:18.340 --> 00:53:23.469
know, folklore and stories and... other locations

00:53:23.469 --> 00:53:27.429
and the doctors, the way the doctor is perceived

00:53:27.429 --> 00:53:29.630
across different regenerations. There's so much

00:53:29.630 --> 00:53:32.710
in there to pick apart. And it has kind of led

00:53:32.710 --> 00:53:34.829
us on quite an interesting journey of discussion

00:53:34.829 --> 00:53:39.710
to various places. So I'm writing this down as

00:53:39.710 --> 00:53:41.909
a good episode. And I'm writing everything down

00:53:41.909 --> 00:53:43.510
as a good episode. I don't think we've had a

00:53:43.510 --> 00:53:45.550
dud at all this series. I don't think we've even

00:53:45.550 --> 00:53:50.469
come close to a dud this series so far. No, I

00:53:50.469 --> 00:53:54.110
think it's like same as series one. Once you

00:53:54.110 --> 00:53:57.269
get past the first episode, it's been really

00:53:57.269 --> 00:54:00.329
strong for me. And I think this year's opening

00:54:00.329 --> 00:54:07.070
was pretty good as well. I'm a bit anxious about

00:54:07.070 --> 00:54:09.429
the finale. I've booked to go see it in the cinema.

00:54:10.170 --> 00:54:13.750
And I did book last year, but I was ill, so I

00:54:13.750 --> 00:54:17.840
couldn't make it. a bit relieved because I didn't,

00:54:17.840 --> 00:54:20.099
then I didn't end up traveling across London.

00:54:20.199 --> 00:54:22.239
I booked for it like somewhere just around the

00:54:22.239 --> 00:54:24.980
corner this year. Uh, and I'm a bit more optimistic

00:54:24.980 --> 00:54:29.420
this year. Um, but also that there are so many

00:54:29.420 --> 00:54:34.280
elements to nod to at least, or wrap up in a

00:54:34.280 --> 00:54:39.019
satisfying way. Uh, I'm really, really curious

00:54:39.019 --> 00:54:43.380
how those last two episodes are gonna, are gonna

00:54:43.380 --> 00:54:46.510
try and, wrap things up and give a decent amount

00:54:46.510 --> 00:54:50.949
of closure to everything and tell a decent story

00:54:50.949 --> 00:54:55.570
in their own right and we know so little about

00:54:55.570 --> 00:54:58.769
those last two episodes as well which I'm I mean

00:54:58.769 --> 00:55:00.730
last week's you know we don't really know anything

00:55:00.730 --> 00:55:03.269
about the rest of this series to be honest we

00:55:03.269 --> 00:55:05.889
didn't know anything going into story in the

00:55:05.889 --> 00:55:09.230
engine or very little about it We don't know

00:55:09.230 --> 00:55:11.489
much about Intergalactic Song Contest beyond

00:55:11.489 --> 00:55:16.070
the basic concept of what's going on. And the

00:55:16.070 --> 00:55:19.070
finale, all we have really is a title. We have

00:55:19.070 --> 00:55:22.409
some ideas of a few people confirmed to be in

00:55:22.409 --> 00:55:24.690
it, and I guess it's speculation technically,

00:55:24.929 --> 00:55:28.730
but an idea of what story elements you would

00:55:28.730 --> 00:55:33.690
expect to be resolved or paid off. Yeah, there's

00:55:33.690 --> 00:55:38.380
enough to speculate around. Yeah, yeah. But yeah,

00:55:38.420 --> 00:55:39.860
you're right. In terms of what actually happens,

00:55:40.199 --> 00:55:48.099
we don't have a clear idea of what the actual

00:55:48.099 --> 00:55:49.760
story is going to be. We don't even have an idea

00:55:49.760 --> 00:55:54.519
of the villain. We all went into the finale last

00:55:54.519 --> 00:55:59.400
time. We'd sort of figured out it was Sutec,

00:55:59.460 --> 00:56:01.539
hadn't we? I mean, Connor said on this podcast

00:56:01.539 --> 00:56:04.880
months before, oh, it's going to be Sutec. which

00:56:04.880 --> 00:56:06.920
was a wild stab in the dark, but it was a wild

00:56:06.920 --> 00:56:10.659
stab in the dark that proved to be correct. We

00:56:10.659 --> 00:56:13.219
don't have that. We're not sat here going, oh,

00:56:13.400 --> 00:56:15.519
Scarath's going to be in the finale. That's my

00:56:15.519 --> 00:56:17.900
guess. There doesn't seem to be any of that.

00:56:19.280 --> 00:56:23.599
The rumours going around, which probably have

00:56:23.599 --> 00:56:26.519
no basis whatsoever, but it seems like the classic

00:56:26.519 --> 00:56:33.570
things of Omega, the Rani, the Master. and i've

00:56:33.570 --> 00:56:37.909
stayed yeah i've stayed away from like specific

00:56:37.909 --> 00:56:40.949
actual verified spoilers apparently there's some

00:56:40.949 --> 00:56:43.809
dialogue leaks from the finale i've tried to

00:56:43.809 --> 00:56:48.849
avoid um but yeah those those bits of speculations

00:56:48.849 --> 00:56:51.230
about who the villain is i can't it can't be

00:56:51.230 --> 00:56:55.530
it can't be one of those oh yeah people are saying

00:56:55.530 --> 00:56:58.769
like maybe mrs flood is the ronnie but i'd be

00:56:58.769 --> 00:57:02.320
well let's see how it pans out but like i'd be

00:57:02.320 --> 00:57:04.260
a bit disappointed because she doesn't seem very

00:57:04.260 --> 00:57:14.000
ronnie -ish at all to me no and oh my god i don't

00:57:14.000 --> 00:57:17.420
i don't know how it could be i mean the master

00:57:17.420 --> 00:57:20.539
at least there is like a history of a relationship

00:57:20.539 --> 00:57:23.539
with that character that's been really well established

00:57:23.539 --> 00:57:26.920
in modern day doctor who that you can lean on

00:57:26.920 --> 00:57:34.000
but oh my god like What even hints at that? Oh,

00:57:34.940 --> 00:57:37.539
well, we'll continue in our speculations and

00:57:37.539 --> 00:57:40.699
see what we can come up with next week. But that's

00:57:40.699 --> 00:57:42.559
probably all we've got time for now. So we'll

00:57:42.559 --> 00:57:45.119
leave it there. But yeah, roll on the intergalactic

00:57:45.119 --> 00:57:48.400
song contest and hopefully it'll leave us with

00:57:48.400 --> 00:57:52.760
a lot to talk about. And as we've said, there's

00:57:52.760 --> 00:57:56.280
some kind of reveal coming. A really big reveal.

00:57:56.360 --> 00:57:59.860
Maybe I think the last performer. in the song

00:57:59.860 --> 00:58:03.000
contest will be a masked singer and it will be

00:58:03.000 --> 00:58:07.079
Omega wearing his mask. Played by Paul McGann.

00:58:07.280 --> 00:58:13.519
Yeah. You heard it here first, listeners. And

00:58:13.519 --> 00:58:15.320
on that note, we will leave it there. So thanks

00:58:15.320 --> 00:58:17.780
very much for joining me, Mansoor. We'll be back

00:58:17.780 --> 00:58:20.079
to discuss the Intergalactic Song Contest next

00:58:20.079 --> 00:58:24.420
week. But until then, goodbye.
