WEBVTT

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You're listening to a podcast of spurious morality.

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Hello and welcome to a podcast of Spurious Morality.

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I'm Johnston and with me this week I have Connor.

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Hello. And we are joined by a brand new Spodcaster.

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Welcome to your first episode, Will. Hello there.

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Great, great to have you join us. We've kind

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of been planning you entering the Spodcastverse

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for probably the best part of a year now, but

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it's taken us this long to kind of get to this

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episode. And it's going to be a good episode,

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I think. So we're going to have a look at the

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11th Doctor Chronicles, but the ones with Valerie.

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So it's kind of four sets that make up a very

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coherent series. I think some people refer to

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it as sort of Series 7B or 7AB or 7A .5 or whatever.

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I think the official one is 7V. 7V, we'll go

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with that. Because when I think about it, 7B

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is like the actual second half of Series 7 with

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Clara in it, isn't it? Yeah. Yeah. So strong

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start. But yeah, we're looking at 7B. We'll go

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with that. I like 7B. So we're looking at these

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four sets plus an extra episode that was released

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in the middle. And we're going to go through

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them an episode at a time. There's a lot of love

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for this run. I think it's sort of very notable

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for quite a few things. It is very much in the

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style of an 11th Doctor series, that sort of

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latter 11th Doctor when Moffat got a bit experimental

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with the format, we're going to say that, I'm

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not busy with Sherlock, and sort of started to

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split the series and see what could be done and

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how the Christmas special could work in the middle

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and all that kind of thing. It's also notable

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for having some younger, big Finnish writers,

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you know, developing younger talent, that kind

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of thing. So I think there's quite a lot to discuss

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here. What I was going to say on that point was

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that the Doctor Chronicles was a range that I

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wasn't really looking at, just because I've already

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got so much of a backlog. Don't tell anyone,

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but I haven't even listened to Doom Coalition

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yet, so, you know. And when they sort of said,

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you know, Jacob Dudman's leaving and we're going

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to do a full 11th Doctor series with a new companion,

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that did interest me. And then you start hearing

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reviews from that first set and it really becomes,

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you think like, OK, I'm going to give this a

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go. And in the end, I really liked it. Yeah,

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I'm one of those people that sort of championed

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this series. Yeah, I have to admit, the Chronicles

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have never particularly been my favourite, but...

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I got this on release. I had this pre -ordered,

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so I must have sort of looked at it beforehand

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and gone, no, there's something about this, you

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know, new companion and four box sets that make

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up a series. It definitely caught my attention.

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I think the strongest thing this series has going

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for it is it sets out to be a series rather than

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a collection of box sets, and I think that's

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a trap that Big Finish can fall into sometimes.

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The closest analogue to it is probably the likes

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of Doom Coalition and Stranded and those other

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ones. Sort of multi -box set story arcs. So it

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felt really good to get something that was deliberately

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set out to tell or to match as closely as possible

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the format of Doctor Who on TV, which Big Finish

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doesn't always do. I think it's fair to say that

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sometimes would stick more to like... If someone's

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buying this box set, that has to be a self -contained

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set. That seems to be the way they've gone more

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recently, and this stood out for that reason.

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So that's the strongest thing it has going for

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it. The second strongest thing being two fantastic

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lead performances. I'm not the biggest fan of

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the 11th Doctor in the whole world. I wouldn't

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rank him among my favourite Doctors, but to my

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ears, Jacob Dudman, is nearly completely indistinguishable

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from Matt Smith. He's a really good... It's a

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really good impression and it's a really good

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performance as well. You can tell that he's studied

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the role and I think he's broadly making the

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choices that Matt Smith would make in these stories.

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And then you've got Safiya Inghar as well as

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Valerie and they're absolutely fantastic. I think

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it's fair to say that in a lot of places they

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carry this series. just with the performance

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they've put in throughout it. Yeah, absolutely.

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This is a series that absolutely rests on its

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leads and considering neither of its leads have

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been in Telly Doctor Who, Big Finish is one of

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their biggest selling points is, well, we've

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got Peter Davison, we've got Tom Baker, we've

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got David Tennant. They've not got the kind of

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star power to push this one forward. automatically

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we are kind of relying on storytelling and format

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and that kind of thing. And I'm going to say

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up front, I think it's an absolute success. I've

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really, really enjoyed re -listening to this

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and that kind of thing. I'm going to be a bit

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mean and I'm going to see if we can pick a favourite

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story from the run each, which I think is a bit

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of a challenge because there's some very, very

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good stories in there. Do you want to have a

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go first, Connor? It's actually not a difficult

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pick. Conversion Therapy. It's not even called

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Conversion Therapy. It's Sins of the Flesh, but

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in my head it's called Conversion Therapy. Sins

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of the Flesh from, I think it's the third box

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set, with the Cybermen. I think it's my standout

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one. I don't think there's anything that fills

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me with more anger in real life than Conversion

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Therapy. Doctor Who doing a very, it's not a

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very subtle takedown of it. It's quite, it's

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a bit on the nose with, you know, conversion

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Cybermen. That sort of, you know, follows. But

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I think it's fantastic. I'm a sucker for the

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Cybermen anyway. So I would very happily pick

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out Sins of the Flesh from box set three. Yeah,

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it's a very, very good episode and a very good

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use of the Cybermen, absolutely. What about you,

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Will? So that's an excellent choice from Connor.

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I think I'd go for Broken Hearts, the extra one

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in the middle. I just found it to be just such

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a brilliant character piece. Actually, I guess

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two sets of two -handers that really delved into...

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you know, the relationship between the Doctor

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and Valerie, while also telling this side story

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about Lionel and Augustus. And I think really

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does dive down into who the 11th Doctor is in

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quite a believable way. I think Lisa McMullan

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pulled that off very well. And yeah, overall,

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there are loads of great episodes in this, but

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that really stood out to me as the absolute best.

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I think as well... Jacob Dubman and Safir Ingar

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are both excellent sort of as Connor has already

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said they're great throughout and Safir Ingar

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especially is an incredible find by Big Finish

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I know they've done other stuff as well I'm not

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saying that this is their first thing but they

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really do an incredible job but in this episode

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especially they really bring it and yeah I just

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think overall just a fantastic episode yeah it's

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Considering there's only the two of them in it,

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but there's obviously more in the way of characters,

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it's great, just full of wonderful performances.

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You see, I do struggle to pick a favourite from

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this because I really, really like the first

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set. I really like that sort of just starting

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out, new Doctor Companion. sort of partnership

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stuff. So, like, I think The Inheritance is an

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absolutely fantastic companion introduction story.

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You know, the end is really good. I really like

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the stuff with the time spiders. It's just a

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good sort of future spacey adventure. Since the

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Flesh is excellent. All's Fair is very good.

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And I'm a huge fan of the finale as well. And

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I do really like Dalek's Victorious, which is

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kind of the utopia of this set. It's not quite

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the finale. It's linked to it. Is it a three

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-parter? Is it a two -parter type thing? But

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I love how the whole thing just kind of builds

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up and builds up and builds up until basically

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the Doctor has his, oh my God, I'm going to have

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to be the War Doctor again moment. And it's a

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great cliffhanger, but you can just feel like

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everything going wrong for the Doctor throughout

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the episode. And it's a wonderful piece of, you

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know, a story is still told, but the tension

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just builds up and it kind of rips out the rug

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from underneath you. And the Doctor kind of confronts

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what he became in the Time War in a much better

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way than a lot of stuff that is set in the Time

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War, I have to admit. I realise I've just named

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like half of the entire series. But I'm going

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with Dalek's Victorious. Yeah, I really like

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Dalek's Victorious. Yeah, I like the sort of

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two -part finale that comes after it, but just

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that little... Utopia -style build -up episode

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in Daleks Victorious I think works incredibly

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well. And I'd say Utopia was my favourite part

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of those three episodes in Series 3. So it kind

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of does a similar job and does it very, very

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well. Let's get going then. Let's dive in. So

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as we have said, the first episode is The Inheritance.

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This introduces Valerie as the companion and...

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takes the sort of not particularly traditional

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step of killing Valerie's mum. It's a pretty

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brutal start for the character and obviously

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something that gets picked up in later episodes,

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sort of as an emotional tug. But I really like

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sort of the setup of this. You know, we've got

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the bad capitalists, we've got the idea of, is

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it the Dorinthian blight? Am I saying that correctly?

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Which floats up. again, later in the series,

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and, you know, is also a significant part of

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the storyline. We're introduced to this version

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of the future that Valerie is from. It's sort

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of not quite the sort of thing that we've ever

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seen in Doctor Who before in terms of the settings.

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So it's good. There's definitely a lot of, you

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know, capitalism bad stuff going on, but a lot

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of very good Doctor Who does kind of hinge on

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capitalism bad. So Connor, talk to us about The

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Inheritance. Yes, it's a really strong start.

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I like that it sort of throws you straight in.

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And I actually like as well, Valerie's already

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being quite proactive. It's not the case that

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her, she's already trying to research the blight

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when the Doctor meets her. And it's not a case

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that Companion meets Doctor and is drawn into

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her world. It's the Doctor and Valerie's worlds.

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meet i think that's quite cool um you you have

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the sort of obligatory new who companion uh their

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mother is there um and she's a great character

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as well i really like her relationship with valerie

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um and it is quite gutting whenever they do ultimately

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um kill her off um so that's really really effective

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that it builds up that relationship really easily

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It doesn't take too long for them to get to the

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stage where this is a really believable mother

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-daughter duo. And then there's proper weight

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at the end whenever Valerie's mourning her death.

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So I think that's a real credit to them to be

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able to do that. You have the evil capitalists,

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as you say. I like the twist that you get. Valerie

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obviously thinks this is the whole planet. The

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doctor thinks it's affecting the whole planet.

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And then they discover that it's just been confined

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to one rig. So that's a nice twist. That's really

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effective. I don't know how much I buy the whole

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it's a virus that affects your money. You die

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by having a lot of money. That's an idea. It's

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the sort of idea Doctor Who does quite a lot.

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I do prefer slightly more grounded stuff. That's

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a little bit fantastical. So that's not entirely

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to my tastes, but not everything has to be. As

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I said, it's broadly a very good story. The focus

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is very much on Valerie and her mum, as it should

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be, and that's the most important thing. Yeah,

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I think it finds the balance quite nicely between

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sort of introducing Valerie and, you know, that

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relationship with her mum and taking it away

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and telling a pretty solid story as well. It

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does put me in mind of sort of good opening episodes,

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Bells of St John, Rose, that kind of thing. um

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smith and jones basically good companion introductions

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um and i feel as though i should mention partners

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in crime because i feel as though i've ignored

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it by not mentioning it um will what about you

00:15:36.039 --> 00:15:40.779
yeah i found the inheritance to be the inheritance

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to be a very confident opener i think it started

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out on the right foot for the series uh immediately

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um one thing that is apparent in this, that I

00:15:51.100 --> 00:15:53.000
guess I'd say here as opposed to beating all

00:15:53.000 --> 00:15:54.919
time, is that it becomes very clear that a lot

00:15:54.919 --> 00:15:57.080
of the writers at Big Finish have been sort of

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saving up their very Moffat -y dialogue. I think

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there's some really good stuff in this, like

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the Doctor referring to the bomb as Mr. Bomb

00:16:05.240 --> 00:16:08.259
and things like that, and that whole cold open

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of I'm the Doctor and this is a bomb, very of

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its era, which you find throughout this series.

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I think it launches Valerie very well as someone

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who's very active and very caring. And it presents

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just a great mystery, I suppose, with what's

00:16:24.730 --> 00:16:27.970
going on with this virus. And gradually, you

00:16:27.970 --> 00:16:31.950
know, we see this unfold. And I think it presents

00:16:31.950 --> 00:16:34.710
a very sort of interesting narrative throughout.

00:16:36.070 --> 00:16:37.950
And, yeah, you've got Arabella Hendricks, who

00:16:37.950 --> 00:16:40.110
I think is a good villain. I think that she,

00:16:40.250 --> 00:16:44.610
you know, the part where, you know, everyone,

00:16:44.750 --> 00:16:48.110
people start to die and she's when the doctor

00:16:48.110 --> 00:16:51.379
reveals. what that is that it is the dorinthian

00:16:51.379 --> 00:16:55.779
blight and she organizes a buy to live sale is

00:16:55.779 --> 00:16:59.200
uh suitably mustache twirlingly evil for this

00:16:59.200 --> 00:17:03.480
story i think and overall i just i felt the story

00:17:03.480 --> 00:17:06.380
just lived along very nicely and i liked meeting

00:17:06.380 --> 00:17:10.440
all these new characters uh and it really just

00:17:10.440 --> 00:17:12.480
set up the rest of the series really well yeah

00:17:16.940 --> 00:17:19.900
Yeah, absolutely. Nice, nice, strong opener.

00:17:20.079 --> 00:17:23.140
And I think that, I mean, with this, this is

00:17:23.140 --> 00:17:24.160
something that we're going to see throughout

00:17:24.160 --> 00:17:27.259
the whole series, really. It is, as we've all

00:17:27.259 --> 00:17:30.180
said, sort of very, very infitting with the era.

00:17:30.259 --> 00:17:33.180
But at the same time, it is doing different stuff.

00:17:33.259 --> 00:17:37.019
Like this is not a remake of The Bells of St.

00:17:37.099 --> 00:17:41.880
John. This is very much its own thing. It's just

00:17:41.880 --> 00:17:45.549
sort of using... I guess, tropes from the other

00:17:45.549 --> 00:17:48.849
stuff we've discussed. So yeah, it's nice to

00:17:48.849 --> 00:17:52.130
see that this is, it's not sticking to its era.

00:17:52.190 --> 00:17:55.630
It's not doing to sort of, coin a phrase, tea

00:17:55.630 --> 00:17:59.589
time 2013 all over again kind of thing. It's

00:17:59.589 --> 00:18:02.630
definitely been its own thing, and I like that.

00:18:04.230 --> 00:18:07.390
Let's move on then to episode number two, The

00:18:07.390 --> 00:18:11.349
House of Masks, which is sort of Valerie's...

00:18:11.690 --> 00:18:14.289
first trip in the TARDIS. I think it's just a

00:18:14.289 --> 00:18:18.390
nice first trip in the TARDIS kind of story.

00:18:19.210 --> 00:18:24.930
The baggage from the previous episode is placed

00:18:24.930 --> 00:18:27.609
slightly to the side, but certainly not got rid

00:18:27.609 --> 00:18:31.150
of and ignored. And we go on to have a pretty

00:18:31.150 --> 00:18:33.630
decent adventure. So, Connor, talk to us about

00:18:33.630 --> 00:18:37.250
the House of Masks. Yes, it's good. It's always

00:18:37.250 --> 00:18:40.859
nice when Doctor Who goes to Venice. And you

00:18:40.859 --> 00:18:46.539
can include the stones of Venice and vampires

00:18:46.539 --> 00:18:49.099
of Venice in that. Vampires of Venice gets a

00:18:49.099 --> 00:18:52.359
shout out as well in this with the fish people

00:18:52.359 --> 00:18:56.720
in the river. So yes, it's good. I like that

00:18:56.720 --> 00:19:02.859
whole thing about the alien spacecraft crashing

00:19:02.859 --> 00:19:07.480
in the middle of Venice. the AI trying to keep

00:19:07.480 --> 00:19:11.619
the memory of the crew alive. It's a good...

00:19:11.619 --> 00:19:16.500
I quite like, and this is going to make me sound

00:19:16.500 --> 00:19:18.500
really boring, I quite like run -of -the -mill

00:19:18.500 --> 00:19:22.279
Doctor Who. I think this is a case of this is

00:19:22.279 --> 00:19:24.039
run -of -the -mill Doctor Who. It's a fairly

00:19:24.039 --> 00:19:31.240
traditional Doctor Who adventure. And that sort

00:19:31.240 --> 00:19:33.819
of, by comparison, lets the really standout stuff.

00:19:35.160 --> 00:19:37.480
shine a little brighter and this this is this

00:19:37.480 --> 00:19:40.539
this sounds awful and i don't mean it too um

00:19:40.539 --> 00:19:45.160
i really don't um but i think after the first

00:19:45.160 --> 00:19:49.839
episode and then coming before the end as well

00:19:49.839 --> 00:19:51.359
and the end is what i mean by one of those sort

00:19:51.359 --> 00:19:54.440
of standout it's being a bit weird and unusual

00:19:54.440 --> 00:20:00.200
um it's nice that we get a proper quote -unquote

00:20:00.200 --> 00:20:02.539
traditional doctor who story here in the middle

00:20:02.539 --> 00:20:10.269
so I really, really enjoy it, as I say. And I

00:20:10.269 --> 00:20:13.210
like Valerie's enthusiasm. That's something that

00:20:13.210 --> 00:20:15.170
keeps coming up. Well, certainly in the early

00:20:15.170 --> 00:20:17.630
part of the series, I think this is where it

00:20:17.630 --> 00:20:21.109
shines the most, is Valerie's really enthusiastic

00:20:21.109 --> 00:20:24.430
to get out and travelling in time and space.

00:20:24.710 --> 00:20:30.480
And it shows quite strongly in this story. I

00:20:30.480 --> 00:20:33.440
suppose it's not particularly long in the run

00:20:33.440 --> 00:20:35.640
before Valerie just starts to go through absolute

00:20:35.640 --> 00:20:38.240
hell. Like, her mum's already been killed, but

00:20:38.240 --> 00:20:40.839
it just seems to get horribler and horribler.

00:20:42.160 --> 00:20:44.960
With, you know, with nice bits as well. It wouldn't

00:20:44.960 --> 00:20:46.880
be Doctor Who without nice bits as well. But

00:20:46.880 --> 00:20:49.019
Valerie has a rough time. Like, I think it's

00:20:49.019 --> 00:20:50.640
even acknowledged in the dialogue of the last

00:20:50.640 --> 00:20:54.259
episode. Like, yeah, that was a rough one. What

00:20:54.259 --> 00:20:59.509
about you, Will? House of Masks? Yeah, so as

00:20:59.509 --> 00:21:03.190
Jonty said about The Inheritance being a great

00:21:03.190 --> 00:21:05.230
episode one, I found The House of Masks to be

00:21:05.230 --> 00:21:07.769
a great episode two as well. I think it's interesting

00:21:07.769 --> 00:21:09.750
actually to hear in the extras that The Yearn

00:21:09.750 --> 00:21:11.990
was originally going to be episode two and things

00:21:11.990 --> 00:21:14.150
got moved around. I think House of Masks, I think,

00:21:14.150 --> 00:21:19.869
fits better in that mould, in that... we get

00:21:19.869 --> 00:21:22.289
we're still sort of learning about valerie and

00:21:22.289 --> 00:21:24.069
so this story sort of splits them up and has

00:21:24.069 --> 00:21:26.210
them do different things but also brings them

00:21:26.210 --> 00:21:28.630
back together and we see some of that um chemistry

00:21:28.630 --> 00:21:30.869
between them and uh jacob dougman and sapphire

00:21:30.869 --> 00:21:32.390
and go have excellent chemistry which is going

00:21:32.390 --> 00:21:35.509
to come up throughout the whole series and um

00:21:35.509 --> 00:21:38.549
yeah i mean as connor said there is it's certainly

00:21:38.549 --> 00:21:41.009
a feeling of sort of standard who but there are

00:21:41.009 --> 00:21:43.789
some some nice little emotional touches that

00:21:43.789 --> 00:21:46.829
i think really heighten the story a little bit

00:21:46.829 --> 00:21:53.450
such as um they say like we're having a marvellous

00:21:53.450 --> 00:21:56.609
party to which she responds you would have hated

00:21:56.609 --> 00:22:00.269
it and things like that and then you have Valerie

00:22:00.269 --> 00:22:02.210
asking the doctor about the time war a little

00:22:02.210 --> 00:22:06.930
bit of gridlock in there which also comes back

00:22:06.930 --> 00:22:10.289
later on in Broken Hearts and I like those little

00:22:10.289 --> 00:22:13.210
touches that I think bring it up a little bit

00:22:13.210 --> 00:22:16.869
as well I think there was I get the feeling that

00:22:16.869 --> 00:22:18.230
throughout this series there was a feeling of

00:22:18.779 --> 00:22:20.579
just bring it back to character always. And I

00:22:20.579 --> 00:22:23.220
think that serves the series very well. And so,

00:22:23.240 --> 00:22:26.039
yeah, I just generally found myself enjoying

00:22:26.039 --> 00:22:30.819
House of Mask quite a lot. Yeah. And as an aside

00:22:30.819 --> 00:22:34.140
as well, on your point about, you know, Valerie

00:22:34.140 --> 00:22:36.039
really starts to suffer as the series goes on.

00:22:36.079 --> 00:22:38.500
Obviously, we've already had her mum dying, but

00:22:38.500 --> 00:22:42.740
I do wonder if they just realised that Safia

00:22:42.740 --> 00:22:45.220
Ingarr does sadness so well that they were like,

00:22:45.339 --> 00:22:50.599
we must publish Valerie whenever possible. Let's

00:22:50.599 --> 00:22:52.759
just be horrible because the performance is so

00:22:52.759 --> 00:22:56.079
good. It's like that meme you see, like I've

00:22:56.079 --> 00:22:58.160
accidentally become good at work and now my life

00:22:58.160 --> 00:23:04.859
is ruined. Let's have a look at the end then,

00:23:04.980 --> 00:23:08.619
which is not the end, it's episode three. This

00:23:08.619 --> 00:23:12.539
is where we get to Time Spiders and it gets timey

00:23:12.539 --> 00:23:14.619
-wimey because we had to have a timey -wimey

00:23:14.619 --> 00:23:18.000
episode, didn't we? We're doing... We're doing

00:23:18.000 --> 00:23:20.359
mid -air at Moffat here. It's got to be timey

00:23:20.359 --> 00:23:22.039
-wimey. So talk to us about the end, Connor.

00:23:24.940 --> 00:23:30.960
Yes, I find it difficult to recall much about

00:23:30.960 --> 00:23:35.079
the two strands because I find it difficult to

00:23:35.079 --> 00:23:37.680
tell what happened in one strand apart from what

00:23:37.680 --> 00:23:40.480
happened in the other, unless I've listened to

00:23:40.480 --> 00:23:43.160
it in the last 10 minutes, which I haven't. But

00:23:43.160 --> 00:23:46.500
it's really good. I think it's the standout episode

00:23:46.500 --> 00:23:51.039
of this first set for me. So as you say, it gets

00:23:51.039 --> 00:23:53.619
a bit weird and a bit tiny -wimey, which was

00:23:53.619 --> 00:23:55.480
what the Moffat era did really, really well.

00:23:57.619 --> 00:24:02.299
I like the concept of the Doctor and his companion

00:24:02.299 --> 00:24:06.779
and these guest characters of the week scurrying

00:24:06.779 --> 00:24:08.900
about inside this spaceship trying to find out

00:24:08.900 --> 00:24:14.900
what's going wrong. And it's cool to get the

00:24:14.900 --> 00:24:16.900
two perspectives on it, you know, for the two

00:24:16.900 --> 00:24:19.880
different timelines. I think this is where Valerie

00:24:19.880 --> 00:24:23.259
sort of starts getting put through the ringer

00:24:23.259 --> 00:24:25.099
during her travels with the Doctor. I know she's

00:24:25.099 --> 00:24:27.279
put through the ringer a bit with the death of

00:24:27.279 --> 00:24:31.859
her mum in the first episode. But there's a bit

00:24:31.859 --> 00:24:35.440
in this one where it's the first time that she

00:24:35.440 --> 00:24:37.720
sort of questions the Doctor and that comes back

00:24:37.720 --> 00:24:41.380
later on where she's like, she has to die. um

00:24:41.380 --> 00:24:45.839
and she has to try and they're they're coming

00:24:45.839 --> 00:24:48.259
up to the next loop i think and she has to try

00:24:48.259 --> 00:24:52.319
and like pre -warn herself that she has to die

00:24:52.319 --> 00:24:56.400
um and she it's the first time that she sort

00:24:56.400 --> 00:24:59.299
of goes why why do i have to do this this is

00:24:59.299 --> 00:25:02.400
terrible and awful why do i have to do this and

00:25:02.400 --> 00:25:05.859
that becomes a fairly major that becomes a really

00:25:05.859 --> 00:25:09.470
major thing later on in the series um her questioning

00:25:09.470 --> 00:25:12.190
the doctor's methods and what he thinks is fine

00:25:12.190 --> 00:25:16.690
and okay is is not necessarily so um so it's

00:25:16.690 --> 00:25:18.390
cool that that shows up here for the first time

00:25:18.390 --> 00:25:27.589
yeah it's this episode does sort of in some ways

00:25:27.589 --> 00:25:29.769
feel like another day at the office i guess like

00:25:29.769 --> 00:25:32.849
it it's not particularly part of the big bad

00:25:32.849 --> 00:25:37.420
storyline um but it's It's very good for that

00:25:37.420 --> 00:25:40.579
type of episode. It doesn't feel like a slump.

00:25:40.579 --> 00:25:43.640
It's that exceptionally engaging. Will, what

00:25:43.640 --> 00:25:49.140
do you think of it? So, yeah, I thought this

00:25:49.140 --> 00:25:51.920
was a really great episode. I think, like both

00:25:51.920 --> 00:25:55.579
of you, this is my standout of the set. It's

00:25:55.579 --> 00:25:57.920
the first time I've heard anything, I believe,

00:25:58.000 --> 00:26:01.220
from Ruchana Patel, and that's now a name that

00:26:01.220 --> 00:26:03.759
I look out for because of how much I enjoyed

00:26:03.759 --> 00:26:06.950
this. I do like a good conceptual story and I

00:26:06.950 --> 00:26:10.190
think this handles it really well. I think one

00:26:10.190 --> 00:26:12.450
issue that it could have fallen into is that

00:26:12.450 --> 00:26:15.849
when you do this with the two time streams is

00:26:15.849 --> 00:26:16.849
that you can feel like you're just listening

00:26:16.849 --> 00:26:19.710
to the same scene twice. It's a bit of a criticism

00:26:19.710 --> 00:26:21.890
I have of flip -flop, I suppose, where once you

00:26:21.890 --> 00:26:24.269
listen to one disc, you kind of know what's going

00:26:24.269 --> 00:26:26.289
to happen in the other disc. Whereas I think

00:26:26.289 --> 00:26:30.390
here, I think it manages not to feel that way

00:26:30.390 --> 00:26:32.829
just by getting the storylines to branch out

00:26:32.829 --> 00:26:35.579
quite quickly. in, you know, relatively interesting

00:26:35.579 --> 00:26:37.359
ways. They end up in different places. Obviously,

00:26:37.359 --> 00:26:39.680
one has the Doctor more active, one has Valerie

00:26:39.680 --> 00:26:42.559
more active and things like that. I think the

00:26:42.559 --> 00:26:46.799
Time Spider is a great idea for a villain. I

00:26:46.799 --> 00:26:49.380
wouldn't be surprised if we see them again in

00:26:49.380 --> 00:26:51.420
other sets. I know we do. Spoilers, we do see

00:26:51.420 --> 00:26:53.680
them again later down the line in this series.

00:26:53.759 --> 00:26:56.160
But I mean, wouldn't be surprised if they end

00:26:56.160 --> 00:27:00.690
up elsewhere. And it really... does pack quite

00:27:00.690 --> 00:27:02.710
an emotional punch at the end. It's quite moving

00:27:02.710 --> 00:27:06.349
as we hear the Doctor and Valerie slowly succumb.

00:27:08.490 --> 00:27:11.609
And that, yeah, I found that to be actually very

00:27:11.609 --> 00:27:17.029
emotional and really well done. And yeah, it

00:27:17.029 --> 00:27:20.609
was overall just a really good story. I think

00:27:20.609 --> 00:27:23.170
that, I suppose one thing I didn't mention on

00:27:23.170 --> 00:27:27.170
the structure, the twist of the fact that it's

00:27:27.170 --> 00:27:29.549
not two parallel timelines, but it's actually...

00:27:39.880 --> 00:27:48.660
And so that was the first set. And it's a really

00:27:48.660 --> 00:27:50.740
good set. That's like three really, really solid

00:27:50.740 --> 00:27:55.720
episodes that have set up. an awful lot of what's

00:27:55.720 --> 00:27:58.420
going to be significant later on. We still have

00:27:58.420 --> 00:28:00.160
characters to meet and that kind of thing, but

00:28:00.160 --> 00:28:03.059
we've just got a damn good TARDIS team who've

00:28:03.059 --> 00:28:05.660
had three really good adventures together at

00:28:05.660 --> 00:28:09.579
this stage. And I do like the cliffhanger at

00:28:09.579 --> 00:28:16.019
the end of this first set with the Doctor suspecting

00:28:16.019 --> 00:28:19.819
it's a Time Lord that's involved, which actually

00:28:19.819 --> 00:28:23.559
has an interesting... resolution further down

00:28:23.559 --> 00:28:27.279
the line. And I'm glad that they did what they

00:28:27.279 --> 00:28:29.160
did with it as opposed to the obvious thing.

00:28:30.119 --> 00:28:32.180
So let's move on to set number two, which is

00:28:32.180 --> 00:28:33.819
the last one we're going to look at in this episode.

00:28:34.160 --> 00:28:36.319
Although we're going to do Broken Hearts as well.

00:28:36.319 --> 00:28:39.259
We're counting it as part of this set. Let's

00:28:39.259 --> 00:28:42.059
have a look at All of Time and Space, which is...

00:28:42.059 --> 00:28:50.960
It's hard to describe, actually. Blimey. Let's

00:28:50.960 --> 00:28:53.019
have a look at All of Time and Space, which is

00:28:53.019 --> 00:28:56.500
not the episode you'd expect to resolve the cliffhanger

00:28:56.500 --> 00:28:59.240
beforehand, certainly, but it all gets a bit

00:28:59.240 --> 00:29:01.900
meta and we deal with the idea of the Doctor

00:29:01.900 --> 00:29:04.480
and Valerie being characters in a fiction and

00:29:04.480 --> 00:29:07.480
all that kind of thing. It's something that's

00:29:07.480 --> 00:29:09.460
been done before, it's something Big Finish has

00:29:09.460 --> 00:29:14.039
done before, and it's done quite well here. I

00:29:14.039 --> 00:29:16.660
do like the story, it does get a bit run -aroundy

00:29:16.660 --> 00:29:19.190
towards the end, but... As far as I'm concerned,

00:29:19.349 --> 00:29:21.970
the quality is remaining high with this one.

00:29:22.390 --> 00:29:25.130
Connor, do you want to talk to us about it? Yes,

00:29:25.130 --> 00:29:27.950
I think the closest analogue to this that I can

00:29:27.950 --> 00:29:31.349
think of is it always really reminds me of The

00:29:31.349 --> 00:29:33.910
Wizard of Time, which was the Roy Gill story

00:29:33.910 --> 00:29:39.150
from the fourth Dr. Leela and Margaret run, where

00:29:39.150 --> 00:29:45.160
it sort of takes... It sort of does Doctor Who

00:29:45.160 --> 00:29:47.460
within Doctor Who or a version of Doctor Who

00:29:47.460 --> 00:29:51.180
within Doctor Who. And it's based around this

00:29:51.180 --> 00:29:55.019
guy, Ellery Quest, as he tries to create Doctor

00:29:55.019 --> 00:30:05.420
Who. There's similarities to the actual origin

00:30:05.420 --> 00:30:09.380
of Doctor Who. It's quite funny. At one stage,

00:30:09.700 --> 00:30:13.599
the guy... uh they goes to meet and tries to

00:30:13.599 --> 00:30:15.640
pitch it to you at the theater tells him take

00:30:15.640 --> 00:30:17.539
this to the bbc they're looking for something

00:30:17.539 --> 00:30:23.200
just like this um i always it always sticks in

00:30:23.200 --> 00:30:25.440
my head as well the bit with the doctor and valerie

00:30:25.440 --> 00:30:30.220
as like punch and judy puppets um that's a really

00:30:30.220 --> 00:30:32.619
really funny image and i like that they're having

00:30:32.619 --> 00:30:34.180
to hop around all the different mediums there's

00:30:34.180 --> 00:30:37.640
a bit with the turn up and the archers um I really

00:30:37.640 --> 00:30:40.339
like that. It's quite funny. There's that sort

00:30:40.339 --> 00:30:43.680
of offbeat humor to this, which I really appreciate.

00:30:45.119 --> 00:30:47.579
Yeah, it's a good one. I like the tie it in as

00:30:47.579 --> 00:30:51.960
well with sort of the wider 11th Doctor story

00:30:51.960 --> 00:30:54.500
that was going on at sort of this point in the

00:30:54.500 --> 00:30:56.339
TV series where he's trying to get the universe

00:30:56.339 --> 00:31:00.380
to forget him. And that's where, you know, that's

00:31:00.380 --> 00:31:02.460
how Ellery Quest sort of gets created. It was

00:31:02.460 --> 00:31:04.400
someone who was writing a biography of the Doctor.

00:31:05.880 --> 00:31:08.819
The Doctor goes around and rewrites history and

00:31:08.819 --> 00:31:10.579
takes himself out of that, and this guy suddenly

00:31:10.579 --> 00:31:15.720
ends up writing a fictional story that's quite

00:31:15.720 --> 00:31:18.599
similar to Doctor Who then. So, yeah, I like

00:31:18.599 --> 00:31:21.680
it. It's a really likeable story, and as I said,

00:31:21.680 --> 00:31:25.720
there's a quirky sort of humour to it that I

00:31:25.720 --> 00:31:29.700
really enjoy. Yeah, it's definitely the quirky

00:31:29.700 --> 00:31:32.740
one so far. It's good word, quirky. What about

00:31:32.740 --> 00:31:36.279
you, Will? Yeah, I found this to be a... Great,

00:31:36.279 --> 00:31:40.500
fun, another conceptual episode. I know Tim Foley

00:31:40.500 --> 00:31:42.759
was on a tear around this time and potentially

00:31:42.759 --> 00:31:45.839
I think still is. With this coming out, I think

00:31:45.839 --> 00:31:49.920
a month after A Friend of the Family, which is

00:31:49.920 --> 00:31:51.380
incredible. I think you've covered it on the

00:31:51.380 --> 00:31:54.619
podcast before. Sorry, spoilers, by the way,

00:31:54.660 --> 00:31:56.160
it's not actually written by other requests.

00:31:56.359 --> 00:32:02.440
I don't mean to throw him in it like that. Yeah,

00:32:02.480 --> 00:32:06.339
I found this story to be really fun. One thing

00:32:06.339 --> 00:32:09.019
that could have happened is that if you described

00:32:09.019 --> 00:32:11.339
it, it sounds like quite a visual idea with the

00:32:11.339 --> 00:32:14.460
Doctor and Valerie as these puppets and on comic

00:32:14.460 --> 00:32:16.240
strips and things like that. But it works really

00:32:16.240 --> 00:32:18.200
well on audio and they add some nice little sort

00:32:18.200 --> 00:32:21.599
of sound production things to make it flow very

00:32:21.599 --> 00:32:25.819
well. And yeah, all the various guises that the

00:32:25.819 --> 00:32:27.500
Doctor and Valerie sort of take throughout are

00:32:27.500 --> 00:32:32.220
great. And yeah, overall, just a very... Just

00:32:32.220 --> 00:32:34.740
a really enjoyable story. There was one thing

00:32:34.740 --> 00:32:38.480
I remember that came up, which was they had a

00:32:38.480 --> 00:32:40.660
YouTube video where they did a quiz. They quizzed

00:32:40.660 --> 00:32:42.680
Jacob Duggan and Safiya Ingar on various aspects.

00:32:42.980 --> 00:32:45.279
And one of the questions was, what is the name

00:32:45.279 --> 00:32:48.259
of the cat in All of Time and Space? So I'll

00:32:48.259 --> 00:32:49.960
throw that to you two now and see if you can

00:32:49.960 --> 00:33:01.069
remember that. Nope. It's on the tip of my tongue,

00:33:01.190 --> 00:33:06.009
but I'm not getting it. It was Malpomene, which

00:33:06.009 --> 00:33:07.690
was, when I watched that, I got it, and I was

00:33:07.690 --> 00:33:09.950
like, why on earth do I remember what this cat

00:33:09.950 --> 00:33:14.329
was called? Because I'm sometimes so terrible

00:33:14.329 --> 00:33:15.869
with names, and I was like, oh yeah, yeah, Malpomene

00:33:15.869 --> 00:33:19.410
the cat, obviously. Well, now you've said it,

00:33:19.450 --> 00:33:26.839
obviously, yeah. I miss these YouTube videos.

00:33:27.140 --> 00:33:29.359
I've never seen that. That sounds quite good.

00:33:31.079 --> 00:33:33.240
I have to admit, I've missed a lot of behind

00:33:33.240 --> 00:33:34.859
-the -scenes stuff with this. I've never listened

00:33:34.859 --> 00:33:39.140
to the extras on this one and sort of wasn't

00:33:39.140 --> 00:33:40.859
really aware they were doing YouTube videos and

00:33:40.859 --> 00:33:45.220
stuff like that. I wish to call that. The next

00:33:45.220 --> 00:33:48.220
one we've got is The Yearn, which is very significant

00:33:48.220 --> 00:33:54.880
as far as the storyline goes. This is... This

00:33:54.880 --> 00:33:59.339
is really the episode that kicks what becomes

00:33:59.339 --> 00:34:04.240
the ongoing storyline off. This is the sort of

00:34:04.240 --> 00:34:07.339
turning point where we're not just having fun

00:34:07.339 --> 00:34:09.800
and Geronimo -ing around the universe. Now this

00:34:09.800 --> 00:34:13.400
is where things start to get tied down a little

00:34:13.400 --> 00:34:17.260
bit by places and people and ideas and concepts

00:34:17.260 --> 00:34:21.599
and time itself. It introduces Roana, which is

00:34:21.599 --> 00:34:26.929
Valerie's... love interest throughout the rest

00:34:26.929 --> 00:34:30.590
of the series and obviously the yearn returns

00:34:30.590 --> 00:34:34.909
as well so we're starting to play in in this

00:34:34.909 --> 00:34:38.469
series toy box now we're really starting to figure

00:34:38.469 --> 00:34:42.269
out what it's about i'm glad that we've waited

00:34:42.269 --> 00:34:44.690
until midway through the second set to really

00:34:44.690 --> 00:34:47.869
start jumping into all of this because i think

00:34:47.869 --> 00:34:50.670
it's really important to have the time we've

00:34:50.670 --> 00:34:53.079
had with the doctor and valerie so far just For

00:34:53.079 --> 00:34:55.179
the most part, just having adventures, sort of

00:34:55.179 --> 00:34:58.000
quite conceptual stuff, as Will's pointed out.

00:34:58.099 --> 00:35:00.860
But nevertheless, they've been having adventures.

00:35:00.960 --> 00:35:04.579
And this is where the adventures maybe start

00:35:04.579 --> 00:35:07.199
to take a little bit of a turn and sinister things

00:35:07.199 --> 00:35:09.639
start to happen. And as we've already pointed

00:35:09.639 --> 00:35:13.380
out, Valerie's time in the TARDIS isn't altogether

00:35:13.380 --> 00:35:15.559
that pleasant. And I think this is kind of that

00:35:15.559 --> 00:35:18.300
point. So talk to us about the year and Connor.

00:35:19.579 --> 00:35:21.760
Yes, as you said, it's quite an important episode.

00:35:25.719 --> 00:35:27.780
It's one I have to admit that I struggled with

00:35:27.780 --> 00:35:31.840
a little bit. I found myself tuning out of it

00:35:31.840 --> 00:35:34.320
quite frequently. I usually really enjoy base

00:35:34.320 --> 00:35:36.960
under siege stuff, but I find it difficult to

00:35:36.960 --> 00:35:41.400
stick with this one. And that may well fully

00:35:41.400 --> 00:35:44.309
be on me. whenever i was listening to it just

00:35:44.309 --> 00:35:47.510
not not paying attention um but i don't remember

00:35:47.510 --> 00:35:49.809
a huge amount about it the standout absolutely

00:35:49.809 --> 00:35:54.949
is romana and you can see why um they wanted

00:35:54.949 --> 00:35:59.949
her to be a part of the series um as valerie's

00:35:59.949 --> 00:36:04.849
as valerie's girlfriend um so i really really

00:36:04.849 --> 00:36:07.210
enjoy those scenes whereas valerie's sort of

00:36:07.210 --> 00:36:09.809
falling in love with her and and they're getting

00:36:09.809 --> 00:36:14.010
together um And as I say, I enjoy a base under

00:36:14.010 --> 00:36:18.869
seed story, but I struggled a bit with, for whatever

00:36:18.869 --> 00:36:22.269
reason, with this one. And it hasn't really stuck

00:36:22.269 --> 00:36:25.309
with me, I must admit. I think this is more of

00:36:25.309 --> 00:36:30.250
a story about what it's setting up and what it's

00:36:30.250 --> 00:36:33.110
going to lead to than actually what happens in

00:36:33.110 --> 00:36:37.289
the story. Because I'm kind of the same. I couldn't

00:36:37.289 --> 00:36:39.349
give you a synopsis, but I can tell you why it's

00:36:39.349 --> 00:36:44.289
significant. Yeah, because Medruth features quite

00:36:44.289 --> 00:36:46.429
heavily throughout the later part of the series.

00:36:47.329 --> 00:36:49.789
Rowana obviously makes several return appearances

00:36:49.789 --> 00:36:53.110
and the urine themselves become important when

00:36:53.110 --> 00:36:58.389
it comes to the last set. But it's like all the

00:36:58.389 --> 00:37:01.550
elements are there, but I couldn't put the jigsaw

00:37:01.550 --> 00:37:07.510
of them together again now. I mean, this is also

00:37:07.510 --> 00:37:10.650
a series where a lot happens and a lot is interconnected.

00:37:10.849 --> 00:37:13.610
So from this point onwards, it does kind of get

00:37:13.610 --> 00:37:15.989
difficult to go, oh, that's the one where that

00:37:15.989 --> 00:37:20.750
happens, I guess. Or maybe I'm just being charitable

00:37:20.750 --> 00:37:24.010
to my own terrible memory here. Will, what do

00:37:24.010 --> 00:37:26.929
you think of the year? Yeah, so I wouldn't say

00:37:26.929 --> 00:37:29.789
quite to Connor's level of, you know, I didn't

00:37:29.789 --> 00:37:33.469
quite get into it. But equally, I think of all

00:37:33.469 --> 00:37:35.980
of them. the year might be the most sort of standard

00:37:35.980 --> 00:37:38.699
who of them it's a pretty sort of standard base

00:37:38.699 --> 00:37:41.099
under siege story for a lot of it i know at the

00:37:41.099 --> 00:37:44.300
beginning you sort of have um the doctor and

00:37:44.300 --> 00:37:49.360
valerie sort of joking a bit about like um you

00:37:49.360 --> 00:37:50.739
know oh they're not going to believe this and

00:37:50.739 --> 00:37:52.519
there's going to be like an uptight sort of guy

00:37:52.519 --> 00:37:55.420
you know in charge and things like that and so

00:37:55.420 --> 00:37:57.300
they sort of lampshade it but equally that is

00:37:57.300 --> 00:38:00.380
that does happen that is what this story is um

00:38:00.380 --> 00:38:03.440
i think As Connor has said as well, the romance

00:38:03.440 --> 00:38:07.719
stuff is the best stuff for me. I find Valerie

00:38:07.719 --> 00:38:10.619
Rana to be really believable. I find the Doctor

00:38:10.619 --> 00:38:12.599
sort of third wheeling and not really knowing

00:38:12.599 --> 00:38:18.179
what to do quite funny as well. And there's also

00:38:18.179 --> 00:38:20.619
the little bits of world building around Madrid

00:38:20.619 --> 00:38:22.780
as well. The Tracer Circle thing and stuff like

00:38:22.780 --> 00:38:25.400
that is just nice little touches as well. It's

00:38:25.400 --> 00:38:27.900
interesting for the year and going into the extras.

00:38:28.599 --> 00:38:30.480
Because I believe, if I remember correctly, not

00:38:30.480 --> 00:38:33.320
only was this going to be episode two, but Rowanna

00:38:33.320 --> 00:38:35.260
wasn't going to come back and the truth wasn't

00:38:35.260 --> 00:38:36.719
going to come back or any of that originally.

00:38:37.639 --> 00:38:40.699
And that's a very interesting sort of look into

00:38:40.699 --> 00:38:43.420
a very different 11th Doctor Chronicles, because,

00:38:43.480 --> 00:38:45.519
of course, Rowanna's in load to the second half

00:38:45.519 --> 00:38:47.300
and we get a hold of other stories about the

00:38:47.300 --> 00:38:50.739
truth and things. And so, yeah, that's a strange

00:38:50.739 --> 00:38:53.960
look and sort of sideways glance into what could

00:38:53.960 --> 00:38:58.300
have been. So, yes, I think. Overall, I think

00:38:58.300 --> 00:39:02.800
the urn is a pretty good story, if, again, sort

00:39:02.800 --> 00:39:05.639
of more of a standard story, especially coming

00:39:05.639 --> 00:39:12.039
after the end and all the time and space. Yeah,

00:39:12.079 --> 00:39:15.679
it's... I don't think we're dropping in quality

00:39:15.679 --> 00:39:18.159
here at all. I just think that this episode has

00:39:18.159 --> 00:39:20.760
different things to do than everything we've

00:39:20.760 --> 00:39:24.150
had so far, because all of a sudden... The series

00:39:24.150 --> 00:39:27.190
isn't about the Doctor and Valerie exclusively

00:39:27.190 --> 00:39:32.210
anymore. But yeah, it does what it needs to do,

00:39:32.269 --> 00:39:35.010
and it definitely pushes the series forwards.

00:39:35.510 --> 00:39:41.969
So next up is Curiosity Shop, which I've got

00:39:41.969 --> 00:39:45.409
to be honest, it isn't my favourite. I've seen

00:39:45.409 --> 00:39:47.389
this one be a bit divisive. I've seen that there

00:39:47.389 --> 00:39:49.889
are people that really like it. It just doesn't

00:39:49.889 --> 00:39:52.230
quite work for me, and I can't quite identify

00:39:52.230 --> 00:39:56.190
at which point. doesn't particularly work. I

00:39:56.190 --> 00:40:00.269
think that everyone involved just seems to be

00:40:00.269 --> 00:40:02.949
giving it everything they can. It is a good script.

00:40:03.250 --> 00:40:06.730
There's a nice little concept there and the idea

00:40:06.730 --> 00:40:09.929
of the Doctor forcing Valerie to literally tear

00:40:09.929 --> 00:40:13.210
herself apart and all this kind of thing. It's

00:40:13.210 --> 00:40:17.460
really good stuff. I just... For some reason,

00:40:17.519 --> 00:40:19.500
the whole thing just doesn't come together. And

00:40:19.500 --> 00:40:22.079
I just don't think it's something that was destined

00:40:22.079 --> 00:40:28.800
to all come together. It does kind of give us

00:40:28.800 --> 00:40:32.059
a pretty decent emotional gut punch. And I'm

00:40:32.059 --> 00:40:35.679
glad that carries on to Broken Hearts. I'm glad

00:40:35.679 --> 00:40:37.440
that, you know, we did get Broken Hearts. We

00:40:37.440 --> 00:40:41.099
were never meant to. But it just, yeah, the episode

00:40:41.099 --> 00:40:44.440
for me, it's just never going to be my favourite.

00:40:44.559 --> 00:40:46.769
And like I say. I think everybody involved is

00:40:46.769 --> 00:40:49.309
brilliant. It's sort of slightly heartbreaking

00:40:49.309 --> 00:40:53.190
to say I'm not a big fan of this one, but Gus

00:40:53.190 --> 00:40:55.909
gives us a good script. Dublin and Ingar give

00:40:55.909 --> 00:40:57.909
us great performances. There are some wonderful

00:40:57.909 --> 00:41:03.030
ideas in there. And this is kind of the Doctor

00:41:03.030 --> 00:41:06.929
dealing with a war while not really being the

00:41:06.929 --> 00:41:10.730
Doctor. And, you know, obviously... When Does

00:41:10.730 --> 00:41:13.030
the Doctor Stop Being the Doctor is a theme in

00:41:13.030 --> 00:41:16.269
this series and it's a theme in the series that

00:41:16.269 --> 00:41:19.389
this is set around. So it definitely has its

00:41:19.389 --> 00:41:22.469
place. I just don't think the production fully

00:41:22.469 --> 00:41:27.130
comes together for me. But you may have differing

00:41:27.130 --> 00:41:31.610
opinions. Connor, what's yours? I would not call

00:41:31.610 --> 00:41:35.489
myself a fan of this either. I have no problem

00:41:35.489 --> 00:41:37.630
marking it out and saying that this is unfortunately

00:41:37.630 --> 00:41:45.110
the weakest episode in the series. It's a shame

00:41:45.110 --> 00:41:50.190
because I haven't listened to the extras, but

00:41:50.190 --> 00:41:54.750
I understand from it that Jacob Dudman wasn't

00:41:54.750 --> 00:41:57.849
keen on having to perform all the classic Doctors

00:41:57.849 --> 00:42:01.800
that he wasn't familiar with. And if this is

00:42:01.800 --> 00:42:04.260
the thing, Jacob Dudman could do a really good

00:42:04.260 --> 00:42:06.880
impression of the, like a really damn good impression

00:42:06.880 --> 00:42:11.940
of the 11th Doctor. And beyond that, there are

00:42:11.940 --> 00:42:13.760
some that he's good at, and then there's some

00:42:13.760 --> 00:42:17.980
that's, certainly in this story, he's being made

00:42:17.980 --> 00:42:22.039
to do them for the sake of it. I think it's obviously

00:42:22.039 --> 00:42:24.420
come from, okay, we've got this guy in who's

00:42:24.420 --> 00:42:27.940
a fantastic impressionist. Let's make him do

00:42:27.940 --> 00:42:30.440
all the voices. But they haven't actually given

00:42:30.440 --> 00:42:32.940
any regard to whether or not he can do the voices

00:42:32.940 --> 00:42:36.719
to the same quality as the main one, the role

00:42:36.719 --> 00:42:39.579
that he's playing throughout the series. And

00:42:39.579 --> 00:42:44.179
it's just a case of him, I think, being made

00:42:44.179 --> 00:42:47.599
to overextend his talents and it not working.

00:42:47.780 --> 00:42:53.519
And it falls very, very flat as a result. I mentioned

00:42:53.519 --> 00:42:55.659
earlier on that I'm not a big fan of the 11th

00:42:55.659 --> 00:42:59.179
Doctor. The way he behaves towards Valerie in

00:42:59.179 --> 00:43:01.920
this is just the perfect example of that. I don't

00:43:01.920 --> 00:43:08.340
think he's a particularly nice person. That's

00:43:08.340 --> 00:43:10.920
sort of the point, I think, of The Eleventh Doctor

00:43:10.920 --> 00:43:13.579
and the way Stephen Moffat wrote him sometimes

00:43:13.579 --> 00:43:16.300
is that the Doctor is not a nice person. He's

00:43:16.300 --> 00:43:19.340
an alien from outer space and he's so completely

00:43:19.340 --> 00:43:22.639
different to us that it's not possible to say,

00:43:22.679 --> 00:43:25.280
oh yes, he's a nice person or he's not a nice

00:43:25.280 --> 00:43:32.900
person. But there's a callousness that's on show

00:43:32.900 --> 00:43:36.639
here that's really unlikable. And it's just not

00:43:36.639 --> 00:43:42.820
my sort of Doctor Who, I'm afraid. And it's not

00:43:42.820 --> 00:43:46.780
Jacob Dubman's fault by any means. The fault

00:43:46.780 --> 00:43:48.900
lies entirely with the decision to make him do

00:43:48.900 --> 00:43:53.579
all of these voices that he can't do to the same

00:43:53.579 --> 00:43:55.719
extent as he can do the 11th Doctor's voice.

00:43:56.349 --> 00:44:03.909
and it doesn't work, unfortunately. I think you

00:44:03.909 --> 00:44:07.309
make a very good point about Eleven not being

00:44:07.309 --> 00:44:12.869
particularly nice. I want to like the Doctor

00:44:12.869 --> 00:44:17.210
as a character through any incarnation, and I'm

00:44:17.210 --> 00:44:20.909
happy the Doctor 2 be challenging, the Doctor

00:44:20.909 --> 00:44:24.909
2 have. moral quandaries and all that kind of

00:44:24.909 --> 00:44:26.710
thing. I love the concept of the war doctor.

00:44:26.869 --> 00:44:30.670
I quite liked sort of the early Capaldi era,

00:44:30.769 --> 00:44:33.230
am I a good man, sort of soul -searching stuff.

00:44:33.289 --> 00:44:36.090
It's a shame that a lot of that never quite got

00:44:36.090 --> 00:44:39.409
developed as far as it could. But you're right,

00:44:39.530 --> 00:44:45.150
here he's just nasty. And it's perfectly believable.

00:44:45.170 --> 00:44:47.869
This is something I can see the 11th Doctor doing.

00:44:48.960 --> 00:44:51.360
But at the same time, it's not particularly something

00:44:51.360 --> 00:44:56.559
I want to see the 11th Doctor doing. Anyway,

00:44:56.619 --> 00:44:59.199
Will, what do you think of Curiosity Shop? So

00:44:59.199 --> 00:45:02.860
I think I find Curiosity Shop to probably be

00:45:02.860 --> 00:45:06.179
the most frustrating story of this run, in that

00:45:06.179 --> 00:45:07.960
there are actually a bunch of things that I like

00:45:07.960 --> 00:45:09.440
about it, but there's also a bunch of things

00:45:09.440 --> 00:45:12.539
I'm not so keen on. So I guess if I start this

00:45:12.539 --> 00:45:15.820
off that I like, so we've got a story written

00:45:15.820 --> 00:45:18.860
here by James Goss, you know, Mr Torchwood. basically

00:45:18.860 --> 00:45:21.820
at this point and i think um if you put if you

00:45:21.820 --> 00:45:23.679
wanted a story with a sort of dark oppressive

00:45:23.679 --> 00:45:25.400
tone that this has he's definitely the guy to

00:45:25.400 --> 00:45:30.619
go for it i i like sort of the evolving relationship

00:45:30.619 --> 00:45:32.480
between valerie and golas i think some of that's

00:45:32.480 --> 00:45:36.900
done pretty well and i like um some of the stuff

00:45:36.900 --> 00:45:39.239
with the way the doctor progresses in that you

00:45:39.239 --> 00:45:41.650
know we see him sort of in the background first

00:45:41.650 --> 00:45:43.389
he's not he doesn't want to get involved at all

00:45:43.389 --> 00:45:45.230
then he wants to leave it to authority and then

00:45:45.230 --> 00:45:47.670
gradually he starts trying he starts trying to

00:45:47.670 --> 00:45:50.449
help people before finally becoming himself and

00:45:50.449 --> 00:45:53.150
those little moments where so someone's doing

00:45:53.150 --> 00:45:55.630
his voice of the 11th doctor impersonating these

00:45:55.630 --> 00:45:57.590
other doctors but sometimes his 11th doctor voice

00:45:57.590 --> 00:45:59.510
will fully break through and sometimes that works

00:45:59.510 --> 00:46:04.650
really well um in terms of the stuff that i wasn't

00:46:04.650 --> 00:46:09.860
so high on um i found that so Basically, from

00:46:09.860 --> 00:46:12.599
the beginning of the story, when you hear that

00:46:12.599 --> 00:46:15.920
he's impersonating the first Doctor, you kind

00:46:15.920 --> 00:46:18.119
of know where the story is going to go. And it

00:46:18.119 --> 00:46:21.260
does just sort of go there, I think, in that

00:46:21.260 --> 00:46:23.559
you get Valerie goes to see the Doctor, Valerie

00:46:23.559 --> 00:46:25.300
goes back to see Golas, Valerie goes to see the

00:46:25.300 --> 00:46:27.860
Doctor and so on. And I think over an hour, it

00:46:27.860 --> 00:46:31.699
struggles to really hold my attention for all

00:46:31.699 --> 00:46:33.500
of that through. I think it's seven previous

00:46:33.500 --> 00:46:37.519
Doctors. And so that was one aspect. Another

00:46:37.519 --> 00:46:39.760
one, I think. connor talks about is that i think

00:46:39.760 --> 00:46:41.860
dublin's fantastic throughout this series and

00:46:41.860 --> 00:46:47.139
his 11th doctor is very very good um but he can't

00:46:47.139 --> 00:46:50.599
do that for all the doctors so his 11th the one

00:46:50.599 --> 00:46:53.420
reason his 11th doctor is so good is that he

00:46:53.420 --> 00:46:55.079
doesn't just have an 11th doctor voice he has

00:46:55.079 --> 00:46:58.260
a variety of 11th doctor voices that he can use

00:46:58.260 --> 00:47:00.679
for whatever the situation needs which really

00:47:00.679 --> 00:47:03.619
you know helps his performance whereas for these

00:47:03.619 --> 00:47:06.880
other doctors It is just a little bit of an impression

00:47:06.880 --> 00:47:09.719
and he feels a bit stretched because of it. I

00:47:09.719 --> 00:47:11.139
know they're not meant to be the actual previous

00:47:11.139 --> 00:47:16.260
doctors, but even so. And I think another point

00:47:16.260 --> 00:47:21.800
that I had with it was that I guess we follow

00:47:21.800 --> 00:47:24.860
Valerie throughout this story. And then at the

00:47:24.860 --> 00:47:26.900
end, it kind of feels like the stuff with Valerie

00:47:26.900 --> 00:47:29.480
is wrapped a bit too neatly. I know this point

00:47:29.480 --> 00:47:31.079
is a little bit moot is what we're about to talk

00:47:31.079 --> 00:47:35.440
about, but you get like. When I was re -listening

00:47:35.440 --> 00:47:38.199
to this for the podcast, it struck me that in

00:47:38.199 --> 00:47:42.139
the end, there's a bit where I think it's when

00:47:42.139 --> 00:47:44.519
Valerie's dying and the doctor starts saying

00:47:44.519 --> 00:47:46.340
something and Valerie says, it's not about you.

00:47:47.079 --> 00:47:50.380
And then in, you know, this is about me. And

00:47:50.380 --> 00:47:52.579
then in all the time and space after Ellery finds

00:47:52.579 --> 00:47:54.239
out it's not real, again, the doctor starts saying

00:47:54.239 --> 00:47:55.679
something and Valerie says, it's not about you.

00:47:56.500 --> 00:47:58.780
And then there would have been a perfect time

00:47:58.780 --> 00:48:00.579
here for Valerie to say that and she doesn't.

00:48:01.059 --> 00:48:02.840
Of course, we do get that later, but that was

00:48:02.840 --> 00:48:05.239
something that struck me. at the time when I

00:48:05.239 --> 00:48:11.139
listened to it. So yeah, overall, a bit mixed

00:48:11.139 --> 00:48:15.659
on it, but yeah, there's stuff in it that doesn't

00:48:15.659 --> 00:48:19.059
quite work for me. And considering we're two

00:48:19.059 --> 00:48:22.780
full sets in here, to have only one story that

00:48:22.780 --> 00:48:26.579
we've not all just completely raved about effectively

00:48:26.579 --> 00:48:30.119
is still a damn good achievement. The hit rate

00:48:30.119 --> 00:48:35.489
of this series is very, very good. So we're definitely

00:48:35.489 --> 00:48:38.469
allowed to have one that we're not so keen on.

00:48:40.429 --> 00:48:45.090
The one thing I can say about this is it's still

00:48:45.090 --> 00:48:47.590
doing something conceptual. It's still an idea.

00:48:47.949 --> 00:48:53.730
It's not, you know, generic of the Daleks. You

00:48:53.730 --> 00:48:56.010
know, it's not a story that we've heard an awful

00:48:56.010 --> 00:48:58.650
lot of before. So it gets points for that, I

00:48:58.650 --> 00:49:05.719
guess. And this next story that we've got to

00:49:05.719 --> 00:49:06.980
discuss, the last one we're going to discuss

00:49:06.980 --> 00:49:09.639
today, Broken Hearts, it's kind of interesting

00:49:09.639 --> 00:49:14.179
how this one came about because obviously it

00:49:14.179 --> 00:49:17.179
wasn't part of the original plan. It wasn't released

00:49:17.179 --> 00:49:19.179
as one of the sets. I believe it was recorded

00:49:19.179 --> 00:49:21.159
last. It was recorded after the rest of the series

00:49:21.159 --> 00:49:23.480
over and done with. Although if either of you

00:49:23.480 --> 00:49:26.079
know better, please do tell me I'm wrong. No,

00:49:26.119 --> 00:49:29.000
you're correct. It was. Yeah. Okay. Thought it

00:49:29.000 --> 00:49:35.170
was. And it does kind of answer what happens

00:49:35.170 --> 00:49:37.070
in this story, because this story kind of leaves

00:49:37.070 --> 00:49:39.650
a lot of stuff unsaid. And it would have been

00:49:39.650 --> 00:49:44.090
exceptionally jarring to go from Curiosity Shot

00:49:44.090 --> 00:49:48.730
to Spirit of the Season. So I'm very glad that

00:49:48.730 --> 00:49:53.110
Broken Hearts exists. So it's an absolutely cracking,

00:49:53.309 --> 00:49:58.349
more or less two -hander. Really does kind of

00:49:58.349 --> 00:50:01.059
explore... that idea that connor was discussing

00:50:01.059 --> 00:50:04.159
of the 11th doctor not being particularly nice

00:50:04.159 --> 00:50:09.780
and you know valerie genuinely sort of has enough

00:50:09.780 --> 00:50:11.920
of him at this point she's like i'm not doing

00:50:11.920 --> 00:50:14.559
this anymore you're horrible go away leave me

00:50:14.559 --> 00:50:18.340
alone um and it's a shame we never got something

00:50:18.340 --> 00:50:21.699
like this on telly because it's it's a great

00:50:21.699 --> 00:50:25.079
idea and you know the 11th doctor deliberately

00:50:26.500 --> 00:50:29.440
destroys amy's faith in him and we don't get

00:50:29.440 --> 00:50:31.820
a reaction like this and i wish we had i actually

00:50:31.820 --> 00:50:36.239
wish we'd have had that just outright fury um

00:50:36.239 --> 00:50:40.219
and it's it's really really well done here and

00:50:40.219 --> 00:50:43.980
if nothing else this episode is absolutely a

00:50:43.980 --> 00:50:46.719
testament to just how damn good these two leads

00:50:46.719 --> 00:50:51.539
are um just brilliant stuff uh so connor talk

00:50:51.539 --> 00:50:55.250
to us about broken hearts I think it's fair to

00:50:55.250 --> 00:50:58.530
say that certainly from the perspective of how

00:50:58.530 --> 00:51:00.769
it impacts the Doctor and Valerie's relationship

00:51:00.769 --> 00:51:03.070
for the rest of the series, it's the most important

00:51:03.070 --> 00:51:06.710
episode of the whole run, certainly to my mind,

00:51:06.769 --> 00:51:10.769
and I found it really difficult to listen to

00:51:10.769 --> 00:51:13.250
the later sets, and particularly there's times

00:51:13.250 --> 00:51:15.909
towards the end when things are getting apocalyptic

00:51:15.909 --> 00:51:20.690
and the Doctor's not quite living up to what

00:51:20.690 --> 00:51:24.619
he should be. And Valerie's getting really cross

00:51:24.619 --> 00:51:26.820
and annoyed with him. I find it really hard not

00:51:26.820 --> 00:51:29.900
to look back at Broken Hearts. And that sort

00:51:29.900 --> 00:51:32.280
of colours their interactions for the rest of

00:51:32.280 --> 00:51:39.320
the series for me. As I've said, I'm not a big

00:51:39.320 --> 00:51:41.900
fan of The Eleventh Doctor. And I've sort of

00:51:41.900 --> 00:51:44.079
given the reasons for that in that. And certainly

00:51:44.079 --> 00:51:46.139
on display in Curiosity Shop, I think there's

00:51:46.139 --> 00:51:51.150
a nastiness there. that Curiosity Shop puts on

00:51:51.150 --> 00:51:54.250
full show. I like this story a lot because there

00:51:54.250 --> 00:51:59.190
are consequences for that. And it's Valerie taking

00:51:59.190 --> 00:52:04.650
the doctor fully to task for the way he treated

00:52:04.650 --> 00:52:07.050
her. And he absolutely deserves it. And there's

00:52:07.050 --> 00:52:10.809
no beating around that bush. The way he behaves

00:52:10.809 --> 00:52:14.250
towards her in Curiosity Shop is absolutely appalling.

00:52:14.780 --> 00:52:18.820
and this is the consequences, and he completely

00:52:18.820 --> 00:52:22.000
and utterly deserves it. Dodman's performance

00:52:22.000 --> 00:52:30.480
is fantastic. There's a bit in this where I think

00:52:30.480 --> 00:52:33.039
Valerie says, I wish you were dead, and he says

00:52:33.039 --> 00:52:35.619
something along the lines of, yes, so do I. And

00:52:35.619 --> 00:52:38.260
you can feel his heart, the Doctor's two hearts

00:52:38.260 --> 00:52:42.070
breaking, and yours along with it. It's absolute

00:52:42.070 --> 00:52:44.610
rock bottom for the Doctor. I cannot think of

00:52:44.610 --> 00:52:52.250
a time when the Doctor was lower. And he has

00:52:52.250 --> 00:52:55.230
no one to blame in this but himself because the

00:52:55.230 --> 00:52:57.090
way he treated Valerie before was appalling.

00:52:57.250 --> 00:52:59.730
It was such a necessary story after Curiosity

00:52:59.730 --> 00:53:03.750
Shop and I'm glad that they went back and did

00:53:03.750 --> 00:53:05.989
it. It would have felt very strange going straight

00:53:05.989 --> 00:53:09.179
from this into the next story without. or going

00:53:09.179 --> 00:53:11.599
from Curiosity Shop into the next story without

00:53:11.599 --> 00:53:15.260
some sort of acknowledgement. So I'm very, very

00:53:15.260 --> 00:53:18.239
glad that they did this. Yeah, considering it

00:53:18.239 --> 00:53:21.199
was, I don't want to say thrown together, but

00:53:21.199 --> 00:53:27.840
it certainly was sort of done last. It really

00:53:27.840 --> 00:53:29.800
does have an impact on the whole series and I

00:53:29.800 --> 00:53:31.659
can't imagine the rest of the series without

00:53:31.659 --> 00:53:35.670
it being there. One day... I might actually listen

00:53:35.670 --> 00:53:37.690
to the whole run without it and just see if it

00:53:37.690 --> 00:53:40.170
works, if it works the same way and all that

00:53:40.170 --> 00:53:44.010
kind of thing. But yeah, it's a really, really

00:53:44.010 --> 00:53:47.230
significant episode considering it was not meant

00:53:47.230 --> 00:53:49.989
to exist. Will, what are your thoughts on it?

00:53:50.050 --> 00:53:51.909
You said this was your favourite, so go ahead.

00:53:52.550 --> 00:53:54.829
So you can probably guess some of my thoughts

00:53:54.829 --> 00:53:58.130
on it. So I remember when this was announced,

00:53:58.670 --> 00:54:02.010
Lisa McMullen did a big sort of thread on what

00:54:02.010 --> 00:54:04.539
was then Twitter. sort of explaining why she

00:54:04.539 --> 00:54:06.980
wanted to write it, and she did various interviews

00:54:06.980 --> 00:54:08.980
and said, like, if people don't like it, she'll

00:54:08.980 --> 00:54:10.980
give a refund and whatever. And you can risk,

00:54:11.000 --> 00:54:14.219
I think, overhyping it, but luckily, in this

00:54:14.219 --> 00:54:17.039
case, this is fantastic, I thought. I just thought

00:54:17.039 --> 00:54:18.900
this is just such an excellent character piece.

00:54:20.519 --> 00:54:26.440
I think McMullin really dives down into who the

00:54:26.440 --> 00:54:32.210
11th Doctor is here. Like, when he's... he's

00:54:32.210 --> 00:54:35.489
facing this conflict and at first his impression

00:54:35.489 --> 00:54:38.050
is that to treat it with humour he starts making

00:54:38.050 --> 00:54:40.190
jokes and Valerie's not having it and then he

00:54:40.190 --> 00:54:42.289
becomes a bit self -pitying and self -effacing

00:54:42.289 --> 00:54:44.449
and Valerie's not having that either and then

00:54:44.449 --> 00:54:47.309
he gets angry and then gradually he sort of peels

00:54:47.309 --> 00:54:51.809
through the layers to find someone who like desperately

00:54:51.809 --> 00:54:54.050
doesn't want to hurt people but is absolutely

00:54:54.050 --> 00:54:57.130
capable of it and I think Dougman also performs

00:54:57.130 --> 00:55:02.429
this throughout just excellently and It also

00:55:02.429 --> 00:55:05.329
ties into this sort of the Moffat idea from this

00:55:05.329 --> 00:55:08.170
time that the doctor isn't incapable of being

00:55:08.170 --> 00:55:10.570
cruel or cowardly or actually perfectly capable

00:55:10.570 --> 00:55:13.210
of it, but they strive not to do that. And it's

00:55:13.210 --> 00:55:17.010
I think it tackles it really well. The scene

00:55:17.010 --> 00:55:19.869
where I really loved, I know Conrad already mentioned

00:55:19.869 --> 00:55:21.690
the scene I really loved as well, is the bit

00:55:21.690 --> 00:55:25.110
where we sort of go back to House of Masks and

00:55:25.110 --> 00:55:28.610
Valerie asks the doctor how many people he's

00:55:28.610 --> 00:55:30.769
killed. not including the time war because they've

00:55:30.769 --> 00:55:32.530
already spoken about that and that it was like

00:55:32.530 --> 00:55:36.369
necessary evil and things and uh but how many

00:55:36.369 --> 00:55:37.869
people has he killed if you don't include that

00:55:37.869 --> 00:55:40.510
and the doctor is trying to sort of ostensibly

00:55:40.510 --> 00:55:42.570
calm valerie down but in reality keep himself

00:55:42.570 --> 00:55:46.670
calm because of the you know the um weaponized

00:55:46.670 --> 00:55:48.809
weather that's coming which also by the way is

00:55:48.809 --> 00:55:50.630
just such an excellent idea especially for a

00:55:50.630 --> 00:55:53.489
story like this and then he does snap and uh

00:55:53.489 --> 00:55:55.329
you know he says he's killed too many people

00:55:55.329 --> 00:55:57.789
and he can remember all of it and i i thought

00:55:58.300 --> 00:56:00.539
That whole scene was just great. There's a great

00:56:00.539 --> 00:56:03.739
sort of emotional climax in the story and Dortmund

00:56:03.739 --> 00:56:06.519
performs it brilliantly. It's one of his best

00:56:06.519 --> 00:56:08.659
moments, I think I've heard him do at Big Finish.

00:56:08.900 --> 00:56:13.300
And I remember I watched, I listened to this

00:56:13.300 --> 00:56:16.679
story while out on a walk. And I actually, when

00:56:16.679 --> 00:56:18.719
I got back, I came in through the door and I

00:56:18.719 --> 00:56:20.199
went, sat on the stairs and I listened to that

00:56:20.199 --> 00:56:21.519
scene again because I just thought it was done

00:56:21.519 --> 00:56:25.500
so brilliantly. And then I haven't even talked

00:56:25.500 --> 00:56:27.360
about the stuff with the robots, which again.

00:56:27.840 --> 00:56:31.420
i just really enjoyed it it ends up being uh

00:56:31.420 --> 00:56:33.960
actually quite heartbreaking which is potentially

00:56:33.960 --> 00:56:35.360
what you wouldn't expect with these two robots

00:56:35.360 --> 00:56:40.400
talking and just seeing them sort of become more

00:56:40.400 --> 00:56:43.000
alive i suppose the story goes through and develop

00:56:43.000 --> 00:56:46.639
the relationship and i think uh the way it all

00:56:46.639 --> 00:56:49.099
comes together at the end is just such a great

00:56:49.099 --> 00:56:52.300
exploration and yeah and um i think you mentioned

00:56:52.300 --> 00:56:54.679
it as well they're talking about the doctor and

00:56:54.679 --> 00:56:57.340
amy but you do start to think about Or are there

00:56:57.340 --> 00:56:59.940
things you could do this type of thing in other

00:56:59.940 --> 00:57:02.480
eras, like the Seventh Doctor and Ace after Curse

00:57:02.480 --> 00:57:05.559
of Fenric or something? It's just such a great

00:57:05.559 --> 00:57:09.960
idea and done very well. Yeah, it's a really

00:57:09.960 --> 00:57:13.579
simple story. I'm assuming it's done on the minimalist

00:57:13.579 --> 00:57:15.800
of big Finnish budgets there's ever been, but

00:57:15.800 --> 00:57:22.230
it's just so powerful and effective. I really

00:57:22.230 --> 00:57:24.949
do think this series needed it. The series was

00:57:24.949 --> 00:57:28.030
going very well, but it needed this, and it really

00:57:28.030 --> 00:57:32.289
gives us sort of a big moment, pretty much slap

00:57:32.289 --> 00:57:36.289
bang in the middle. And it also meant they kind

00:57:36.289 --> 00:57:39.170
of got to ape the format of Series 7 by having

00:57:39.170 --> 00:57:41.750
an individual special slap bang in the middle,

00:57:41.809 --> 00:57:46.570
so nice coincidence there as well. So that's

00:57:46.570 --> 00:57:50.250
our first... two sets and the bonus extra little

00:57:50.250 --> 00:57:53.469
bit done. So we'll come back another time in

00:57:53.469 --> 00:57:55.030
another episode and we'll discuss the second

00:57:55.030 --> 00:57:57.269
half of this series and, you know, head into

00:57:57.269 --> 00:58:00.650
that big Daliki finale that I just think works

00:58:00.650 --> 00:58:06.070
brilliantly. But I've really enjoyed just chatting

00:58:06.070 --> 00:58:10.050
about this so far and it feels like we've covered

00:58:10.050 --> 00:58:14.110
sort of two distinct mini, I guess, phases of

00:58:14.110 --> 00:58:16.449
this era. You know, there's... There's the bit

00:58:16.449 --> 00:58:18.510
that builds up the Doctor and Valerie's relationship,

00:58:18.630 --> 00:58:21.409
and then there's the bit that breaks it down.

00:58:21.769 --> 00:58:25.030
And it feels like we've gone through pretty much

00:58:25.030 --> 00:58:28.590
a whole arc with these characters already. So

00:58:28.590 --> 00:58:31.110
we shall leave it there. We will be back for

00:58:31.110 --> 00:58:34.889
part two of these 11th Doctor Chronicles Series

00:58:34.889 --> 00:58:37.730
7V. I'm sticking with that, Series 7V. It works.

00:58:38.909 --> 00:58:42.090
So I will say a huge thank you and goodbye to

00:58:42.090 --> 00:58:46.320
Connor. Thank you very much. And a huge thank

00:58:46.320 --> 00:58:49.880
you and goodbye to Will. Thanks very much, and

00:58:49.880 --> 00:58:53.280
ta -ra. And it has been good to have you on at

00:58:53.280 --> 00:59:00.320
long last. Yes, it's been good to be on. We'll

00:59:00.320 --> 00:59:02.800
definitely do more. At least come back for part

00:59:02.800 --> 00:59:06.739
two. Yes, I promise I will, yeah. That's the

00:59:06.739 --> 00:59:10.960
plan. But we'll leave it there, and we'll be

00:59:10.960 --> 00:59:12.920
back with more Spodcasting very soon. Goodbye

00:59:12.920 --> 00:59:13.099
now.
