WEBVTT

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You're listening to a podcast of spurious morality.

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Hello and welcome to a podcast of spurious morality.

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I'm Johnston and I've got Mansour back with me

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this week. Hello, Mansour. Hello. So we missed

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you last week. I had a good chat with Greg about

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The Well, though, and I will sort of get your

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take on it later on. But we're mainly here to

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talk about Lucky Day, which is obviously the...

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The latest episode of Doctor Who. It's a Doctor

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Light episode, but I quite like what they did

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with this Doctor Light episode. We didn't have

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much Doctor, but we brought Ruby back. It was

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good to see Ruby again. And we also got to spend

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a bit more time with Unit, which I was quite

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happy about. I really think we do need to see

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more of this Unit. We've talked about how reduced

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episode count means things are feeling a bit

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rushed. I think Unit's one of those things. Unit

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has a big tower now, and there's a thing there

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called the Blinks, which seems to run away like

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a king of Monty Python whenever danger appears.

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We've been introduced to a lot of Unit characters

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and sort of seen them once or twice, and then

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they've trotted off, so it's good for them to

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come back. So just generally, I quite liked the

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fact that this just did a few things that I've

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kind of wanted to see for a little bit. So yeah,

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I quite liked Lucky Day and it did some interesting

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things. It was an interesting use of the Doctor

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Light sort of format that we got in the first

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Russell T Davies and we got a couple of the last

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series. And I think this did something quite

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clever. It was sort of setting itself up to be

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a bit Love and Monsters -y. And then completely

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turned that on its head halfway through. And

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I quite liked how it did that. You know, I was

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sort of settling in going, oh, here we go. When's

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Peter Kay going to turn up or whatever? And then

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it totally went off in a different direction

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and not necessarily won. I was not going to say

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I wasn't expecting it. Like I'd spotted that

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Conrad was a wrong gun, as I'm sure most people

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watching it had. But it was just kind of interesting

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to see. where it went. So yeah, good to catch

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up with Ruby, good to catch up with Unit. And

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I quite liked the concept of dealing with units

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in the age of the internet and the conspiracy

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theorists and the sort of terrible sort of people

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that Conrad was one of. What was your take on

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it, Mansoor? Yeah, I really liked it for all

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those reasons. I think, like you said, making

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a virtue of the Dr. Light aspect, making that

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part of the plot in the way that Love and Monsters

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did as well. I think it's an interesting contrast

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or companion piece to a few things. So, yeah,

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there's the contrast between Elton in Love and

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Monsters and then Conrad, because you see these

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two characters, like I say, start out on a journey

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that looks very similar and then... the big reveal

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shows you that, no, that these are very different

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people who react to similar situations in very

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different ways. And also, like, a nice companion

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piece in terms of just tone and, like, the focus

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on Ruby, it kind of connects quite well, I think,

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to 73 Yards. I think, did they have a director

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in common? They had something else in common

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besides focusing on Ruby. There was something.

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behind the scenes, I think. I might have been

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directing or I might have been misremembering.

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But yeah, I think it works quite well as a little

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companion piece to that. There's a little mention

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of Albion as well, the political party from 73

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Yards. If there was anything... There weren't

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any major issues with it for me. there were some

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things that I've seen commented on that I'd agree

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with around pacing and I feel like that's a bit

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of a thing for this season or even era of Doctor

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Who in general that sometimes in an effort to

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like trim all the fat and just zip through it

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and you know hold everyone's attention it sometimes

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goes a little bit too fast and there's It's not

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like loads, but I just feel like a lot of these

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episodes would benefit from an extra five or

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ten minutes just to flesh out a couple of aspects.

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Yeah, I don't know what you thought about or

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what you think about this era in general in terms

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of things like pacing. I have to admit with this

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one, I did feel as though the whole the internet

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is against Ruby and Unity thing kind of passed

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by too quickly. They could have really done something

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with that. Having the internet or a bunch of

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right -wing conspiracy theorists or whatever

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turn on you must be an extremely nasty experience,

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and I feel as though we didn't quite get as much

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of that as we could. Yeah, and I feel like in

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RTD1 we would have done. I feel like in RTD1

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there would have been a scene intercut to show

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something. I know there were a few little intercut...

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Were there a couple of intercut TV things? It

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was like Trinity Wells and... I love that Trinity

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Wells is like a proper right -wing American broadcaster.

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Yeah, so it wasn't just like... In the giggle,

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it wasn't just the Z -dex or the giggle that

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was affecting her. It seems like she has those

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sort of leanings anyway. Yes. That's an interesting

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contrast as well, because I think part of the

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point of the giggle was, if I'm remembering right,

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wasn't it that it was bringing to the surface

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the sort of unpleasant things that people have,

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like the sort of unconscious racism or unconscious

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bias that people might have, even if they're

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quite liberal or right -minded on the surface,

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they might have these socially ingrained prejudices

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that the giggle was releasing. Yeah, and this

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was, like, different. This wasn't about any sort

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of mind control. It was just, like, very human,

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very unpleasantly real and relevant contemporary

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things that we see today. Yes, absolutely. But,

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yeah, I mean, I agree not just this episode.

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I agree with you overall that we're... Some things

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are moving a little bit too quickly. I'd like

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us to spend time on things. I genuinely thought

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this episode had the mileage to be a two -parter.

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Yeah, easily. There was definitely room for the

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story to be stretched out a little bit. But yeah,

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I enjoyed it, and I agree with you. Things moved

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a little too quickly. You know, rubies. Ruby's

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relationship with Conrad kind of happened too

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quickly. It was kind of like they went out for

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dinner then all of a sudden, oh, five dates now

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and then, you know, this kind of thing. We very

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rarely get like director's cuts of episodes.

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We get like deleted scenes sometimes separately

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on DVD. But I'd be really curious with especially

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this era, what it would look like if some of

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the cut scenes were put back in. Yeah. Yeah,

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what that would do to the pacing. Because I don't

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know if all of it made it to being filmed, but

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there's bits of script that have been released

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with this era that kind of give a little bit

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extra detail here and there on bits and pieces.

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Yeah, it'd be interesting to see sort of what

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there is for this one. It'd be a good one for

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novelisation. Yeah, is that on the list? I can't

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remember now. I think it's Empire of Death, Robot

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Revolution and The Well. Was it? I'm not sure

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if it is. I can't remember off the top of my

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head at all. But yeah, I think this could benefit

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with a bit of fleshing out. Maybe it'll be fleshed

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out a bit in The War Between the Land and Sea

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because it was obviously a bit of set up. Yeah,

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some kind of backdoor pilot setup type idea thing.

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And I hope perhaps we do get to deal with unit

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in the world of social media a little bit more

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when that comes along. But we'll discuss that

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more in a moment. Because it's not wrapped up

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entirely neatly at the end, is it? Like Geneva's

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unhappy with the way Kate acted. Yes, that hashtag

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thing seems to wrap up. quite conveniently where

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everyone's suddenly on unit side but that could

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be a very temporary fickle thing and it could

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it could be that there is now in the air some

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questioning or debate about unit and what they

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do yeah it's um yeah i think there needs to be

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that sort of that gray area um you know they're

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a big international organization with a huge

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tower and everyone seems to know what they do

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so People are going to have opinions about that

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and those opinions are going to sway things.

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So hopefully, yeah, we get a little bit more

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of that. I like that. I like looking into, you

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know, social media and that kind of thing. I

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like it when Doctor Who does that and I don't

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think it sort of has pushed far enough a lot

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of the time. So I think this is a good opportunity

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to kind of do that. So obviously the big thing

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was it was a Ruby episode. Like, the Doctor's

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hardly in it, Belinda's in it even less, but

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Ruby definitely took centre stage and it was

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very much what has Ruby been doing since we left

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her behind. And it turns out she's been not doing

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a very good job of letting go of the Doctor and

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she's maybe a little bit PTSD with the whole

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thing. And... But it's good that we're revisiting

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her. I'm glad that we are revisiting Ruby because

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I've said quite a few times I thought the way

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she was left was a little bit abrupt and definitely

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served the plot more than served anything else.

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Or served the series, I should say, more than

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anything else. So we've got Ruby back. She's

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grown up a little bit, which I think is good.

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She's... Still quite vulnerable, and that did

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come across a few times in that series. She's

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a strong character, but she does have her vulnerabilities,

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and that's still there and present. But yeah,

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she's sort of in her post -doctor life, with

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her two mums and all that kind of thing. She's

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a little bit more grown up, and she's dealing

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with things, dealing with the world differently.

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One thing I couldn't quite work out was what

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her relationship with Unit was. Like, was she

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working for Unit? Because if she was, I don't

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think she'd be doing a podcast about Unit. But

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also she's got Kate on speed dial and can seem

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to wander in and out of HQ at will. I feel like

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it was maybe Kate has tried to recruit her and

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she said no. I didn't get the feeling. I felt

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like they were in touch, but that she wasn't

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working there. But Kate definitely seemed very,

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very protective of her towards the end, especially.

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I quite like this whole unit is there to look

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after previous companions of the Doctor thing.

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But, you know, it's a route to bring other past

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companions back, I guess. It's, you know, we've

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got Mel working for unit and, you know, we've

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already had Ace and Tegan. Yeah, and was it Mel

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and someone else got a mention being busy off

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screen somewhere? Yes, I caught Mel, I didn't

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catch anybody else. It might have just been Mel,

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but they were just nodding to the fact that there

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are these other people who are still working

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here, but they're not going to be in every episode

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because they're big stars we can't get for every

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single appearance. There's definitely a sense

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of whoever's free this week. Isn't there? Yeah,

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well, Shirley is just quietly slotted back in.

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There wasn't any mention of one of the child

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labour people. Was it Morris? Yeah, Morris or

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Rose. Yeah, both. Maybe there'd been some legal

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action and they've had to stop doing that. Maybe

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Geneva didn't like that either. I've no idea.

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I'm fine with Unit having a rotating group of

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regulars. It did that in the classic series.

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Benton wasn't there every story. Mike Yates wasn't

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there every story. I can deal with that. Threats

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can come in 24 hours a day, so it makes sense

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that they wouldn't all be on call at the same

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time. There's a slightly odd thing with Star

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Trek is that the bridge crew are always... around

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and on call when a crisis is happening. It's

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a bit more realistic. It's actually more realistic

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this way to have like a rotating set of staff

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coming in and out. Yeah, it's never like a nighttime

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crew of like not very good Starfleet officers.

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Yeah, so it's, yeah, it's just sort of good to

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see that units are sort of actively seeking out

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past friends of the Doctor. At least looking

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after them. But yeah, I think that sort of the

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whole Unit After Dark and the way Unit was, and

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it is setting up for a spin -off series, obviously.

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I still want to know what the hell the Vlinx

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is. Like, it's a cool idea, but what is it? Why

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is it there? Whose fault is it? Yeah, I did think

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of Bracer Robin when... He disappeared because

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it felt like because he's built into the set,

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they wrote the script and there weren't any lines

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for him and there wasn't anything for him to

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do. And then they realised that they had to get

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him out. So there was just like a line inserted

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to kind of like when K -9 would break down and

00:16:13.759 --> 00:16:18.740
conveniently not be like trundling along on uneven

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terrain. Yeah, when his batteries needed recharging.

00:16:23.500 --> 00:16:25.779
But it was very much just run away, run away.

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Because when he said that, I assumed that everyone

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would be evacuating. He was triggering some evacuation

00:16:35.559 --> 00:16:38.580
protocol for all of them to keep them all safe.

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But no, everyone else was just there still and

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he'd gone. Yeah, I want to know what he's about.

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Like I say, it's a cool idea. I'm sure it's going

00:16:49.399 --> 00:16:52.379
to sell. action figures, trading cards, whatever

00:16:52.379 --> 00:16:57.700
it needs to do. It keeps Nick Briggs in the studio

00:16:57.700 --> 00:17:00.000
for them when obviously we're not getting much

00:17:00.000 --> 00:17:04.859
happening with the Daleks. But what is it? Why

00:17:04.859 --> 00:17:10.220
have you, Nick, got an alien computer robot droid

00:17:10.220 --> 00:17:12.880
thingy? And again, if we're answering this in

00:17:12.880 --> 00:17:16.279
a spin -off series, let's do that. I'm okay with

00:17:16.279 --> 00:17:21.569
that. Yeah, it was just kind of, I mean, the

00:17:21.569 --> 00:17:24.329
nearest thing I can compare it to is Mr. Smith

00:17:24.329 --> 00:17:29.730
in the Sarah Jane Adventures. And we got a whole

00:17:29.730 --> 00:17:32.609
storyline about where Mr. Smith came from and

00:17:32.609 --> 00:17:35.210
actually he was a bit of a wronger than working

00:17:35.210 --> 00:17:37.890
with the Slitheen and all of that. And like,

00:17:37.950 --> 00:17:40.930
okay, is the Vlynx doing that? Because I'm not

00:17:40.930 --> 00:17:43.490
getting anything sinister from it at all. I'm

00:17:43.490 --> 00:17:45.250
getting runaway runaway, but I'm not getting

00:17:45.250 --> 00:17:48.109
sinister. Whereas Mr. Smith was kind of dropping

00:17:48.109 --> 00:17:50.250
I'm slightly sinister hints all the way through

00:17:50.250 --> 00:17:53.990
that first series of Sarah Jane. I thought about

00:17:53.990 --> 00:17:56.630
Mr. Smith and whether it would be that kind of

00:17:56.630 --> 00:18:00.829
surprise reveal. But then that made me also think,

00:18:01.009 --> 00:18:03.130
OK, maybe the reason they got rid of him in this

00:18:03.130 --> 00:18:06.210
episode was also a tonal thing. If they are trying

00:18:06.210 --> 00:18:10.230
to engage with more real world politics and have

00:18:10.230 --> 00:18:13.390
a unit take a darker turn and have Kate enter

00:18:13.390 --> 00:18:18.000
this morally grey area. Maybe just the flinks

00:18:18.000 --> 00:18:20.940
sitting in the corner, just his whole vibe just

00:18:20.940 --> 00:18:25.319
doesn't fit with that sort of time. I wonder

00:18:25.319 --> 00:18:27.240
if they created him and thought, oh, this is

00:18:27.240 --> 00:18:29.000
a cool thing that can sit in the corner of the

00:18:29.000 --> 00:18:32.259
building, and then went, ah, we've written ourselves

00:18:32.259 --> 00:18:36.420
into a corner here. I hope it goes somewhere.

00:18:36.480 --> 00:18:39.779
I hope that it isn't just the computer that sits

00:18:39.779 --> 00:18:42.359
in the corner. I hope there's something to it.

00:18:42.400 --> 00:18:46.160
I hope we get an explanation. If they're waiting

00:18:46.160 --> 00:18:50.700
until the war between the land and sea to give

00:18:50.700 --> 00:18:53.740
us that, it is stretching it a bit because presumably

00:18:53.740 --> 00:18:58.039
unit's going to show up again later in this series

00:18:58.039 --> 00:19:01.640
because we know that we've got Mel coming back

00:19:01.640 --> 00:19:04.440
at some point. Presumably that's linked to unit.

00:19:05.500 --> 00:19:08.420
So it's fair to say we've got more. I mean, I'm

00:19:08.420 --> 00:19:10.500
assuming it's fair to say we've got more Ruby

00:19:10.500 --> 00:19:17.779
as well. Yeah, it didn't feel like this. It would

00:19:17.779 --> 00:19:21.960
feel like quite a downbeat note to end her character

00:19:21.960 --> 00:19:24.400
on. Just for that, I feel like we're going to

00:19:24.400 --> 00:19:27.619
see her again. Last time we spoke about it a

00:19:27.619 --> 00:19:30.400
couple of weeks ago, I sort of said, I want her

00:19:30.400 --> 00:19:34.000
in the TARDIS. Like, I want the Doctor and Belinda

00:19:34.000 --> 00:19:36.799
and Ruby as a TARDIS team. Yeah, they haven't

00:19:36.799 --> 00:19:38.900
met as well. I feel like that's something they

00:19:38.900 --> 00:19:41.440
would want. Yeah, because we were kind of speculating,

00:19:41.480 --> 00:19:43.000
like, how's this going to work? Is it going to

00:19:43.000 --> 00:19:45.289
be like a... a doctor's daughter kind of deal

00:19:45.289 --> 00:19:47.630
with Martha and Donna. But actually, they've

00:19:47.630 --> 00:19:50.230
not met. Ruby's just had a separate adventure.

00:19:52.490 --> 00:19:56.809
So I still want that to happen. And I do want

00:19:56.809 --> 00:20:00.069
to see sort of a three -character dynamic in

00:20:00.069 --> 00:20:03.069
the TARDIS between them. And that's kind of what

00:20:03.069 --> 00:20:08.950
the press release about Belinda implied. So I

00:20:08.950 --> 00:20:12.019
want to know what's... what's going on there

00:20:12.019 --> 00:20:13.779
I'm assuming they're just going to meet up in

00:20:13.779 --> 00:20:18.640
the finale and it's cool but I feel that maybe

00:20:18.640 --> 00:20:20.599
we've missed an opportunity if that's not the

00:20:20.599 --> 00:20:30.279
case perhaps but yeah it was a good episode even

00:20:30.279 --> 00:20:33.660
if I've heard a few people say and I struggle

00:20:33.660 --> 00:20:36.519
to disagree with this actually some people have

00:20:36.519 --> 00:20:39.009
said it's kind of a bit directionless And I think

00:20:39.009 --> 00:20:40.990
it just seems like that at the moment. I think

00:20:40.990 --> 00:20:43.210
it's actually very significant in terms of setting

00:20:43.210 --> 00:20:49.490
up a spin -off series, but it didn't quite lead

00:20:49.490 --> 00:20:52.009
into a spin -off series, did it? It was a Doctor

00:20:52.009 --> 00:20:54.769
Who episode that did its own thing. And I think

00:20:54.769 --> 00:20:58.349
I'd have maybe preferred a more direct link.

00:21:00.289 --> 00:21:02.890
Maybe in retrospect it will be, because I think

00:21:02.890 --> 00:21:06.369
there were comments from Pete McTighe or Russell

00:21:06.369 --> 00:21:10.900
T Davies about it. setting up some stuff. That's

00:21:10.900 --> 00:21:12.720
probably because you don't want it to be like

00:21:12.720 --> 00:21:16.319
a really conspicuous backdoor pilot. It should

00:21:16.319 --> 00:21:20.339
be something that fits in the main series without

00:21:20.339 --> 00:21:23.400
standing out too much. Look at how they introduced

00:21:23.400 --> 00:21:28.380
Torchwood in series two. We knew that Torchwood

00:21:28.380 --> 00:21:30.019
was coming. They actually announced Torchwood.

00:21:30.079 --> 00:21:32.519
They announced it was a series called Torchwood

00:21:32.519 --> 00:21:37.740
and then they started dropping to Torchwood into

00:21:37.740 --> 00:21:41.819
Doctor Who, which then built up to Army of Ghosts

00:21:41.819 --> 00:21:45.839
and Doomsday. And that kind of did its own thing,

00:21:45.859 --> 00:21:48.500
but firmly established what Torchwood was. And

00:21:48.500 --> 00:21:50.980
then we got to spin off into Torchwood, which

00:21:50.980 --> 00:21:53.400
was quite different from it actually, but nevertheless.

00:21:55.299 --> 00:21:58.859
I thought that was really well handled. It's

00:21:58.859 --> 00:22:02.740
not about Door Pilot, but it's linking Torchwood

00:22:02.740 --> 00:22:11.119
to Doctor Who. In a quite inventive way. Yeah.

00:22:11.839 --> 00:22:14.940
They never told us what Torchwood was, if I remember

00:22:14.940 --> 00:22:16.680
correctly. They went, Doctor Who's getting a

00:22:16.680 --> 00:22:19.440
spin -off series, it's called Torchwood. And

00:22:19.440 --> 00:22:21.859
then we didn't know what Torchwood was and had

00:22:21.859 --> 00:22:25.119
to find out what Torchwood was via the series.

00:22:25.680 --> 00:22:28.339
Yeah, so even though it was that early Russell

00:22:28.339 --> 00:22:31.000
T Davies thing of the arc is just a word that's

00:22:31.000 --> 00:22:35.819
repeated, it had that additional... and weight

00:22:35.819 --> 00:22:39.700
to it. Ruby's not been announced as being in

00:22:39.700 --> 00:22:41.339
the spinoff, is she? Because I'm wondering if

00:22:41.339 --> 00:22:44.200
that could be where her character continues as

00:22:44.200 --> 00:22:47.259
well. She's certainly not among the regulars,

00:22:47.279 --> 00:22:50.279
or not announced among the regulars, I should

00:22:50.279 --> 00:22:52.880
say. Yeah, there was like a cast photo, I think,

00:22:52.920 --> 00:22:57.420
put out, and she wasn't part of that group. But

00:22:57.420 --> 00:23:01.380
it hasn't actually got much of the new unit team

00:23:01.380 --> 00:23:08.259
either. In fact, is it just Kate? And Ibrahim

00:23:08.259 --> 00:23:10.880
as well, I think. Yes, yes, Tish, you're right.

00:23:11.779 --> 00:23:15.079
But there's no Morris, there's no Shirley, there's

00:23:15.079 --> 00:23:17.880
no Rose, there's no Donna supposedly working

00:23:17.880 --> 00:23:22.380
for them. I feel like some of them must turn

00:23:22.380 --> 00:23:27.500
up, even if it's like cameos. Yeah, guest appearances.

00:23:27.839 --> 00:23:30.420
I'd be very surprised if not, but I mean, we

00:23:30.420 --> 00:23:32.980
don't know much about it really, do we? Is it

00:23:32.980 --> 00:23:36.160
just that initial announcement? Is that it? It's

00:23:36.160 --> 00:23:41.480
confirmed to be about sea devils, and I don't

00:23:41.480 --> 00:23:44.819
know if there is much more beyond that. The other

00:23:44.819 --> 00:23:47.480
new actors, I don't think we even know who they're

00:23:47.480 --> 00:23:51.819
playing, do we? No, I don't think so. Oh, isn't

00:23:51.819 --> 00:23:58.299
the general from Children of Earth back? I can't

00:23:58.299 --> 00:24:00.740
remember the actor's name, which is really bad.

00:24:01.200 --> 00:24:04.799
Yeah. Well, it might be same actor, it might

00:24:04.799 --> 00:24:08.539
be same character, we don't know. But I can't

00:24:08.539 --> 00:24:10.140
remember the actor's name and that's really bad.

00:24:10.279 --> 00:24:12.400
I can name you like 30 big finishes that he's

00:24:12.400 --> 00:24:17.140
in. I did see something from Russell T Davies

00:24:17.140 --> 00:24:20.160
saying that in terms of where it will be pitched,

00:24:20.259 --> 00:24:22.039
because this is what I was curious about, it's

00:24:22.039 --> 00:24:26.539
not going to be as old as Torch was aimed, but

00:24:26.539 --> 00:24:29.000
it's going to be older than the main show. So

00:24:29.000 --> 00:24:31.740
it's going to be a little bit more grown up.

00:24:32.380 --> 00:24:34.880
I think Torchwood was aimed at about 13, 14.

00:24:35.799 --> 00:24:40.180
At least initially. Yeah, I think it's like,

00:24:40.220 --> 00:24:42.000
yeah, Torchwood is very much like the new adventure

00:24:42.000 --> 00:24:44.420
novels. Like when they started, I think in both

00:24:44.420 --> 00:24:47.440
series, they were just very overexcited about

00:24:47.440 --> 00:24:50.079
what they could do. Yes. And just like throw

00:24:50.079 --> 00:24:52.640
in as many swears. It's like, we can say the

00:24:52.640 --> 00:24:55.960
F word, so let's say the F word. And then they

00:24:55.960 --> 00:24:58.640
realised, okay, we actually have to think about.

00:24:58.920 --> 00:25:01.960
storytelling and character and they both improved

00:25:01.960 --> 00:25:05.380
a lot as they went on we need to be grown up

00:25:05.380 --> 00:25:07.960
what's grown up sex is grown up I know alien

00:25:07.960 --> 00:25:13.539
sex gas can you imagine just like being a fly

00:25:13.539 --> 00:25:21.079
on the wall at those initial pitchings yeah well

00:25:21.079 --> 00:25:24.289
yeah Higher than the main show, but not quite

00:25:24.289 --> 00:25:26.390
as high as Torchwood. I'm happy with that. That

00:25:26.390 --> 00:25:30.910
can work. And it leans into sort of being a space

00:25:30.910 --> 00:25:32.890
where we can discuss all the social media stuff

00:25:32.890 --> 00:25:36.329
that I was on about before as well. Yeah, because

00:25:36.329 --> 00:25:38.849
I think this episode, coming back to Lucky Day,

00:25:39.049 --> 00:25:41.690
just in terms of the themes it's dealing with,

00:25:41.789 --> 00:25:44.130
this was probably skewing a little bit higher

00:25:44.130 --> 00:25:50.230
than the average. It wasn't the most cerebral

00:25:50.230 --> 00:25:56.500
thing. But it was, I think, yeah, dealing with

00:25:56.500 --> 00:25:58.000
stuff that was like a little bit more advanced

00:25:58.000 --> 00:26:01.660
than some Doctor Who episodes are. Yeah, absolutely.

00:26:03.599 --> 00:26:05.900
But it had the opportunity to, I guess, you know,

00:26:05.900 --> 00:26:10.859
it was modern day. It was, yeah, it had room

00:26:10.859 --> 00:26:15.559
to. Yeah. And, you know, I'd always wondered,

00:26:15.619 --> 00:26:18.700
like, this episode was obviously set in the modern

00:26:18.700 --> 00:26:22.039
day, but at the same time. We don't seem to have

00:26:22.039 --> 00:26:23.940
a modern day. The Earth seems to have been destroyed

00:26:23.940 --> 00:26:25.680
or whatever. The Doctor certainly can't get there.

00:26:25.759 --> 00:26:27.339
So I did wonder how they were going to do that.

00:26:28.200 --> 00:26:30.480
Having it be a Doctor Light didn't occur to me.

00:26:31.059 --> 00:26:35.059
It must be in the lead -up. Because Conrad spends

00:26:35.059 --> 00:26:39.920
a year in prison, so it must be 2024 when most

00:26:39.920 --> 00:26:44.000
of it takes place. There's a reference to Christmas,

00:26:44.119 --> 00:26:48.440
though. We saw Ruby at Christmas briefly, didn't

00:26:48.440 --> 00:26:54.539
we? Okay. So Christmas. Don't know. Yeah, I don't

00:26:54.539 --> 00:26:59.619
know. I don't know how that will work. Unit dating.

00:26:59.779 --> 00:27:04.599
It's back. Maybe it's a timeline reality thing.

00:27:04.799 --> 00:27:08.519
Maybe it was a Christmas in the 70s or the 80s.

00:27:10.660 --> 00:27:18.980
Ha ha. I don't know. Anyway. So. Anything else

00:27:18.980 --> 00:27:23.579
you want to add about Lucky Day, Ruby, Unit,

00:27:23.740 --> 00:27:26.619
anything like that? I think we covered, like

00:27:26.619 --> 00:27:29.519
you talked about Ruby's PTSD. I think, again,

00:27:29.740 --> 00:27:32.960
just using those terms, skewing a little bit

00:27:32.960 --> 00:27:35.660
older than some episodes would do. And apart

00:27:35.660 --> 00:27:38.559
from extended media, we haven't as explicitly

00:27:38.559 --> 00:27:41.180
dealt with the fact that travelling with the

00:27:41.180 --> 00:27:44.599
Doctor would cause any normal human to go through

00:27:44.599 --> 00:27:49.660
that. sort of stuff afterwards um and Conrad

00:27:49.660 --> 00:27:51.819
we haven't talked loads about him but I think

00:27:51.819 --> 00:27:55.000
the performance was really well judged to not

00:27:55.000 --> 00:27:59.380
make him not make him such a sneering cartoony

00:27:59.380 --> 00:28:01.539
villain that he lost all reality he was like

00:28:01.539 --> 00:28:07.920
a bit villainous but grounded enough to feel

00:28:07.920 --> 00:28:10.740
real and to feel all the more frustrating and

00:28:10.740 --> 00:28:14.690
hateable because of it um And I contrast it with

00:28:14.690 --> 00:28:19.670
the guy in Robot Revolution, which I think was

00:28:19.670 --> 00:28:23.349
at the more cartoony end of things. Again, not

00:28:23.349 --> 00:28:26.009
criticism of the performer, but just like how

00:28:26.009 --> 00:28:30.289
it was written and how he's presented. That felt

00:28:30.289 --> 00:28:33.269
a bit more one -dimensional, whereas Conrad had

00:28:33.269 --> 00:28:36.309
a lot of depth. And we had more time to get to

00:28:36.309 --> 00:28:42.519
know him as well. Yes. I think we... I mean,

00:28:42.539 --> 00:28:44.099
I'm assuming it was a deliberate decision, but

00:28:44.099 --> 00:28:48.019
we never really got what a lot of what sort of

00:28:48.019 --> 00:28:50.799
the origin of Conrad was. That's the skipping

00:28:50.799 --> 00:28:52.980
over stuff. Yeah, that's the stuff where like

00:28:52.980 --> 00:28:54.799
if it was 10 minutes longer, I would have wanted

00:28:54.799 --> 00:28:59.599
a scene like as a teenager or something. There

00:28:59.599 --> 00:29:01.859
was the scene with his mum at the very start,

00:29:01.920 --> 00:29:06.180
which sort of implied unpleasant childhood. Yeah,

00:29:06.259 --> 00:29:10.079
so it's very, very sketchy. Yeah, relatively

00:29:10.079 --> 00:29:14.299
subtle very early on. I have to admit, I spent

00:29:14.299 --> 00:29:16.279
the first few minutes of the episode trying to

00:29:16.279 --> 00:29:21.420
work out where I'd seen the kid that played Child

00:29:21.420 --> 00:29:24.079
Comrade before, and it was The Devil's Hour,

00:29:24.160 --> 00:29:26.960
an Amazon series with Jessica Raine and Peter

00:29:26.960 --> 00:29:30.500
Capaldi. He's in that as the creepiest kid that's

00:29:30.500 --> 00:29:33.700
ever been in any kind of media ever. I was just

00:29:33.700 --> 00:29:35.680
looking at him like, I recognise that kid. That

00:29:35.680 --> 00:29:37.380
kid scares me. Why does that kid scare me? And

00:29:37.380 --> 00:29:41.720
it's because he was in Devil's Hour. So, yeah,

00:29:41.759 --> 00:29:43.319
I did spend the first few minutes of the episode

00:29:43.319 --> 00:29:45.240
going, where have I seen that kid before that?

00:29:45.339 --> 00:29:49.339
Yeah. So I kind of didn't quite fully get that

00:29:49.339 --> 00:29:52.279
scene maybe, but there was certainly the implication

00:29:52.279 --> 00:29:55.559
of home wasn't nice when Conrad was a child.

00:29:55.859 --> 00:29:58.589
Yeah. It was there. And again, that feels like

00:29:58.589 --> 00:30:00.950
something the novelization could feel like. But

00:30:00.950 --> 00:30:03.269
the interview with Unit for the job as well,

00:30:03.410 --> 00:30:06.549
you see it. You see a silent clip of it. But

00:30:06.549 --> 00:30:09.150
I almost wanted that montage of Conrad growing

00:30:09.150 --> 00:30:13.309
up, like 73 yards where you see the way his life

00:30:13.309 --> 00:30:15.450
is going. And you could have seeded those little

00:30:15.450 --> 00:30:18.130
hints about it taking a darker turn but not been

00:30:18.130 --> 00:30:20.789
as explicit with it and still preserve the reveal.

00:30:21.609 --> 00:30:24.589
Yeah, I wanted a bit more filling up. You could

00:30:24.589 --> 00:30:29.250
have had him been. sort of groomed by a right

00:30:29.250 --> 00:30:32.089
-wing gang or whatever, something like that.

00:30:32.089 --> 00:30:35.569
Or maybe that is a little bit too dark and heavy

00:30:35.569 --> 00:30:38.390
for the Doctor Who. Yeah, and it might have brought

00:30:38.390 --> 00:30:41.349
the surprise a bit as well, because then you'd

00:30:41.349 --> 00:30:43.710
have had that suspicion at the back of your mind.

00:30:44.789 --> 00:30:47.569
Well, you'd have dropped the flashback after

00:30:47.569 --> 00:30:50.569
the reveal, I suppose. Yeah, you could have filled

00:30:50.569 --> 00:30:54.569
out extra bits of flashback after that. Yeah,

00:30:54.650 --> 00:30:56.549
that was something that was missing. This really

00:30:56.549 --> 00:30:58.730
could have been a two -parter. Out of everything

00:30:58.730 --> 00:31:00.730
we've had so far this series, the one that I

00:31:00.730 --> 00:31:02.609
wish was a two -parter is the one that the Doctor's

00:31:02.609 --> 00:31:06.670
not in. If it wasn't eight episodes, yeah, I'd

00:31:06.670 --> 00:31:08.730
agree. Because if it was 13 episodes, I would

00:31:08.730 --> 00:31:12.130
have quite happily had this taking up two slots

00:31:12.130 --> 00:31:16.009
to flesh out all of the stuff. Especially if,

00:31:16.049 --> 00:31:19.730
like last series, we had two Doctor Lights. That's

00:31:19.730 --> 00:31:24.180
how I'd have done it this series. Hopefully we've

00:31:24.180 --> 00:31:26.059
not got two Doctor Likes this series. Hopefully

00:31:26.059 --> 00:31:28.859
that's the only one. I'm pretty sure we don't

00:31:28.859 --> 00:31:33.579
because it's five, six, and then the finale and

00:31:33.579 --> 00:31:36.319
everything seems to suggest that they're all

00:31:36.319 --> 00:31:40.220
quite... Yeah, the main cast are in all of those.

00:31:40.220 --> 00:31:42.720
We've seen quite a bit of Doctor -y stuff. Yeah.

00:31:43.299 --> 00:31:49.160
Yeah. But yeah, yeah, Conrad was very well done,

00:31:49.240 --> 00:31:53.480
very well. very close enough, like you say, to

00:31:53.480 --> 00:31:57.420
reality, to people that we see in the media all

00:31:57.420 --> 00:32:01.279
the time, to actually be quite a scary, sinister

00:32:01.279 --> 00:32:05.279
villain. They weren't explicit about his political

00:32:05.279 --> 00:32:07.940
leanings, but there was that sort of subtext

00:32:07.940 --> 00:32:10.720
of racism at the end with, like, get off my planet.

00:32:10.900 --> 00:32:13.059
Interestingly, like, echoing the Brigadier's

00:32:13.059 --> 00:32:19.910
words. Yeah, get off my world. but i think yeah

00:32:19.910 --> 00:32:24.289
we all know what type of um you know disinformation

00:32:24.289 --> 00:32:27.690
it's getting up uh and there can be disinformation

00:32:27.690 --> 00:32:30.970
on all sides of the political spectrum but oh

00:32:30.970 --> 00:32:36.430
absolutely it it it's kind of i think it's pretty

00:32:36.430 --> 00:32:40.130
clear that right now it's it's there's one type

00:32:40.130 --> 00:32:44.630
that's a particular issue yeah i i also think

00:32:44.630 --> 00:32:48.880
that using the think tank name from Robot, which

00:32:48.880 --> 00:32:51.180
was a very deliberate choice, certainly on the

00:32:51.180 --> 00:32:54.500
part of the writer, you know, he said so. They

00:32:54.500 --> 00:32:57.619
were definitely a right -wing organisation in

00:32:57.619 --> 00:33:02.099
Robot, so it's fair to extrapolate from that

00:33:02.099 --> 00:33:07.519
as well, I think. All right, well, before we

00:33:07.519 --> 00:33:09.920
disappear, we didn't get to talk about the well

00:33:09.920 --> 00:33:12.380
last week, or you didn't get to talk about the

00:33:12.380 --> 00:33:14.200
well last week, so do you just want to sort of

00:33:14.200 --> 00:33:20.589
give us your hot well take? um yeah i'm just

00:33:20.589 --> 00:33:25.650
thinking back now uh uh i really liked it both

00:33:25.650 --> 00:33:29.809
as an episode in its own merits and i think because

00:33:29.809 --> 00:33:32.769
it was because i know some people's complaint

00:33:32.769 --> 00:33:35.230
was that the changes and the changes in the nature

00:33:35.230 --> 00:33:37.710
of the creature but i think the amount of time

00:33:37.710 --> 00:33:40.349
that's passed in universe it gives you an excuse

00:33:40.349 --> 00:33:42.250
for that it might not even be the same creature

00:33:42.250 --> 00:33:45.589
it might be you know, a different creature from

00:33:45.589 --> 00:33:48.569
the same species or related species we might

00:33:48.569 --> 00:33:50.789
have involved over those thousands of years.

00:33:51.690 --> 00:33:55.269
I think it makes sense in universe and it's a

00:33:55.269 --> 00:33:59.849
coherent, effective story in its own right. The

00:33:59.849 --> 00:34:04.910
twist at the very end, I liked that, that sort

00:34:04.910 --> 00:34:07.509
of horror trope of, you know, the monster is

00:34:07.509 --> 00:34:10.730
still out there. But then in retrospect, it does

00:34:10.730 --> 00:34:15.309
sort of make... make the sacrifice a bit, it

00:34:15.309 --> 00:34:17.690
sort of loses something when you see her sacrificing

00:34:17.690 --> 00:34:21.289
herself at the end and you know that this creature

00:34:21.289 --> 00:34:25.829
is just going to escape anyway. It's kind of

00:34:25.829 --> 00:34:28.269
what the creature does though, isn't it? Like

00:34:28.269 --> 00:34:31.170
trick people into killing each other. Like it

00:34:31.170 --> 00:34:33.829
did that in Midnight, like it tried to get everybody

00:34:33.829 --> 00:34:39.190
to kill it off. So it's, it's, yeah, I guess.

00:34:40.539 --> 00:34:45.159
It makes sense to an extent. Yeah, I thought

00:34:45.159 --> 00:34:46.679
it was a good episode, though. I really enjoyed

00:34:46.679 --> 00:34:48.460
it. I mean, I spoke about it last week, so I

00:34:48.460 --> 00:34:51.300
won't go on for ages, but I'm still loving the

00:34:51.300 --> 00:34:53.539
fact that we had a Midnight sequel, and I know

00:34:53.539 --> 00:34:56.360
that whether Midnight needed a sequel or whether

00:34:56.360 --> 00:34:58.780
it really was a sequel to Midnight in anything

00:34:58.780 --> 00:35:01.760
but name is sort of up for discussion and has

00:35:01.760 --> 00:35:05.039
been up for discussion. I'm happy to go with

00:35:05.039 --> 00:35:08.980
it. I like it. It's a good idea. who's been around

00:35:08.980 --> 00:35:11.400
for 20 years now, it should be calling back to

00:35:11.400 --> 00:35:14.159
itself. Not every reference has to be to flipping

00:35:14.159 --> 00:35:18.500
Dragonfire or whatever. Doctor Who can reference

00:35:18.500 --> 00:35:21.800
its recent past as well as its ancient past,

00:35:22.059 --> 00:35:26.340
for want of a better word. Yeah, it's this sort

00:35:26.340 --> 00:35:29.679
of weird purist belief that, well, if we're not

00:35:29.679 --> 00:35:32.179
referencing Marco Polo, it's not a proper reference,

00:35:32.239 --> 00:35:36.929
is it? I mean, I'm... I've got issues with last

00:35:36.929 --> 00:35:39.670
season's finale, but I think a callback to the

00:35:39.670 --> 00:35:43.929
Midnight Creature here makes so much more sense

00:35:43.929 --> 00:35:48.889
than the callback to Sutec at the end of last

00:35:48.889 --> 00:35:51.590
season, just in terms of telling a coherent story

00:35:51.590 --> 00:35:53.510
within the show. Because if you didn't know what

00:35:53.510 --> 00:35:57.690
Midnight is, this story still works. But my sense

00:35:57.690 --> 00:36:01.769
is that if you don't know who Sutec is, you would

00:36:01.769 --> 00:36:04.320
feel like you were missing out watching. Last

00:36:04.320 --> 00:36:08.099
season's finale. See, now I just feel disappointed

00:36:08.099 --> 00:36:11.840
we didn't get a TARDIS Tales updated CGI version

00:36:11.840 --> 00:36:14.840
of Midnight. Like, let's finally make Midnight

00:36:14.840 --> 00:36:17.239
high budget. But what would you update? Because

00:36:17.239 --> 00:36:20.440
there's relatively few VFX shots once you're

00:36:20.440 --> 00:36:25.860
in the bus. Very true. They could have added

00:36:25.860 --> 00:36:28.500
it. Add the creature, yeah. A little glimpse

00:36:28.500 --> 00:36:31.599
of it out the window. Add the creature, add...

00:36:35.960 --> 00:36:38.599
Exterior shots. You know how the war games added

00:36:38.599 --> 00:36:44.340
the base control? Add exterior shots. What did

00:36:44.340 --> 00:36:48.940
Crusader 50 look like on the outside? You could

00:36:48.940 --> 00:36:51.679
have the driver kind of floating around or something

00:36:51.679 --> 00:36:55.219
like that. I don't know. It would have been ridiculously

00:36:55.219 --> 00:36:58.219
excessive. Midnight is not an episode that needs

00:36:58.219 --> 00:37:04.530
re -editing. Maybe one day. It'll have some dreadful

00:37:04.530 --> 00:37:08.130
music added to it, be made black and white and

00:37:08.130 --> 00:37:10.329
cut down to five minutes for a younger audience.

00:37:10.849 --> 00:37:13.929
I don't know how you would do it, because I think

00:37:13.929 --> 00:37:16.289
it's gotten even more in RTD2, but even from

00:37:16.289 --> 00:37:21.449
Rose onwards, there's not much fat or padding

00:37:21.449 --> 00:37:24.690
in episodes. It pretty much always rattles along

00:37:24.690 --> 00:37:27.869
pretty quickly. So how would you do cut -down

00:37:27.869 --> 00:37:32.670
versions of post -2005 Doctor Who? There's a

00:37:32.670 --> 00:37:36.329
few that I can think of that maybe could do with

00:37:36.329 --> 00:37:39.309
a re -edit. I'm not necessarily saying cut down,

00:37:39.369 --> 00:37:42.150
I'm saying a re -edit. To this day, I'm convinced

00:37:42.150 --> 00:37:47.090
that the Rebel Flesh two -parter makes no sense

00:37:47.090 --> 00:37:52.690
in places. I honestly think something goes wrong

00:37:52.690 --> 00:37:55.329
with the editing or they didn't get to film something.

00:37:55.369 --> 00:37:58.510
I don't know. Particularly in the second episode,

00:37:58.590 --> 00:38:00.829
it just feels like there's something missing

00:38:00.829 --> 00:38:04.210
or something not quite right. Yeah, I can see

00:38:04.210 --> 00:38:06.809
that, like fixes or reduxes or director's cuts.

00:38:07.210 --> 00:38:11.329
But the mission of the war games type thing seems

00:38:11.329 --> 00:38:14.489
to be get these things, squeeze these things

00:38:14.489 --> 00:38:20.030
down to a digestible length and do fun stuff

00:38:20.030 --> 00:38:23.389
like insert the master's theme and things like

00:38:23.389 --> 00:38:29.079
that as well. I'd be interested to see someone

00:38:29.079 --> 00:38:35.920
try and see half hour versions of 2005 episodes

00:38:35.920 --> 00:38:40.099
yeah there's got to be something that can have

00:38:40.099 --> 00:38:42.820
a bit trimmed and I'm fairly sure it's sort of

00:38:42.820 --> 00:38:47.719
I mean I can only think of episodes from series

00:38:47.719 --> 00:38:51.420
6 and we've been on a massive series 6 tangent

00:38:51.420 --> 00:38:55.340
on this podcast while discussing The new series

00:38:55.340 --> 00:38:57.280
of Doctor Who before. So let's not go down there

00:38:57.280 --> 00:39:03.639
again. Yeah. Okay. Well, we'll leave it there.

00:39:04.219 --> 00:39:08.300
So it's still a strong series. We've not had

00:39:08.300 --> 00:39:11.519
a dud this series. Yeah. From two episodes. The

00:39:11.519 --> 00:39:15.619
quality. I think it's been really strong since

00:39:15.619 --> 00:39:19.539
Lux onwards for me. Yeah. Robot Revolution was

00:39:19.539 --> 00:39:22.119
good. Did what a starting episode needed to do.

00:39:22.559 --> 00:39:24.829
And then. The three that followed it have been

00:39:24.829 --> 00:39:26.510
very, very good. And they've all been very, very

00:39:26.510 --> 00:39:31.130
different. And there's been some nice surprises.

00:39:33.010 --> 00:39:36.690
So, yeah, let's keep this going. I hope that

00:39:36.690 --> 00:39:38.530
we just sort of keep the form going until the

00:39:38.530 --> 00:39:42.050
end of the series now. You know, we've got next

00:39:42.050 --> 00:39:44.769
week's episode, which looks like we don't really

00:39:44.769 --> 00:39:47.230
know a lot about it, do we? It certainly doesn't

00:39:47.230 --> 00:39:50.070
seem to feature particularly highly. It's like

00:39:50.070 --> 00:39:52.820
shots of the spider in the barbershop. People

00:39:52.820 --> 00:39:55.320
shouting and arguing and I haven't picked up

00:39:55.320 --> 00:39:57.639
much more beyond that. It's quite nice going

00:39:57.639 --> 00:39:59.920
into... Actually, this is one of the first it

00:39:59.920 --> 00:40:02.440
feels like we're going in not knowing much and

00:40:02.440 --> 00:40:08.119
that's quite nice. Intergalactic Song Contest,

00:40:08.139 --> 00:40:11.000
whatever it's called, that seems like we know

00:40:11.000 --> 00:40:13.800
where that's going to go. We know there's a big

00:40:13.800 --> 00:40:18.780
reveal because he said watch this one early to

00:40:18.780 --> 00:40:21.699
avoid spoilers. And then we don't know much about

00:40:21.699 --> 00:40:24.679
the finale. So actually, moving forward, I think

00:40:24.679 --> 00:40:27.760
we've had the majority of the trailers. Yeah,

00:40:27.820 --> 00:40:31.659
which is good. Yeah. We kind of have a second

00:40:31.659 --> 00:40:33.260
half of the series that's a bit of a mystery

00:40:33.260 --> 00:40:37.000
to us. So roll that on. I like it. It's good.

00:40:38.179 --> 00:40:41.679
But yeah, I'm enjoying New Doctor Who far more

00:40:41.679 --> 00:40:44.340
than I did last year. I'm really enjoying this

00:40:44.340 --> 00:40:48.369
series. I enjoyed... I'm being unfair. I enjoyed

00:40:48.369 --> 00:40:50.650
series one, but I'm really enjoying this. This

00:40:50.650 --> 00:40:54.010
feels like proper can't wait for Saturday, Doctor

00:40:54.010 --> 00:40:59.070
Who. Yeah, it feels like it's built on last year,

00:40:59.130 --> 00:41:02.750
which will be a massive shame if there is a gap

00:41:02.750 --> 00:41:06.070
or hiatus because it feels like it's really finding

00:41:06.070 --> 00:41:09.730
its feet after last year. Just like season 26.

00:41:12.659 --> 00:41:14.880
Right, we will definitely leave it on that note

00:41:14.880 --> 00:41:18.179
before we end up cancelling it ourselves. Well,

00:41:18.199 --> 00:41:19.719
yeah, thanks very much for joining me, Mansour.

00:41:20.179 --> 00:41:22.679
Obviously, we'll come back next week and we will

00:41:22.679 --> 00:41:26.539
discuss the story in the engine. Story in the

00:41:26.539 --> 00:41:30.239
engine. Story in the engine. We'll discuss that

00:41:30.239 --> 00:41:33.940
and we'll see if we get any hints about what's

00:41:33.940 --> 00:41:36.099
going to happen beyond that, sort of between

00:41:36.099 --> 00:41:38.559
now and then. But I'm not expecting it, to be

00:41:38.559 --> 00:41:41.340
honest. Yeah, Doctor Who's surprising me. It's

00:41:41.340 --> 00:41:44.670
good. Keep it up. All right, we'll leave it there

00:41:44.670 --> 00:41:46.849
then, and we will be back for more spodcasting

00:41:46.849 --> 00:41:48.369
very soon. Goodbye now.
