WEBVTT

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You're listening to a podcast of spurious morality.

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I reckon we should name her a star that. Get

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a little bit of paper. This star is called Spodcast.

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Hello and welcome to a podcast of Spurious Morality.

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I'm Johnston and this week I'm joined by Mansour.

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Hello. Hello. And we've got a new episode of

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Doctor Who to talk about, which is always exciting.

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We're going to try and keep up with this series.

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We've kind of paused our podcast schedule that

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we had planned out last summer. And we're going

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to talk about the new series week on week and

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see how we get on. So quite exciting. New Doctor

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Who. The Robot Revolution was episode one. Had

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quite a lot to do. Fit quite a lot into, I think

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it was about 50, 55 minutes. Introduced new companions.

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Set up a few things for the rest of the series.

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Carried on a few mysteries from the last one.

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And just generally, generally was a pretty decent

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episode, actually. I think it was quite good.

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What were sort of your initial thoughts on it?

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uh same i thought um like quite a solid opener

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and like with a lot of season openers even going

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back to rose uh the the villain and that thread

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was relatively light but it was focusing on introducing

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a new companion and just doing some of that character

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work and i thought it was yeah really successful

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uh yeah in terms of introducing belinda and yeah

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Yeah, introducing Belinda was definitely the

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priority. And I quite liked how for the first

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sort of 15 minutes or so of the episode, it pretty

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much focused on her. The Doctor was kind of in

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the periphery and the Doctor kind of became the

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main character as the episode went on. But it

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took a little while to get there. But it wasn't...

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You know, we sort of have done similar things

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before, particularly with Rose and Smith and

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Jones, where there was a heavy focus on Rose

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and Martha for the first little bit. Yeah, same

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sort of template. Yeah. But I felt this actually

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spent a little bit more time on Belinda than

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either of those two. It felt like it was just

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a little bit later into the episode before the

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Doctor got fully introduced and had the, you

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know, I'm the Doctor moment. He'd been working

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away in the background, obviously. It's established

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that he'd been on the planet for six months and

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all that kind of thing and seemed to have a sort

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of pseudo -companion already, although she got

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killed pretty quickly. So, yeah, I quite liked

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that focus and I think that worked well. We just

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spent a little bit of time getting to know the

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companion and getting to see their reaction to

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all the weird stuff going on. alien world and

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all that kind of thing before the Doctor is introduced.

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Whereas in Smith and Jones and Rose, the Doctor

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is introduced kind of before slash as it all

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gets weird, whereas we kind of got the weird

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moment before the Doctor came into it this time.

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So I quite like that. It's, like I say, similar

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template to what RTD's done before, but it just

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sort of... went a step further. And I feel as

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though I know Belinda a little bit better after

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one episode than arguably any other companion.

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So that's good. Same. And I think it really helps

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that Belinda, I feel, is already a relatively

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interesting and different companion. She's got

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those elements of like Tegan and Donna and being

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like a bit more challenging or oppositional with

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the Doctor. But I felt like in this episode,

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it's played a lot straighter and a lot more sincerely

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than in those other examples at times. Like with

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Donna, certainly it was much more played for

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laughs, like when she's getting to know the Doctor

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in those first couple of episodes. But here,

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and I guess we'll get into it when we get into

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those final scenes, but it's much more kind of

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dramatic and interesting and layered, I thought.

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Yeah, and it just feels as though we know this

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character, this companion, a little bit better

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than we have any others after one episode. And

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I think we might not be spending all that much

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time with her. It could well be that we have

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eight episodes with Belinda now and that's it.

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That could be all of it. And we know Ruby's coming

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back into the series at some point. Do we know

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what point Ruby's coming back into it at all?

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Is it episode four? Is it the unit one? Episode

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four, I feel like. Fair enough. Yeah, I've kind

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of not looked into that. I think it's Lucky Day.

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Yeah, the fourth one. So, you know, we're going

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to spend more time with Ruby anyway. We know

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about that. And Ruby's already had nine episodes,

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ten if you count the Joy to the World cameo.

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So it's... Yeah, I think it's important that

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we did get to know Belinda a little bit quicker.

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And I think just giving her a little bit more

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focus of that first episode was the right way

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of doing it. And obviously, you know, it turned

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out the entire focus of the episode was kind

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of on her. You know, we go to a planet named

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after her and all that kind of thing. And there's

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still a mystery there for the Doctor to pull

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apart. But then you kind of have this moment

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at the end where the Doctor kind of... goes through

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her time stream and knows everything about her

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and all that kind of thing and it it sort of

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it kind of skips a lot of the doctor getting

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to know the companion while we've actually had

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time to get to know her as well so they're diving

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straight in anyway they're not sort of messing

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about and taking a few episodes to introduce

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her i think you need to do that oh sorry go on

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well i was going to say which they kind of did

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with ruby you know we kind of got church on ruby

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road we got space babies and then by the time

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we got to devil's court it was oh we've been

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together for six months now and all this is going

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on and the tardis is perfectly normal and all

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that sort of thing i wonder if that's going to

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be if that if that gap is going to be filled

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in this series because i've heard something about

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like a russell d davis had said something about

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like a flashback to something in series one um

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So I wonder if there's like some grand plan and

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that wasn't just a bit of, that wasn't just an

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odd time jump. It was something that's going

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to be filled in. But what you're saying about

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getting stuck into getting to know Belinda, I

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think the same with like the series arc. I think

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with eight episodes, you don't want to, you don't

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want to pad, you can't pad things out and, you

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know, wait a few episodes to start introducing

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this stuff. You have to get it going in episode

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one to... to have room to do anything interesting

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with it. So I liked that they set up her character

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and they got the arc story for the season kicked

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off as well. Yeah, and continued kind of brings

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us on to our next talking point, actually. Continued

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what's going on. We had Mrs. Flood pop up at

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the start and it turns out she's living next

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door to Belinda, which isn't where she was last

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series. And she breaks the fourth wall again,

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which I think is quite significant. She's done

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that a few times now. At first we kind of all

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just sort of cast it off as a bit of a gimmick

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and, yeah, good joke, she's broken the fourth

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wall. But it seems to be something she does.

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It feels like more than that now at this point.

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You're right, like once or twice, like end of

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the Christmas special, end of series one, you

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could maybe write off a couple of them. it's

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becoming a very conspicuous thing with her. Yeah,

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it's good that we've got something that's gone

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on over more than one series. We've had a lot

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of one -series storylines that haven't quite

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padded out or haven't had time to breathe. I'm

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thinking back to Series 9 when we had The Hybrid,

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which was a... A fairly cool idea that never

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quite got explored beyond the idea of a hybrid

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being mentioned once per episode. Whereas Mrs.

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Flood, it feels like there's genuinely a mystery

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being built up. There's something going on there.

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And I think I've read somewhere that she's in

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every episode this season. I don't know if I've

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made that up or not. Yeah, because there are

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cast lists. for some of the episodes at least.

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But yeah, she's definitely popping up in, it

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seems like, the majority at least. Yeah. Which

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is worth noting we did kind of have last year

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with the Susan Triad character. So I'm not entirely

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sure, you know, are we just repeating the sort

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of tease from last year again here? Or is this

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going to go in a different direction? Because...

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I liked the idea of the same face, the same actor

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turning up in each episode. That really worked

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well. But then at the same time, it worked well

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last series. Is it going to work as well this

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series or are we just sort of going to go weekly

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cameo again? Yeah. Like on the surface, it's

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the same. But I guess like... the implication

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at least is that this is the same mrs flood and

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all these locations and that's the mystery of

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like how does this person get to all these different

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places when he thought she was just ruby's neighbor

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initially uh so so yeah it's it's kind of but

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then that's this is one of the things i was thinking

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about this whole era and mark and i talked about

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it a bit in the the retrospective episodes um

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i'm enjoying a lot of it and those those retrospectives

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reminded me of how much i enjoyed in series one

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and at the same time i keep getting reminded

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of how and this might this is completely like

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my expectations like going into this second russell

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t davis episode in my head i sort of thought

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he's going to do something really you know mad

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and radical he's going to take all of those other

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dramas that he's done in the in between years

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and and completely reinvent what Doctor Who is.

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And that's probably a silly expectation because

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it's a format that you can't stretch beyond a

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certain point. And yeah, like you're saying,

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repeating between series one and series two,

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there's a lot of things that are repeated or

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echoed from the last 20 years or even further

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back of Doctor Who. But even just like the season

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structure, like the fact that you have a mystery,

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that that is just being something that we expect

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now. Yeah, and I'm a big fan of every season

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having an arc or arcs that stretch across a few

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seasons. I remember how sort of radical it felt

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at the end of Series 5 when... You know, the

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Earth, well, the universe had been undestroyed

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and rebooted and, you know, the consequences

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of the mystery had kind of been solved, but the

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mystery itself hadn't. And then, you know, we

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had all the stuff with the silence and that kind

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of thing that followed. And it was nice to just

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have that little sort of acknowledgement at the

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end of Series 5, oh, there's still a few questions

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to answer and that kind of thing. And then we've

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got a similar thing here, but this. This feels

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more ongoing, like the whole thing with the silence

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in Series 6. I like Series 6 generally. I think

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I'm one of the people that probably enjoyed it

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more than others did, but it did feel a little

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bit clunky going from that mystery setup at the

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end of Series 5 to it sort of turning quite a

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bit in Series 6 and going in various different

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directions. Same. I thought Series 6 was like

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a really, really... strong interesting like six

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or seven episode mini series with like these

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other random stories slotted in in between and

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kind of in that transitional thing of like do

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we make doctor who like an ongoing serial drama

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like like all streaming shows are or do we stick

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to the monster of the week thing and the x -files

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had that a bit as well like you know years ago

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like they had their very archy episodes and then

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suddenly it was a bit of whiplash going back

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to like your monster of the week stories and

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with doctor who series six being just you know

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much shorter uh yeah it took up time when and

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especially when you had those big revelations

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we're getting into a bit of a series six retrospective

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now but especially when you have those big revelations

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about you know amy and river you you want to

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pick up on those like in the next episode and

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run with them and it kind of knocks the momentum

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out of it to just have like a traditional story

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and it does that story a disservice as well because

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it might be a good story but it's in the wrong

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place um but yeah but i agree with you i liked

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i liked a lot of series six like i liked what

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it was trying to do yeah i mean you know maybe

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maybe the shorter episode count now could actually

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benefit this because like you say you know series

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six could probably have been four or five episodes

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shorter and actually been a really, really tight

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little piece. But when you're watching through

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series six, you get to sort of night... It's

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not night thoughts, is it? That's Big Finish.

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Another one you mean, the one with the peg doll?

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Yeah, the Mark Gatiss one. Yeah. I can't believe

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I've forgotten its name. Night Terrors? Night

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Terrors. It could be Night Terrors. Whenever

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you get to that one, it feels like you've just

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hit a barrier. It really does feel like we've

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been moving in directions. We've had the big

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two -part opener. We've had the flesh two -parter

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that went straight into A Good Man Goes to War,

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which went near enough straight into Let's Kill

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Hitler. And then it just feels like a big...

00:15:50.600 --> 00:15:56.159
doesn't it? I mean, by looking to the future,

00:15:56.240 --> 00:15:58.919
it sounds like Russell T Davies wants to stick

00:15:58.919 --> 00:16:01.220
around from what he's saying. If Disney did renew,

00:16:01.460 --> 00:16:04.039
it sounds like he'd carry on for at least another

00:16:04.039 --> 00:16:07.139
few seasons. And I'd be interested to see what

00:16:07.139 --> 00:16:10.120
he comes up with. But I also really want someone

00:16:10.120 --> 00:16:13.019
new to come in because you look at the changes

00:16:13.019 --> 00:16:16.519
in showrunners, those are the times when the

00:16:16.519 --> 00:16:20.899
format has shifted a little bit. yeah you know

00:16:20.899 --> 00:16:24.000
series five was a bit safer but it was moffat's

00:16:24.000 --> 00:16:26.620
one of moffat's early seasons series six where

00:16:26.620 --> 00:16:29.059
you had that experiment with the format of the

00:16:29.059 --> 00:16:32.879
arc and the season and then um tribunal had some

00:16:32.879 --> 00:16:35.639
like other approaches like i think like culminating

00:16:35.639 --> 00:16:38.240
in flux which was i guess flux is what we're

00:16:38.240 --> 00:16:41.440
saying series six could have been like six episodes

00:16:41.440 --> 00:16:45.600
telling a much more concentrated story with more

00:16:45.600 --> 00:16:49.730
momentum And then it feels like we've come back

00:16:49.730 --> 00:16:53.350
full circle and we're now getting eight episode

00:16:53.350 --> 00:16:56.549
compressed versions of Russell Davis's original

00:16:56.549 --> 00:17:02.850
13 episode structure. So, so yeah, always excited

00:17:02.850 --> 00:17:04.869
to see what he comes up with, but I would really

00:17:04.869 --> 00:17:09.190
like a new fresh take on what Doctor Who could

00:17:09.190 --> 00:17:13.329
be next. You see, I think what I'd like to see

00:17:13.329 --> 00:17:18.640
is sort of a period of. I think one thing that

00:17:18.640 --> 00:17:22.200
has sort of perhaps negatively affected the series

00:17:22.200 --> 00:17:25.339
quite a bit is every so many years, the whole

00:17:25.339 --> 00:17:28.880
thing just seems to pause while we change over

00:17:28.880 --> 00:17:34.500
showrunner. Yeah. And it's not a hard reboot.

00:17:34.759 --> 00:17:38.400
I mean, you know, in context of the series, it

00:17:38.400 --> 00:17:40.680
is kind of a hard reboot. You know, it's actually

00:17:40.680 --> 00:17:43.000
quite jarring going from, I don't know, Twice

00:17:43.000 --> 00:17:45.480
Upon a Time to Woman Who Fell to Earth, for example.

00:17:47.990 --> 00:17:51.970
And I wish we would actually have some kind of

00:17:51.970 --> 00:17:55.650
crossover, you know, how kind of Barry Letts

00:17:55.650 --> 00:17:58.190
and Tony Stick hung around for a bit of season

00:17:58.190 --> 00:18:02.369
12 and, you know, Robert Holmes and Philip Hinchcliffe

00:18:02.369 --> 00:18:05.569
were involved with 11. Like on screen, companions

00:18:05.569 --> 00:18:08.490
would carry over to like bed in the new doctor

00:18:08.490 --> 00:18:10.349
and have some continuity. That was a bit of a

00:18:10.349 --> 00:18:14.900
tradition. Yeah, that would help as well. So

00:18:14.900 --> 00:18:18.339
I'd quite like to see that. Let's say Russell

00:18:18.339 --> 00:18:20.819
T Davies, I think he said in an interview in

00:18:20.819 --> 00:18:23.779
the last week that his intention is to stick

00:18:23.779 --> 00:18:27.599
around for four or five series. Well, could he

00:18:27.599 --> 00:18:30.920
be sort of co -show running with the next person

00:18:30.920 --> 00:18:34.440
for series four and five and then just give us

00:18:34.440 --> 00:18:36.660
a sense of continuity, give us a sense that it's

00:18:36.660 --> 00:18:41.119
the same series? Because sort of... bringing

00:18:41.119 --> 00:18:43.099
down a hatchet and going it's a different thing

00:18:43.099 --> 00:18:45.700
now every five years I think might actually have

00:18:45.700 --> 00:18:49.759
been to the series detriment. We haven't had

00:18:49.759 --> 00:18:52.599
War Between the Land and the Sea yet but I wonder

00:18:52.599 --> 00:18:54.559
if spin -offs might be a part of that as well

00:18:54.559 --> 00:18:59.220
because again at the start of the new series

00:18:59.220 --> 00:19:04.680
we had Sarah Jane running and Torchwood and those

00:19:04.680 --> 00:19:07.799
are a form of continuity as well because you

00:19:07.799 --> 00:19:11.160
could have the spinoffs running alongside the

00:19:11.160 --> 00:19:12.559
main show, and they don't necessarily need to

00:19:12.559 --> 00:19:18.160
stop when the main showrunners take over. But,

00:19:18.240 --> 00:19:23.019
yeah, anyway. And, you know, having a spinoff

00:19:23.019 --> 00:19:27.420
is a pretty decent proving ground for the next

00:19:27.420 --> 00:19:30.559
showrunner, absolutely. I mean, look at Chibnall.

00:19:30.619 --> 00:19:32.859
Chibnall did a pretty good job on Torchwood,

00:19:32.859 --> 00:19:36.420
actually, particularly the second series. I think

00:19:36.420 --> 00:19:38.619
the first series was slightly chaotic production

00:19:38.619 --> 00:19:42.319
-wise in terms of who was actually in charge

00:19:42.319 --> 00:19:44.980
and was it a Russell T Davies series, was it

00:19:44.980 --> 00:19:47.000
Chibnall who seemed to be brought in last minute

00:19:47.000 --> 00:19:49.440
and all that kind of thing. Whereas the second

00:19:49.440 --> 00:19:52.559
series, which was pretty much Chibnall all the

00:19:52.559 --> 00:19:56.859
way, that was really good. It was pretty solid,

00:19:56.920 --> 00:20:00.140
pretty coherent storyline. Just tone and everything.

00:20:00.339 --> 00:20:02.480
It felt like it knew what sort of show it wanted

00:20:02.480 --> 00:20:06.559
to be, whereas Tortured Series 1 was... had some

00:20:06.559 --> 00:20:10.279
good bits but like when i was watching it at

00:20:10.279 --> 00:20:12.960
the time i i remember just the whole time trying

00:20:12.960 --> 00:20:15.480
to work out okay what what sort of tone are they

00:20:15.480 --> 00:20:18.240
going for like what what sort of vibe is this

00:20:18.240 --> 00:20:20.440
and then yeah series two just felt like much

00:20:20.440 --> 00:20:22.359
more self -assured like you know this is what

00:20:22.359 --> 00:20:25.900
talk should is yeah and it you know it had things

00:20:25.900 --> 00:20:29.299
like that very sort of loose three -parter featuring

00:20:29.299 --> 00:20:32.200
martha through the middle and you know the whole

00:20:32.200 --> 00:20:34.779
owen being killed story and that kind of thing

00:20:35.309 --> 00:20:37.490
And that was brilliant. It was really, really

00:20:37.490 --> 00:20:43.230
good. So maybe just, yeah, some kind of moving

00:20:43.230 --> 00:20:49.190
forward, some kind of showrunner crossover, handover

00:20:49.190 --> 00:20:52.630
series or two, just so there's a smooth transition

00:20:52.630 --> 00:20:56.750
and not like a hard, it's different now, knock

00:20:56.750 --> 00:20:59.089
on the head, feels like you're restarting. I

00:20:59.089 --> 00:21:02.529
suppose Russell T Davies has brought things through

00:21:02.529 --> 00:21:07.619
from other eras. unit characters and that kind

00:21:07.619 --> 00:21:09.500
of thing coming through from other eras so it's

00:21:09.500 --> 00:21:13.440
not it's not entirely sort of locked off the

00:21:13.440 --> 00:21:16.680
past whereas woman who fell to earth really did

00:21:16.680 --> 00:21:19.059
feel like complete and total divorce from what

00:21:19.059 --> 00:21:24.640
come before as did the 11th hour um and yeah

00:21:24.640 --> 00:21:28.599
i think i'd rather have just sort of a more smooth

00:21:28.599 --> 00:21:32.799
sense of things moving forward i guess showrunners

00:21:32.799 --> 00:21:35.369
might This is just speculation, but I'm assuming

00:21:35.369 --> 00:21:37.450
when a new showrunner comes in, they kind of

00:21:37.450 --> 00:21:41.049
want to put their stamp on it and draw a bit

00:21:41.049 --> 00:21:43.190
of a line and say, like, this is what my vision

00:21:43.190 --> 00:21:47.349
of the show is. And then I think in both those

00:21:47.349 --> 00:21:48.789
eras, they did start... Well, like, you know,

00:21:48.829 --> 00:21:54.190
Kate comes back in later Chibnall episodes, and

00:21:54.190 --> 00:21:58.069
so they do start bringing in more bits from...

00:21:58.410 --> 00:22:01.029
previous series eras but yeah like that that

00:22:01.029 --> 00:22:02.710
is one thing russell davis has done this time

00:22:02.710 --> 00:22:05.630
like fully embraced the timeless child stuff

00:22:05.630 --> 00:22:09.210
and i think actually built on that in like an

00:22:09.210 --> 00:22:11.009
even more interesting way than we actually had

00:22:11.009 --> 00:22:17.069
in in uh in the 13th doctors era so yeah he's

00:22:17.069 --> 00:22:20.230
been like very open to embracing like the past

00:22:20.230 --> 00:22:23.470
20 or further further well with sutek much further

00:22:23.470 --> 00:22:29.500
back than 20 years as well Yeah, but I guess

00:22:29.500 --> 00:22:31.799
Russell T Davies has got the confidence to do

00:22:31.799 --> 00:22:34.799
that because it's something he did very, very,

00:22:34.839 --> 00:22:39.559
very, very slowly throughout his first run. It

00:22:39.559 --> 00:22:43.900
wasn't all dumped there in rows. We didn't get

00:22:43.900 --> 00:22:46.940
a reference to Scarrow until the end of the second

00:22:46.940 --> 00:22:50.730
series and Gallifrey came after that. He felt

00:22:50.730 --> 00:22:53.369
like he was very cautious. He was worried about,

00:22:53.549 --> 00:22:56.029
because I guess this is coming off the back of

00:22:56.029 --> 00:22:58.369
the TV movie where in the first like 30 seconds

00:22:58.369 --> 00:23:01.750
you get like a Wikipedia article about the Doctor

00:23:01.750 --> 00:23:03.789
and the Master and the Daleks and that opening

00:23:03.789 --> 00:23:07.190
narration. And I felt like I imagine that was

00:23:07.190 --> 00:23:08.990
at the back of his mind when he's writing Rose

00:23:08.990 --> 00:23:10.829
and thinking about those first couple of seasons

00:23:10.829 --> 00:23:15.670
to not do that and to very consciously and carefully

00:23:15.670 --> 00:23:18.069
introduce things in a way that makes sense to

00:23:18.069 --> 00:23:23.130
new people. which there's definitely been a shift

00:23:23.130 --> 00:23:26.150
in over 20 years of New Doctor Who now. Like

00:23:26.150 --> 00:23:29.769
you say, we had Sutec in Series 1, which still

00:23:29.769 --> 00:23:32.970
kind of strikes me as mad. We got a special edition

00:23:32.970 --> 00:23:38.809
of Pyramids out of it, which is fantastic. So,

00:23:38.990 --> 00:23:46.769
yeah, it's good that we are able to now go back

00:23:46.769 --> 00:23:51.980
to stuff a little bit more. I guess. And if certain

00:23:51.980 --> 00:23:55.259
rumours about Mrs. Flood are true, we're going

00:23:55.259 --> 00:23:57.000
to be doing something similar to that again.

00:23:58.480 --> 00:24:01.920
So I'll sort of hang a very tentative spoiler

00:24:01.920 --> 00:24:06.640
warning before I start discussing this. But there's

00:24:06.640 --> 00:24:11.500
rumours out there that she is somehow is or is

00:24:11.500 --> 00:24:14.440
linked to or is bi -generated from or whatever

00:24:14.440 --> 00:24:18.779
you want, the Rani. Now, okay, we've had 17 million

00:24:18.779 --> 00:24:25.859
Rani rumours since 2005, but there's obviously

00:24:25.859 --> 00:24:32.720
something... I don't know. This one feels like

00:24:32.720 --> 00:24:35.700
it's a little bit more serious. This one doesn't

00:24:35.700 --> 00:24:39.440
feel like it's as tongue -in -cheek as everything

00:24:39.440 --> 00:24:43.079
else. I sort of hope, I really hope not, unless

00:24:43.079 --> 00:24:46.799
it's for a couple of reasons. I just don't get,

00:24:46.920 --> 00:24:51.400
maybe she's like fob watched and chameleon arched

00:24:51.400 --> 00:24:54.180
or something, but I don't get that vibe at all

00:24:54.180 --> 00:24:57.779
from Mrs. Flood. And maybe it's a thing of like,

00:24:57.900 --> 00:25:00.460
sometimes Time Lords personalities do change

00:25:00.460 --> 00:25:04.539
in incarnations. But, and also the other reason

00:25:04.539 --> 00:25:07.960
is, again, we've got eight episodes and to tell

00:25:07.960 --> 00:25:13.240
like a really sort of interesting story about.

00:25:13.640 --> 00:25:16.039
Belinda and whatever's going on with her and

00:25:16.039 --> 00:25:19.880
I just feel like it sort of takes a lot of air

00:25:19.880 --> 00:25:22.859
time and space away if you introduce this big

00:25:22.859 --> 00:25:28.460
classic series character from decades ago and

00:25:28.460 --> 00:25:32.359
maybe they've sort of given up on like making

00:25:32.359 --> 00:25:35.920
it that 2005 approach of just working for a fresh

00:25:35.920 --> 00:25:39.640
audience but yeah like how well does it work

00:25:39.640 --> 00:25:44.319
to have like Sutec and Durrani as your big big

00:25:44.319 --> 00:25:47.559
villains like Amo gives the other rumour isn't

00:25:47.559 --> 00:25:52.599
it that alongside the Rani same with him that

00:25:52.599 --> 00:25:57.660
feels like something that Big Finish or possibly

00:25:57.660 --> 00:26:01.299
the books should be doing and the TV series especially

00:26:01.299 --> 00:26:03.799
if it's meant to be this fresh new era with a

00:26:03.799 --> 00:26:07.900
big international audience should possibly be

00:26:07.900 --> 00:26:14.150
doing something new I mean I'd have to debate

00:26:14.150 --> 00:26:16.109
something you said there, actually, which is

00:26:16.109 --> 00:26:18.470
the Rani's a big villain. The Rani is not a big

00:26:18.470 --> 00:26:21.769
villain. You know, the Rani is not the Daleks,

00:26:21.789 --> 00:26:25.170
the Master, Cybermen, even Sontar and that kind

00:26:25.170 --> 00:26:29.069
of thing. The Rani popped up in two stories.

00:26:30.410 --> 00:26:34.609
Dimensions and times, technically. Two stories

00:26:34.609 --> 00:26:39.250
and a charity special in arguably the most obscure.

00:26:40.620 --> 00:26:46.019
eras of the classic show um couple of big finishes

00:26:46.019 --> 00:26:51.700
since and it's just sort of like the rani as

00:26:51.700 --> 00:26:54.500
a character as a concept i suppose is quite interesting

00:26:54.500 --> 00:27:00.680
sort of the ethics free ends justify the means

00:27:00.680 --> 00:27:04.500
scientific it's like a different take on a villain

00:27:04.500 --> 00:27:07.480
titled Yeah, like the Rani serves a purpose.

00:27:07.539 --> 00:27:10.559
The Rani does something specific. I don't see

00:27:10.559 --> 00:27:13.819
what the Rani would be doing knocking about in,

00:27:13.920 --> 00:27:18.680
you know, this time where the Pantheon gods,

00:27:19.039 --> 00:27:21.599
Sutex, Toymakers, whatever, are kind of creeping

00:27:21.599 --> 00:27:24.460
into our universe. The Rani does not fit into

00:27:24.460 --> 00:27:30.859
that. That's not the Rani's MO. Not at all. in

00:27:30.859 --> 00:27:33.339
the finale to series one the way that mrs flood

00:27:33.339 --> 00:27:36.339
is talking just before she's dusted is like she's

00:27:36.339 --> 00:27:39.740
talking as though she is some power like on a

00:27:39.740 --> 00:27:44.039
level with the gods or is a god herself um and

00:27:44.039 --> 00:27:48.240
yeah the rani is very you know might be egotistical

00:27:48.240 --> 00:27:50.079
or arrogant but doesn't feel like the kind of

00:27:50.079 --> 00:27:52.180
thing that she would it doesn't feel like the

00:27:52.180 --> 00:27:53.859
way that she would talk about herself she's a

00:27:53.859 --> 00:27:57.200
scientist like how is she suddenly talking like

00:27:57.200 --> 00:28:04.329
some sort of mythical superpower. Yeah. If you've

00:28:04.329 --> 00:28:08.170
got a good sort of slightly mad scientist story

00:28:08.170 --> 00:28:10.950
to tell, use the Rani. It makes perfect sense.

00:28:11.289 --> 00:28:16.990
But if you are messing about with gods and superior

00:28:16.990 --> 00:28:20.950
beings and all this kind of thing, no, doesn't

00:28:20.950 --> 00:28:25.450
make any sense. I can see the Master kind of

00:28:25.450 --> 00:28:27.869
having something to do with it. The Master's

00:28:27.869 --> 00:28:30.849
gone after godlike creatures before, think like

00:28:30.849 --> 00:28:33.710
the demons or the time monster, that kind of

00:28:33.710 --> 00:28:36.289
thing. Yeah, that would make more sense. Yeah,

00:28:36.329 --> 00:28:41.430
it's not around anything. I do hope that rumour

00:28:41.430 --> 00:28:44.829
is absolute bobbins, but if it turns out to be

00:28:44.829 --> 00:28:49.869
sort of anything at all, I hope it's done well

00:28:49.869 --> 00:28:52.109
and I hope it's done for a reason and I hope

00:28:52.109 --> 00:28:57.299
it's not. Here's the next. level of significant

00:28:57.299 --> 00:29:00.240
villain that we can think of because we've brought

00:29:00.240 --> 00:29:03.680
everything else back tune in for series three

00:29:03.680 --> 00:29:09.000
where we're digging sill or you know yeah we've

00:29:09.000 --> 00:29:12.079
had all the classic big bads now we haven't really

00:29:12.079 --> 00:29:17.539
yeah we haven't really got any big classic series

00:29:17.539 --> 00:29:22.779
villains worth bringing back i think what Russell

00:29:22.779 --> 00:29:25.180
Tudavis talked about using the Toymaker in the

00:29:25.180 --> 00:29:27.700
recent specials and how it wasn't originally

00:29:27.700 --> 00:29:30.440
the Toymaker and then he was writing it and then

00:29:30.440 --> 00:29:32.480
he thought, OK, well, this might as well be the

00:29:32.480 --> 00:29:36.279
Toymaker because he's close enough to this threat

00:29:36.279 --> 00:29:39.319
that I'm putting in this story. That makes complete

00:29:39.319 --> 00:29:41.980
sense to me. It's like you were saying, if you've

00:29:41.980 --> 00:29:44.460
got a story where it's a scientist character,

00:29:44.579 --> 00:29:49.099
that might as well be the Rani. But it's like...

00:29:49.500 --> 00:29:54.299
It's when it kind of feels a bit more out of

00:29:54.299 --> 00:30:00.299
place or doesn't fit with the story in isolation.

00:30:01.180 --> 00:30:04.299
And again, the comparison we made in the retrospective

00:30:04.299 --> 00:30:08.500
was the reveal of Sutec feeling a bit out of

00:30:08.500 --> 00:30:10.799
nowhere and a bit overblown if you're just watching

00:30:10.799 --> 00:30:15.619
that series of TV. Whereas if you watch Series

00:30:15.619 --> 00:30:19.660
3 and Utopia and the Masters reveal... There's

00:30:19.660 --> 00:30:24.119
enough seeded in those episodes in that season

00:30:24.119 --> 00:30:27.400
with the fob watch, with mentions of Gallifrey,

00:30:27.559 --> 00:30:32.160
with all of that in that same series of TV that

00:30:32.160 --> 00:30:34.819
you get the significance of that reveal when

00:30:34.819 --> 00:30:38.000
the master opens the fob watch. And that's like

00:30:38.000 --> 00:30:40.259
the big difference for me. Like it works in isolation

00:30:40.259 --> 00:30:44.099
as a story and has an extra layer if you've watched

00:30:44.099 --> 00:30:49.920
50 years of the show before it. They obviously

00:30:49.920 --> 00:30:53.819
knew SUTEC was a bit of a bizarre reveal because

00:30:53.819 --> 00:30:56.059
they went, by the way, if you don't know who

00:30:56.059 --> 00:30:59.079
SUTEC is, we've got a 15 -year -old Doctor Who

00:30:59.079 --> 00:31:01.700
story that we've stuck a bit of CGI on for you

00:31:01.700 --> 00:31:04.420
airing on Thursday night. Give that a watch.

00:31:05.779 --> 00:31:08.079
Which, you know, again, great. I think it's absolutely

00:31:08.079 --> 00:31:10.779
great that we got that Tales from the TARDIS

00:31:10.779 --> 00:31:13.099
and that they did film new stuff for it and we

00:31:13.099 --> 00:31:17.400
do have this shiny. very actually tightly edited

00:31:17.400 --> 00:31:20.900
um and well cgi version of pyramid to mars i'm

00:31:20.900 --> 00:31:25.619
really happy that exists but it was kind of sort

00:31:25.619 --> 00:31:28.200
of going to probably a good chunk of the audience

00:31:28.200 --> 00:31:31.000
yeah we know you don't know what's going on but

00:31:31.000 --> 00:31:33.660
have a look at this spend 20 minutes sorry spend

00:31:33.660 --> 00:31:36.940
90 minutes looking at this and you'll you'll

00:31:36.940 --> 00:31:41.019
you'll get it you'll figure out I like the idea

00:31:41.019 --> 00:31:43.539
of the colourisations and the cut -downs and

00:31:43.539 --> 00:31:45.640
Tales from the TARDIS and making the most of

00:31:45.640 --> 00:31:49.140
the back catalogue, but just not at the expense

00:31:49.140 --> 00:31:52.599
of telling a coherent story in the new current

00:31:52.599 --> 00:31:57.240
flagship show. It's just dawned on me that in

00:31:57.240 --> 00:31:59.920
seven weeks' time we could be talking about a

00:31:59.920 --> 00:32:03.220
brand -new edited 75 -minute CGI'd -up version

00:32:03.220 --> 00:32:09.730
of Time and the Rami. Oh, no. Don't do it. Dimensions

00:32:09.730 --> 00:32:11.869
of Time would be the bigger story, wouldn't it,

00:32:11.869 --> 00:32:14.450
given the rights issues with that. Oh, yeah.

00:32:14.869 --> 00:32:17.609
That would be pretty exciting to have a lost

00:32:17.609 --> 00:32:20.829
story returned to the archive. Just Russell T.

00:32:20.849 --> 00:32:22.930
Davis going, well, I did say all of the back

00:32:22.930 --> 00:32:28.049
catalogue. So Dimensions of Time returns to iPlayer

00:32:28.049 --> 00:32:33.009
before an unearthly child. Yes. As it should

00:32:33.009 --> 00:32:37.440
be. No, no, not as it should be. Anyway, yeah,

00:32:37.539 --> 00:32:40.299
the whole Mrs. Flood thing is very interesting

00:32:40.299 --> 00:32:43.839
and I genuinely can't believe that I've sort

00:32:43.839 --> 00:32:47.299
of semi -seriously discussed the Rani on a podcast

00:32:47.299 --> 00:32:50.779
that anybody can listen to as part of this thing

00:32:50.779 --> 00:32:53.039
because it's just so damn ridiculous. It's going

00:32:53.039 --> 00:32:55.779
to be some sort of reveal, but some sort of thing

00:32:55.779 --> 00:32:57.740
that's meant to make us go, oh, it was them all

00:32:57.740 --> 00:33:00.920
along. But I hope it's something like it's not

00:33:00.920 --> 00:33:05.640
the Rani or Davros. I hope it's like... I think

00:33:05.640 --> 00:33:07.559
the compromise is something like it's the Doctor's

00:33:07.559 --> 00:33:11.079
mother or it's like someone of personal significance

00:33:11.079 --> 00:33:15.160
to the Doctor's history and it tells, it furthers

00:33:15.160 --> 00:33:18.380
the story about who the Doctor is and where they've

00:33:18.380 --> 00:33:20.259
come from and these threads about the timeless

00:33:20.259 --> 00:33:23.099
child that have been dropped in over the last

00:33:23.099 --> 00:33:27.559
13 episodes. That could potentially work for

00:33:27.559 --> 00:33:30.779
me. There's other sort of relatively obscure

00:33:30.779 --> 00:33:34.599
villains that I'd rather it be. be like i mentioned

00:33:34.599 --> 00:33:40.160
i think it was after um after the giggle i think

00:33:40.160 --> 00:33:42.440
it was in the like the sort of episode we did

00:33:42.440 --> 00:33:45.339
covering that i mentioned that if we're doing

00:33:45.339 --> 00:33:48.900
gods and if we're doing you know the pantheon

00:33:48.900 --> 00:33:52.240
and all that kind of thing let's do fenric like

00:33:52.240 --> 00:33:55.319
fenric is an actual god that the seventh thought

00:33:55.319 --> 00:33:58.440
to battle you know interesting character wasn't

00:33:59.519 --> 00:34:02.299
You know, let's do something with that. And I

00:34:02.299 --> 00:34:04.220
still think that that would be a very interesting,

00:34:04.339 --> 00:34:06.099
you know, big finish brought about Fenric. And

00:34:06.099 --> 00:34:09.280
it was the culmination of an absolutely fantastic

00:34:09.280 --> 00:34:12.960
storyline and an absolutely fantastic storyline

00:34:12.960 --> 00:34:15.960
that's not too different to the approach the

00:34:15.960 --> 00:34:19.920
TV series is taking now. Yeah, I feel like Fenric

00:34:19.920 --> 00:34:22.719
should be mentioned or pop up at some point if

00:34:22.719 --> 00:34:25.340
they're doing a big arc about gods and monsters.

00:34:25.420 --> 00:34:32.179
But Mrs. Flood. I don't even know if she feels

00:34:32.179 --> 00:34:35.019
like she's going to be revealed as a straight

00:34:35.019 --> 00:34:37.460
-up villain to me. It feels like she could be

00:34:37.460 --> 00:34:41.980
some super powerful force that is for some reason

00:34:41.980 --> 00:34:44.860
in opposition with the Doctor or in conflict

00:34:44.860 --> 00:34:48.239
with the Doctor over something, but not an out

00:34:48.239 --> 00:34:53.840
-and -out scenery -chewing villain. They both

00:34:53.840 --> 00:34:57.289
want to stop the big bad butt. She's more ends

00:34:57.289 --> 00:34:59.510
justify the means, that kind of thing. Yeah,

00:34:59.510 --> 00:35:03.849
something like that. Yeah, I think that's how

00:35:03.849 --> 00:35:06.010
I would like, at this point, I think that's how

00:35:06.010 --> 00:35:09.269
it would like to turn out. But I think that there's

00:35:09.269 --> 00:35:12.449
going to be something, there's going to be some

00:35:12.449 --> 00:35:15.230
kind of twist or whatever that sort of we didn't

00:35:15.230 --> 00:35:18.809
see coming. At the end. At the end. I was trying

00:35:18.809 --> 00:35:24.559
to avoid saying that. Okay, well, let's switch

00:35:24.559 --> 00:35:27.219
back to the robot revolution and let's talk about

00:35:27.219 --> 00:35:29.119
the Doctor in the episode. We've talked quite

00:35:29.119 --> 00:35:30.900
a bit about Belinda. We've not really talked

00:35:30.900 --> 00:35:35.099
about the Doctor. Can't say I noticed any sort

00:35:35.099 --> 00:35:39.539
of significant changes between the Doctor we've

00:35:39.539 --> 00:35:41.699
seen before and the Doctor we've got here. And

00:35:41.699 --> 00:35:46.199
I mention this because I have... often argued,

00:35:46.300 --> 00:35:48.019
it's not always the case, but I've often argued

00:35:48.019 --> 00:35:51.820
that a new Doctor's first series is their weakest

00:35:51.820 --> 00:35:57.280
and we see some fairly significant level of performance

00:35:57.280 --> 00:35:59.679
change between the first and second seasons.

00:35:59.800 --> 00:36:04.300
I think this is the case with most Doctors. Whereas

00:36:04.300 --> 00:36:08.019
this seemed to just be picking up where we were

00:36:08.019 --> 00:36:12.679
before. We've still got a very emotional Doctor,

00:36:12.880 --> 00:36:15.050
we've still got... you know, he's still quite

00:36:15.050 --> 00:36:17.929
excitable. I quite like his enthusiasm around,

00:36:18.110 --> 00:36:20.150
okay, Belinda, you're my new companion now, let's

00:36:20.150 --> 00:36:22.710
go traveling. And she's like, no, not doing that.

00:36:22.889 --> 00:36:26.349
And sort of in his enthusiasm, he has, he's sort

00:36:26.349 --> 00:36:28.309
of crossed a couple of lines. He's crossed a

00:36:28.309 --> 00:36:32.010
couple of boundaries. And I quite liked him getting

00:36:32.010 --> 00:36:34.269
the telling off about the DNA test and that kind

00:36:34.269 --> 00:36:38.489
of thing. So maybe, yeah, a slightly sort of

00:36:38.489 --> 00:36:43.929
more alien. version of this Doctor, perhaps one

00:36:43.929 --> 00:36:48.710
that crosses a line a little bit more, but it

00:36:48.710 --> 00:36:50.789
was very similar. The performance was very much

00:36:50.789 --> 00:36:52.929
the same, I think. Not that I'm complaining.

00:36:53.090 --> 00:36:56.150
I really, really enjoyed Shooty's performance

00:36:56.150 --> 00:36:59.349
of the Doctor, and I do think that he has more

00:36:59.349 --> 00:37:03.570
or less got it right since day one. But yeah,

00:37:03.769 --> 00:37:07.989
I felt as though the tears were earned this time.

00:37:08.070 --> 00:37:09.829
I felt as though it actually worked with the

00:37:09.829 --> 00:37:13.489
episode. you know the doctor had just lost like

00:37:13.489 --> 00:37:17.250
i say someone who's hinted at being sort of a

00:37:17.250 --> 00:37:20.769
pseudo companion for the six months leading up

00:37:20.769 --> 00:37:22.929
to the events there it's pretty telegraphed it

00:37:22.929 --> 00:37:25.590
was like very much like you know uh three days

00:37:25.590 --> 00:37:29.130
away from retirement kind of moment when she

00:37:29.130 --> 00:37:31.710
says like just before she dies when she talks

00:37:31.710 --> 00:37:35.469
about going off with him in the tardis afterwards

00:37:35.469 --> 00:37:41.099
yeah But the bit you mentioned where he gets

00:37:41.099 --> 00:37:44.460
told off, that for me was the newest, most interesting

00:37:44.460 --> 00:37:49.880
bit for the Doctor's character. And it kind of

00:37:49.880 --> 00:37:52.800
built a bit on... Because I think we saw a very

00:37:52.800 --> 00:37:54.619
different side to him in that moment in Joy to

00:37:54.619 --> 00:37:57.719
the World when he's... It's almost that Curse

00:37:57.719 --> 00:38:01.219
of Fenric moment when he's pushing Joy and deliberately

00:38:01.219 --> 00:38:06.619
upsetting her and provoking emotions in her.

00:38:07.730 --> 00:38:10.869
And then in this scene, in this episode where

00:38:10.869 --> 00:38:14.570
Belinda challenges him or tells him off about

00:38:14.570 --> 00:38:19.210
the DNA sample, on the surface he apologises,

00:38:19.230 --> 00:38:22.010
but actually from both of them, I think there's

00:38:22.010 --> 00:38:25.710
really, really interesting stuff going on under

00:38:25.710 --> 00:38:28.570
the surface in both of their performances where

00:38:28.570 --> 00:38:30.949
he's saying sorry, but there's something in his

00:38:30.949 --> 00:38:33.010
eyes and just something about the body language

00:38:33.010 --> 00:38:36.840
that tells me, oh, he's a bit... he's a bit thrown

00:38:36.840 --> 00:38:40.179
or even a bit pissed off about about his his

00:38:40.179 --> 00:38:43.860
charm not working on uh a young female companion

00:38:43.860 --> 00:38:47.139
in the way that it normally does and i don't

00:38:47.139 --> 00:38:48.780
know there's something between them that goes

00:38:48.780 --> 00:38:51.239
beyond like you've done something wrong okay

00:38:51.239 --> 00:38:54.559
i've apologized for it and like from her size

00:38:54.559 --> 00:38:59.500
when he apologized i don't know if she i don't

00:38:59.500 --> 00:39:02.039
think i don't think she's she completely trusts

00:39:02.039 --> 00:39:06.309
it or trusts him And I'm really curious how they

00:39:06.309 --> 00:39:11.030
get from this point of being a bit like this

00:39:11.030 --> 00:39:14.030
point in their relationship to where they are

00:39:14.030 --> 00:39:16.429
in Lux in the next episode, because from the

00:39:16.429 --> 00:39:19.550
little clips we've seen, they seem really like

00:39:19.550 --> 00:39:24.070
on good terms. Are we going to get another six

00:39:24.070 --> 00:39:27.449
month time jump where they've been traveling

00:39:27.449 --> 00:39:29.789
around the universe for six months? But anyway,

00:39:29.829 --> 00:39:32.349
in terms of. The Doctor's character. I thought

00:39:32.349 --> 00:39:36.829
that was really, really interesting. And it's

00:39:36.829 --> 00:39:38.530
an interesting comparison with the main villain

00:39:38.530 --> 00:39:42.090
of this episode because there's the whole incels

00:39:42.090 --> 00:39:46.590
thing, which I think works for what it is, but

00:39:46.590 --> 00:39:49.110
it's not the most subtle approach to that subject.

00:39:49.889 --> 00:39:53.110
And the villain's performance, both in his pre

00:39:53.110 --> 00:39:57.570
-robot and post -robot form, neither of those,

00:39:57.670 --> 00:40:01.239
I think, are the most subtle. performances um

00:40:01.239 --> 00:40:05.320
but then you have that yeah that was the most

00:40:05.320 --> 00:40:07.059
interesting scene of the whole episode for me

00:40:07.059 --> 00:40:11.179
that that moment at the end where there's it

00:40:11.179 --> 00:40:13.159
is really interesting and layered like what's

00:40:13.159 --> 00:40:15.000
going on between the doctor and his companion

00:40:15.000 --> 00:40:19.400
and again so different from the typical template

00:40:19.400 --> 00:40:24.960
from like rose or even further back where the

00:40:24.960 --> 00:40:26.659
two of them instantly get on together and they

00:40:26.659 --> 00:40:29.190
fly off and just straight away having adventures.

00:40:31.789 --> 00:40:36.070
Yeah, I think it's good to have that sort of,

00:40:36.070 --> 00:40:39.909
that level of doubt in a companion. And I do

00:40:39.909 --> 00:40:41.750
hope that, you know, the Doctor does sort of

00:40:41.750 --> 00:40:45.329
get challenged in a similar way as the series

00:40:45.329 --> 00:40:48.730
goes on. You know, I hope this does become not

00:40:48.730 --> 00:40:51.349
an overriding thing, but, you know, we've done

00:40:51.349 --> 00:40:55.170
Is the Doctor a Good Man before to various levels

00:40:55.170 --> 00:40:58.800
of effectiveness. We've had the Doctor travelling

00:40:58.800 --> 00:41:01.099
with people that he's not necessarily wanted

00:41:01.099 --> 00:41:03.320
to travel with. He took the Tenth Doctor a little

00:41:03.320 --> 00:41:08.460
while to warm to Martha. But this is the first

00:41:08.460 --> 00:41:13.300
time certainly New Who has kind of done a companion

00:41:13.300 --> 00:41:15.940
that doesn't particularly want to be there. And

00:41:15.940 --> 00:41:20.840
it's good. I'm glad we're exploring that. It

00:41:20.840 --> 00:41:23.099
obviously all ties into part of the storyline

00:41:23.099 --> 00:41:26.159
and that kind of thing. There's a reason he can't

00:41:26.159 --> 00:41:29.289
get a home. which is a mystery that will no doubt

00:41:29.289 --> 00:41:36.949
be solved as we go on. But it's also an opportunity,

00:41:36.949 --> 00:41:39.530
and I kind of hope we take the opportunity. Like

00:41:39.530 --> 00:41:41.550
I say, I hope it doesn't sort of dominate an

00:41:41.550 --> 00:41:43.469
entire episode or something like that, but I

00:41:43.469 --> 00:41:46.269
hope there is just that moment of the Doctor

00:41:46.269 --> 00:41:50.150
being called out again, because it does certainly

00:41:50.150 --> 00:41:55.539
seem that this Doctor is driven by... slightly

00:41:55.539 --> 00:41:58.039
childish enthusiasm, an immature enthusiasm,

00:41:58.260 --> 00:42:03.480
let's say. And that's the sort of flaw that's

00:42:03.480 --> 00:42:06.000
built into the character and therefore what we

00:42:06.000 --> 00:42:08.099
should be exploring. And the opportunity for

00:42:08.099 --> 00:42:13.679
that is now clearly set up. Also the planet of

00:42:13.679 --> 00:42:17.199
the incels thing, which I liked. I liked that

00:42:17.199 --> 00:42:19.719
that's sort of where the episode came from and

00:42:19.719 --> 00:42:25.719
where the villain came from. But I don't think

00:42:25.719 --> 00:42:27.920
we needed the line. I think the Planet of the

00:42:27.920 --> 00:42:30.619
Incels line was just a little bit too much. Like,

00:42:30.619 --> 00:42:33.400
we'd all got it. Everyone watching it had completely

00:42:33.400 --> 00:42:37.840
got it. And that line just felt a little bit

00:42:37.840 --> 00:42:40.980
too sledgehammery, a little bit too unnatural.

00:42:41.280 --> 00:42:43.239
It's a good idea. You know, it's a really good

00:42:43.239 --> 00:42:45.800
idea. It's absolutely something that Doctor Who

00:42:45.800 --> 00:42:51.320
should be exploring in 2025. But, yeah, I just

00:42:51.320 --> 00:42:55.300
felt as though... there was a level of subtlety

00:42:55.300 --> 00:42:58.739
that could have been used there that wasn't.

00:42:58.739 --> 00:43:01.820
And it's kind of, we've used that subtlety or

00:43:01.820 --> 00:43:03.920
will use that subtlety in the TARDIS five minutes

00:43:03.920 --> 00:43:06.360
later. So can we not use that subtlety again

00:43:06.360 --> 00:43:08.820
beforehand? I don't know. It's fairly on the

00:43:08.820 --> 00:43:12.800
nose, but I feel like it's partly, well, there's

00:43:12.800 --> 00:43:18.480
a couple of things like, you know, whatever the

00:43:18.480 --> 00:43:20.619
distribution of the audience is these days. So

00:43:20.619 --> 00:43:23.139
Doctor Who is in theory a show for like a very,

00:43:23.449 --> 00:43:26.389
broad range of people so there might be that

00:43:26.389 --> 00:43:30.250
element of yeah we we all got it but would you

00:43:30.250 --> 00:43:32.849
know is there those you know to the young teenage

00:43:32.849 --> 00:43:36.590
audience or like this is that group in between

00:43:36.590 --> 00:43:38.250
where it does need to be spilled spelled out

00:43:38.250 --> 00:43:40.670
a little bit more um maybe not you know maybe

00:43:40.670 --> 00:43:42.949
they are more than capable of getting it without

00:43:42.949 --> 00:43:46.110
it being spelled out but also i think it's it's

00:43:46.110 --> 00:43:49.690
partly russell t davis's style he's he's really

00:43:49.690 --> 00:43:53.639
really good with character and dialogue i think

00:43:53.639 --> 00:43:56.320
but he does also have like quite an on -the -nose

00:43:56.320 --> 00:43:59.519
style to like um even in his more serious dramas

00:43:59.519 --> 00:44:01.800
you'll have like moments where things are kind

00:44:01.800 --> 00:44:04.320
of just spelled out in in black and white in

00:44:04.320 --> 00:44:07.420
that way but then you also have like sort of

00:44:07.420 --> 00:44:09.940
interesting character work and stories going

00:44:09.940 --> 00:44:16.579
on around it yeah and it's i guess so again you

00:44:16.579 --> 00:44:19.599
know it's not something i can specifically aim

00:44:19.599 --> 00:44:21.099
at this episode. It's something that happens

00:44:21.099 --> 00:44:22.860
a lot and it's something that other writers do.

00:44:23.840 --> 00:44:27.940
I just thought maybe, you know, there was room

00:44:27.940 --> 00:44:31.159
for more clearly signposted subtext than the

00:44:31.159 --> 00:44:36.460
actual, the line, as it were. But, you know,

00:44:36.480 --> 00:44:38.420
it certainly didn't stop me from enjoying the

00:44:38.420 --> 00:44:41.639
episode. And like I say, I thought it was a really

00:44:41.639 --> 00:44:44.639
interesting direction to go and the kind of direction

00:44:44.639 --> 00:44:48.219
Doctor Who should be going. um more significantly

00:44:48.219 --> 00:44:51.280
which is you know what what the cast have said

00:44:51.280 --> 00:44:54.500
is what russell t davis has said so everyone

00:44:54.500 --> 00:45:00.880
seems to be on the same page at least um so we've

00:45:00.880 --> 00:45:03.719
we've kind of we've kind of had a few things

00:45:03.719 --> 00:45:06.460
left hanging obviously we've mentioned belinda

00:45:06.460 --> 00:45:10.139
wanting to get home um and not being able to

00:45:10.139 --> 00:45:11.940
but there was that sort of last shot as well

00:45:11.940 --> 00:45:15.949
that kind of heavily implied that the Earth had

00:45:15.949 --> 00:45:19.150
been destroyed because we've got an Eiffel Tower

00:45:19.150 --> 00:45:21.989
and the Statue of Liberty floating next to each

00:45:21.989 --> 00:45:27.409
other in space. What are the odds? So that's

00:45:27.409 --> 00:45:31.409
kind of obviously what the big hook of this series

00:45:31.409 --> 00:45:34.190
is going to be. By the end of Episode 8, we're

00:45:34.190 --> 00:45:36.650
going to find out how the Earth didn't get destroyed

00:45:36.650 --> 00:45:40.050
or how it didn't then got rebooted. We've done

00:45:40.050 --> 00:45:41.909
this before. We've definitely done this before.

00:45:44.579 --> 00:45:48.199
But it's, I don't know, is it a good setup? Is

00:45:48.199 --> 00:45:52.739
it a good mystery? We've had the Earth gets destroyed

00:45:52.739 --> 00:45:56.960
on this specific date before a few times, and

00:45:56.960 --> 00:45:59.679
I'm just kind of thinking, is that where we're

00:45:59.679 --> 00:46:02.300
going again? Is that indeed where we're going?

00:46:02.420 --> 00:46:06.960
Because the name of the final episode is the

00:46:06.960 --> 00:46:12.250
reality war, something like that. And you just

00:46:12.250 --> 00:46:16.269
sort of think, well, is that what we're approaching?

00:46:16.590 --> 00:46:18.889
Are we, the Doctor, slipped into another reality

00:46:18.889 --> 00:46:22.949
here or all that kind of thing? Feels a bit MCU.

00:46:23.889 --> 00:46:26.170
Let's get that one out of the way nice and quickly.

00:46:26.389 --> 00:46:28.849
It feels like it's doing what the MCU's been

00:46:28.849 --> 00:46:32.030
doing for the last few years. But Doctor Who's

00:46:32.030 --> 00:46:34.489
going to be doing it in eight episodes. Even

00:46:34.489 --> 00:46:37.869
down to the titles of the two final episodes.

00:46:40.360 --> 00:46:44.300
Or is it Wish? What's the second last one? Called

00:46:44.300 --> 00:46:48.820
Wish World. And then The Reality War. So, yeah,

00:46:48.860 --> 00:46:50.840
when I heard those titles, that immediately made

00:46:50.840 --> 00:46:56.980
me think of Battle World and Infinity War and

00:46:56.980 --> 00:47:00.940
Secret Wars. So, yeah, it's even sort of aping

00:47:00.940 --> 00:47:03.659
that Marvel style of what you call the stories.

00:47:03.960 --> 00:47:09.929
But I think, like, even before... Was it... When

00:47:09.929 --> 00:47:14.329
was it? I remember at some point before this

00:47:14.329 --> 00:47:17.510
recent comeback, Russell Davis was talking about

00:47:17.510 --> 00:47:20.889
the MCU and how that's what Doctor Who should

00:47:20.889 --> 00:47:25.050
mimic in terms of different franchises and spin

00:47:25.050 --> 00:47:28.929
-offs and having a whole universe. We've had

00:47:28.929 --> 00:47:31.389
that branding for this last couple of years,

00:47:31.429 --> 00:47:33.369
the Who -niverse, which seems very much about

00:47:33.369 --> 00:47:37.050
that, about trying to move. Doctor Who towards

00:47:37.050 --> 00:47:43.650
this big interconnected universe and there's

00:47:43.650 --> 00:47:48.949
bits of that that I like but like yeah it should

00:47:48.949 --> 00:47:52.349
also not just ape something else that is successful

00:47:52.349 --> 00:47:56.510
like it should I think also just carry on doing

00:47:56.510 --> 00:48:01.489
its own thing to an extent like the the Who universe

00:48:01.489 --> 00:48:06.300
that we had with Doctor Who Sarah Jane and Torchwood

00:48:06.300 --> 00:48:11.199
that for me was kind of the ideal level of franchise

00:48:11.199 --> 00:48:14.300
-iness for Doctor Who where you've got like the

00:48:14.300 --> 00:48:17.800
three different shows aimed at different demographics

00:48:17.800 --> 00:48:22.619
and each each having a distinct tone um I don't

00:48:22.619 --> 00:48:25.860
know if we want to go even you know even if like

00:48:25.860 --> 00:48:28.940
budget and production weren't an issue I don't

00:48:28.940 --> 00:48:30.840
think you want to go much further than that in

00:48:30.840 --> 00:48:34.079
expanding out loads of other spin -off shows

00:48:34.079 --> 00:48:40.159
and bits and pieces. And we have still got Big

00:48:40.159 --> 00:48:43.440
Finish as well, which, you know, Big Finish has

00:48:43.440 --> 00:48:47.599
kind of had that box ticked for a good 15 years

00:48:47.599 --> 00:48:50.119
now. You know, it's been regularly producing

00:48:50.119 --> 00:48:56.059
so many spin -offs per month. And that might

00:48:56.059 --> 00:48:59.760
be why we're sort of less excited about Sutec

00:48:59.760 --> 00:49:05.340
or the Rani on TV is because... We've seen pretty

00:49:05.340 --> 00:49:08.219
much every other, you know, it's like every other

00:49:08.219 --> 00:49:11.599
month there'll be some big 70s villain coming

00:49:11.599 --> 00:49:15.239
back in a book set. But we've had Bilal come

00:49:15.239 --> 00:49:21.000
back. You know, it's, it has, yeah, it feels

00:49:21.000 --> 00:49:27.059
as though as a, sort of in quotation marks, this

00:49:27.059 --> 00:49:29.460
is, I guess, as an old school Doctor Who fan,

00:49:29.599 --> 00:49:33.280
I feel very, very... very well catered for and

00:49:33.280 --> 00:49:36.380
have done for a very, very long time because

00:49:36.380 --> 00:49:38.340
of not just Big Finish, you know, there's books

00:49:38.340 --> 00:49:40.159
as well and there's comics and all that kind

00:49:40.159 --> 00:49:44.119
of thing. And I haven't missed the Daleks on

00:49:44.119 --> 00:49:48.460
TV at all because I've had so much of them on

00:49:48.460 --> 00:49:52.260
audio that I haven't even noticed their absence

00:49:52.260 --> 00:49:58.420
last year and this year so far. Yeah, I do hope

00:49:58.420 --> 00:50:00.449
Shooter gets to meet them. I think it would be

00:50:00.449 --> 00:50:02.769
a real shame. Just for the sake, yeah, for ticking

00:50:02.769 --> 00:50:08.929
off the list. Every doctor should meet Daleks,

00:50:09.070 --> 00:50:12.449
should meet Cybermen, should meet the Master,

00:50:12.469 --> 00:50:14.730
arguably. And I know there's exceptions, but

00:50:14.730 --> 00:50:20.429
that feels like three reasonable boxes to want

00:50:20.429 --> 00:50:26.969
to have ticked off. But, you know, your mileage

00:50:26.969 --> 00:50:29.949
may vary on that. There's definitely a sense

00:50:29.949 --> 00:50:34.409
of Dalek fatigue, I think. Yeah, even just on

00:50:34.409 --> 00:50:37.849
TV, and then if you take all of the audios into

00:50:37.849 --> 00:50:42.389
account, there must be in the hundreds now of

00:50:42.389 --> 00:50:46.590
stories, if you count each episode of Dalek Empire

00:50:46.590 --> 00:50:49.809
and all of those. Yeah. Must be well over 100

00:50:49.809 --> 00:50:54.849
Dalek stories. Oh, yeah, must be, easily. But

00:50:54.849 --> 00:50:57.789
that's the nature of it. They're a fantastic

00:50:57.789 --> 00:51:00.329
creation and they are a significant part of the

00:51:00.329 --> 00:51:03.809
Who universe. But I'm quite happy for the TV

00:51:03.809 --> 00:51:06.949
to spend a few years exploring other corners

00:51:06.949 --> 00:51:10.929
and not necessarily just bumping into them again.

00:51:11.550 --> 00:51:14.309
So, yeah, like I say, I hope Shooter gets to

00:51:14.309 --> 00:51:16.250
meet them. I hope they do pop up at some point.

00:51:16.710 --> 00:51:21.449
But I'm not sort of sat here going, oh, I really

00:51:21.449 --> 00:51:23.389
want the Daleks back now. I'm really, really

00:51:23.389 --> 00:51:27.670
not. But, you know, Russell T Davies has said

00:51:27.670 --> 00:51:30.489
there's no Daleks this series, just like he did

00:51:30.489 --> 00:51:36.550
with series two. So, yeah, which I think is probably

00:51:36.550 --> 00:51:39.630
a good point to end on. So, yeah, Robot Revolution.

00:51:39.849 --> 00:51:42.090
I thought it was great. I thought it was a really,

00:51:42.130 --> 00:51:44.429
really strong intro. It's given us plenty to

00:51:44.429 --> 00:51:47.949
talk about and speculate about. It's done a really

00:51:47.949 --> 00:51:52.260
good job of sort of establishing Belinda. And

00:51:52.260 --> 00:51:54.840
Belinda and the Doctor's dynamic as well, I think.

00:51:54.920 --> 00:51:57.320
And I hope it does get picked up on. I hope it

00:51:57.320 --> 00:52:00.099
is something that's explored further. I hope

00:52:00.099 --> 00:52:05.019
that we don't get sidetracked with too many other

00:52:05.019 --> 00:52:07.559
things that push out that story because I want

00:52:07.559 --> 00:52:10.159
that to be the focus of these eight episodes

00:52:10.159 --> 00:52:13.079
right till the end. Those two lead characters

00:52:13.079 --> 00:52:16.980
and what's going on with them and anything that's

00:52:16.980 --> 00:52:20.360
brought in as a surprise or a twist is fine.

00:52:20.960 --> 00:52:25.619
as long as it furthers that main character -based

00:52:25.619 --> 00:52:28.880
story rather than just being there for a shock

00:52:28.880 --> 00:52:33.320
or a surprise. So that's my hope for this season.

00:52:33.619 --> 00:52:37.980
Yeah, it's got to earn its place, I guess. But,

00:52:38.079 --> 00:52:40.639
you know, I hope we're sat here in six weeks'

00:52:40.760 --> 00:52:44.679
time before the finale speculating about things

00:52:44.679 --> 00:52:47.099
that we're genuinely excited about. And, you

00:52:47.099 --> 00:52:49.159
know, if there has been a twist, you know, if

00:52:49.159 --> 00:52:52.460
there is some big... cliffhanger reveal at the

00:52:52.460 --> 00:52:55.280
end of Wishworld I really do hope it's earned

00:52:55.280 --> 00:52:58.679
I hope it's justified and I hope it's not just

00:52:58.679 --> 00:53:01.800
the Rani was the next character on our tick list

00:53:01.800 --> 00:53:05.519
of who should be brought back we'll see you never

00:53:05.519 --> 00:53:08.400
know it could be that we're talking about how

00:53:08.400 --> 00:53:10.699
well done it was that the Rani has been brought

00:53:10.699 --> 00:53:15.280
back well the Rani is working with Omega in the

00:53:15.280 --> 00:53:18.719
finale but it sounds like the big twist will

00:53:18.719 --> 00:53:21.449
come at the From what I can work out, at the

00:53:21.449 --> 00:53:25.050
end of episode six, and that will lead us into

00:53:25.050 --> 00:53:28.090
the last two episodes. Because it was episodes,

00:53:28.230 --> 00:53:32.130
I think, three and six that Russell T Davies

00:53:32.130 --> 00:53:35.210
said, stay off social media or watch those ones

00:53:35.210 --> 00:53:40.110
as soon as you can. Yeah. So, yeah, I feel like

00:53:40.110 --> 00:53:41.889
something big is going to happen right at the

00:53:41.889 --> 00:53:45.409
end of episode six. Yeah, just something that

00:53:45.409 --> 00:53:49.079
throws us into the finale. Yeah. Which would

00:53:49.079 --> 00:53:51.199
be good because I enjoyed last year's finale,

00:53:51.280 --> 00:53:55.800
but it definitely, it spent a bit of time treading

00:53:55.800 --> 00:53:58.900
ground, like just getting up to that cliffhanger

00:53:58.900 --> 00:54:00.760
reveal. Let's get that out of the way early.

00:54:02.320 --> 00:54:04.800
Yeah, because the second half was quite, the

00:54:04.800 --> 00:54:06.960
second half in that destroyed universe was quite

00:54:06.960 --> 00:54:09.780
compressed and yeah, it felt like we could have

00:54:09.780 --> 00:54:14.860
had more space for that side of the story. Yeah,

00:54:14.900 --> 00:54:18.010
definitely. Well, we will leave it there, but

00:54:18.010 --> 00:54:20.670
Strong starts the series, and I'm looking forward

00:54:20.670 --> 00:54:25.329
to see where it goes next, definitely. Okay,

00:54:26.150 --> 00:54:27.789
well, thanks very much for joining me, Mansour.

00:54:27.889 --> 00:54:30.650
That was The Robot Revolution, and here's to

00:54:30.650 --> 00:54:33.610
seven more episodes over the next seven weeks.

00:54:33.769 --> 00:54:37.070
Roll them on. We'll be back to spodcast about

00:54:37.070 --> 00:54:39.670
all of them. So thank you for listening, and

00:54:39.670 --> 00:54:40.409
goodbye now.
